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Search Term: Ghana

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    Image Number: BAH0041_010F.tif
    Title: I Am The Satan
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080710:GHAED:POLITICS:PERSONALITIES:JUN 1963:I am The Satan - Robert Benjamin Otchere, M.P is taken to court between two police officers. The charge: Attempted suicide. But it was his alleged confession about bomb outrages that brought drama to court. An indication to the source of the bomb outrages in Ghana was given even before the seven accused persons were brought for open trial before the special Criminal Division of the High Court - when Robert Benjamin Otchere, M.P., was arraigned before the District Magistrates Court in Accra on a charge of attemted suicide. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 5797 x 7240
    Media Id: 254_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0015_007.tif
    Title: What A Welcome In Western Nigeria, Chief Anthony Enahoro
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060191:NIGED:POLITICS:PERSONALITIES:MAY 1959 – What A Welcome – In Western Nigeria, Chief Anthony Enahoro, a Minister of State who has strongly criticized Dr. Nkrumah about deportation of Nigerians, was among those to give the visitors from Ghana a hearty welcome. He was on the go for twelve day, Dr. Nkrumah. Talking, listening, shaking hands, acknowledging cheers. Then, weary and smiling he got on the plane to return home. ( Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5271 x 4095
    Media Id: 147_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Drum Magazine, politics, Nigeria, May 1959, 1959, May, Dr Kwame Nkrumah, Chief Anthony Anahora, minister, welcome, Ghana, Matthew Faji, walking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0015_009.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060193:NIGED:POLITICS:PERSONALITIES:MAY 1959 – What A Welcome –Before the feast, the tribute. Dr. Nkrumah acknowledges the greetings of the people of Lagos when he arrives at the Mainland Hotel, Lago, with Oba Adniji Adele for a civic lunch. Ghana Minister Botsio is on the right. He was on the go for twelve day, Dr. Nkrumah. Talking, listening, shaking hands, acknowledging cheers. Then, weary and smiling he got on the plane to return home. ( Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 4107 x 5137
    Media Id: 147_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0015_7
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:POLITICS:PERSONALITIES:MAY 1959 Ð What A Welcome Ð In Western Nigeria, Chief Anthony Enahoro, a Minister of State who has strongly criticized Dr. Nkrumah about deportation of Nigerians, was among those to give the visitors from Ghana a hearty welcome. He was on the go for twelve day, Dr. Nkrumah. Talking, listening, shaking hands, acknowledging cheers. Then, weary and smiling he got on the plane to return home. ( Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5271 x 4095
    Media Id: 69_591
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, Nigeria, Africa, horizontal, Drum Magazine, historical value, socials, history, politics, 1959, 1950s, personality, Chief Anthony Enahoro, official welcome, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0015_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:POLITICS:PERSONALITIES:MAY 1959 Ð What A Welcome ÐBefore the feast, the tribute. Dr. Nkrumah acknowledges the greetings of the people of Lagos when he arrives at the Mainland Hotel, Lago, with Oba Adniji Adele for a civic lunch. Ghana Minister Botsio is on the right. He was on the go for twelve day, Dr. Nkrumah. Talking, listening, shaking hands, acknowledging cheers. Then, weary and smiling he got on the plane to return home. ( Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4107 x 5137
    Media Id: 69_606
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, Lagos, Africa, Nigeria, 1959, 1950s, politics, Dr Kwame Nkrumah, personality, Drum Magazine, historical value, socials, history, waving, government ministers, doorways, West Africa, Matthew Faji, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0016_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM DEC 1967 WHY THE WAR BROKE OUT?. NIGED:POLITICS:PERSONALITIES:DEC 1967 Why The War Broke Out? Chukwuemeka Odumegwu-Ojukwu led Biafra into secession on May 30, 1967, and was promptly dismissed from the Nigerian army. The answer lies right back at the beginning. One of the points that is often forgotten is that Northern Nigeria was one of the few places in Africa that was not especially keen on independence. The North was accused by the South of secretly counseling delaying tactics to Britain. Nigeria was simply not sufficiently united for the great plunge. It was a country with the largest population in all Africa 56 million six times bigger than Ghana. In area, Nigeria was one of the largest of African countries covering everything from sandy deserts in the North to tropical rain forests in the South. What is more, it contained more than 200 different ethnic groups.(Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4188 x 5135
    Media Id: 70_242
