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Search Term: Christian Gbagbo

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    Image Number: BHA0039_017.tif
    Title: LAST OF THE AMAZONS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080514:GHAED:SOCIAL:PERSONALITIES:JUN 1962 - Last Of The Amazons - Warror Madam Abrah Agbekotse Demonstrate how to use a gun in her fighting days. Madam Abrah Agbekotse said she was 103 years old - and she did look every bit a centenarian. Yet when she put on the full garb of an ancient warrior, took her gun and cocked it, dancing here and there in mock battle and waving her horse-tail about, she was completely transformed, and gave one a feeling that she was a mere 40-year-old Amazon, seeking the blood of men! She was born at Avatime, in the Volta Region of Ghana. Her father, the late Togbe Agbekotse, was chief of Fume and that alone could have made an unsually woman out of Abrah. ( Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4449 x 5456
    Media Id: 250_47
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_018.tif
    Title: LAST OF THE AMAZONS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080515:GHAED:SOCIAL:PERSONALITIES:JUN 1962 - Last Of The Amazons - A Wife Must Be Tough She Tells The Young Girls - Asked what she thought about modern women, madam Abrah Agbekotse pouted her lips and almost spat. "All they want is fine clothes and sweet things. They are so soft as bolied cocoyam leaves. They can't control their own children, leave alone their husbands and men in general. Tchuah, they should have seen us in our time. We made women proud; we proved that men are no stronger than us merely because their sex is different. Men want to dominate women, and that's why they take every opportunity to show that they are tougher than us. The only way for women to dominate them is to show that we are equally tough. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5454 x 4464
    Media Id: 251_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_019.tif
    Title: Last Of The Amazons
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080516:GHAED:SOCIAL:PERSONALITIES:JUN 1962 - Last Of The Amazons - Horsetail Is a Charm Against Bullets - I use to challenge the boys in tree climbing and bird shooting, "she said proudly. "I could climb the tallest trees. Whatever the boys did I did and they didn't like me, calling me nyonu nutsu ( "girl-boy" ) and other names of the sort. If I heard anyone call me such a name we fought. Sometimes i beat the offender and sometimes I got beaten. But i never minded being beaten up- i only had abuse from my mother, who said i troubled the boys too much, but a chief's daughter should not do that!" (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4374 x 5429
    Media Id: 250_46
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Drum Magazine, social, June 1962, 1962, Horsetail, charm, Christian Gbagbo, woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_001.tif
    Title: Call Me Mister Muscles
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080703:GHAED:SPORTS:PERSONALITIES:APR 1967 - Call Me Mister Muscles - He asked ten lads to straighten his arms. They pulled but he remained as muscle-bound as a steel spring. He-man Armstrong (full name:Armstrong Tijani Lawani), left his home at Pig Farm, a suburb of Accra to call on a friend. Suddenly he found himself called upon to use the immense strength hidden under his flowing robes in some hair raising feats... (Phograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4687 x 3447
    Media Id: 254_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_002.tif
    Title: Call Me Mister Muscles
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080705:GHAED:SPORTS:PERSONALITIES:APR 1967 - Call Me Mister Muscles - He picks up a 50 Kilo bag of cement with his teeth and makes child's play of two daughters. He-man Armstrong (full name:Armstrong Tijani Lawani), left his home at Pig Farm, a suburb of Accra to call on a friend. Suddenly he found himself called upon to use the immense strength hidden under his flowing robes in some hair raising feats... (Phograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3376 x 4285
    Media Id: 254_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0047_001.tif
    Title: We Thought We'd Found A Mermaid!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082001:GHAED:BEAUTIES:PERSONALTIES:DEC 1958 - We Thought We'd Found A Mermaid! - She Had A Mermaid's Wavy Hair, soft and flowing, as she lolled lazily and alone on the deserted beach after sliding out of the sea. Yep, we thought we'd done it. Done found a mermaid, we thought. That's me, Alfred Attoh, and my colleague Christian Gbagbo. We're both shutterbugs, you know. And could you blame us! We were just taking an early morning jaunt along the beach when, out of the sleeping sea, blossomed a flower of beauty. A mermaid, we gasped to ourselves. We were so excited we just stood and watched. Thoughts galloped through our minds. ( Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4286 x 4352
    Media Id: 253_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0047_002.tif
    Title: We Thought We'd Found A Mermaid!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082003:GHAED:BEAUTIES;PERSONALTIES:DEC 1958 - We Thought We Found A Mermaid - She Had A Mermaid's Face And Figure, smooth and rounded. Yep, we thought we'd done it. Done found a mermaid, we thought. That's me, Alfred Attoh, and my colleague Christian Gbagbo. We're both shutterbugs, you know. And could you blame us! We were just taking an early morning jaunt along the beach when, out of the sleeping sea, blossomed a flower of beauty. A mermaid, we gasped to ourselves. We were so excited we just stood and watched. Thoughts galloped through our minds. ( Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4286 x 4508
