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Search Term: beer

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    Image Number: BHA0034_1.tif
    Title: BEER-UTIFUL!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060508:EAED:SOCIAL:BEAUTIES:PERSONALITIES:MAR 1962 Beer-Utiful! Hold your breath, boys the frothiest half-pint ever. Loveliest barmaid south of the line in the expertsopinion is this little lady name of Espinah Phiri, she serves the Copperbelts frothiest half-pint (you may say thats what she herself) at the Bwacha Hotel, Kitwe. Shes 22 and shes been Miss Kitwe, Miss Copperbelt (1957), Miss Northern Rhodesia, Miss Ndola, and runner-up to Miss Central Africa 1961. Shes in the current Miss Central Africa Competition. Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: portrait
    Pixel Size: 1792 x 5716
    Media Id: 178_24
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0034_8.tif
    Title: BEER-UTIFUL!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060507:EAED:SOCIAL:BEAUTIES:PERSONALITIES:MAR 1962 Beer-Utiful! Mr Chazah Salesman in which she nearly got into his beer. Loveliest barmaid south of the line in the expertsopinion is this little lady name of Espinah Phiri. She serves the Copperbelts frothiest half-pint (you may say thats what she herself) at the Bwacha Hotel, Kitwe. Shes 22 and shes been Miss Kitwe, Miss Copperbelt (1957), Miss Northern Rhodesia, Miss Ndola, and runner-up to Miss Central Africa 1961. Shes in the current Miss Central Africa Competition. Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: portrait
    Pixel Size: 2346 x 3611
    Media Id: 178_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0035_1.tif
    Title: BEER-UTIFUL!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060506:EAED:SOCIAL:BEAUTIES:PERSONALITIES:MAR 1962 Beer-Utiful! Hold your breath, boys the frothiest half-pint ever. Loveliest barmaid south of the line in the expertsopinion is this little lady name of Espinah Phiri, Gents quaffing beer with her are Mr. Abiah Chazah (with moustache) and Mr. George Langtron - both Salesmen. She serves the Copperbelts frothiest half-pint (you may say thats what she herself) at the Bwacha Hotel, Kitwe. Shes 22 and shes been Miss Kitwe, Miss Copperbelt (1957), Miss Northern Rhodesia, Miss Ndola, and runner-up to Miss Central Africa 1961. Shes in the current Miss Central Africa Competition. Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: portrait
    Pixel Size: 2334 x 3592
    Media Id: 182_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0052_014.tif
    Title: Maud John Wiggles Over The Border
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008091701:EAED:TRANSPORT:PERSONALITIES:JUL 1964 - Maud John Wiggles Over The Border - Maud John she wiggles in time to her words. The bus carries one sputnika real dynamite doll called Maud John, who is returning home after two celebarated years brightening the social life of Lusaka. She has a bottle of gin and a pretty basket full of beer. she is very popular. She is dressed in Congolese clothes, which should make a spectacular scene in her hometown, Que Que. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Orientation: portrait
    Pixel Size: 2242 x 5592
    Media Id: 135_36
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0054_016.tif
    Title: 'It Kicks You Drunk Before You Start Drinking'
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008092303:EAED:SOCIAL:BOOZE:JUL 1966 - 'It Kicks You Drunk Before You Start Drinking' . The people seem to prefer the people's pubs. On my right a violent crescendo rose and a man in dark suit glasses (mind you, it was midnight) was poking fun at a blond-haired pal of his. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5920 x 4304
    Media Id: 143_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Drum Magazine, July 1966, 1966, July, Drunk, liquor, drinking, beer, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0063_010.tif
    Title: Historic "drink-in" With That Legal Home Brew
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103019:SAED:SOCIAL:SHEBEENS:PERSONALITIES:SEP 1967 - Historic "drink-in" With That Legal Home Brew - A woman making legal home brew. Writer Zeke Mphahlele (ex-Drum) has raised quite a storm overseas by saying there is no writing that is truly, completely African. The reason, he explains, is that the "Negro in Africa is the meeting point of Europe and Africa". The trouble with controversies is that they are inclined to snowball. And that just what happened at a Diepkloof "drink-in" the other day when a worthy gentleman, taking up where Zeke left off, suggested that if there was on such thing as African writing then there was no such thing as African drink. It's legal to brew one's own beer now and it's cheaper. Someone also said it was safer, recalling one or two incidents outside beerhalls. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2576 x 4203
    Media Id: 139_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0063_011.tif
    Title: Historic "drink-in" With That Legal Home Brew
