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Search Term: 1968

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    Image Number: BHA00020_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM MAR 1968 FREEDOM FOR AWOLOWO AND ENAHORONIGED:POLITICS:PERSONALIES:MAR 1968 Freedom For Awolowo And Enahoro Awo is released from prison and returns to power from the political wilderness. When Major-General Aguiyi-Ironsi became head of state after the first military coup, many people thought the release of Chief Awolowo would follow. It was not, however, until August 2, 1966, that Nigeria's young head of state, Major-General Yakubu Gowon, ordered the immediate release of Chief Awolowo, Chief Anthony Enahoro and others imprisoned in 1963 on charges of treasonable felony and conspiracy to overthrow the Nigerian government. . (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5310 x 4000
    Media Id: 70_151
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00020_18
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM MAR 1968 THE FUTURE OF THE EMIRSNIGED:SOCIAL:CULTURE:PERSONALITIES:MAR 1968 The Future Of The Emirs Alhaji Nagogo, the Emir of Katsina, represents the past and the present, the traditional and the progressive. Two opposite conclusions are now being drawn about the fate and future of Northern Nigerian Royalty. The more articulate of these is that as a result of the rapid step-up of education in the North, as well as the creation of six states there, the institution of emir-ship is doomed to lose its power, its grip on the people, its political, religious and social leadership. The other view is that, on the contrary, these developments will further help to strengthen the political power and leadership of the northern ruling houses. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4049 x 5172
    Media Id: 69_748
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00020_19
    Title: The Future Of The Emirs
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:SOCIAL:CULTURE:PERSONALITIES:MAR 1968 Ð The Future Of The Emirs Ð Devout Northerners owe their allegiances to their faith and their emirs. ÒEmirs of Northern Nigeria have always operated within a democratic framework. What many people did not see clearly was that their form of democracy was more by consultation and by consensus. Present day demand is for the democracy of the secret ballot. The people want to have more say about how they are governed. This doesnÕt mean that the emirs no longer have important functions. The emirs should adapt their institution to fit the new order. Even with the power passing on to the masses, the emirs can still symbolize that power, representing the collective power of the people.Ó (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5173 x 4017
    Media Id: 70_75
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, horizontal, March, 1968, 1960s, Muslim, bowing, crowds, March 1968, Emirs, West Africa, culture, religion, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0020_001.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060147:NIGED:POLITICS:PERSONALIES:MAR 1968 – Freedom For Awolowo And Enahoro – Awo is released from prison and returns to power from the political wilderness. When Major-General Aguiyi-Ironsi became head of state after the first military coup, many people thought the release of Chief Awolowo would follow. It was not, however, until August 2, 1966, that Nigeria’s young head of state, Major-General Yakubu Gowon, ordered the immediate release of Chief Awolowo, Chief Anthony Enahoro and others imprisoned in 1963 on charges of treasonable felony and conspiracy to overthrow the Nigerian government. . (Photograph by Drum Photographer
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5310 x 4000
    Media Id: 148_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0020_018.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060133:NIGED:SOCIAL:CULTURE:PERSONALITIES:MAR 1968 – The Future Of The Emirs – Alhaji Nagogo, the Emir of Katsina, represents the past and the present, the traditional and the progressive. Two opposite conclusions are now being drawn about the fate and future of Northern Nigerian Royalty. The more articulate of these is that as a result of the rapid step-up of education in the North, as well as the creation of six states there, the institution of emir-ship is doomed to lose its power, its grip on the people, its political, religious and social leadership. The other view is that, on the contrary, these developments will further help to strengthen the political power and leadership of the northern ruling houses. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: portrait
    Pixel Size: 4049 x 5172
    Media Id: 148_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0020_019.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060124:NIGED:SOCIAL:CULTURE:PERSONALITIES:MAR 1968 – The Future Of The Emirs – Devout Northerners owe their allegiances to their faith and their emirs. “Emirs of Northern Nigeria have always operated within a democratic framework. What many people did not see clearly was that their form of democracy was more by consultation and by consensus. Present day demand is for the democracy of the secret ballot. The people want to have more say about how they are governed. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5173 x 4017