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_001.tif
    Title: Yes! They're Work Crazy!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072221:GHAED:SOCIAL:PERSONALITIES:APR 1961 - Yes! They're Work Crazy! - These are the villagers of Susano who built their own road to open up the district. Chief Mensah, in centre, argues out a point with Peter Dennis, the Mass Education assistant. It's a Do-It-Yourself with a difference. For whereas in other parts of the world Do-It-Yourself is mainly carried out by individuals for their own good, here it involves whole communities. Hence its official name, Community Development. The do-it-yourself craze has hit Ghana's villages. Our country folk are building their own bridges, laying their own roads, setting up their own Post Offices. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5377 x 4181
    Media Id: 250_37
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_002.tif
    Title: Yes! They're Work Crazy!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072222:GHAED:SOCIAL:PERSONALITIES:APR 1961 - Yes! They're Work Crazy! - The people of Essuakyir built this magnificent bridge and saved their people a long and tiring detour round the river. If the bridge had been built by contractors it would have cost a bout 9,000, but the villagers brought the cost down to 1,700 by using their own labour. It was a great achievement. The do-it-yourself craze has hit Ghana's villages. Our country folk are building their own bridges, laying their own roads, setting up their own Post Offices. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 5496 x 4711
    Media Id: 250_44
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_004.tif
    Title: Yes! They're Work Crazy!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072224:GHAED:SOCIAL:PERSONALITIES:APR 1961 - Yes! They're Work Crazy! - But just look at this mess in a town. Despite the fine example of our villages many of our towns have eyesores like this. Town youth should also be organised to clean up our cities and help rebuild our new nation. The do-it-yourself craze has hit Ghana's villages. Our country folk are building their own bridges, laying their own roads, setting up their own Post Offices. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 3883 x 2501
    Media Id: 250_41
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_005.tif
    Title: Juju
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080501:GHAED:SOCIAL:PERSONALITIES:AUG 1961 - Ju-ju What is the Truth - The drums pound and the Ju-ju men fling themselves into a wild dance that acts as the preliminary to their fantastic feats. An attendant stands behind." You want to see juju at work? why Amotive is the place!" "No, Agbomey is better! Go there, man!" "The place is Bioseh!" Yes, suggestion came by the million, when we said we wanted to see juju. No-one told us: I have personally been to so-and so place and seen such and such wonders. i guaranteed that if you go there, you will see and photograph the same wonders." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3126 x 2632
    Media Id: 251_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, August 1961, 1961, Juju, dance, men, wild, Drum Photographer,
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_006.tif
    Title: Ju-ju What is the Truth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080502:GHAED:SOCIAL:PERSONALITIES:AUG 1961 - Ju-ju What is the Truth - Tough thorny cactus spines are jabbeb and rubbed against the skin - but the flesh does not tear away, he's left unmarked..." You want to see juju at work? why Amotive is the place!" "No, Agbomey is better! Go there, man!" "The place is Bioseh!" Yes, suggestion came by the million, when we said we wanted to see juju. No-one told us: I have personally been to so-and so place and seen such and such wonders. i guaranteed that if you go there, you will see and photograph the same wonders." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 2904 x 3921
    Media Id: 250_36
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_007.tif
    Title: Ju-ju What is the Truth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080503:GHAED:SOCIAL:PERSONALITIES:AUG 1961 - Ju-ju What is the Truth - In a frightening blur of sharp steel the knife plunges towards the Ju-ju man's stomach. But it left no scar. An anxious woman looks on I have told you the man was fat and strong looking. His antics heightened his frightening appearance and, man we were afraid! i could see no logical reason for his anger. If he didn't want us to see his Juju, okay - he had but to tell us and we could quit in double quick time. I suggested this to our gude, but he whispered to me to be quiet. . ( Photograph by Drum Photograph BA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 2883 x 3834
    Media Id: 250_49
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_008.tif
