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Search Term: July 1959

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    Image Number: BHA00010_7
    Title: Native By Mistake
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:POLITICS:APARTHEID:DRUM JULY 1956 Ð A Native by Mistake Ð Mr. Holyoake, the coloured who was classified as a ÔÕNative, Ò has won his appeal. Is Coloured again. Thomas Holyoake, of Alexandra, reads order which reclassified him as a coloured. The Holyoake Children even attend a school for Coloureds exclusively. His wife looks on. From the end of last year the coloureds have been harassed by the need for the reclassification of their racial status in terms of the population Registration Act of 1950. To be reclassified as an African could, everybody understood only too well, mean a whole new train of daily embarrassments and disabilities, but hundreds of Coloureds went over to the Native Affairs Department and there cam up grim stories of comb and pencil tests, nose and ear inspections and of people being summarily classified as African. It seemed that the whole process was pretty cursory and foregone. Of course, most of those grim stories were strenuously denied by the Governme
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4784 x 4662
    Media Id: 69_567
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Africa, horizontal, colour image , square, black and white image, Drum Magazine, historical value, socials, history, Coloured family, standing, low angle shot, Coloured children, family group, outside house, dressed smartly, 1950s, Drum Photographer, July 1959, 1956,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_10
    Title: b1959_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð Efena, another daughter of Mr. Ratlou, took her child to Mrs. Rademeyer when it was ill. She says Mrs. Rademeyer burnt some white powder and then listened to a horn. She was told that she Ð not her daughter Ð was sick. (Photograph by Peter Magubane ©Baileys Archives) Neg 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3890 x 5892
    Media Id: 69_720
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, Africa, South Africa, 1950s, black African woman, carrying baby on back, blanket, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_11
    Title: b1959_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: JULY 1959 Ð WITCHCRAFT. SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð Asegaai Molifo and his wife were among those accused of the murder of an elderely white man, Mr. Van der Berg. Asegaai had to sell some of his cattle to get a lawyer. He plans to leave the area. ThereÕs a hunt for witches around the little Transvaal town of Bronkhorstspruit. People are scared. First three little kids vanished from their parentsÕhuts. No sign of them although the parents looked and looked, and whole villages helped. Gone. (Photograph by Peter Magubane ©Baileys Archives) Neg 9
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5772 x 3890
    Media Id: 70_83
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, horizontal, Bronkhorstspruit, Gauteng, black African people, sickles, dry grass, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_6
    Title: Witchcraft
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð The wives of Frans Makoe prefer not to answer questions about their husband, also acquitted after being charged in Van der Berg murder. Makoe spent six months awaiting trial. .Ó First three little kids vanished from their parentsÕhuts. No sign of them although the parents looked and looked, and whole villages helped. Gone. (Photograph by Peter Magubane ©Baileys Archives) Neg 4
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5805 x 3938
    Media Id: 69_436
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, horizontal, July, 1959, 1950s, black African women, black African children, rural areas, wives, witchcraft, Frans Makoe , Peter Magubane,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_7
    Title: b1959_40
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð And what do the bones reveal? Blouberg Bapole consulted the bones when a neighbourÕs child vanished. The bones ÒpointedÓ at someone, but the ÒsuspectÓ shown by the bones was later acquitted. Man, you canÕt even trust the bones nowadays! (Photograph by Peter Magubane ©Baileys Archives) Neg 40
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3889 x 5925
    Media Id: 69_234
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, Drum Magazine, July, 1959, 1950s, diviners, male diviner, black African man, African woman, throwing bones, reading bones, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_8
    Title: b1959_23
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð Amos Ratlou: ÒWhen my grandchild was ill, I paid first with a goat, then two pigs, and later two donkeys. But the child did not improve. I also paid Mrs. Rademeyer 5s. for the bones.Ó First three little kids vanished from their parentsÕhuts. No sign of them although the parents looked and looked, and whole villages helped. Gone. (Photograph by Peter Magubane ©Baileys Archives) Neg 23
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3890 x 5903
    Media Id: 69_415
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, vertical, July, 1959, 1950s, black African man, pointing, overalls, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_9
    Title: Rebecca Ratlou - Witchcraft
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð Rebecca Ratlou: ÒMy father paid two pigs for my treatment. I gave birth to a child two months premature. She did not live.Ó People are scared. First three little kids vanished from their parentsÕhuts. No sign of them although the parents looked and looked, and whole villages helped. Gone. (Photograph by Peter Magubane ©Baileys Archives) Neg 13
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3890 x 5903
    Media Id: 69_251