    Media Id: 148_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0033_53.tif
    Title: WHEN UGANDA'S MARTYRS WENT OUT TO DIE
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008061306:EAED:SOCIAL:PERSONALITIES:FEB 1968 - When Uganda's Martyrs Went Out To Die - Musa Nnyumba as he is today with a great-great-great grandchild at Kasasa near Masaka. He is 107 years of age. He is like any other villager simple and contented. Yet his name is among those to be found in the great archives of the Catholic church in Uganda, and possibly in the Vatican. For he is the only living witness to the tragedy of the 22 martyrs. I met him just a few weeks before the eightieth anniversary of the death of the famous Uganda matyrs - now saints - at his home, Kasasa, not far from Masaka. (Photograph by Drum Photograph BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: UGANDA
    Pixel Size: 2634 x 3114
    Media Id: 179_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0033_54.tif
    Title: WHEN UGANDA'S MARTYRS WENT OUT TO DIE
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008061307:EAED:SOCIAL:PERSONALITIES:FEB 1968 - When Uganda's Martyrs Went Out To Die - Four little children who come from the family of St. Charles Lwanga, the martyr, offer their prayers at his shrine at Kasasa. Musa Nnyumba is 107 years of age. He is like any other villager simple and contented. Yet his name is among those to be found in the great archives of the Catholic church in Uganda, and possibly in the Vatican. For he is the only living witness to the tragedy of the 22 martyrs. I met him just a few weeks before the eightieth anniversary of the death of the famous Uganda matyrs - now saints - at his home, Kasasa, not far from Masaka. For days I been searching for his place. (Photograph by Drum Photograph BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: UGANDA
    Orientation: portrait
    Pixel Size: 2535 x 3312
    Media Id: 179_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0033_72.tif
    Title: KIGANIRA RETURNS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008061314:EAED:POLITICS:PERSONALITIES:APR 1968 - Kiganira Returns - After his release from Luzira prison Kibuka Kiganira, the self-styled prophet jailed for his wild incantaions during the Kabaka's first exile, returned to his old mother and took her into a warm embrace. Even then Kibuka was wearing traditional bark cloth and clutching a spear,since his release he had refrained from the messianice practises which saw him jailed twice during the 1950s. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: UGANDA
    Pixel Size: 3726 x 3857
    Media Id: 180_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0045_002.tif
    Title: When The Flood Came - The Main street of Keta was totally engulfed by the surging flood waters
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082208:GHAED:SOCIAL:FLOODS:OCT 1968 - When The Flood Came - The Main street of Keta was totally engulfed by the surging flood waters which left over 2,000 inhabitants homeless. The rains certainly came in their torrents, leaving in their deluge a gigantic loss of property and life. Ghana has seldom seen worse wet season with comparable damage. The floods of the months of June and July sweft through an unprepared nation with a frightening hurricane breaking hamlets and huts, houses and churches. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5516 x 4153
    Media Id: 254_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, flood, October, 1968, October 1968, Keta, main street, water, engulfed, homeless, sweft, Drum Photographer, huts, houses, churches, damage, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0045_004.tif
    Title: When The Floods Came
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082209:GHAED:SOCIAL:FLOODS:OCT 1968 - When The Flood Came - New Challenge for Keta's elderly. The rains certainly came in their torrents, leaving in their deluge a gigantic loss of property and life. Ghana has seldom seen worse wet season with comparable damage. The floods of the months of June and July sweft through an unprepared nation with a frightening hurricane breaking hamlets and huts, houses and churches. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4270 x 5182
    Media Id: 254_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0045_005.tif
    Title: When The Flood Came
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082210:GHAED:SOCIAL:FLOODS:OCT 1968 - When The Flood Came - Beginning again holds no cheer for young or old. The rains certainly came in their torrents, leaving in their deluge a gigantic loss of property and life. Ghana has seldom seen worse wet season with comparable damage. The floods of the months of June and July sweft through an unprepared nation with a frightening hurricane breaking hamlets and huts, houses and churches. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4440 x 5448
    Media Id: 254_22
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, October, 1968, Drum Magazine, October 1968, flood, water, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0045_006.tif
    Title: When The Flood Came