    Media Id: 253_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_006.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081904:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - The face of downright innocence put up by a "virgin", having just attained age. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3523 x 5443
    Media Id: 254_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_007.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081905:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - A twin-set of braodsmiles beamed by traditional artists in the Kente cloth. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4324 x 5613
    Media Id: 254_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_008.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081906:GHAED:SOCIAL:CULTURE:ARTS:PERSONALITIES:MAY 1968 - National Arts Festival - Beatrice Addo (extreme left) leading a trio in court dance for chiefs, KETE. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5456 x 3768
    Media Id: 254_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_020.tif
    Title: We Thought We'd Found A Mermaid!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082002:GHAED:BEAUTIES:PERSONALTIES:DEC1958 - We Thought We'd Found A Mermaid! - And Then She Stood Up.She had neither fins nor tail, only legs. The luscious, land-loving limbs of a girl. Yep, we thought we'd done it. Done found a mermaid, we thought. That's me, Alfred Attoh, and my colleague Christian Gbagbo. We're both shutterbugs, you know. And could you blame us! We were just taking an early morning jaunt along the beach when, out of the sleeping sea, blossomed a flower of beauty. A mermaid, we gasped to ourselves. We were so excited we just stood and watched. Thoughts galloped through our minds. ( Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4310 x 4273
    Media Id: 254_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0049_011.tif
    Title: Return Of The Asantehene
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081801:GHAED:CULTURE:POLITICS:PERSONALITIES:SEP 1963: Return Of The Asantehene - Everyone wants to shake on Tema quayside! -What a welcome the Asantehene got when Nana returned home after his medical treatment abroad! He's looking fine! In the past, because of historical reasons, (one great Asante King, Osei Tutu, was killed by the Akyems as he crossed the Pra River) the Asantehene was never allowed to leave Asante. But today, life has become so complex to travel overseas. Because of the long tradition, however, when Nana Sir Osei Agyyemang Prempeh the Second went to Britain last year for medical treatment, there was anxiety among all the Asante people. Would he be stronger on his return than when he left? (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5565 x 4407
    Media Id: 251_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, politics, September, 1963, September 1963, Asantehene, Asante King, Christian Gbagbo, African men, hat, people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0049_012F.tif
    Title: Return Of The Asantehene
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081802:GHAED:CULTURE:POLITICS:PERSONALITIES:SEP 1963 - Return Of The Asantehene - Crowds flocked to Tema harbour to greet Asantehene. In the past, because of historical reasons, (one great Asante King, Osei Tutu, was killed by the Akyems as he crossed the Pra River) the Asantehene was never allowed to leave Asante. But today, life has become so complex to travel overseas. Because of the long tradition, however, when Nana Sir Osei Agyyemang Prempeh the Second went to Britain last year for medical treatment, there was anxiety among all the Asante people. Would he be stronger on his return than when he left? Only a few people were supposed to turn up at Tema to welcome the Asantehene. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 5689 x 6957
    Media Id: 252_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, politics, September 1963, 1963, Asantehene, crowds, Tema Harbour, Asante, tradition, Nana Sir Osei Agyyemang Prempeh, Christian Gbagbo, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0049_013F.tif
    Title: Return Of The Asantehene
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081803:GHAED:CULTURE:POLITICS:PERSONALITIES: SEP 1963 - Return Of The Asantehene - Overjoyed at seeing him again she dances before Nana. In the crowds is Miss Comfort Asamoah, MP. She is garbed in the true fashion of a cultured and wealthy Asante princess - in gold anklets and bracelets and Aggrey beads worth at least 1,000. Like most of the daughters of Asante present, she is in white to show her chief that she is grateful that the great, unfriendly sea has delivered him safe and sound to his people once again. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 5588 x 6601
    Media Id: 252_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: The Asantehene, Miss confort Asamoah, sep 1963, 1963, Ghana, culture, Asante, chief, Christian Gbagbo ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0277_001.tif
    Title: Christian Gbagbo - Drum Photographer in Ghana
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011041431:GHAED:STAFF:NO DATE: - Christian Gbagbo, Ghana Photographer. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3547 x 6040
    Media Id: 776_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Christian Gbagbo, Drum Photographer, photographer, Drum Journalist, camera, Drum Staff, staff, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999102925
