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Search Term: Black power

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    Image Number: BHA00020_19
    Title: The Future Of The Emirs
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:SOCIAL:CULTURE:PERSONALITIES:MAR 1968 Ð The Future Of The Emirs Ð Devout Northerners owe their allegiances to their faith and their emirs. ÒEmirs of Northern Nigeria have always operated within a democratic framework. What many people did not see clearly was that their form of democracy was more by consultation and by consensus. Present day demand is for the democracy of the secret ballot. The people want to have more say about how they are governed. This doesnÕt mean that the emirs no longer have important functions. The emirs should adapt their institution to fit the new order. Even with the power passing on to the masses, the emirs can still symbolize that power, representing the collective power of the people.Ó (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5173 x 4017
    Media Id: 70_75
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, horizontal, March, 1968, 1960s, Muslim, bowing, crowds, March 1968, Emirs, West Africa, culture, religion, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0015_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:POLITICS:PERSONALITIES:JUL 1962 Ð ÔMonsterÕ State Born Of Pride And Hysteria Ð Akintola went to court to stop the new state. The Mid-West State issue that was born of spite and hysteria is today threatening to sunder the Nigerian federation in two. The Government of Western Nigeria which, seven years ago, impatiently and somewhat naively gave the issue a sort of legislative forum, is now doing everything in its power to stop it from becoming a reality, while the NCNC and the NPC, who in their heart of hearts really do not wonÕt more new states, are doing all in their power to see the proposed state become a reality. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: portrait
    Pixel Size: 3853 x 4975
    Media Id: 70_71
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, vertical, July, 1962, 1960s, political leaders, politicians, traditional dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_2
    Title: Obafemi Awolowo Organises The West
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM Ð FEB 1954 Ð OBAFEMI AWOLOWO ORGANISES THE WEST. NIGED:POLITICS:PERSONALITIES:FEB 1954 Ð Obafemi Awolowo Organises The West Ð Obafemi Awolowo was chiefly responsible for organizing Western Nigeria. He started with Yoruba students in London and a cultural group called the Egbe Omo Odudwa emerged. He then focused on the Yoruba people in Western Nigeria which culminated in a new political force Ð the action Group. Obafemi Awolowo is the most powerful in Western Nigeria. He rose from a fatherless, almost helpless village boy to a leader of six million Western Nigerians. He is leader of the action group , now in power in Western Nigeria, and one of three Nigerian premiers to emerge from the haze and dust of West African politics after Kwame Nkrumah of the Gold Coast. He is author of The path to Nigerian freedom and an unwavering leader along his chosen path. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5104 x 4176
    Media Id: 69_679
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: history, cultural history, West Africa, Nigeria, Drum Magazine, social comments, historical value, Yoruba people, politics, personality, chief, 1954, 1950s, meeting, traditional dress, inside, black African men, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_10.tif
    Title: Black Power Reigns At Commonwealth Games
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072219:NIGED:SPORTS:PERSONALITIES:NOV 1966 Black Power Reigns At Commonwealth Games Former Inspector General of Police, Mr Edet inspecting medals won by Sam. Nigerias Golden Sam Igun gave Nigeria a gold in the sophisticated hop, and jump event. A new games record. For the first time, in the intense competition of world athletics, Africans have carved up the cinders and come out equal. Africans are now winning just as many medals as the established white athletes. For the first time since they began thirty-six years ago, the British Empire and Commonwealth Games were held this year in a black country, in hot and steamy Kingston, capital of Jamaica. They will go down in history as the first games in which Africa really established itself as a force world athletics. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 6061 x 4736
    Media Id: 180_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Drum Magazine, Sport, November 1966, 1966, November, Black power, reigns, Commonwealth Games, Mr Edet, inspecting, medals, Sam Igun, Drum Photographer, African men, standing, inspecting medals, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_11.tif
    Title: BLACK POWER REIGNS AT COMMONWEALTH GAMES
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072218:NIGED:SPORTS:PERSONALITIES:NOV 1966 Black Power Reigns At Commonwealth Games Sam Igun is also a keen family man, he is with his wife Gladys and their two Children. Nigerias Golden Sam Igun gave Nigeria a gold in the sophisticated hop, and jump event. A new games record. For the first time, in the intense competition of world athletics, Africans have carved up the cinders and come out equal. Africans are now winning just as many medals as the established white athletes. For the first time since they began thirty-six years ago, the British Empire and Commonwealth Games were held this year in a black country, in hot and steamy Kingston, capital of Jamaica. They will go down in history as the first games in which Africa really established itself as a force world athletics. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 5942 x 4720
    Media Id: 180_24
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_12.tif