    Title: Ju-ju What is the Truth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080504:GHAED:SOCIAL:PERSONALITIES:AUG 1961 - Ju-ju What is the Truth - This young ju-ju man was asked by his mother to come down from the roof. He replied by plunging the knife deep into his chest and got up, smiling afterwards. The picture shows the knife sliding into his chest..." You want to see juju at work? why Amotive is the place!" "No, Agbomey is better! Go there, man!" "The place is Bioseh!" Yes, suggestion came by the million, when we said we wanted to see juju. No-one told us: I have personally been to so-and so place and seen such and such wonders. i guaranteed that if you go there, you will see and photograph the same wonders." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 3964 x 2627
    Media Id: 250_38
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_009.tif
    Title: Ju-ju What is the Truth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080505:GHAED:SOCIAL:PERSONALITIES:AUG 1961 - Ju-ju What is the Truth - This ju-ju man smashed a bottle on his head. He still holds the base of the bottle as the pieces fly - but he was not cut or bruised. Our guide seized the opportunity to tell the jujuman that we had been completely flabbergasted by the perfomance we had just overheard. Having heard his juju speak, we had become convinced that he was a really wonderful man and we wanted right away to be allowed to see a bit more of the juju at work. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 2874 x 3835
    Media Id: 250_40
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_010.tif
    Title: Juju
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080506:GHAED:SOCIAL:PERSONALITIES:AUG 1961- Ju-ju What is the Truth - As the fire blazes and drums beat out their rhythm. One of the men leaps into the blaze and dances in the straw. Others followed him..." You want to see juju at work? why Amotive is the place!" "No, Agbomey is better! Go there, man!" "The place is Bioseh!" Yes, suggestion came by the million, when we said we wanted to see juju. No-one told us: I have personally been to so-and so place and seen such and such wonders. i guaranteed that if you go there, you will see and photograph the same wonders.(Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2910 x 3803
    Media Id: 250_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: juju, ju-ju, Ghana, Drum Magazine, East Africa, August 1961, 1961, west africa, hut, tradition, dance, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_011.tif
    Title: Ju-ju What is the Truth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080507:GHAED:SOCIAL:PERSONALITIES: AUG 1961 - Ju-ju What is the truth - The fear begins as the grave is dug. ." You want to see juju at work? why Amotive is the place!" "No, Agbomey is better! Go there, man!" "The place is Bioseh!" Yes, suggestion came by the million, when we said we wanted to see juju. No-one told us: I have personally been to so-and so place and seen such and such wonders. i guaranteed that if you go there, you will see and photograph the same wonders." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4572 x 5690
    Media Id: 250_39
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_012.tif
    Title: Juju
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080508:GHAED:SOCIAL:PERSONALITIES:AUG 1961- Ju-ju what is the truth - Suddenly the man who has been buried alive emerges from his grave in a flurry of dust as the others look on. He had been under the earth for over four minutes, but seconds later was dancing. When he finished the act, we paid a "thankful fee " and left, having obtained a promise from him that, the next day, he would accompany us to another village to see more wonderful things. "The men who perform juju there," he told us, "are mostly young and unmarried so, unlike me, they can receive all the powers the juju bestows on them." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3884 x 4629
    Media Id: 251_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Juju, drum photographer, Drum Magazine, August 1961, 1961, hut, culture,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_013.tif
    Title: Ju-ju What is the Truth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080509:GHAED:SOCIAL:PERSONALITIES:AUG 1961 - Ju-ju what is the truth - The buried man falls, and another man tries reviving him with cords and charms. Akakpovi Atandji, the old man, held the object lovingly in his hand and poured a glass of sorabi on its tip. He told us that if all the sorabi went into the stick, then the juju would work. There was no hole in the stick, but it absorbed the whole glassful of liquid. Akakpovi was happy. He now explained the use of the juju to us. "You see this padlock here? If I mention your name just now and lock it, you will die before the sun sets today. If I take your spit from the ground and put it in the hole lock it, your jaw will lock immediately, you will never talk again. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5720 x 4573
    Media Id: 251_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_014.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080510:GHAED:SPORTS:SOCCER:PERSONALITIES:MAR 1961 - The Match of The Century. Built for Goalkeeping, Mr. T. Menson takes field with Mr. Bensah. Wen Ministers played it was the match of th century. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4173 x 4937
    Media Id: 250_45
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_015.tif