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999102925:GHAED:BEAUTIES:AUG1959 - It looked like any ordinary day the the beach at Accra. Then it happened. Out of the clear blue sky, it happened. The biggest confusion and mayhem an Accra beach has ever known. There were several surfboard accidents, near-fights, a din of wistling and whooping. And all because of a chocolate, a chocolate-coloured 'joy-forever', Anne Barbara Hyde. (Photograph by Christian Gbagbo © Bailey's Archives) swimsuit, covergirl, fashion
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Ghana
    Pixel Size: 1897 x 1928
    Media Id: 43_308
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, black African woman, square, beaches, August, 1959, 1950s, lying down, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999121013
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999121013:SAED:POLITICS:FOREIGN:MAR1959 - All Africa Met Here - All Africa is waking up, growing up, joining up. We have arrived at one of the great turning points in history. For then days Accra, and the whole of Ghana, played host to over 300 men and women from more than 25 African countries who had gathered for the conference. Their subject was: The Furure of Africa. The delegates were at the conference for two reasons. To work out how best Africa could be freed from colonialism and imperialism and to set the foundations for a Union of Independent African States. Accra's Community Centre Hall was crowded to hear the opening address by Dr Kwame Nkrumah. (Photograph by Christian Gbagbo © Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Pixel Size: 2049 x 1997
    Media Id: 19_837
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999121013
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999121013:SAED:POLITICS:FOREIGN:MAR1959 - All Africa Met Here - All Africa is waking up, growing up, joining up. We have arrived at one of the great turning points in history. For then days Accra, and the whole of Ghana, played host to over 300 men and women from more than 25 African countries who had gathered for the conference. Their subject was: The Furure of Africa. The delegates were at the conference for two reasons. To work out how best Africa could be freed from colonialism and imperialism and to set the foundations for a Union of Independent African States. Accra's Community Centre Hall was crowded to hear the opening address by Dr Kwame Nkrumah. (Photograph by Christian Gbagbo Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2049 x 1997
    Media Id: 69_725
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Accra, Drum Magazine, Africa, black and white image, square, African history, Ghana, 1959, 1950s, March, All in Africa Conference, delegates, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000011008
    Title: A Partnership Begins
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000011008:GHANAED:POLITICS:PERSONALITY:FEB1959 - A Partnership Begins - A dramatic meeting. A historic moment. The head of a newly-born state, M. Sekou Toure of Guinea, steps down from a plane on to the tarmac at Accra, Ghana. There to greet him is the head of another new state, a bare eighteen months senior to his own, Kwame Nkrumah. The two men embrace. Their two countries embrace as well. A courageous start has been made on a noble and imaginative project, a West African Federation which may one day bind the states of this area into a powerful union, a notable influence for the peace and happiness of the whole world. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2166 x 2020
    Media Id: 43_557
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ghana, hugging, M. Sekou Toure, Kwame Nkrumah, black African men, Accra, square, Africa, Christian Gbagbo, 1950s, black and white image, 1959, Drum Magazine, February, disembarking, Partnership begins, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050821
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050821:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - The Queen Mother. Queen mother of Tafo is another authority ready to correct Tafonehe on local history. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1938 x 2278
    Media Id: 44_204
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, 1964, October, vertical, African history, 1960s, Tafohene (ruler), Old Tafo, Abuakwa people, Queen Mother, OHUM Festival, black African men, tribal dress, traditional ceremony, Ghana, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050822
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050822:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Ghana
    Orientation: landscape
    Pixel Size: 2559 x 1775
    Media Id: 42_853
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, October, 1964, 1960s, Ghana, Old Tafo, Tafohene (ruler), Abuakwa people, OHUM Festival, traditional ceremony, black African men, river, carrying, tribal dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050824
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050824:GHANED:FUNERAL:TRADITION:CULTURE:AUG1961 - In Memory Of Otumfuo, Sir Osei Agyeman Pempeh II, Asantehe - The Asantehemaa, the Bantamahene, the Akyempimhene, the Gyasehene, the Mawerehene and the Ankobeahene deeply regret to announce the passing awayof Otumfuo Sir Osei Agyeman Prempeh the Second. It was unbelievableto many, so shocking did it sound. But the above was the sorrowful news that, having received traditional Ashanti blessing, hit the deadlines on the morning of Saturday, 30 May May 1970. Even after this official announcement some people still remained sceptical. The reason for this sceptism was not far to find: months before the announcement Ghanaians had, with some regularity, had been hearing rumours of Otumfuo's death. (Photographer by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2579 x 1775