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, Drum Magazine, July, 1959, witches - African religion, Peter Magubane, social, witchcraft, woman, July 1959, Rebecca Ratlou, dread land,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_11.tif
    Title: Asegaai Molifo - Withcraft
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053052:SAED:SOCIAL:WITCHCRAFT: JUL 1959 – Folk live in dread in the land of witchcraft – Asegaai Molifo and his wife were among those accused of the murder of an elderely white man, Mr. Van der Berg. Asegaai had to sell some of his cattle to get a lawyer. He plans to leave the area. There’s a hunt for witches around the little Transvaal town of Bronkhorstspruit. People are scared. First three little kids vanished from their parents’huts. No sign of them although the parents looked and looked, and whole villages helped. Gone. (Photograph by Peter Magubane ©BAHA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5772 x 3890
    Media Id: 127_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, witchcraft, July 1959, African man, Asegaai Molifo, wife, African woman, Bronkhorstspruit, Peter Magubane, social, villages, vanished, African magic, 1950s, July, 1959, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_7.tif
    Title: withchdoctor or Herbalist
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053054:SAED:SOCIAL:WITCHCRAFT:JUL 1959– Folk live in dread in the land of witchcraft – And what do the bones reveal? Blouberg Bapole consulted the bones when a neighbour’s child vanished. The bones “pointed” at someone, but the “suspect” shown by the bones was later acquitted. Man, you can’t even trust the bones nowadays! (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3889 x 5925
    Media Id: 128_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, witchcraft, herbalist, bones, Blouberg Bapole, Peter Magubane, July 1959, 1959, black, african, culture, tradition,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_9.tif
    Title: Rebecca Ratlou - Witchcraft
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053056:SAED:SOCIAL:WITCHCRAFT:JUL 1959– Folk live in dread in the land of witchcraft – Rebecca Ratlou: “My father paid two pigs for my treatment. I gave birth to a child two months premature. She did not live.” People are scared. First three little kids vanished from their parents’huts. No sign of them although the parents looked and looked, and whole villages helped. Gone.(Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3890 x 5903
    Media Id: 127_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, witchcraft, July 1959, 1959, pigs, treatment, Peter Magubane, woman, treatment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0055_001.tif
    Title: Michael Blundell formed the New Kenya Group
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082603:EAED:POLITICS:PERSONALITIES:JUL 1959 - Has The Time Come For An "All-Race" Party? - Michael Blundell formed the New Kenya Group to pursue gradual reform. There are two groups which claim to have a non-racial approach to the country's problems - Michael Blundell's New Kenya Group (NKG) and the Constituency Elected Members Organisation (CEMO). But many people, Black, Brown, White, feel that they do not go far enough. They say Kenya needs a political party with a bold, democratic policy, a party open to all who believe in freedom. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2502 x 4008
    Media Id: 132_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Kenya, Drum Magazine, July 1959, 1959, all race, party, Michael Blundell, New Kenya group, NKG, CEMO, Drum Photographer, suit, tie, office, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0072_017.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102309:SAED:POLITICS:WOMEN:PERSONALITIES:1959 - South Africa Saddest Family - Mrs. Nellie Baartman pictured at her Worcester, Cape home without her husband Ben Baartman banished to Zululand - but her with her children, Fini, Sidwell (baby) and Joyce. In July 1959 the Government banished Ben Baartman from his home in the Kwezi Location, near Worcester, to Ingwavuma, a remote part of Natal, near Swaziland. (Photograph by Halim ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 4830 x 3642
    Media Id: 141_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0226_004.tif
    Title: Sonny Pillay and Miriam Makeba were the black glamour couple of the 1950s
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011041207:GCP:MUSIC:PERSONALITIES:5JUL 1959 - Sonny Pillay and Miriam Makeba were the black glamour couple of the 1950s and part of the King Kong musical cast that went to London. Now based in New York, Pillay a singer, composer and author has written a book called 'Shadow people' detailing his experiences before leaving South Africa. (Photograph by Ranjith Kally ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4789 x 4822
    Media Id: 779_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, Music, July 1959, July, 1959, Sonny Pillay, Miriam Makeba, couple, sitting, drinking, Makeba, Pillay, composer, author, musician, New York, Indian man, African woman, Indians, Ranjith Kally, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000121805
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000121805:SAED:STORY:SOCIAL:JUL1959 - Potgiter's Farm: The Man Who Got Away - (Photograph by Peter Magubane and Baileys Archives)apartheid, crime, labour, farm
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1674 x 2178
    Media Id: 75_187
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: farm labour, Drum Magazine, South African history, Africa, South Africa, vertical, articles, black and white image, child labour, children, July, 1959, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000121805
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000121805:SAED:STORY:SOCIAL:JUL1959 - Potgiter's Farm: The Man Who Got Away - (Photograph by Peter Magubane and Baileys Archives)apartheid, crime, labour, farm
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1674 x 2178
    Media Id: 23_560
