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Search Term: boy

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    Image Number: BHA00010_3
    Title: a1956_T163_40
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:SPORTS:BOXING:PERSONALITY:DRUM.MAY.1956 Ð ÒKangarooÓ Maoto has been a fighter all his life! Ð ThereÕs nothing like GodÕs good water! ÒKangaroo gives his kid sister, who looks herself like a baby Kangie, a ducking in the tub. Eating Avocado pears helped him build up weight. He was a thug, tough, reckless, until his mother got the brain-wave to encourage him to take up boxing and sweat off his energy there. ÒI grew up in a rough and tough area in Alexandra township Ðthe Dark city. Tiny in body as I was, I just had to force myself rough and tough too. What could I do? I had to grow up, hadnÕt I? (Photograph by Drum Photographer ©Baileys Archives) Neg T163 Frame 40
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1990 x 3080
    Media Id: 69_688
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, Africa, black and white image, South Africa, May, 1956, 1950s, black African boy, washing, hair, siblings, brothers, sisters (nuns), tubs, outside, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA00011_7
    Title: c1960_26
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CHILDREN:DRUM APRIL 1960 Ð Unmarried Mothers and their babies Ð How it begins Ð The folk are all at work. ThereÔs not much recreation in the townships. So boy meets girl, and anything can happen! The basic trouble is a political one, say some folk interviewed by a Drum reporter. All tied up with basic social conditions and no sex education. And in the meantime more and more kids have to start out life without even the minimum of a chance. (Photograph by Peter Magubane ©Baileys Archives) NEG 26
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5712 x 3783
    Media Id: 69_464
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, horizontal, April, 1960, 1960s, advertising signs, townships, black African people, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA00012_10
    Title: The Kids Learn To Live - Kutlwanong Home
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: JULY 1961 Ð THE KIDS LEARN TO LIVE. SAED:SOCIAL:CHILDREN:DRUM JULY 1961 Ð The Kids learn to live Ð ItÕs a great moment Ð a deaf boy realizes what speech means. As he puts his hands to teacher Mrs MokhudiÕs throat he feels the vibrations that cause her to speak. Solemnly, he learns the first step in breaking his silence. Soon he too may be able to make sounds by following the pattern of those muscle contractions. Soon, too he will find a new way of life. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. ItÕs the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. Sounds grim. But it isnÕt. the kids who live there are perhaps as gay and wild as any other bunch of kids. They are rapidly learning to make their own world tic
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5641 x 3742
    Media Id: 69_390
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, horizontal, July, 1961, 1960s, Roodepoort, black African woman, black African boy, teachers, deaf people, disabled, Gauteng, Mrs Mokhudi, Kutlwanong Home, home, Ian Berry, boy, puts hands to teacher, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0001_16
    Title: b1952_32_11
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORT:HORSE RACE:PERSONALITY:DRUM FEBRUARY 1952 Ð Opening up for a quick five-furlong gallop - IÕve Got A Horse Ð A day in the life of a stable boy. Any kid can ride a horse, but not any boy rides a racehorse every morning. Eleven year old Jacob, seen here exercising Tied Up in the early morning, was born in the stable yard at Mr Pat Wrights Ôtraining establishment at the Colchester Lodge Stables. There is not much you can tell him about horses nowÉWho knows, one of these days he may be riding the fastest thing on four legs in this country. If a horse is to win the South African Derby or Durban July he will have to be scrupulously fed, watched, petted, groomed and exercised everyday of his racing career. Make no mistake, thatÕs everything. When he wins, youÕre thrilled, itÕs your work, when he fails, itÕs the jockey, or the course or his handicapper, never a horse. He wonÕt let you down. (Photograph by Jurgen Schaderberg © BAHA) NEG 032 FRAME 11
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4671 x 4721
    Media Id: 70_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0001_19
    Title: b1952_32_15
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORT:HORSE RACE:PERSONALITY:DRUM FEBRUARY 1952 Ð IÕve Got A Horse Ð A day in the life of a stable boy. Any kid can ride a horse, but not any boy rides a racehorse every morning. Eleven year old Jacob, seen here exercising Tied Up in the early morning, was born in the stable yard at Mr Pat Wrights Ôtraining establishment at the Colchester Lodge Stables. There is not much you can tell him about horses nowÉWho knows, one of these days he may be riding the fastest thing on four legs in this country. If a horse is to win the South African Derby or Durban July he will have to be scrupulously fed, watched, petted, groomed and exercised everyday of his racing career. Make no mistake, thatÕs everything. When he wins, youÕre thrilled, itÕs your work, when he fails, itÕs the jockey, or the course or his handicapper, never a horse. He wonÕt let you down. (Photograph by Jurgen Schaderberg © BAHA) NEG 032 FRAME 15
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4670 x 4709
    Media Id: 70_202
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0001_20