    Title: BLACK POWER REIGNS AT COMMONWEALTH GAMES
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072217:NIGED:SPORTS:PERSONALITIES:NOV 1966 Black Power Reigns At Commonwealth Games Nigerias Golden Sam Igun gave Nigeria a gold in the sophisticated hop, and jump event. A new games record. For the first time, in the intense competition of world athletics, Africans have carved up the cinders and come out equal. Africans are now winning just as many medals as the established white athletes. For the first time since they began thirty-six years ago, the British Empire and Commonwealth Games were held this year in a black country, in hot and steamy Kingston, capital of Jamaica. They will go down in history as the first games in which Africa really established itself as a force world athletics. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 4681 x 6029
    Media Id: 180_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_9.tif
    Title: BLACK POWER REIGNS AT COMMONWEALTH GAMES
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072220:NIGED:SPORTS:PERSONALITIES:NOV 1966 Black Power Reigns At Commonwealth Games Sam Igun displaying Medals he have won. Nigerias Golden Sam Igun gave Nigeria a gold in the sophisticated hop, and jump event. A new games record. For the first time, in the intense competition of world athletics, Africans have carved up the cinders and come out equal. Africans are now winning just as many medals as the established white athletes. For the first time since they began thirty-six years ago, the British Empire and Commonwealth Games were held this year in a black country, in hot and steamy Kingston, capital of Jamaica. They will go down in history as the first games in which Africa really established itself as a force world athletics. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 6030 x 4673
    Media Id: 180_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000040707
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000040707:EAED:POLITICS:PERSONALITY:MAY1963 - Kanu Sweeps To Power - Jumping for joy, Jomo Kenyatta, with Tom Mboya and Mwai Kibaki, celebrate KANU's victory in the independence election.In the 1963 independence election KANU swept to power, and Kenyatta became the country's first African Prime Minister. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3570 x 2682
    Media Id: 43_544
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Jomo Kenyatta, Africa, Kenyan African National Union, black and white image, horizontal, KANU, Kenya, May, 1963, 1960s, African history, Tom Mboya, Mwai Kibaki, elections, political leaders, celebrations, celebrating, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051009
    Title: The Incomparable Top Two
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051009:GHAED:ENTERTAINMENT:PERSONALITY:1972 - The Incomparable Top Two: Ajax Bukana And Bob Cole Contest The No Weight Title In Boxing-Dom No Holds Were Barred - At the height of his power, Nkwame Nkrumah received a certain twice weekly visitor to his securely guarded presidential office. The caller was a toothy Nigerian called Ajax Bukana, clown extraordinary. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1361 x 3741
    Media Id: 42_1030
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: distorted image, Drum Magazine, Africa, black and white image, vertical, African history, Ajax Bukana, 1972, 1970s, clowns, black African men, entertainment, Ghana,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051010
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051010:GHAED:ENTERTAINMENT:PERSONALITY:1972 - The Incomparable Top Two: Ajax Bukana And Bob Cole Contest The No Weight Title In Boxing-Dom No Holds Were Barred - At the height of his power, Nkwame Nkrumah received a certain twice weekly visitor to his securely guardedpresidential office. The caller was a toothy Nigerian called Ajax Bukana, clown extraordinary. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2566 x 1858
    Media Id: 43_369
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, Ajax Bukana, 1972, 1970s, clowns, black African men, entertainment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051011
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051011:GHAED:ENTERTAINMENT:PERSONALITY:1972 - The Incomparable Top Two: Ajax Bukana And Bob Cole Contest The No Weight Title In Boxing-Dom No Holds Were Barred. At the height of his power, Nkwame Nkrumah received a certain twice weekly visitor to his securely guarded presidential office. The caller was a toothy Nigerian called Ajax Bukana, clown extraordinary. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2120 x 2328
    Media Id: 42_650
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: boxers, Drum Magazine, Africa, black and white image, square, African history, Bob Cole, Ajax Bukana, 1972, 1970s, clowns, black African men, entertainment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072114
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072114:SAED:BEAUTY:JAN 1956 - Lady of The Flaming Feet! Her name is Ivy Williams. 18. But they call her the Congo Girl. She is a high-voltage packet of concentrated energy, sparkling over with charm and personality. Vicacious? But definitely. Ferocious? Try getting within an inch of her. Torrid? She's a human dynamo. She generates so much heat she might be a power house. She's the hottest thing that ever hit Durban's night life. A real find. Her fiery dance act made her an overnight sensation. (Photograph by Drum Photographer © Baileys Archives) model neg E784
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1981 x 2946
    Media Id: 43_1168
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: January, 1956, 1950s, Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, Ivy Williams, posing, black African woman, models, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072115