    Title: The Match Of The Century
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080512:GHAED:SPORTS:SOCCER:PERSONALITIES:MAR 1961 - The Match of The Century - Rival Goalkeeper:Sir Tsibu Darku - When Ministers played it was the match of the century. When Ministers and top civil servants put down their pens, pushed away their cups of tea and put on their football boots, the stage was set for a great match. It soon became a duel between two giant goalkeepers. At one end, Sir Tsibu Darku, and at the other 20-stone, Mr. T. Menson. When the Ministers and Ministerial Secretaris met a team of senior officials of the Cocoa Marketing Board at Accra Stadium. Of course the players brought off more laughs than dazzling movements - and the people loved them for it. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4379 x 4952
    Media Id: 250_43
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_016.tif
    Title: Selassie In Ghana - The Old And The New
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080513:GHAED:SOCIAL:PERSONALITIES:MAR 1961 - Selassie in Ghana - The old and the new - Emperor Haile Selassie and President Nkrumah share the limelight with Fathia Nkrumah. Haile Selassie I, Lion of Judah, Emperor of Abyssinia, one of Africa's last kings, nearly lost his throne recently. This article was written at the time of his state visit to the new Republic of Ghana - and underlines ironically the basic differences between a feudal monarchy and an up-to-date democracy. with the rapidly surging fire of African liberation spreading all over the continent, Emperor Haile Selassie I, Lion of Judah, God's Elect and descendant of the Queen of Sheba, finds himself as one of the only two remaining effective reigning monarchs in Africa. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3587 x 5183
    Media Id: 250_48
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_017.tif
    Title: LAST OF THE AMAZONS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080514:GHAED:SOCIAL:PERSONALITIES:JUN 1962 - Last Of The Amazons - Warror Madam Abrah Agbekotse Demonstrate how to use a gun in her fighting days. Madam Abrah Agbekotse said she was 103 years old - and she did look every bit a centenarian. Yet when she put on the full garb of an ancient warrior, took her gun and cocked it, dancing here and there in mock battle and waving her horse-tail about, she was completely transformed, and gave one a feeling that she was a mere 40-year-old Amazon, seeking the blood of men! She was born at Avatime, in the Volta Region of Ghana. Her father, the late Togbe Agbekotse, was chief of Fume and that alone could have made an unsually woman out of Abrah. ( Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4449 x 5456
    Media Id: 250_47
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_018.tif
    Title: LAST OF THE AMAZONS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080515:GHAED:SOCIAL:PERSONALITIES:JUN 1962 - Last Of The Amazons - A Wife Must Be Tough She Tells The Young Girls - Asked what she thought about modern women, madam Abrah Agbekotse pouted her lips and almost spat. "All they want is fine clothes and sweet things. They are so soft as bolied cocoyam leaves. They can't control their own children, leave alone their husbands and men in general. Tchuah, they should have seen us in our time. We made women proud; we proved that men are no stronger than us merely because their sex is different. Men want to dominate women, and that's why they take every opportunity to show that they are tougher than us. The only way for women to dominate them is to show that we are equally tough. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5454 x 4464
    Media Id: 251_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_019.tif
    Title: Last Of The Amazons
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080516:GHAED:SOCIAL:PERSONALITIES:JUN 1962 - Last Of The Amazons - Horsetail Is a Charm Against Bullets - I use to challenge the boys in tree climbing and bird shooting, "she said proudly. "I could climb the tallest trees. Whatever the boys did I did and they didn't like me, calling me nyonu nutsu ( "girl-boy" ) and other names of the sort. If I heard anyone call me such a name we fought. Sometimes i beat the offender and sometimes I got beaten. But i never minded being beaten up- i only had abuse from my mother, who said i troubled the boys too much, but a chief's daughter should not do that!" (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4374 x 5429
    Media Id: 250_46
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Drum Magazine, social, June 1962, 1962, Horsetail, charm, Christian Gbagbo, woman, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0040_001.tif
    Title: Inspecting A Guard Of Honour: President Nkrumah followed by the army chief HT Alexander
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080605:GHAED:POLITICS:PERSONALITIES:OCT 1962 - The Birth Of Our Republic - Inspecting A Guard Of Honour: President Nkrumah followed by the army chief HT Alexander. Drum unfolds the vivid and historic celebrations in which young state of Ghana transformed itself into a republic. The most important event of all was the inauguration of Dr Kwame Nkrumah as President and the opening of the first republican parliament, but there were other ceremonies of pomp and pageantry, worthy of our new status among nations. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5484 x 4356