    Title: b1952_32_17
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORT:HORSE RACE:PERSONALITY:DRUM FEBRUARY 1952 Ð There he goes for exercise - IÕve Got A Horse Ð A day in the life of a stable boy. Any kid can ride a horse, but not any boy rides a racehorse every morning. Eleven year old Jacob, seen here exercising Tied Up in the early morning, was born in the stable yard at Mr Pat Wrights Ôtraining establishment at the Colchester Lodge Stables. There is not much you can tell him about horses nowÉWho knows, one of these days he may be riding the fastest thing on four legs in this country. If a horse is to win the South African Derby or Durban July he will have to be scrupulously fed, watched, petted, groomed and exercised everyday of his racing career. Make no mistake, thatÕs everything. When he wins, youÕre thrilled, itÕs your work, when he fails, itÕs the jockey, or the course or his handicapper, never a horse. He wonÕt let you down. (Photograph by Jurgen Schaderberg © BAHA) NEG 032 FRAME 17
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4644 x 4663
    Media Id: 69_435
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, February, 1952, 1950s, stablehands, horses, horseriders, black African boys, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0001_21
    Title: b1952_32_28
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORT:HORSE RACE:PERSONALITY:DRUM FEBRUARY 1952 Ð IÕve Got A Horse Ð A day in the life of a stable boy. Any kid can ride a horse, but not any boy rides a racehorse every morning. Eleven year old Jacob, seen here exercising Tied Up in the early morning, was born in the stable yard at Mr Pat Wrights Ôtraining establishment at the Colchester Lodge Stables. There is not much you can tell him about horses nowÉWho knows, one of these days he may be riding the fastest thing on four legs in this country. If a horse is to win the South African Derby or Durban July he will have to be scrupulously fed, watched, petted, groomed and exercised everyday of his racing career. Make no mistake, thatÕs everything. When he wins, youÕre thrilled, itÕs your work, when he fails, itÕs the jockey, or the course or his handicapper, never a horse. He wonÕt let you down. (Photograph by Jurgen Schaderberg © BAHA) NEG 032 FRAME 28
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4684 x 4731
    Media Id: 69_235
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, South Africa, Africa, Drum Magazine, February, 1952, 1950s, horses, grooms (horses), Horse Racing, race track, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA00020_17
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:POLITICS:PERSONALITIES:JUN 1967 Ð The Last Salute To A Soldier Of Honour Ð Pa Isaiah Fajuyi (94) say his son Francis Adekunle Fajuyi, was so considerate. Pa Isaiah Fajuyi added his testimony: ÒAs you know, I am nearly 95 years old and I never like to miss my attendance at the church. A few weeks before his death, Adekunle came home and noticed that I usually walked the two miles from my house to the church every morning. He was very disturbed about this and he told me to send his immediate brother, Sunday, to him when he finished his tour and he would send me a small second-hand car. Two weeks, later, I sent Sunday to him. When Sunday arrived in Ibadan the conference of obas and emirs was just beginning and Adekunle asked his brother to wait until the meeting was over. That boy was there when he was killed. I never got the car. I never saw him again.Ó (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5142 x 4008
    Media Id: 70_121
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, history, cultural history, social comments, historical value, black and white image, South Africa, Africa, horizontal, 1967, 1960s, old man, politics, picture frames, sons, traditional dress, side view, black African man, dead son, war, memories, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA00021_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 Ð The Strength And Influence Of Islam On West Africa Ð Eid-El-Kabir Festival: The federal premier, Alhaji Tafawa Balewa, leads worshippers at the Obalende praying ground in Lagos. Solemn and pensive, on the premierÕs left, stands a boy of royal blood. He is prince Oyekan Adele, scion of a formidable father, His Excellency, Oba Adele II of Lagos. It is difficult to be precise about the number of Muslims in West Africa, since in most territories religious statistics are not recorded in the census. The vast majority of the population of Northern Nigeria is Muslim, though some pagan tribes have survived, especially in the Middle Belt. In the predominantly Yoruba Western Region of Nigeria, conversion to Islam is taking place rapidly, and it is estimated that in some of the big towns, like Ibadan, between 50 and 60 per cent of the population is already Muslim.( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5027 x 3935
    Media Id: 69_236
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, black and white image, Nigeria, Africa, Drum Magazine, November, 1958, 1950s, Islam, Islamic festivals, worshippers, Nigerians, religion, Eid Al-Adha, religious dress, Abubakar Tafewa Balewa, robes, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA00023_4
    Title: Alhaji Tafawa Balewa, leads worshipers at the Obalende praying ground in Lagos
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: BHA00023_4.tif
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4463 x 4451
    Media Id: 69_197