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082211:GHAED:SOCIAL:FLOODS:OCT 1968 - When The Flood Came - While others must begin the long journey towards a new life. The rains certainly came in their torrents, leaving in their deluge a gigantic loss of property and life. Ghana has seldom seen worse wet season with comparable damage. The floods of the months of June and July sweft through an unprepared nation with a frightening hurricane breaking hamlets and huts, houses and churches. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5470 x 4390
    Media Id: 254_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Drum Magazine, Ghana, October 1968, 1968, Flood, houses, water, children, hurricane, breaking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0046_010.tif
    Title: Can Carlos Cure Our Cup Hangover?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082120:GHAED:SPORTS:SOCCER:PERSONALITIES:APR 1968 - Can Carlos Cure Our Cup Hangover? - National Soccer coach C.K Gyamfi (right) greeted the news of Carlos' appointment as an "assault on the integrity of Ghanaian coaches". A few weeks later Gyamfi was full of Carlos' praises. They are in a working discussion at the Accra Sports Stadium. In Ghana football's hour of defeat comes yeat another soccer saviour. This time it is Carlos Parreira hot from soccer-crazy Brazil. But Carlos' arrival was heralded by fireworks all around with yet another wrangle amongst the organisers of our national sport. His name is a long one: Carlos Alberto Gomes Parreira. He is the 24-year-old soccer strategist from Brazil with a stupendous mission: the unenviable task of injecting panache, passion and fresh personalities into the stagnant pool of Ghanainan soccer. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4164 x 5495
    Media Id: 255_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0046_011.tif
    Title: Can Carlos Cure Our Cup Hangover?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082121:GHAED:SPORTS:SOCCER:PERSONALTIES:APR 1968 - Can Carlos Cure Our Cup Hangocer? - Carlos Started coaching too late to affect the result of the Africa cup. He is amazed that Africa's leading soccer nation should not be run more professionally. In Ghana football's hour of defeat comes yeat another soccer saviour. This time it is Carlos Parreira hot from soccer-crazy Brazil. But Carlos' arrival was heralded by fireworks all around with yet another wrangle amongst the organisers of our national sport. His name is a long one: Carlos Alberto Gomes Parreira. He is the 24-year-old soccer strategist from Brazil with a stupendous mission: the unenviable task of injecting panache, passion and fresh personalities into the stagnant pool of Ghanainan soccer. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5670 x 4037
    Media Id: 255_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0046_012.tif
    Title: Can Carlos Cure Our Cup Hangover?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082122:GHAED:SPORTS:SOCCER:PERSONALITIES:APR 1968 - Can Carlos Cure Our Cup Hangover? - Dedicated Carlos, hammering home a tactic. In Ghana football's hour of defeat comes yeat another soccer saviour. This time it is Carlos Parreira hot from soccer-crazy Brazil. But Carlos' arrival was heralded by fireworks all around with yet another wrangle amongst the organisers of our national sport. His name is a long one: Carlos Alberto Gomes Parreira. He is the 24-year-old soccer strategist from Brazil with a stupendous mission: the unenviable task of injecting panache, passion and fresh personalities into the stagnant pool of Ghanainan soccer. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4248 x 5607
    Media Id: 255_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0046_013.tif
    Title: Carlos Parreira - soccer coach
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082123:GHAED:SPORTS:SOCCER:PERSONALTIES:APR 1968 - Can Carlos Cure Our Cup Hangocer? - Carlos Started coaching too late to affect the result of the Africa cup. He is amazed that Africa's leading soccer nation should not be run more professionally. In Ghana football's hour of defeat comes yeat another soccer saviour. This time it is Carlos Parreira hot from soccer-crazy Brazil. But Carlos' arrival was heralded by fireworks all around with yet another wrangle amongst the organisers of our national sport. His name is a long one: Carlos Alberto Gomes Parreira. He is the 24-year-old soccer strategist from Brazil with a stupendous mission: the unenviable task of injecting panache, passion and fresh personalities into the stagnant pool of Ghanainan soccer. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5813 x 4068
    Media Id: 255_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Drum Magazine, soccer, sport, Carlos Parreira, soccer coach, coach, Brazil, Africa, soccer players sitting, coaching, Parreira coaching, Drum Photographer, April 1968, 1968, April, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0046_014.tif
    Title: Can Carlos Cure Our Cup Hangover?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: GHAED:SPORTS:SOCCER:PERSONALTIES:APR 1968 - Can Carlos Cure Our Cup Hangocer? - The lift to international fame. This is what Carlos is seeking to demostrate with national stars Robert Mensah and Sammy Stephens. In Ghana football's hour of defeat comes yeat another soccer saviour. This time it is Carlos Parreira hot from soccer-crazy Brazil. But Carlos' arrival was heralded by fireworks all around with yet another wrangle amongst the organisers of our national sport. His name is a long one: Carlos Alberto Gomes Parreira. He is the 24-year-old soccer strategist from Brazil with a stupendous mission: the unenviable task of injecting panache, passion and fresh personalities into the stagnant pool of Ghanainan soccer. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3587 x 5493