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103020:SAED:SOCIAL:SHEBEENS:PERSONALITIES:SEP 1967 - Historic "drink-in" With That Legal Home Brew - A woman making legal home brew. Writer Zeke Mphahlele (ex-Drum) has raised quite a storm overseas by saying there is no writing that is truly, completely African. The reason, he explains, is that the "Negro in Africa is the meeting point of Europe and Africa". The trouble with controversies is that they are inclined to snowball. And that just what happened at a Diepkloof "drink-in" the other day when a worthy gentleman, taking up where Zeke left off, suggested that if there was on such thing as African writing then there was no such thing as African drink. It's legal to brew one's own beer now and it's cheaper. Someone also said it was safer, recalling one or two incidents outside beerhalls. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2552 x 4187
    Media Id: 139_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, shebeens, beerhalls, home brew, legal home brew, woman, making, September, 1967, September 1967, bending, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0063_012.tif
    Title: Historic "drink-in" With That Legal Home Brew
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103021:SAED:SOCIAL:SHEBEENS:PERSONALITIES:SEP 1967 - Historic "drink-in" With That Legal Home Brew - A woman making legal home brew. Writer Zeke Mphahlele (ex-Drum) has raised quite a storm overseas by saying there is no writing that is truly, completely African. The reason, he explains, is that the "Negro in Africa is the meeting point of Europe and Africa". The trouble with controversies is that they are inclined to snowball. And that just what happened at a Diepkloof "drink-in" the other day when a worthy gentleman, taking up where Zeke left off, suggested that if there was on such thing as African writing then there was no such thing as African drink. It's legal to brew one's own beer now and it's cheaper. Someone also said it was safer, recalling one or two incidents outside beerhalls. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2552 x 4227
    Media Id: 139_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0063_013.tif
    Title: Historic "drink-in" With That Legal Home Brew
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103022:SAED:SOCIAL:SHEBEENS:PERSONALITIES:SEP 1967 - Historic "drink-in" With That Legal Home Brew - A woman drinking African beer. Writer Zeke Mphahlele (ex-Drum) has raised quite a storm overseas by saying there is no writing that is truly, completely African. The reason, he explains, is that the "Negro in Africa is the meeting point of Europe and Africa". The trouble with controversies is that they are inclined to snowball. And that just what happened at a Diepkloof "drink-in" the other day when a worthy gentleman, taking up where Zeke left off, suggested that if there was on such thing as African writing then there was no such thing as African drink. It's legal to brew one's own beer now and it's cheaper. Someone also said it was safer, recalling one or two incidents outside beerhalls. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2589 x 4237
    Media Id: 139_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000012808
    Path: african.pictures / Bailey's African History Archive / Drum Covers
    Description: DM2000012808:SAED:COVER:SEP1962 - (Photograph by Peter Magubane BAHA) beer
    Collections: Baileys African History Archive
    Subcollections: Drum Covers
    Orientation: portrait
    Pixel Size: 1576 x 2040
    Media Id: 18_232
    Credit: Drum Covers / Baileys African History Archive / Africa Media Online
    Keywords: file covers, Drum Magazine, magazines, Africa, South Africa, vertical, colour image , publications, 1960s, 1962, celebrations, September, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021717
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021717:SAED:MUSIC:PERSONALITY:NOV1954 - Peter Rezant - Mister Music - Master Peace In Bronze - Peter Rezant, Famous Leader Of The Merry Blackbirds For Twenty-Three Years! - The hall was cholkful of people. The hall was cholkful of music. It was good music from Peter Rezant and his Famous Merry Blackbirds. I said to the fellow next to me, "What do you think of this fellow, Peter Rezant?" The fellow next to me said, 'Man first class." Peter Rezant was on the stage in nineteen nineteen, till today. He remembers the days when the band wouldn't play if they didn't have a four gallon of beer standing by, to keep them from falling.(Photograph by Drum Photographer Baileys Archive) neg 426
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2100 x 1920
    Media Id: 42_857
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, November, 1954, 1950s, Peter Rezant, Merry Blackbirds, jazz, jazz musicians, saxophone, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030612
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030612:SAED:SOCIAL:OCT1951 - Inside Johannesburg's Underworld - Innocent And Breeding Grounds Of Crime - The 'Sip and Fly': At the Bantu Sports Ground illicit Kaffir beer 'with a kick in it' is available at all hours. The name bears witness to constant police raids on this resort of the Shebeen Queens. (Photographs by Jurgen Schaderberg Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 1960 x 1610
    Media Id: 69_733