    Media Id: 253_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, politics, October 1962, 1962, October, President Nkrumah, Nkrumah, army, guard of Honour, inspecting, HT Alexander, celebration, Kwame Nkrumah, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_002.tif
    Title: A Nation's Day Of Shame
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080617:GHAED:POLITICS:PERSONALITIES:JUL 1967 - A Nation's Day Of Shame - The spot where Gen. Kotoka's body was found. Never in the history of Ghana had a whole people risen up as one man to sing dirges for a departed hero with such feeling, such heart-rending sorrow, so many tears as when Lieutenant General Emmanuel Kwasi Kotoka, architect of Ghana's "freedom coup", fell on the fateful morning on Monday, April 17. Kotoka was murdered, a victim of an abortive counter-coup. He gave his life so that Ghanaians would continue enjoying the freedom he won for them when he wrested power from Nkrumah and all that he stood for. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3270 x 4485
    Media Id: 253_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_003.tif
    Title: Gen. Kotoka's coffin
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080618:GHAED:POLITICS:PERSONALITIES:JUL 1967 - A Nation's Day Of Shame - In the Roman Catholic Cathedral, thousands filed past Gen. Kotoka's coffin as servicemen mounted solemn guard. Never in the history of Ghana had a whole people risen up as one man to sing dirges for a departed hero with such feeling, such heart-rending sorrow, so many tears as when Lieutenant General Emmanuel Kwasi Kotoka, architect of Ghana's "freedom coup", fell on the fateful morning on Monday, April 17. Kotoka was murdered, a victim of an abortive counter-coup. He gave his life so that Ghanaians would continue enjoying the freedom he won for them when he wrested power from Nkrumah and all that he stood for. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4528 x 3256
    Media Id: 253_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Gen. Kotoka's coffin, General Kotaka, coffin, Ghana, politics, Roman Catholic Cathedral, ieutenant General Emmanuel Kwasi Kotoka, mourning, Nation's Day Of Shame, nation, July 1967, 1967, West Africa, Drum Magazine, service men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_005.tif
    Title: The Birth Of Our Republic
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080604:GHAED:POLITICS:PERSONALITIES:OCT 1962 - The Birth Of Our Republic - President Nkrumah, with President Sekou Toure of Guinea by him, acknowledging cheers. The two leaders ride in Nkrumah's open limousine. Drum unfolds the vivid and historic celebrations in which young state of Ghana transformed itself into a republic. The most important event of all was the inauguration of Dr Kwame Nkrumah as President and the opening of the first republican parliament, but there were other ceremonies of pomp and pageantry, worthy of our new status among nations. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5544 x 4407
    Media Id: 253_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_007.tif
    Title: The Birth Of Our Republic
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080606:GHAED:POLITICS:PERSONALITIES:OCT 1962 - The Birth Of Our Republic - Taking his Leave: Lord Listowel bids farewell to President Nkrumah. Drum unfolds the vivid and historic celebrations in which young state of Ghana transformed itself into a republic. The most important event of all was the inauguration of Dr Kwame Nkrumah as President and the opening of the first republican parliament, but there were other ceremonies of pomp and pageantry, worthy of our new status among nations. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4245 x 5280
    Media Id: 253_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_009.tif
    Title: Akwaaba Queen Elizabeth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080608:GHAED:POLITICS:PERSONALITIES:NOV 1961 - Akwaaba Queen Elizabeth - Absolutely enchanted: Her Majesty and the president Nkrumah. There is a welcome in our hearts this month for her Majesty Queen Elizabeth II. We are proud that this gracious first lady of the Commonwealth has come among us to see what we are making of our new nation. We admire the youth and energy she has brought to her reign, because these are the qualities that we in Ghana hold dearest. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3624 x 4711
    Media Id: 253_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_010.tif
    Title: Akwaaba Queen Elizabeth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080609:GHAED:POLITICS:PERSONALITIES:NOV 1961 - Akwaaba Queen Elizabeth - A right royal bargain: Makola market women try their luck. There is a welcome in our hearts this month for her Majesty Queen Elizabeth II. We are proud that this gracious first lady of the Commonwealth has come among us to see what we are making of our new nation. We admire the youth and energy she has brought to her reign, because these are the qualities that we in Ghana hold dearest. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4420 x 5344