    Media Id: 255_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_003.tif
    Title: Workers Brigadeor Wasteful Brigade?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081902:GHAED:SOCIAL:AGRICULTURE:AUG 1968 - Workers Brigadeor Wasteful Brigade? - Corn harvesting at Asempaneye farm. After nine turbulent years, the vital problem: Can the Brigade pay its way? The Workers Brigade employs more people than any other organisation. Its primary objective is to cater for the country's unemployed, exploiting massive human resources to the advantage of the various sectors of the economy. Ghana's agricultural problems, like any developing nation, are ever-present not withstanding the political changes. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5335 x 4293
    Media Id: 254_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_004.tif
    Title: Workers Brigadeor Wasteful Brigade?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081902:GHAED:SOCIAL:AGRICULTURE:AUG 1968 - Workers Brigadeor Wasteful Brigade? - Food reaped at Brigade farm. Can it reach the markets? After nine turbulent years, the vital problem: Can the Brigade pay its way? The Workers Brigade employs more people than any any other organisation. Its primary objective is to cater for the country's unemployed, exploiting massive human resources to the advantage of the various sectors of the economy. Ghana's agricultural problems, like any developing nation, are ever-present not withstanding the political changes. . (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5323 x 4163
    Media Id: 254_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_006.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081904:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - The face of downright innocence put up by a "virgin", having just attained age. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3523 x 5443
    Media Id: 254_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_007.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081905:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - A twin-set of braodsmiles beamed by traditional artists in the Kente cloth. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4324 x 5613
    Media Id: 254_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_008.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081906:GHAED:SOCIAL:CULTURE:ARTS:PERSONALITIES:MAY 1968 - National Arts Festival - Beatrice Addo (extreme left) leading a trio in court dance for chiefs, KETE. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5456 x 3768
    Media Id: 254_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0056_003.tif
    Title: A Golden Era For Kenya's Athletes
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082804:EAED:SOCIAL:SPORT: DEC 1973 - A Golden Era For Kenya's Athletes - Kenyan Athletes Prepared For The 1968 Olympics in Mexico at a special high-altitude camp at Thomsons Falls. The 1970s was a golden decade for Kenyan athletics. The young nation produced one world-class middle distance runner after the other. The amazing thing was that most of them hailed from the same region within Kenya - the Nandi District in Western Kenya. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: KENYA
    Orientation: landscape
    Pixel Size: 4797 x 3640
    Media Id: 137_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0057_006.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090308:EAED:POLITICS:PERSONALITIES:MAY 1968 - Mzee Returns! - Rapturous Crowds Welcome Kenyatta as he arrives home after nine years in prison. Jomo Kenyatta alighted, and for two three full minutes he was surrounded by such a huddle of people - politicians, journalists, well-wishers, relatoves and friends- that no-one could move. But, then, after people had pushed themselves apart to form a path, Kenyatta, in brown leather jacket and corduroy trousers, fly whisk waving ceaselessly to the people, moved to the doorway of his house. (Photograph by Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4225 x 5687
    Media Id: 145_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0057_007F.tif
    Title: Mzee Returns!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090309:EAED:POLITICS:PERSONALITES:MAY 1968 - Mzee Returns! - Ten Thousand Flag-Waving Supporters wait outside Kenyatta's new home at Gatundu, 20 kilometres from Nairobi, to catch a glimpse of their released leader. For an hour before his arrival, thousands of people came streaming over the hills and from far away. The area was jammed tight, broad smiles on all the faces, the whole atmosphere between something of a carnival and a miracle. Some were pressed stoically against the wire, unable to move, almost unable to breathe, indifferent to their agony. They were in the front row of a special perfomance for the beginning of a new era. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: KENYA
    Orientation: landscape
    Pixel Size: 6979 x 4403
    Media Id: 145_14