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Lagos, Drum Magazine, religion, Islam, festival, premier, Alhaji Tafawa Balewa, leads, worshippers, Obalende, praying ground, Oyekan Adele, Drum Photographer, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0003_7
    Title: e1952_077_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:HEALTH:DRUM AUGUST 1952 Ð Birth Of A Baby Ð Nurse Mntuyedwa proudly looks after the baby, Jacob, please that he is a fine, strong boy. The birth of a baby is the greatest event in the world. Although it means an upheaval in the home, hard work and worry for the midwife and sometimes pain for the mother, when it is all over it brings new life and rejoicing. The midwifeÕs job is often a hard one, for most of her patients are poor African women with little equipment. Often the midwife must search for clean towels and, when the bay is born, be content to wrap it in some old garment. (Photograph by Jurgen Schaderberg © BAHA) NEG 077 FRAME 4
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4766 x 4655
    Media Id: 69_516
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, August, 1952, 1950s, hospitals, nurses, newborn, babies, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0004_2
    Title: a1953_101_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: MAY 1953 MASTERPIECE IN BRONZE NEG 101SAED:POLITICS:PERSONALITY:DRUM MAY 1953 Masterpiece In Bronze The most controversial man in Black Politics, Richard Victor Selope-Thema A special portrait study by Drum of R.V. Selope-Thema. Grey-haired, sickly and superstitious Richard Victor Selope (his third name means ”don't beg') Thema is the most controversial man in the black politics. He rose from humble herd boy to a newspaper editor. He became congress general secretary in 1915, when Congress was three years old; but now is leader of a small body who broke away from Congress when Dr Xuma left and Dr Moroka took over. The group call itself ”National Minded Block In Congress.' Thema and his followers formed it after complaining that Congress had been captured by extremists and ex-Communists. (Photograph by Drum Photographer BAHA) NEG 101 FRAME 3
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4741 x 4733
    Media Id: 69_341
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0004_2.tif
    Title: a1953_101_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052510:SAED:POLITICS:PERSONALITY MAY 1953 – Masterpiece In Bronze – The most controversial man in Black Politics, Richard Victor Selope-Thema – A special portrait study by Drum of R.V. Selope-Thema. Grey-haired, sickly and superstitious Richard Victor Selope (his third name means ‘don’t beg’) Thema is the most controversial man in the black politics. He rose from humble herd boy to a newspaper editor. He became congress general secretary in 1915. (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4741 x 4733
    Media Id: 127_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0007_16
    Title: n1953_256_11
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Talking Trumpet When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now he's a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella you'd say ’Ah! There's a jazz creature, yes man! He's be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldn't have to learn it. But you'd meet Elijah, and you wouldn't even talk politics to him cause he'd be so different. (Photograph by Jurgen Schadeberg Baileys Archives) NEG 256 FRAME 11
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4724 x 4697
    Media Id: 70_171
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0007_17
    Title: n1953_256_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . AUGUST 1953 Ð TALKING TRUMPET Ð NEG 256. SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Ð Talking Trumpet Ð When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now heÕs a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella youÕd say ÒAh! ThereÕs a jazz creature, yes man! HeÕs be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldnÕt have to learn it. But youÕd meet Elijah, and you wouldnÕt even talk politics to him cause heÕd be so different. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 256 FRAME 9
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4749 x 4724
    Media Id: 69_654
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, trumpets, playing (musical instruments), lying down, offices, blowing, black African man, Elijah Nkwanyana, 1953, 1950s, African musicians, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0007_18
    Title: n1953_256_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Talking Trumpet When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now he's a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella you'd say ’Ah! There's a jazz creature, yes man! He's be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldn't have to learn it. But you'd meet Elijah, and you wouldn't even talk politics to him cause he'd be so different. (Photograph by Jurgen Schadeberg Baileys Archives) NEG 256 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4700 x 4714
    Media Id: 70_155
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0007_3
    Title: m1953_243_13
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:SPORTS:BOXING:PERSONALITY:DRUM MARCH 1953 Ð Jolting Joe, Middleweight Champ, tells Drum all about his travels overseasÉ. Ð After leaving Johannesburg on a cold and windy night, you can imagine my surprise and joy when I alighted in London on a perfect summer day two mornings later! We went through Customs with people curiously staring at this solitary Ð and rather puzzled Ð black face amongst all the white ones, we boarded the express train for Doncaster, Yorkshire, where the Wood-cocks, and now I, were to live Ð and the train! (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 243 FRAME 13