    Media Id: 253_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_011.tif
    Title: Akwaaba Queen Elizabeth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080610:GHAED:POLITICS:PERSONALITIES:NOV 1961 - Akwaaba Queen Elizabeth - Young Royalists: Queen Elizabeth enchanted Ghana's young folk. There is a welcome in our hearts this month for her Majesty Queen Elizabeth II. We are proud that this gracious first lady of the Commonwealth has come among us to see what we are making of our new nation. We admire the youth and energy she has brought to her reign, because these are the qualities that we in Ghana hold dearest. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4781 x 3600
    Media Id: 253_14
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_012.tif
    Title: The Birth Of The Giant
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080611:GHAED:SOCIAL:PERSONALITIES:NOV 1961 - The Birth Of The Giant - A Tunnel is Built At Dam Site - The vision of President Nkrumah...the science of the American disigners and of the Italian dam-builders...the skill of the Ghanaian workmen...all these have combined in the building of Ghana's Volta Dam. When their job is done, when a lake collects behind the dam, their achievement will remain. The idea that the waters of the Volta River could be harnessed for electricity purposes has been toyed with for years. As far back as 1915, the very site now selected for a dam at Akosombo was noted in a geological survey as being suitable for that purpose. IMPREGILO is building a dam and constructing a hydro-electric power station at a tiny village Akosombo on Ghana's mighty Volta River. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4404 x 5062
    Media Id: 253_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_014.tif
    Title: The Birth Of The Giant
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080612:GHAED:SOCIAL:PERSONALITIES:AUG 1962 - The Birth Of The Giant - Ghanaian workmen open an assault on solid rock with a pneumatic drill. Best rock from tunnel is used in building dam. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5591 x 3921
    Media Id: 253_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Drum Magazine, August 1962, 1962, Ghanaian, Ghana, workmen, rock, tunnel, building, dam, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_015.tif
    Title: A Nation's Day Of Shame
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080614:GHAED:POLITICS:PERSONALITIES:JUL1967 - A Nation's Day Of Shame - Thousands lined the route of the funeral procession to pay a last tribute to a soldier of bravery and honour. Never in the history of Ghana had a whole people risen up as one man to sing dirges for a departed hero with such feeling, such heart-rending sorrow, so many tears as when Lieutenant General Emmanuel Kwasi Kotoka, architect of Ghana's "freedom coup", fell on the fateful morning on Monday, April 17. Kotoka was murdered, a victim of an abortive counter-coup. He gave his life so that Ghanaians would continue enjoying the freedom he won for them when he wrested power from Nkrumah and all that he stood for. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4761 x 3427
    Media Id: 253_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_016.tif
    Title: A Nation's Day Of Shame
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080615:GHAED:POLITICS:PERSONALITIES:JUL 1967 - A Nation's Day Of Shame - General Kotoka salutes. He gave his life that the people of the Ghanawho he loved could live in freedom. Never in the history of Ghana had a whole people risen up as one man to sing dirges for a departed hero with such feeling, such heart-rending sorrow, so many tears as when Lieutenant General Emmanuel Kwasi Kotoka, architect of Ghana's "freedom coup", fell on the fateful morning on Monday, April 17. Kotoka was murdered, a victim of an abortive counter-coup. He gave his life so that Ghanaians would continue enjoying the freedom he won for them when he wrested power from Nkrumah and all that he stood for. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4278 x 4434
    Media Id: 253_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_017.tif
    Title: A Nation's Day Of Shame
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080616:GHAED:POLITICS:PERSONALITIES:JUL 1967 - A Nation's Day Of Shame - General Ankrahk, chairman of the N.L.C, spoke to the nation after the would-be coup and introduced Major K. Asante, the man who helped quell it. Never in the history of Ghana had a whole people risen up as one man to sing dirges for a departed hero with such feeling, such heart-rending sorrow, so many tears as when Lieutenant General Emmanuel Kwasi Kotoka, architect of Ghana's "freedom coup", fell on the fateful morning on Monday, April 17. Kotoka was murdered, a victim of an abortive counter-coup. He gave his life so that Ghanaians would continue enjoying the freedom he won for them when he wrested power from Nkrumah and all that he stood for. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4686 x 3456