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072115:SAED:BEAUTY:JAN 1956 - Lady of The Flaming Feet! Her name is Ivy Williams. 18. But they call her the Congo Girl. She is a high-voltage packet of concentrated energy, sparkling over with charm and personality. Vicacious? But definitely. Ferocious? Try getting within an inch of her. Torrid? She's a human dynamo. She generates so much heat she might be a power house. She's the hottest thing that ever hit Durban's night life. A real find. Her fiery dance act made her an overnight sensation. (Photograph by Drum Photographer © Baileys Archives) model neg E784
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2010 x 2950
    Media Id: 44_133
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: January, 1956, 1950s, Ivy Williams, Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, posing, black African woman, models, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072116
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072116:SAED:BEAUTY-JAN 1956 - Lady of The Flaming Feet! Her name is Ivy Williams. 18. But they call her the Congo Girl. She is a high-voltage packet of concentrated energy, sparkling over with charm and personality. Vicacious? But definitely. Ferocious? Try getting within an inch of her. Torrid? She's a human dynamo. She generates so much heat she might be a power house. She's the hottest thing that ever hit Durban's night life. A real find. Her fiery dance act made her an overnight sensation. (Photograph by Drum Photographer © Baileys Archives) model neg E784
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1966 x 2985
    Media Id: 42_774
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: January, 1956, 1950s, Ivy Williams, posing, Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, black African woman, models, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090905
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000090907:SAED:THEATRE:MUSIC:APR1961 - - God Help The English - Will they throuw their bowler hats into the fog? Members of Lucky's gang the, The Prowlers. Durin this scene they are asking Lucky for a cost-of-living allowance. These boys instil elecricity into the musical with their prowling adventures. They also do the power-charge knife dance. A thug is carried away after a slug from King Kong ( Photographer Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 2716 x 1706
    Media Id: 69_491
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, 1961, February, musical theatre, Performing, jazz, singing, God Help the English, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090908
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000080905:SAED:THEATRE:MUSIC:FEB1961 - God Help The English - Will they throw their bowler hats into the fog? Members of Lucky's gang the, The Prowlers. During this scene they are asking Lucky for a cost-of-living allowance. These boys instil elecricity into the musical with their prowling adventures. They also do the power-charge knife dance. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2401 x 1759
    Media Id: 70_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1961, Drum Magazine, South Africa, South African history, black and white image, horizontal, February, musical theatre, Performing, jazz, singing, God Help the English, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001011802
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001011802:SAED:POLITICS:SOCIAL:MAR1957 - Worlds Longest Walk To Work - And boycott becomes the latest political bomb. Azikwelwa! For all its fierce passion and aggressive power, this slogan of the bus boycott in Johannesburg and Pretoria is in the Passive Voice. No one uses the active voice form 'Ningazikhweli!' (Don't board them) and 'Angizikhweli!' (I don't board them). The passive voice form expresses the mute long suffering and frustration of a voiceless people. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2546 x 1717
    Media Id: 69_798
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, marching, apartheid, politics, 1957, protests, Alexandra, Bus Boycott, Johannesburg, cycling, walking, March, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001011803
    Title: Civil protests: various boycotts
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001011803:SAED:POLITICS:SOCIAL:MAR1957 - Worlds Longest Walk To Work - And boycott becomes the latest political bomb. Azikwelwa! For all its fierce passion and aggressive power, this slogan of the bus boycott in Johannesburg and Pretoria is in the Passive Voice. No one uses the active voice form 'Ningazikhweli!' (Don't board them) and 'Angizikhweli!' (I don't board them). The passive voice form expresses the mute long suffering and frustration of a voiceless people. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Alexandra, Gauteng, South Africa
    Orientation: panoramic
    Pixel Size: 2636 x 1618
    Media Id: 70_269
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: marching, Drum Magazine, South Africa, South African history, black and white image, horizontal, apartheid, politics, 1957, protests, Alexandra, Bus Boycott, Johannesburg, cycling, walking, March, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001011804
    Title: Civil protests: various boycotts
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001011804:SAED:POLITICS:SOCIAL:MAR1957 - Worlds Longest Walk To Work - And boycott becomes the latest political bomb. Alexandra boycotters, walking 500 miles a month, beat world records. Azikwelwa! For all its fierce passion and aggressive power, this slogan of the bus boycott in Johannesburg and Pretoria is in the Passive Voice. No one uses the active voice form 'Ningazikhweli!' (Don't board them) and 'Angizikhweli!' (I don't board them). The passive voice form expresses the mute long suffering and frustration of a voiceless people. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Alexandra, Gauteng, South Africa