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4698 x 4758
    Media Id: 69_179
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, South Africa, Africa, Drum Magazine, March, 1953, 1950s, boxers, black African man, black African boy, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0010_28
    Title: Patrick Matshikiza
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053020:SAED:MUSIC:PERSONALITIES: MAR 1954 – Seven In The Bar! – yeah, man! Its Patrick Matshikiza himself, aged 14, “digging” his first red-host composition, which he calls “Primus Tento” (First Attempt) (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 8710 x 8648
    Media Id: 125_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, March, 1954, March 1954, Patrick Matshikiza, boy, playing instruments, instruments, children, boys, Drum Photographer, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0011_07.tif
    Title: What shall we do with our Unmarried Mothers and their babies?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053036:SAED:SOCIAL:CHILDREN:APR 1960 – Unmarried Mothers and their babies – How it begins – The folk are all at work. There‘s not much recreation in the townships. So boy meets girl, and anything can happen! The basic trouble is a political one, say some folk interviewed by a Drum reporter. All tied up with basic social conditions and no sex education. And in the meantime more and more kids have to start out life without even the minimum of a chance. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5712 x 3783
    Media Id: 131_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, April 1960, April 1960, unmarried mothers, Peter Magubane, township, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0012_10.tif
    Title: The Kids Learn To Live - Kutlwanong Home
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053050:SAED:SOCIAL:CHILDREN JUL 1961 – The Kids learn to live – It’s a great moment – a deaf boy realizes what speech means. As he puts his hands to teacher Mrs Mokhudi’s throat he feels the vibrations that cause her to speak. Solemnly, he learns the first step in breaking his silence. Soon he too may be able to make sounds by following the pattern of those muscle contractions. Soon, too he will find a new way of life. This is the story of courage. . (Photograph by Ian Berry ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5641 x 3742
    Media Id: 132_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Children, July 1961, 1961, Kids, live, Mrs Mokhudi, puts his hands to teacher, teacher, speech, deaf, dumb, blind, Kutlwanong home, home Ian Berry, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0017_002.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060182:NIGED:POLITICS:PERSONALITIES:FEB 1954 – Obafemi Awolowo Organises The West – Obafemi Awolowo was chiefly responsible for organizing Western Nigeria. He started with Yoruba students in London and a cultural group called the Egbe Omo Odudwa emerged. He then focused on the Yoruba people in Western Nigeria which culminated in a new political force – the action Group. Obafemi Awolowo is the most powerful in Western Nigeria. He rose from a fatherless, almost helpless village boy to a leader of six million Western Nigerians. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5104 x 4176
    Media Id: 147_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0017_004.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060179:NIGED:POLITICS:PERSONALITIES:OCT 1958 – Awolowo Man Of Action – “I started the Action Group with seven men. Now millions”- Out of nothing but his own determination and talent, Chief Obafemi Awolowo forged for himself an important place in Nigeria’s history. He is the poor village boy who made- so good that he became premier of Western Nigeria. He is the tough and tireless politician who says that his first task is to serve his people – a task from which he allows nothing to distract him. It’s politics long before pleasure with him. “I am a realist in politics. I believe in taking one step at a time. I believe in chewing what I and the people can swallow. Photograph by Matthew Faji©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5544 x 3884
    Media Id: 147_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0017_006.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060180:NIGED:POLITICS:PERSONALITIES:OCT 1958 – Awolowo Man Of Action – “I started the Action Group with seven men. Now millions”- Out of nothing but his own determination and talent, Chief Obafemi Awolowo forged for himself an important place in Nigeria’s history. He is the poor village boy who made- so good that he became premier of Western Nigeria. He is the tough and tireless politician who says that his first task is to serve his people – a task from which he allows nothing to distract him. It’s politics long before pleasure with him. “I am a realist in politics. I believe in taking one step at a time. I believe in chewing what I and the people can swallow. Photograph by Matthew Faji©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: portrait
    Pixel Size: 4096 x 5243
    Media Id: 147_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0017_2
    Title: Obafemi Awolowo Organises The West