    Media Id: 43_141
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, 1961, August, African history, 1960s, Sir Osei Agyeman Pempeh II, Ashanti, traditional instrument, black African people, Ghana, playing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050825
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050825:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1754 x 2549
    Media Id: 42_791
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, Ghana, Old Tafo, vertical, African history, Akyem Abuakwa, OHUM Festival, Abuakwa people, Tafohene (ruler), black African people, tribal dress, traditional dancing, traditional ceremony, October, 1964, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050830
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050830:GHANED:FUNERAL:TRADITION:CULTURE:AUG1961 - In Memory Of Otumfuo, Sir Osei Agyeman Pempeh II, Asantehe - The Asantehemaa, the Bantamahene, the Akyempimhene, the Gyasehene, the Mawerehene and the Ankobeahene deeply regret to announce the passing awayof Otumfuo Sir Osei Agyeman Prempeh the Second. It was unbelievableto many, so shocking did it sound. But the above was the sorrowful news that, having received traditional Ashanti blessing, hit the deadlines on the morning of Saturday, 30 May May 1970. Even after this official announcement some people still remained sceptical. The reason for this sceptism was not far to find: months before the announcement Ghanaians had, with some regularity, had been hearing rumours of Otumfuo's death. (Photographer by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2253 x 2166
    Media Id: 43_1403
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, 1961, square, August, African history, 1960s, Ghana, black African man, tribal dress, traditional instrument, traditional ceremony, musician, Ashanti, Sir Osei Agyeman Pempeh II, deceased, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050831
    Title: In Memory Of Otumfuo, Sir Osei Agyeman Pempeh II
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050831:GHANED:FUNERAL:TRADITION:CULTURE:AUG1961 - In Memory Of Otumfuo, Sir Osei Agyeman Pempeh II, Asantehe - The Asantehemaa, the Bantamahene, the Akyempimhene, the Gyasehene, the Mawerehene and the Ankobeahene deeply regret to announce the passing awayof Otumfuo Sir Osei Agyeman Prempeh the Second. It was unbelievableto many, so shocking did it sound. But the above was the sorrowful news that, having received traditional Ashanti blessing, hit the deadlines on the morning of Saturday, 30 May May 1970. Even after this official announcement some people still remained sceptical. The reason for this sceptism was not far to find: months before the announcement Ghanaians had, with some regularity, had been hearing rumours of Otumfuo's death. (Photographer by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1890 x 2393
    Media Id: 43_1007
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, August, 1961, Drum Magazine, South Africa, Africa, South African history, black and white image, processions, crowds, vertical, 1960s, buildings, Sir Osei Agyeman Pempeh II, The Asantehemaa, Christian Gbagbo,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050835
    Title: Great Day For Tafo - The Queen Mother
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050835:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - The Queen Mother. Queen mother of Tafo is another authority ready to correct Tafonehe on local history. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians. (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2534 x 1716
    Media Id: 43_665
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African man, black African people, Ghana, African history, traditional ceremony, Akyem Abuakwa, horizontal, crowds, Africa, Queen Mother, OHUM Festival, celebrations, Drum Magazine, black African woman, Old Tafo, 1960s, 1964, October, black and white image, Christian Gbagbo, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050836
    Title: Great Day For Tafo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050836:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - Tafonehe has prime responsibility for the celebrations. He tells Drum of festival origins. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1826 x 2521
    Media Id: 43_1023
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, West Africa, Ghana, Tafonehe, celebrations, African history, black African woman, Akyem Abuakwa, October, black African man, black African people, vertical, traditional ceremony, Africa, black and white image, 1960s, 1964, OHUM Festival, Christian Gbagbo,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050837
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050837:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - The Queen Mother. Queen mother of Tafo is another authority ready to correct Tafonehe on local history. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1815 x 2559
    Media Id: 43_1345
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: facing camera, African history, head and shoulders, October, OHUM Festival, Akyem Abuakwa, vertical, celebrations, Queen Mother, Drum Magazine, portrait, Africa, black African people, traditional ceremony, black African woman, Old Tafo, Ghana, 1960s, 1964, black and white image, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051104