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: farm labour, Drum Magazine, South African history, Africa, South Africa, vertical, articles, black and white image, child labour, children, July, 1959, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000121806
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000121806:SAED:STORY:SOCIAL:JUL1959 - Potgieter's Farm: The Man Who Got Away - (Photograph by Peter Magubane and Baileys Archives) crime, labour, apartheid, farm
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1665 x 2164
    Media Id: 19_707
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: farm labour, Drum Magazine, South African history, Africa, South Africa, vertical, articles, black and white image, child labour, children, July, 1959, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000121806
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000121806:SAED:STORY:SOCIAL:JUL1959 - Potgieter's Farm: The Man Who Got Away - (Photograph by Peter Magubane and Baileys Archives) crime, labour, apartheid, farm
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1665 x 2164
    Media Id: 75_67
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: farm labour, Drum Magazine, South African history, Africa, South Africa, vertical, articles, black and white image, child labour, children, July, 1959, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001050411
    Title: Sonny Pillay Tells How He Wooed And Won His Miriam
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001050411:GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, porpulary known as Sonny Pillay, saw on stage Miriam Makeba. "I first met her after I had heard her sing in a combined show, African Jazz, specially arranged for the violinist Yehudi Menuhi in Johannesburg," said Sonny. Later in 1957, Miriam joined African Jazz, and we were able to see more of each other. Our friendship and love is great. (Photograph by Drum Photograph Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1920 x 1903
    Media Id: 70_280
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: portrait, July, head and shoulders, Drum Magazine, South Africa, Africa, South African history, black and white image, Miriam Makeba, square, Shunmunga Athappa Pillay (aka Sonny Pillay), 1959, 1950s, African Jazz, love, Indian man, Drum Photographer, GCP, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001050810
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001050810:GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, porpulary known as Sonny Pillay, saw on stage Miriam Makeba. "I first met her after I had heard her sing in a combined show, African Jazz, specially arranged for the violinist Yehudi Menuhi in Johannesburg," said Sonny. Later in 1957, Miriam joined African Jazz, and we were able to see more of each other. Our friendship and love is great. (Photograph by Drum Photograph Baileys Archives) :GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, por
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1870
    Media Id: 69_797
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, July, South African history, black and white image, personality, square, African Jazz, 1959, Miriam Makeba, vocalists, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001050811
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001050811:GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, porpulary known as Sonny Pillay, saw on stage Miriam Makeba. "I first met her after I had heard her sing in a combined show, African Jazz, specially arranged for the violinist Yehudi Menuhi in Johannesburg," said Sonny. Later in 1957, Miriam joined African Jazz, and we were able to see more of each other. Our friendship and love is great. (Photograph by Drum Photograph Baileys Archives) :GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, por
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1870
    Media Id: 70_270
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Miriam Makeba, South African history, black and white image, 1959, square, July, Sonny Pillay, jazz, vocalists, African Jazz, personality, black African woman, Indian man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001050812
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001050812:GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, porpulary known as Sonny Pillay, saw on stage Miriam Makeba. "I first met her after I had heard her sing in a combined show, African Jazz, specially arranged for the violinist Yehudi Menuhi in Johannesburg," said Sonny. Later in 1957, Miriam joined African Jazz, and we were able to see more of each other. Our friendship and love is great. (Photograph by Drum Photograph Baileys Archives) :GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, por
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 1920 x 1870
    Media Id: 69_207
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1959, square, July, personality, Miriam Makeba, jazz, vocalists, African Jazz, Sonny Pillay, black African woman, Indian man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001050813
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001050813:GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, porpulary known as Sonny Pillay, saw on stage Miriam Makeba. "I first met her after I had heard her sing in a combined show, African Jazz, specially arranged for the violinist Yehudi Menuhi in Johannesburg," said Sonny. Later in 1957, Miriam joined African Jazz, and we were able to see more of each other. Our friendship and love is great. (Photograph by Drum Photograph Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1910
    Media Id: 69_449
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Sonny Pillay, Drum Magazine, South Africa, Miriam Makeba, South African history, black and white image, 1959, square, July, African Jazz, jazz, vocalists, personality, black African woman, Indian man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001050814