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM Ð FEB 1954 Ð OBAFEMI AWOLOWO ORGANISES THE WEST. NIGED:POLITICS:PERSONALITIES:FEB 1954 Ð Obafemi Awolowo Organises The West Ð Obafemi Awolowo was chiefly responsible for organizing Western Nigeria. He started with Yoruba students in London and a cultural group called the Egbe Omo Odudwa emerged. He then focused on the Yoruba people in Western Nigeria which culminated in a new political force Ð the action Group. Obafemi Awolowo is the most powerful in Western Nigeria. He rose from a fatherless, almost helpless village boy to a leader of six million Western Nigerians. He is leader of the action group , now in power in Western Nigeria, and one of three Nigerian premiers to emerge from the haze and dust of West African politics after Kwame Nkrumah of the Gold Coast. He is author of The path to Nigerian freedom and an unwavering leader along his chosen path. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5104 x 4176
    Media Id: 69_679
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: history, cultural history, West Africa, Nigeria, Drum Magazine, social comments, historical value, Yoruba people, politics, personality, chief, 1954, 1950s, meeting, traditional dress, inside, black African men, Drum Photographer, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0017_4
    Title: Chief Obafemi Awolowo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM OCT 1958 AWOLOWO MAN OF ACTION. NIGED:POLITICS:PERSONALITIES:OCT 1958 Awolowo Man Of Action ’I started the Action Group with seven men. Now millions“- Out of nothing but his own determination and talent, Chief Obafemi Awolowo forged for himself an important place in Nigeria's history. He is the poor village boy who made- so good that he became premier of Western Nigeria. He is the tough and tireless politician who says that his first task is to serve his people a task from which he allows nothing to distract him. It's politics long before pleasure with him. ’I am a realist in politics. I believe in taking one step at a time. I believe in chewing what I and the people can swallow. I believe that once you have raised the hope of the people, you must satisfy that hope.“ These are the credos of Chief Obafemi Awolowo, premier of Western Nigeria and leader of the Action Group. Photograph by Matthew Faji BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5544 x 3884
    Media Id: 70_141
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, politics, Drum Magazine, October 1958, Awolowo, Chief Obafemi Awolowo, Matthew Faji, 1958, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0017_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:POLITICS:PERSONALITIES:OCT 1958 Ð Awolowo Man Of Action ÐThe face of a man who has known strife and sweetness, of a man who admits no obstacles as insurmountable, of a man who built up a £6000 a year legal practice and gave it all up because he felt there was a place for him where the leaders of the nations walk. Out of nothing but his own determination and talent, Chief Obafemi Awolowo forged for himself an important place in NigeriaÕs history. He is the poor village boy who made- so good that he became premier of Western Nigeria. He is the tough and tireless politician who says that his first task is to serve his people Ð a task from which he allows nothing to distract him. ItÕs politics long before pleasure with him. ÒI am a realist in politics. I believe in taking one step at a time. I believe in chewing what I and the people can swallow. I believe that once you have raised the hope of the people, you must satisfy that hope.Ó These are the credos of Chief Obafemi Awolowo
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: portrait
    Pixel Size: 4096 x 5243
    Media Id: 69_554
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Nigeria, vertical, black and white image, portrait, Africa, politicians, 1950s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0021_005.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060114:NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 – The Strength And Influence Of Islam On West Africa – Eid-El-Kabir Festival: The federal premier, Alhaji Tafawa Balewa, leads worshippers at the Obalende praying ground in Lagos. Solemn and pensive, on the premier’s left, stands a boy of royal blood. He is prince Oyekan Adele, scion of a formidable father, His Excellency, Oba Adele II of Lagos. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5027 x 3935
    Media Id: 146_37
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0023_004.tif
    Title: The Strength And Influence Of Islam On West Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060102:NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 – The Strength And Influence Of Islam On West Africa – Eid-El-Kabir Festival: The federal premier, Alhaji Tafawa Balewa, leads worshippers at the Obalende praying ground in Lagos. Solemn and pensive, on the premier’s left, stands a boy of royal blood. He is prince Oyekan Adele, scion of a formidable father, His Excellency, Oba Adele II of Lagos. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4463 x 4451
    Media Id: 149_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Drum Magazine, religion, culture, November 1958, 1958, Islam, Eid-EL-Kabir, festival, Alhaji Tafawa Balewa, Lagos, Obalende, worshipers, royal blood, Oba Adele, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0035_17.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM200806319:EAED:CULTURE:PERSONALITIES:DEC 1963 - The Good Old Days - Are Gone “ Litungas musicians play their timeless rhythms near the palace mostly when white visitors are around with lots of money. The Zambians say he will remain a traditional ruler, a sort of local constitutional ruler and figure ahead. Others mutter what a marvelous tourist attraction for rich Americans this quaint old boy with his crazy castle and his royal row boat might make. The Old Man turns to the dark pillars of his palace. The Absolute Ruler is absolute no more. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Orientation: landscape