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, black African men, October, 1951, 1950s, Johannesburg, Gauteng, Bantu Sports Club, Illicit brewing, beer, rural, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030612
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000030612:SAED:SOCIAL:OCT1951 - Inside Johannesburg's Underworld - Innocent And Breeding Grounds Of Crime - The 'Sip and Fly': At the Bantu Sports Ground illicit Kaffir beer 'with a kick in it' is available at all hours. The name bears witness to constant police raids on this resort of the Shebeen Queens. (Photographs by Jurgen Schaderberg © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 1960 x 1610
    Media Id: 19_833
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030613
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030613:SAED:SOCIAL:OCT1951 - Inside Johannesburg's Underworld - Innocent And Breeding Grounds Of Crime - The 'Sip and Fly': At the Bantu Sports Ground illicit Kaffir beer 'with a kick in it' is available at all hours. The name bears witness to constant police raids on this resort of the Shebeen Queens. Liquor Queens dig holes in the ground to hide their wares and football players sometimes trip up on cans of liquor. (Photographs by Jurgen Schaderberg Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1965 x 1904
    Media Id: 43_421
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: October, Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1951, 1950s, Johannesburg, Gauteng, Bantu Sports Club, Illicit brewing, beer, rural, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041703
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041703:GHAED:SOCIAL:ART:PERSONALITY:MAR1961 - Bar-Wall Artist - Anang Y.K. He paints soccer star Acquah. Its very difficult to have a beer in Ghana today without becoming a patron of the arts. A man may find himself drinking in a portrait gallery or surrounded by a permanent exhibition of seascapes. But wherever he goes he can't fail to notice the startling invention of our ever-growing community of bar-room artists. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2355 x 3186
    Media Id: 43_328
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, 1960s, 1961, vertical, African history, Ghana, March, Y.K. Anang, artists, painters, murals, black African man, Acquah, painting, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041713
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041713:GHAED:SOCIAL:ART:PERSONALITY:MAR1961 - Bar-Wall Artist - Anang Y.K. He paints Satchmo. Its very difficult to have a beer in Ghana today without becoming a patron of the arts. A man may find himself drinking in a portrait gallery or surrounded by a permanent exhibition of seascapes. But wherever he goes he can't fail to notice the startling invention of our ever-growing community of bar-room artists. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1989 x 2166
    Media Id: 43_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Louis 'Satchmo' Armstrong, Drum Magazine, Africa, black and white image, Ghana, square, smiling, African history, Y.K. Anang, murals, painters, artists, black African men, 1961, 1960s, patrons, drinking, table, bottles, alcohol, March, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041714
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041714:GHAED:SOCIAL:ART:PERSONALITY:MAR1961 - Bar-Wall Artist - Anang Y.K. Wall painting of Guy Warren comes to life for this pretty jazz fan. Its very difficult to have a beer in Ghana today without becoming a patron of the arts. A man may find himself drinking in a portrait gallery or surrounded by a permanent exhibition of seascapes. But wherever he goes he can't fail to notice the startling invention of our ever-growing community of bar-room artists. (Photograph by Drum Photographar BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2014 x 2199
    Media Id: 42_1037
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, Guy Warren, square, murals, African history, Ghana, bars, artists, Y.K. Anang, painting, black African woman, musician, 1961, 1960s, March, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051107
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051107:GHANED:POLITICS:ENTERTAINMENT:OCT1961 - When High Life Invaded The Congo - They couldn't possibly be more entertained!With guns slung on their shoulders and clutching bottles of beer, Ghana's troops made merry. Hi-Life came to the Congo with a merry beat that was taken up in the city, village and forest. It was brought there by Rex Ofusu's Golden Eagles Band and Berylle Karikani's Ghana Modern Ballet Group, and was a gay reminder of home for our boys with the UN forces. Cameron Duodu and Christian Gbagbo report. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1700 x 2447
    Media Id: 42_858
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, vertical, African history, musicians, black African people, performers, performances, October, soldiers, laughing, 1960s, 1961, Congo, Democratic Republic of the, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000061502
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2000061501:GHAED:ADS:FEB1961 - Star Lager Beer
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 1822 x 2461
    Media Id: 98_909