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051104:GHANED:POLITICS:ENTERTAINMENT:OCT1961 - When High Life Invaded The Congo - Hi-Life came to the Congo with a merry beat that was taken up in the city, village and forest. It was brought there by Rex Ofusu's Golden Eagles Band and Berylle Karikani's Ghana Modern Ballet Group, and was a gay reminder of home for our boys with the UN forces. Cameron Duodu and Christian Gbagbo report. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2132 x 2113
    Media Id: 44_206
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Christian Gbagbo, square, October, 1961, 1960s, crowds, fun, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051105
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051105:GHANED:POLITICS:ENTERTAINMENT:OCT1961 - When High Life Invaded The Congo - Dancing In Cazy Joy: At lake Makemba, a soldier gets loud applause as he dances in crazy joy with his riffle in front of him followed by Rex Ofosu and his boys who enthusiastically ply him with hot notes. Hi-Life came to the Congo with a merry beat that was taken up in the city, village and forest. It was brought there by Rex Ofusu's Golden Eagles Band and Berylle Karikani's Ghana Modern Ballet Group, and was a gay reminder of home for our boys with the UN forces. Cameron Duodu and Christian Gbagbo report (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2548 x 1994
    Media Id: 43_1094
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, October, 1961, 1960s, Accra, soldiers, dancing, musicians, performances, Congo, Democratic Republic of the, Lake Makemba, Rex Ofosu, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051106
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051106:GHANED:SOCIAL:POLITICS:ENTERTAINMENT:OCT1961 - When High Life Invaded The Congo. A change from the trenches: Some of the Ghanaian soldiers soldiers had been in the trenches for weeks when along came a highband an broad-smiled Ghanaian girls in the flesh. The troops let themselves go, and the dancers rose to new peaks. Hi-Life came to the Congo with a merry beat that was taken up in the city, village and forest. It was brought there by Rex Ofusu's Golden Eagles Band and Berylle Karikani's Ghana Modern Ballet Group, and was a gay reminder of home for our boys with the UN forces. Cameron Duodu and Christian Gbagbo report. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2666 x 1822
    Media Id: 43_124
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, October, 1961, 1960s, Accra, soldiers, dancing, Congo, Democratic Republic of the, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051107
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051107:GHANED:POLITICS:ENTERTAINMENT:OCT1961 - When High Life Invaded The Congo - They couldn't possibly be more entertained!With guns slung on their shoulders and clutching bottles of beer, Ghana's troops made merry. Hi-Life came to the Congo with a merry beat that was taken up in the city, village and forest. It was brought there by Rex Ofusu's Golden Eagles Band and Berylle Karikani's Ghana Modern Ballet Group, and was a gay reminder of home for our boys with the UN forces. Cameron Duodu and Christian Gbagbo report. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1700 x 2447
    Media Id: 42_858
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, vertical, African history, musicians, black African people, performers, performances, October, soldiers, laughing, 1960s, 1961, Congo, Democratic Republic of the, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051108
    Title: How Rich Are Ghana's Makola Women
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051108:GHANED:SOCIAL:WOMEN:APR1959 - How Rich Are Ghana's Makola Women - Makola market: Congest and noisy. If you are inclined to get a headache easily, then Makola market is not for you. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2576 x 1912
    Media Id: 43_253
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, Accra, Ghana, Makola Market, April, 1959, 1950s, busy, African people, Makola, Christian Gbagbo, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051109
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051109:GHANED:SOCIAL:WOMEN:APR1959 - How Rich Are Ghana's Makola Women. Mrs Saskaru In Greece: Her Rise and Riches Is Remarkable. Makola market: Congest and noisy. If you are inclined to get a headache easily, then Makola market is not for you. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 2763 x 1722
    Media Id: 42_756
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, Mrs Saskaru, African history, April, 1959, 1950s, busy, black African woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051502
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051502:GHAED:ENTERTAINMENT - Highlife Composer - Ofori Oscarmore (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2080 x 1850
    Media Id: 42_984
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, audience, Ofori Oscamore, African history, Ghana, composers, musicians, guitar, guitarist, black African women, Performing, horizontal, black African men, singing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051503
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051503:GHANA:ENTERTAINMENT - Highlife Composer - Ofori Oscarmore (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2080 x 1946
    Media Id: 43_639
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ofori Oscamore, Drum Magazine, Africa, black and white image, Ghana, square, African history, composers, musicians, guitar, guitarist, black African women, Performing, black African men, singing, table, bottles, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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