    Pixel Size: 1825 x 1246
    Media Id: 172_43
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0039_019.tif
    Title: Last Of The Amazons
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080516:GHAED:SOCIAL:PERSONALITIES:JUN 1962 - Last Of The Amazons - Horsetail Is a Charm Against Bullets - I use to challenge the boys in tree climbing and bird shooting, "she said proudly. "I could climb the tallest trees. Whatever the boys did I did and they didn't like me, calling me nyonu nutsu ( "girl-boy" ) and other names of the sort. If I heard anyone call me such a name we fought. Sometimes i beat the offender and sometimes I got beaten. But i never minded being beaten up- i only had abuse from my mother, who said i troubled the boys too much, but a chief's daughter should not do that!" (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4374 x 5429
    Media Id: 250_46
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Drum Magazine, social, June 1962, 1962, Horsetail, charm, Christian Gbagbo, woman, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0049_009.tif
    Title: Child Labour
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081515:GHAED:LABOUR:CHILDREN:JUN 1960 - Child Labour - No money for schooling, so young boy left his studies to earn a living by cleaning cars in the street. It's a familiar sight to us all. Seven and eight-year-olds hawking goods through our streets. But can we tolerate near-babies working eight, nine hours a day in our country? Child labour has been part of the Ghanaian traditional life of the country from time immemorial. Kids who should be sitting in school are doing heavy work in carpenters' and blacksmith' shops. Some of them who work in private homes are not much older than ten. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5512 x 4460
    Media Id: 251_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0049_010.tif
    Title: Child Labour
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081516:GHAED:LABOUR:CHILDREN:JUN 1960 - Child Labour - Older than many who work, but too young all the same, this boy earns money by breaking up wooden boxes. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4436 x 5529
    Media Id: 251_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, labour, children, child labour, June 1960, 1960, June, 1960s, sitting, working, wooden boxes, breaking up, Drum Photographer, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0052_004.tif
    Title: Malnutrition
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008091508:EAED:SOCIAL:APR 1964 - People Of Tomorrow -Faces of the future - ravaged by disease and chronic malnutrition, a small boy finds rest at last in a mission hospital near Mbereshi. We will long remember the small blind boy, clinging to his oil-can guitar, even in sleep; the child-mother nursing her baby while desperately trying to sell a few beans in a fly-blown market; the skeleton-child with tubeculosis, kwashiorkor, beri beri and pneumonia - all at once... (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1435 x 1688
    Media Id: 121_43
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, East Africa, social, April 1964, 1964, disease, chronic, malnutrition, boy, mission hospital, hospital, Mbereshi, tubeculosis, kwashiorkor, beri beri and pneumonia, Drum Photographer,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0061_004.tif
    Title: The King!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM20081028014:SAED:SOCIAL:PERSONALITIES:APR 1955 - The King! - The family-man: King Masinga at his Lamontville home with his daughters Thaba and Zaki. His niece Nono serves tea. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5045 x 3910
    Media Id: 140_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0061_005.tif
    Title: The King!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102815:SAED:SOCIAL:PERSONALITIES:APR 1955 - The King! - The Broadcaster: Masinga broadcasts the Durban S.A.B.C's Bantu Programme. He has composed songs and written vernacular radio plays. He has translated many English plays into Zulu for broadcasting: like Shakespeare and Prokokieff's "Peter the Wolf."King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4575 x 3868
    Media Id: 140_14
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0061_006.tif
    Title: The King!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102816:SAED:SOCIAL:PERSONALITIES:APR 1955 - The King! - The Garderner: At Home in Lamontville, Masinga potters in the garden whenever he gets the time. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3005 x 3892
    Media Id: 139_42
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0061_007.tif
    Title: King Edward Masinga is known to most South African radio listeners
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102817:SAED:SOCIAL:PERSONALITIES:APR 1955 - The King! - The Writer: He has written Zulu plays, and is now working on a new translation of Shakespeare. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3031 x 3883
    Media Id: 140_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, April 1955, 1955, King, writer, King Edward Masinga, Zulu plays, studios, broadcasting, comedian, composer, singer, radio, Zulu, Durban Studios, South African Broadcasting Corporation, Drum Photographer, suit, tie, man, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0061_009.tif