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_015.tif
    Title: 15,000 Pay Homage To Zulu King
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112413:SAED:POLITICS:PERSONALITIES:OCT 1968 - 15,000 Pay Homage To Zulu King - Prince Goodwill Zwelithini holds his father's riding crop and hat as the funeral unfolds. He is likely to be the next Paramount Chief. King Cyprian Bhekuzulu, paramount Chief of 2,500,000 Zulus, lies resting in a grave next to that of his great father Solomon amid wavering wattle trees in Mahashin, 16 miles from Kwakhethomthandayo, the royal kraal in Nongoma. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 4656 x 6017
    Media Id: 135_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_016.tif
    Title: 15,000 Pay Homage To Zulu King
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112414:SAED:POLITICS:PERSONALITIES:OCT 1968 - 15,000 Pay Homage To Zulu King - Prince Goodwill Zwelithini at his father's funeral. He is likely to be the next Paramount Chief. King Cyprian Bhekuzulu, paramount Chief of 2,500,000 Zulus, lies resting in a grave next to that of his great father Solomon amid wavering wattle trees in Mahashin, 16 miles from Kwakhethomthandayo, the royal kraal in Nongoma. More than 15,000 mourners from every part of the country paid their last respect to their king who was buried in a curious contrast of pagan ritual and Christian rites liberally interspersed with politics. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 4711 x 6040
    Media Id: 135_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_017.tif
    Title: 15,000 Pay Homage To Zulu King
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112415:SAED:POLITICS:PERSONALITIES:OCT 1968 - 15,000 Pay Homage To Zulu King - One of Chief Cyprian's sons cries bitterly. King Cyprian Bhekuzulu, paramount Chief of 2,500,000 Zulus, lies resting in a grave next to that of his great father Solomon amid wavering wattle trees in Mahashin, 16 miles from Kwakhethomthandayo, the royal kraal in Nongoma. More than 15,000 mourners from every part of the country paid their last respect to their king who was buried in a curious contrast of pagan ritual and Christian rites liberally interspersed with politics. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 4452 x 5599
    Media Id: 135_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_018.tif
    Title: Cyprian:Not So Much A King, More A Human Being
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112416:SAED:MARRIAGE:POLITICS:PERSONALITIES:OCT 1968 - Cyprian:Not So Much A King, More A Human Being. Ma-JaliCyprian claimed she used to beat him up. She claimed his roving eye spoilt their marriage. One of the women who featured greatly in the life of the much-married king was Clementine Jali, known as Ma-Jali. Cyprian took her on as queen in 1955 but this proved an ill-fated match. In a divorce hearing in 1959 in Maritzburg the ruler of the mighty Zulu nation testified that Ma-Jali often beat him up and wasn't giving him the royal time he felt entitled to as a birthright. They later separated, and Ma-Jali blamed the break-up of the marriage on the roving royal eye. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2894 x 4084
    Media Id: 135_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_019.tif
    Title: Cyprian:Not So Much A King, More A Human Being
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112417:SAED:POLITICS:PERSONALITIES:OCT 1968 - Cyprian:Not So Much A King, More A Human Being. Unlike his warrior forebears Cyprian didn't love war. He treasured peace, but treasuring peace and failing to be aggressive to seek redress for an ill like curfew didn't endear him to many Zulus, less still to the urbanites who regarded such behaviour as bordering on the obsequious and kow-towing to authorities. To them he didn't cut the authoritative figure of a Moses shouting: "Let my people go." Cyprian, through no fault of his own, did not have a good education like his B.A cousin Chief Gatsha. He had to leave school to take up the throne and was thus robbed of the basic education an administrator of so many people badly needs. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1503 x 4120
    Media Id: 134_40
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_020.tif
    Title: Circumcision
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112418:SAED:TRADITION:DEC 1968 - Circumcision - This group of blanketed, chanting men are returning from circumcision school. Before going to the mountains they were looked on as boys, but now they are regarded as men. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 3564 x 2404
    Media Id: 135_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0063_015.tif
    Title: Adam Small
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103102:SAED:EDUCATION:SOCIAL:PERSONALITIES:GCP:OCT13 1968 - Adam Small, lecturer in philosophy at the University College of the Western Cape, is a man with one of the proudest academic records in South Africa. In 1956 he received a B.A. in Philosophy at the University of Cape Town and a year later gained honours with distinctions. In 1958 he studied at the London School of Economics and after receiving a Masters degree (with distinctions) at UCT in 1962 he returned to England and studied at Oxford until 1964. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3837 x 5684