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001050814:GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, porpulary known as Sonny Pillay, saw on stage Miriam Makeba. "I first met her after I had heard her sing in a combined show, African Jazz, specially arranged for the violinist Yehudi Menuhi in Johannesburg," said Sonny. Later in 1957, Miriam joined African Jazz, and we were able to see more of each other. Our friendship and love is great. (Photograph by Drum Photograph Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 1910 x 1880
    Media Id: 69_419
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Miriam Makeba, South African history, black and white image, 1959, square, July, jazz, vocalists, personality, black African woman, African Jazz, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001071205
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001071205:SAED:SOCIAL:RELIGION:JUL1959 - The Church moves into Politics - Men of God call recent Government acts immoral. African churchmen, ministers from all over the country showed a new fighting spirit when they met recently for conferece in Vereeniging. It was not solemn ecclesiastical affairs that worried them, but acts of Government. And from these talks emerged a cry that is being carried far: "We must lead the people." Story by: Matthew Nkoana. (Photograph by Peter Magubane BAHA) ) Sharpeville, Vereeniging
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3891 x 2659
    Media Id: 42_586
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, July, religion, politics, 1959, 1950s, protests, apartheid, ministers of religion, talking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001071206
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001071206:SAED:SOCIAL:RELIGION:JUL1959 - The Church moves into Politics - Men of God call recent Government acts immoral. African churchmen, ministers from all over the country showed a new fighting spirit when they met recently for conferece in Vereeniging. It was not solemn ecclesiastical affairs that worried them, but acts of Government. And from these talks emerged a cry that is being carried far: "We must lead the people." Story by: Matthew Nkoana. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4036 x 2599
    Media Id: 44_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: July, religion, Drum Magazine, South Africa, South African history, black and white image, horizontal, politics, 1959, 1950s, protests, apartheid, ministers of religion, talking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2003060201
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2003060201:SAED:SOCIAL:POLITICS:PERSONALITY:JUL1959 - Freedom In The Air - ... Luthuli the peasant farmer. Chief Albert Luthuli, President General of the African National Congress, is banned again. The government has sent him to a little farm, in exile. But the Chief predicts that the government will be out before his five-year ban ends, and he plans boldly now for the time when discrimination will end, and all people of South Africa will be able to live together happily, without fear. (Photographs by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3060 x 1969
    Media Id: 43_254
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, July, 1959, 1950s, Albert Luthuli, President-General, African National Congress, rural, black African woman, black African man, farming, farmer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004083101
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083101:SAED:MUSIC:PERSONALITY:5JUL1959 - Sonny's Off - Sonny Pillay's relatives and Miriam Makeba at Jan Smuts airport as her husband of two weeks hoarded a plane for London. (Photograph by Drum Photograph BAHA) Peter Magubane, Shunna Pillay
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2960 x 2000
    Media Id: 42_917
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, July, personality, music, 1959, Sonny Pillay, Miriam Makeba, Johannesburg, vocalists, jazz, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004083102
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083102:SAED:MUSIC:PERSONALITY:5JUL1959 - Sonny's Off - Sonny Pillay's relatives and Miriam Makeba at Jan Smuts airport as her husband of two weeks hoarded a plane for London. (Photograph by Drum Photograph BAHA) Shunna Pillay
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2976 x 1929
    Media Id: 43_1334
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: July, Drum Magazine, South Africa, South African history, black and white image, horizontal, personality, music, 1959, Sonny Pillay, Miriam Makeba, Johannesburg, vocalists, jazz, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004083103
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083103:SAED:MUSIC:PERSONALITY:5JUL1959 - Sonny's Off - Sonny Pillay's relatives and Miriam Makeba at Jan Smuts airport as her husband of two weeks hoarded a plane for London. (Photograph by Drum Photograph BAHA) Shunna Pillay
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3000 x 1960
    Media Id: 43_1013
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: July, personality, Drum Magazine, South Africa, music, South African history, black and white image, horizontal, 1959, Sonny Pillay, Miriam Makeba, Johannesburg, vocalists, jazz, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004090108
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090108:SAED:MUSIC:PERSONALITY:5JUL1959 - Sonny's Off - Sonny Pillay's relatives and Miriam Makeba at Jan Smuts airport as her husband of two weeks hoarded a plane for London. (Photograph by Drum Photograph BAHA) Abegail Kubeka
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2960 x 2000
    Media Id: 43_1244
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1950s, 1959, July, South Africa, Drum Magazine, Africa, South African history, black and white image, horizontal, Miriam Makeba, Sonny Pillay, Johannesburg International Airport, family, black African men, black African women, Indian man, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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