    Title: King Masinga
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102819:SAED:SOCIAL:PERSONALITIES:NO DATE - King Masinga - Lovely pose of Masinga's new wife with her three ''daughters'' at Lamontville. From left to right. Thaba aged 12, Mrs Masinga in beret, Zaki standing in front and foster child of Masinga, Nono, aged 20. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Duke Ngcobo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 4536 x 3432
    Media Id: 140_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0061_010.tif
    Title: King Masinga
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102820:SAED:SOCIAL:PERSONALITIES:NO DATE - King Masinga - Masinga likes his gardening. Here his wife and Zaki assist him. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Ranjith Kally BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3905 x 5072
    Media Id: 139_41
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0062_014.tif
    Title: Sosthinus John Mothuping
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103003:SAED:MUSIC:PERSONALITIES:MAY 1964 - Blind Sos - Teenager Extraordinary - Sosthinus John Mothuping is 18. He plays the piano, guitar, sings and runs his own Jazz band. He likes cracking jokes and laughs raucously in a high pitched voice anytime something funny is said. Sos is blind and so are all the members of his band. He can also still afford to laugh although his father Zeph Mothoping has been in jail since 1960 when arrested with other PAC leaders. In 1946, Mr Zeph Mothuping and his wife, then both school teachers, were blessed with a bright-eyed baby boy, their second. Six years later, little Sos complained of headache and 90 days later he went stone blind. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 6019 x 4774
    Media Id: 143_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, May 1964, 1964, teenager, Sosthinus John Mothuping, Mothuping, piono, music, guitar, sings, jazz band, blind, PAC, Zeph Mothoping, school teacher, leaders, arrested, jail, Sos, headache, Drum Photographer,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0062_015.tif
    Title: Blinds Sos - Teenager Extraordinary
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103004:SAED:MUSIC:PERSONALITIES:MAY 1964 - Blind Sos - Teenager Extraordinary - Sosthinus John Mothuping is 18. He plays the piano, guitar, sings and runs his own Jazz band. He likes cracking jokes and laughs raucously in a high pitched voice anytime something funny is said. Sos is blind and so are all the members of his band. He can also still afford to laugh although his father Zeph Mothoping has been in jail since 1960 when arrested with other PAC leaders. In 1946, Mr Zeph Mothuping and his wife, then both school teachers, were blessed with a bright-eyed baby boy, their second. Six years later, little Sos complained of headache and 90 days later he went stone blind. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5703 x 3793
    Media Id: 144_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0062_016.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103005:SAED:MUSIC:PERSONALITIES:MAY 1964 - Blind Sos - Teenager Extraordinary - Sosthinus John Mothuping is 18. He plays the piano, guitar, sings and runs his own Jazz band. He likes cracking jokes and laughs raucously in a high pitched voice anytime something funny is said. Sos is blind and so are all the members of his band. He can also still afford to laugh although his father Zeph Mothoping has been in jail since 1960 when arrested with other PAC leaders. In 1946, Mr Zeph Mothuping and his wife, then both school teachers, were blessed with a bright-eyed baby boy, their second. Six years later, little Sos complained of headache and 90 days later he went stone blind. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5692 x 3802
    Media Id: 143_24
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0064_003.tif
    Title: V Is For Vrededorp - And Vice
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103110:SAED:SOCIAL:POLITICS:GCP FEB16 1969 - V is For Vrededorp - And Vice. Any empty carton of maiza is a good football for any boy. There are no race barriers in Vrededorp. Joubert Park hobo or Meadowlands housewife. Anyone with a taste for Barberton can join in the fun. But the old man in the background will tell you it's not really a place for kids. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Vrededorp, Johannesburg
    Orientation: landscape
    Pixel Size: 4464 x 3295
    Media Id: 137_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0065_005.tif
    Title: Dr. Alfred B. Xuma
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110312:SAED:POLITICS:PERSONALITIES:DEC 1953 - Dr. Alfred B. Xuma, short and dapper he has done much to awake political conciousness among the African people. He rose from herd boy, houseboy, horse trainer, teacher, shipping clerk, hotel and train waiter to one of the country's most influential black leaders and thinkers. He was president of the African National Congress for nine years. He has travelled extensively in the United States and in Europe and lectured in the cause of race relations. In 1946 he was awarded a certificate of merit by the African Academy of Arts and Research in New York for his work among his people -the second person to receive the award that year after Haille Selassie, of Ethiopia. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 4852 x 3635
    Media Id: 146_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0071_014.tif
    Title: Govender family