    Media Id: 139_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0063_016.tif
    Title: Bribery - Cancer Of The Big City
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103103:SAED:SOCIAL:CRIME:MAY 1968 - Bribery - Cancer Of The Big City - The queues at Albert Street are long and tedious, but for the man in a hurry 50c slipped to the right cop can get him to the top of the line. The bribe virus has even affected ordinary municipal cops. Every municipal office has miles and miles of queues for one thing or another. If you can't afford wasting five hours standing in a queue doing nothing all you have to do is quietly to pass a 50c piece to a cop. That's the price for quick service. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Johannesburg
    Orientation: landscape
    Pixel Size: 5628 x 4100
    Media Id: 139_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0071_002.tif
    Title: Circumcision School
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112419:SAED:TRADITION:DEC 1968 - Circumcision School for girls is considered mainly a preparation for marriage, and most of the rituals connected with circumcision and initiation are believed to ensure fertility. Here a group of masked girls are seen during circumcision school. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2469 x 3574
    Media Id: 144_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, tradition, culture, December 1968, 1968, circumcision, school, marriages, girls, ritual, fertility, masked, blankets, sticks, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0071_003.tif
    Title: Chanting 'Doc' Says He Can Make Rain
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112422:SAED:TRADITION:PERSONALITIES:OCT 1968 - Chanting 'Doc' Says He Can Make Rain. What could be the cause of the agony written all over the face? Sangoma Maseko explains that he was at that moment "possessed" by the spirits of his ancestors. Maseko is a bold man. Straight away he challenges DRUM saying that he can make rain. he also claims to be able to cure insanity. He gives the names of two Soweto people he says he cured from insanity. Since we've not had the lovely scent of rain for a long time I challenged Mr. Maseko to make bold his claim as rainmaker. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3972 x 5621
    Media Id: 144_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, tradition, October, 1968, rain, Sangoma, Maseko, Chanting, rainmaker, Drum Photographer, African man, 1960s, October 1968, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0071_004.tif
    Title: Chanting 'Doc' Says He can Make Rain
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112423:SAED:TRADITION:PERSONALITIES:OCT 1968 - Chanting 'Doc' Says He Can Make Rain. A jungle tribal scene? The two lassies are assistants of Sangoma Maseko who operates right here in Soweto. Sangoma Maseko is a bold man. Straight away he challenges DRUM saying that he can make rain. he also claims to be able to cure insanity. He gives the names of two Soweto people he says he cured from insanity. Since we've not had the lovely scent of rain for a long time I challenged Mr. Maseko to make bold his claim as rainmaker. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3960 x 5645
    Media Id: 144_36
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0074_005.tif
    Title: This Marina Is Like Twin Of English Royalty
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102414:GCP:SOCIAL:PERSONALITIES:AUG25 1968 - This Marina Is Like Twin Of English Royalty - Mr. Richard Maponya and his wife Marina. Princess Marina, the one in U.K and Marina Maponya of Dube looks so identical, alike - to make it so fascinating Maponya's sweetie, that's the lad Richard, was born on the same day that Princess Marina trudged up the aisle amidst wedding bells and all the hullabaloo. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Soweto, Dube, Johannesburg
    Orientation: portrait
    Pixel Size: 1752 x 4135
    Media Id: 134_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0074_007.tif
    Title: Richard Maponya
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102416:GCP:SOCIAL:PERSONALITIES:JAN14 1968 - Richard Maponya playing with dogs. Dube tycoon Richard Maponya, president of the African National Chamber of Commerce! - one of Soweto's foremost businessmen and citizens, prefers the ordinary things in life. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Soweto
    Orientation: portrait
    Pixel Size: 5326 x 7189
    Media Id: 134_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0174_016.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102103:SAED:SOCIAL:POVERTY:GCPAPR7 1968 -Mrs. Johanna Williams (widow) with her two little daughters after being evicted from the house in Gelvandale, Port Elizabeth. For four days and nights they lived on a rainy pavement. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Gelvandale
    Orientation: portrait
    Pixel Size: 3545 x 4948
    Media Id: 775_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0174_020.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102124:SAED:BEAUTIES:PERSONALITIES:DEC 1971 - Model Lilian always in front of the lens, turns the camera on fellow beauty Meisie Pilane. Lovely as ever former Miss South Africa Lilian Thebe poses for DRUM. Lilian Thebe looked just as wonderful as she did that night in 1968 she was crowned Miss South Africa. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2571 x 3600