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, black and white image, Africa, South Africa, trademarks, beer, lager, alcohol, February, 1961, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000061507
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2000061507:EAED:ADS:SEP1962
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 1856 x 2378
    Media Id: 98_968
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, beer, colour image , Africa, South Africa, trademarks, , Lion Export Ale, September, 1962, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000061904
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2000061904:EAED:ADS:NOV1966 - Kilimanjaro Lager
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 1841 x 2464
    Media Id: 98_890
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, beer, colour image , Africa, South Africa, trademarks, Kilimanjaro Lager, November, 1966, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072604
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072604:SAED:SOCIAL:OCT1951 - Inside Johannesburg's Underworld - Innocent And Breeding Grounds Of Crime - The 'Sip and Fly': At the Bantu Sports Ground illicit Kaffir beer 'with a kick in it' is available at all hours. The name bears witness to constant police raids on this resort of the Shebeen Queens. Liquor Queens dig holes in the ground to hide their wares and football players sometimes trip up on cans of liquor. (Photographs by Jurgen Schaderberg Baileys Archives) neg neg 019 neg 019
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1970 x 1990
    Media Id: 42_912
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, square, Johannesburg, 1951, October, Illicit brewing, shebeens, pouring, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072605
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072605:SAED:SOCIAL:OCT1951 - Inside Johannesburg's Underworld - Innocent And Breeding Grounds Of Crime - The 'Sip and Fly': At the Bantu Sports Ground illicit Kaffir beer 'with a kick in it' is available at all hours. The name bears witness to constant police raids on this resort of the Shebeen Queens. Liquor Queens dig holes in the ground to hide their wares and football players sometimes trip up on cans of liquor. (Photographs by Jurgen Schaderberg Baileys Archives) neg neg 019
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1960 x 1850
    Media Id: 43_730
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, Drum Magazine, South Africa, South African history, black and white image, square, 1951, October, Illicit brewing, shebeens, hiding, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072606
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072606:SAED:SOCIAL:OCT1951 - Inside Johannesburg's Underworld - Innocent And Breeding Grounds Of Crime - The 'Sip and Fly': At the Bantu Sports Ground illicit Kaffir beer 'with a kick in it' is available at all hours. The name bears witness to constant police raids on this resort of the Shebeen Queens. Liquor Queens dig holes in the ground to hide their wares and football players sometimes trip up on cans of liquor. (Photographs by Jurgen Schaderberg Baileys Archives) neg neg 019
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1940 x 1890
    Media Id: 43_1005
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, 1951, Drum Magazine, South Africa, South African history, black and white image, square, October, Illicit brewing, shebeens, hiding, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072607
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072607:SAED:SOCIAL:OCT1951 - Inside Johannesburg's Underworld - Innocent And Breeding Grounds Of Crime - The 'Sip and Fly': At the Bantu Sports Ground illicit Kaffir beer 'with a kick in it' is available at all hours. The name bears witness to constant police raids on this resort of the Shebeen Queens. Liquor Queens dig holes in the ground to hide their wares and football players sometimes trip up on cans of liquor. (Photographs by Jurgen Schaderberg Baileys Archives) neg 019
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1970 x 1880
    Media Id: 69_514
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, 1951, October, Drum Magazine, South Africa, South African history, black and white image, square, Illicit brewing, shebeens, hiding, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072607
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000072607:SAED:SOCIAL:OCT1951 - Inside Johannesburg's Underworld - Innocent And Breeding Grounds Of Crime - The 'Sip and Fly': At the Bantu Sports Ground illicit Kaffir beer 'with a kick in it' is available at all hours. The name bears witness to constant police raids on this resort of the Shebeen Queens. Liquor Queens dig holes in the ground to hide their wares and football players sometimes trip up on cans of liquor. (Photographs by Jurgen Schaderberg © Baileys Archives) neg 019
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Pixel Size: 1970 x 1880
    Media Id: 23_538
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000081408
    Title: Shebeen Queen