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112607:SAED:POLITICS:PERSONALITIES:JUN 1960 - The Families Who Wait - The Govender family is one of the most pathetic of all the detainees. Jack Govender, a clerk, was the sole supporter of a wife and six children. A few years ago he sunk his life's savings into a house and contracted a large bond. Mrs. Govender is sure she and here family would starve and lose their home if it was not for the help of her husband's friends. "I have no help from my own family, "she says. "I am an orphan. Despite help from my husband's friends we can scarcely make ends meet. The detention has meant a lot of forced saving and stinting. My elder children are quite reconciled to the fact that they would not see their father for some while yet, but my youngest girl and boy give me the biggest heart-ache. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3718 x 2400
    Media Id: 144_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, families who wait, Govender family, Govender, children, Mrs Govender, detention, Drum photographer, Indian, six children, June 1960, 1960,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0073_006.tif
    Title: Little Boy's Story Of Death On Farm - Mother Sits Alone
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102318:SAED:LABOUR:POLITICS:PERSONALITIES:APR 1962 - Little Boy's Story Of Death On Farm - Mother Sits Alone - her son Fios was chained, kicked and thrashed with sticks and hosepipes by three local farmers, two of whom employed him. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4345 x 4521
    Media Id: 134_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, apartheid, politics, labour, child labour, farm death, boy, little boy, mother, sits, alone, kicked, thrashed, chained, Peter Magubane, mourning, grieving, April 1962, 1962, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0075_006.tif
    Title: Professor Z.K Matthews and Family
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102806:SAED:POLITICS:PERSONALITIES:DEC 1959 - The Man They Called A Traitor - Matthews Family Conference - Professor Matthews and "Mama" with son Joseph (left), his wife, a nephew and grandchildren in garden of home. A man of principles, is Professor Matthews. He has resigned his post as lecturer in African Studies at Fort Hare University College. Why? Because he would not be the "good boy" of a tribal college which is what Fort Hare will become. By resigning he stands to lose about 7,000 in pension rights. A man made of less stern stuff would have stayed on. But not Matthews. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2843 x 1887
    Media Id: 141_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, December 1959, 1959, December, Professor Z.K Matthews, family, Fort Hare University, garden, home, Drum Photographer, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0075_007.tif
    Title: The Man They Called A Traitor
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102807:SAED:POLITICS:PERSONALITIES:DEC 1959 - The Man They Called A Traitor - Matthews Family Conference - Professor Matthews,his wife, and grandchildren in garden of home. A man of principles, is Professor Matthews. He has resigned his post as lecturer in African Studies at Fort Hare University College. Why? Because he would not be the "good boy" of a tribal college which is what Fort Hare will become. By resigning he stands to lose about 7,000 in pension rights. A man made of less stern stuff would have stayed on. But not Matthews. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5499 x 4300
    Media Id: 141_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0075_008.tif
    Title: Prof. J.Ross, rector-to-be, visited Fort Hare
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102808:SAED:POLITICS:PERSONALITIES:DEC 1959 - The Man They Called A Traitor - Trouble among the students - There was trouble when Prof. J.Ross, rector-to-be, visited Fort Hare. Here, Principal Prof. Burrows clams crowd. A man of principles, is Professor Matthews. He has resigned his post as lecturer in African Studies at Fort Hare University College. Why? Because he would not be the "good boy" of a tribal college which is what Fort Hare will become. By resigning he stands to lose about 7,000 in pension rights. A man made of less stern stuff would have stayed on. But not Matthews. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5601 x 4198
    Media Id: 142_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, December 1959, 1959, December, 1950s, traitor, J. Ross, rector, education, crowd, Professor Matthews, University of Fort Hare, Drum Photographer, ,
    Model Release: No
    Property Release: No
    X
    Image Number: BHA0075_011F.tif
    Title: The Wonderful World Of Kids
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102712:SAED:CHILDREN:SOCIAL:JUN 1963 - The Wonderful World Of Kids - A loof from the world, a boy leans aristocratically against a tree. And with his bow-tie, black suit, white gloves and stick, who can blame him for feeling like a king. Reason for the get-up: he was a page-boy at a wedding. In this trouble-torn, fast changing world, there remains one constant and untouched wonder - our children. They bring us our greates joy and our biggest heartbreak. What is more warming than a child's smile, and what more saddening than the trusting look of a sick or starving child? Theirs is a world left untainted by the hates, fears and prejudices of their parents. (Photograph by Walter Pitso BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3526 x 8654
    Media Id: 142_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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