    Orientation: landscape
    Pixel Size: 2414 x 1870
    Media Id: 43_330
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: marching, apartheid, Drum Magazine, South Africa, politics, South African history, black and white image, horizontal, 1957, protests, Alexandra, Bus Boycott, Johannesburg, cycling, walking, March, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092608
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092608:SAED:MUSIC:THEATRE:PERSONALITY:JUL1953 - Four Men and a Gal! - The four most famous boys in Africa! Nathan 'Dam Dam' Mdledle, whose height, among other gifts, distinguishes him from other men, Rufus Koza, the brilliant comedian who has unending power and force of will to live long, Ronnie Sehume, whose light dancing feet carry a lovable lighthearted personality, and Joseph Mogotsi, the handsome prince charming of the quarted ...They remained just four black Manhattan Brothers, boys, mimicked and adored by coountless vocal quartets that followed them along their blazing trade. The new trend on which they have decided should make them even more famous, because the trend is Blues Queen Emily Kwenane. (Photographs by Jurgen Schadeberg BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1930 x 1910
    Media Id: 43_295
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Africa, South African history, Drum Magazine, South Africa, Jurgen Schadeberg, July, 1953, 1950s, Manhattan Brothers, performances, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092609
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092609:SAED:MUSIC:THEATRE:PERSORNALITY:JUL1953 - Four Men and a Gal! - The four most famous boys in Africa! Nathan 'Dam Dam' Mdledle, whose height, among other gifts, distinguishes him from other men, Rufus Koza, the brilliant comedian who has unending power and force of will to live long, Ronnie Sehume, whose light dancing feet carry a lovable lighthearted personality, and Joseph Mogotsi, the handsome prince charming of the quarted ...They remained just four black Manhattan Brothers, boys, mimicked and adored by coountless vocal quartets that followed them along their blazing trade. The new trend on which they have decided should make them even more famous, because the trend is Blues Queen Emily Kwenane. (Photographs by Jurgen Schadeberg BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1951 x 1937
    Media Id: 42_715
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, square, Jurgen Schadeberg, July, 1953, 1950s, performances, black African woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092613
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092613:SAED:MUSIC:THEATRE:JUL1953 - Four Men and a Gal! - The four most famous boys in Africa! Nathan 'Dam Dam' Mdledle, whose height, among other gifts, distinguishes him from other men, Rufus Koza, the brilliant comedian who has unending power and force of will to live long, Ronnie Sehume, whose light dancing feet carry a lovable lighthearted personality, and Joseph Mogotsi, the handsome prince charming of the quarted ...They remained just four black Manhattan Brothers, boys, mimicked and adored by coountless vocal quartets that followed them along their blazing trade. The new trend on which they have decided should make them even more famous, because the trend is Blues Queen Emily Kwenane. (Photographs by Jurgen Schadeberg BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1948 x 1932
    Media Id: 43_741
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Jurgen Schadeberg, Drum Magazine, South Africa, Africa, South African history, black and white image, square, July, 1953, 1950s, performances, black African men, black African woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002061222
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002061222:SAED:SOCIAL:CRIME:PERSONALITY:APR1961 - Shadrack Mathews - Mathews: Best and Worst. "Let his life be a warning to others" says detective J.G. Coezee, security man at Alex. "When i was assigned to smash the Msomis i knew i was up against a tough job. People refused to help us as they were afraid that any visit to me would be noticed by some thug who was waiting next to my office to see who came to talk. I had to get offices in Bree street to collect affidavits. The extent that Mathews had the people of Alexandra in his power came out in the affidavits. We interviewed between five hundred and six hundred people,and the accusing finger was pointed at Mathews. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3280 x 4067
    Media Id: 43_1280
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, white man, policeman, vertical, April, 1961, 1960s, J.G. Coetzee, white African man, detectives, gang wars, gangsters, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2003121020
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2003121020:SAED:POLITICS:APARTHEID:JAN1961 - The Earth Shakes In Pondoland - During the night their home has been burnt out. The peaceful life has left their country. Drum has been inside Pondoland for more that a week. Photographer Peter Magubane and reprter, Benson Dyantyi, have lived with the Pondo people. They have listened to their fers and grievances. They have felt the power of the forces that are changing a green and peaceful country into a cockpit of strife. (Photograph by Peter Magubane written by Benson Dyantyi BAHA) Poqo
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2952 x 2336
    Media Id: 42_866
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, devastation, Pondoland, Eastern Cape, black African man, black African woman, houses, burnt, January, 1961, 1960s, ruins, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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