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000081408:SAED:SOCIAL:Jan1959 - I am a Shebeen Queen - Drum interviewed a number of shebeen owners. (This picture did not appear in the above article.) 'I am a shebeen queen. Most of us shebeen owners are women. The customers like it better. I have been in the job for years. I took it on partly because I was brought up to it, partly to educate my children... (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1906 x 2409
    Media Id: 43_796
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: January, 1959, 1950s, Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, shebeens, owners, black African woman, patrons, laughing, liquor, beer, Drum Photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001030514
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2001030514:GCPED:22SEP1968 - Home post, Nugget ( Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 1576 x 1996
    Media Id: 98_957
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, traditional beer, colour image , Africa, South Africa, trademarks, King Korn Home Brew, September, 1968, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001041104
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2001041104:SAED:22JAN1972 - DRUM ADS -King Kong ( Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 1722 x 2186
    Media Id: 98_917
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, colour image , Africa, South Africa, trademarks, beer, King Korn, January, 1972, 1970s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001041804
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001041804:SAED:STORY:SOCIAL:MAR1951 - African Developments - Picture page. ( BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1905 x 2480
    Media Id: 19_848
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, text, Africa, 1950s, South Africa, Zulu beer, malnutrition, traditional lifestyle, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001041814
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2001041814:SAED:DEC1979 - DRUM ADS - Tusker Beer ( Baileys Achives)
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 1871 x 2473
    Media Id: 98_940
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, colour image , Africa, South Africa, trademarks, beer, December, 1979, 1970s, Tusker Premium, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001041815
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2001041815:SAED:DEC1979 - DRUM ADS - Star Bright ( Baileys Achives)
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 1855 x 2520
    Media Id: 98_955
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, colour image , Africa, South Africa, trademarks, beer, December, 1979, 1970s, Star Bright, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001041817
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2001041817:SAED:DEC1979 - DRUM ADS - Guiness ( Baileys Achives)
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 1760 x 2376
    Media Id: 98_925
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, colour image , Africa, South Africa, trademarks, beer, Guinness, December, 1979, 1970s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001110805
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001110805:SAED:SOCIAL:POLITICS:DEC1958 - Africanists Cut Loose - It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after3.30 pm. Meanwhile, feverish and purveys beer, show that last minute plans are being polished up. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 3134 x 3129
    Media Id: 43_764
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, December, 1958, 1950s, Orlando, Johannesburg, Gauteng, Transvaal Congress, conventions, Africanists, debate, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001110806
    Title: Africanists Cut Loose
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001110806:SAED:SOCIAL:POLITICS:DEC1958 - Africanists Cut Loose - It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after3.30 pm. Meanwhile, feverish and purveys beer, show that last minute plans are being polished up. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3633 x 3672
    Media Id: 43_481
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, December, 1958, 1950s, Orlando, Johannesburg, Gauteng, Transvaal Congress, conventions, Africanists, debate, black African man, Africanists cut loose, conference, stormiest, December 1958, Peter Magubane,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001110807
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001110807:SAED:SOCIAL:POLITICS:DEC1958 - Africanists Cut Loose - It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after3.30 pm. Meanwhile, feverish and purveys beer, show that last minute plans are being polished up. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4651 x 3398
    Media Id: 43_37
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, December, politics, apartheid, 1958, ANC, Orlando, Johannesburg, Transvaal Congress, protests, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001110808
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001110808:SAED:SOCIAL:POLITICS:DEC1958 - Africanists Cut Loose - Peter Motsele. On first day in open conference, big voiced Africanist, Peter Motsele, says: "President asks us to co-oprate with apartheidists. We want no co-operation with th whites at this stage." His followers cheered and stamp their feet. But there are just as many people who sit grim and silent. It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after3.30 pm. Meanwhile, feverish and purveys beer, show that l