    Media Id: 776_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0174_021.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102123:SAED:BEAUTIES:PERSONALITIES:DEC 1971 - Lovely as ever former Miss South Africa Lilian Thebe poses for DRUM. Lilian Thebe looked just as wonderful as she did that night in 1968 she was crowned Miss South Africa. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3361 x 7117
    Media Id: 776_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0174_022.tif
    Title: Former Miss South Africa Lilian Thebe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102121:SAED:BEAUTIES:PERSONALITIES:DEC 1971 - Lovely as ever former Miss South Africa Lilian Thebe poses for DRUM. Lilian Thebe looked just as wonderful as she did that night in 1968 she was crowned Miss South Africa. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3408 x 7153
    Media Id: 776_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: former miss south africa, South Africa, Lilian Thebe, pose, lovely, crowned, 1968, December 1971, 1971, Drum Magazine, beauty, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0174_023.tif
    Title: Miss South Africa Lilian Thebe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102122:SAED:BEAUTIES:PERSONALITIES:DEC 1971 - Lovely as ever former Miss South Africa Lilian Thebe poses for DRUM. Lilian Thebe looked just as wonderful as she did that night in 1968 she was crowned Miss South Africa. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 5106 x 8566
    Media Id: 775_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, December 1971, 1971, 1970s, December, Miss South Africa, Former Miss South Africa, Lilian Thebe, lovely, sitting, Drum Photographer, African woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0175_011E.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102205:SAED:SOCIAL:APR 1968 - To keep his Chev in tip-top seven-minute condition, Bizza puts it in the garage at least once a week for tune-ups. Here's Solomon Manana, known as Bizza in Soweto, one of the fastest drivers on the road today sitting in his 1955 Chev straight six. He's called a seven-minute man - that's his usual time on the Soweto-Joburg taxi run! (Photograph by Drum Photographer ©BAHA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Soweto
    Orientation: landscape
    Pixel Size: 5548 x 3653
    Media Id: 795_22
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0175_012E.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102202:SAED:SOCIAL:APR 1968 - Here's Solomon Manana, known as Bizza in Soweto, one of the fastest drivers on the road today sitting in his 1955 Chev straight six. He's called a seven-minute man - that's his usual time on the Soweto-Joburg taxi run! (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Soweto
    Orientation: landscape
    Pixel Size: 5612 x 4028
    Media Id: 795_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0175_013E.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102203:SAED:SOCIAL:APR 1968 - Bizza's normal driving position - left hand on the wheel, right arm resting on the windowsil, head out, watching the "corridor". Here's Solomon Manana, known as Bizza in Soweto, one of the fastest drivers on the road today sitting in his 1955 Chev straight six. He's called a seven-minute man - that's his usual time on the Soweto-Joburg taxi run! (Photograph by Drum Photographer ©BAHA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Soweto
    Orientation: portrait
    Pixel Size: 3996 x 5660
    Media Id: 795_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0175_014E.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102204:SAED:SOCIAL:APR 1968 - A passenger's -eye-view. Bizza swings out, sees a car and snatches back. Here's Solomon Manana, known as Bizza in Soweto, one of the fastest drivers on the road today sitting in his 1955 Chev straight six. He's called a seven-minute man - that's his usual time on the Soweto-Joburg taxi run! (Photograph by Drum Photographer ©BAHA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Soweto
    Orientation: landscape
    Pixel Size: 5636 x 4584
    Media Id: 795_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0268_001.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009110206:SAED:APARTHEID:GCPMAR31 1968 - Eight-year-old Nomvula Mahlophe had been standing in a 'Whites only' park in Mayfair watching the school children at play on the roundabout. Then they called her over to join in. For some kids, it seems, there's no such thing as 'Slegs Blankes'. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5802 x 3870
    Media Id: 793_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0268_002.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009110205:SAED:APARTHEID:GCPMAR31 1968 - Eight-year-old Nomvula Mahlophe had been standing in a 'Whites only' park in Mayfair watching the school children at play on the roundabout. Then they called her over to join in. For some kids, it seems, there's no such thing as 'Slegs Blankes'. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5790 x 3876
    Media Id: 793_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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