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4574 x 3149
    Media Id: 43_517
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, December, politics, apartheid, 1958, ANC, Orlando, Johannesburg, Transvaal Congress, protests, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001110809
    Title: Africanists Cut Loose
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001110809:SAED:SOCIAL:POLITICS:DEC1958 - Africanists Cut Loose - A woman points him out. Woman points out Special Branch detective who has come into the yard of the hall. She says he's got no business in there. It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after3.30 pm. Meanwhile, feverish and purveys beer, show that last minute plans are being polished up. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4574 x 3168
    Media Id: 42_1096
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: protests, protesters, Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, December, 1958, 1950s, Orlando, Johannesburg, Gauteng, Transvaal Congress, conventions, Africanists, debate, Peter Magubane, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001110810
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001110810:SAED:SOCIAL:POLITICS:PERSONALITY:DEC1958 - Africanists Cut Loose - A lecturer's lesson. Robert Sobukwe, Witwatersrand University Lecturer and chief Aficanist theoretician, declaims: "We shall think of co-operation with other races when we have come into our own." It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after 3.30 pm. Meanwhile, feverish and purveys beer, show that last minute plans are being polished up. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 3211 x 3187
    Media Id: 43_387
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: December, Drum Magazine, South Africa, Africa, South African history, black and white image, square, Robert Sobukwe, 1958, 1950s, Orlando, Johannesburg, Gauteng, Transvaal Congress, conventions, Africanists, debate, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001110811
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001110811:SAED:SOCIAL:POLITICS:PERSONALITY:DEC1958 - Africanists Cut Loose -Woman points out Special Branch detective who has come into the yard of the hall. She says she has got no business in there. It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after 3.30 pm. Meanwhile, feverish and purveys beer, show that last minute plans are being polished up. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4613 x 3571
    Media Id: 42_592
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: protesters, protests, December, Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, 1958, 1950s, Orlando, Johannesburg, Gauteng, Transvaal Congress, conventions, Africanists, debate, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001110812
    Title: Africanists Cut Loose - Barred from the hall: Rosette Ndziba
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001110812:SAED:SOCIAL:POLITICS:PERSONALITY:DEC1958 - Africanists Cut Loose - Barred from the hall: Rosette Nzdiba says there is no such thing as 'narrow nationalism.' He is later kept out of the hall. It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after 3.30 pm. Meanwhile, feverish and purveys beer, show that last minute plans are being polished up. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3168 x 3231
    Media Id: 44_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: December, Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1958, 1950s, Orlando, Johannesburg, Gauteng, Transvaal Congress, conventions, Africanists, debate, black African man, Peter Magubane, Rosette Ndziba, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2003121104
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2003121104:SAED:SOCIAL:POLITICS:DEC1958 - Africanists Cut Loose - A woman points him out. Woman points out Special Branch detective who has come into the yard of the hall. She says he's got no business in there. It was one of the stormiest conferences for many a day. Tempers flared, sticks were brandished. But it was not violence which made the drama. The high moment, the real tension came with the decision of the Africanists to split from the Transvaal Congress. Saturday, November 1, 1958. The threat of rain in the air; of political roar in the area. We wait impatiently outside the Sekgapa-Madi Blood-spilling Hall in Orlando, Joburg, where many a bloody Congress has broken out in the past. Scheduled to open at 2pm, the conference does not begin until well after3.30 pm. Meanwhile, feverish and purveys beer, show that last minute plans are being polished up. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2149 x 1464
    Media Id: 42_837
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, December, 1958, 1950s, Orlando, Johannesburg, Gauteng, Transvaal Congress, African National Congress, meetings, discussions, politics, black African women, black African man, Special Branch detective , ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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