    Media Id: 253_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0040_020.tif
    Title: A Nation's Day Of Shame
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080619:GHAED:POLITICS:PERSONALITIES:JUL 1967 - A Nation's Day Of Shame - Diplomats and their wives paid last respects at the graveside. Never in the history of Ghana had a whole people risen up as one man to sing dirges for a departed hero with such feeling, such heart-rending sorrow, so many tears as when Lieutenant General Emmanuel Kwasi Kotoka, architect of Ghana's "freedom coup", fell on the fateful morning on Monday, April 17. Kotoka was murdered, a victim of an abortive counter-coup. He gave his life so that Ghanaians would continue enjoying the freedom he won for them when he wrested power from Nkrumah and all that he stood for. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4524 x 3217
    Media Id: 253_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_001.tif
    Title: Call Me Mister Muscles
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080703:GHAED:SPORTS:PERSONALITIES:APR 1967 - Call Me Mister Muscles - He asked ten lads to straighten his arms. They pulled but he remained as muscle-bound as a steel spring. He-man Armstrong (full name:Armstrong Tijani Lawani), left his home at Pig Farm, a suburb of Accra to call on a friend. Suddenly he found himself called upon to use the immense strength hidden under his flowing robes in some hair raising feats... (Phograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4687 x 3447
    Media Id: 254_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_002.tif
    Title: Call Me Mister Muscles
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080705:GHAED:SPORTS:PERSONALITIES:APR 1967 - Call Me Mister Muscles - He picks up a 50 Kilo bag of cement with his teeth and makes child's play of two daughters. He-man Armstrong (full name:Armstrong Tijani Lawani), left his home at Pig Farm, a suburb of Accra to call on a friend. Suddenly he found himself called upon to use the immense strength hidden under his flowing robes in some hair raising feats... (Phograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3376 x 4285
    Media Id: 254_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_003.tif
    Title: Floyd's Fall-Oh!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080706:GHAED:SPORTS:BOXING:PERSONALITIES:MAY 1967 - Floyd's Fall-Oh! - The good old days: An exhausted but victorious Floyd Robertson takes the Commonwealth title which he held until 1961. Floyd Robertson, Ghana's former Commonwealth featherweight boxing champion, lost his crown long before he stepped into the ring on the fateful day in February. His title drained away with his strength as he sweated his excess weight off in the days before his last fight. Since Roy Ankrah gave Briton Ronnie Clayton the battering in 1951 which calypso singers called an "assassination", the Commonwealth featherweight title has been something of West African Property. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5620 x 4400
    Media Id: 254_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_004.tif
    Title: Floyd's Fall-Oh!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080707:GHAED:SPORTS:BOXING:PERSONALITIES:MAY 1967 - Floyd's Fall-Oh! - The good old days: An exhausted but victorious Floyd Robertson takes the Commonwealth title which he held until 1961. Floyd Robertson, Ghana's former Commonwealth featherweight boxing champion, lost his crown long before he stepped into the ring on theat fateful day in February. His title drained away with his strength as he sweated his excess weight off in the days before his last fight. Since Roy Ankrah gave Briton Ronnie Clayton the battering in 1951 which calypso singers called an "assassination", the Commonwealth featherweight title has been something of West African Property. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4382 x 4992
    Media Id: 254_24
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_005.tif
    Title: Flying High In Ghana
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081109:GHAED:SOCIAL:PERSONALITIES: SEP 1959: Flying High Ghana - Something New For For Ghana Chiefs. Robed chiefs from Northern Ghana climb on board a modern Ghana Airways plane for free demonstration flight over their homeland. Ghana Airways is providing a new, quick means of travel for our people. Even the folk who scoffed at flying at first now say: "It's marvellous!" THE WEALTHY KUMASI woman trader walked down the steps leading from the aircraft, enthusiastically shook hands with an official of the airline and said:"It was so pleasant! I wonder why I never thought before of flying to Accra and Takoradi to do business." she was not the only new flying enthusiast in Kumasi that day. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4269 x 5236
    Media Id: 254_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_006.tif
    Title: The Renaissance Of Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081106:GHAED:POLITICS:PERSONALITIES: JUL 1958: The Renaissance Of Africa - MR. ATO ABEB RETO, AN ETHIOPIAN MINISTER: ''Africa has long been a theatre of colonialist exploitation." Speakers emphasised that all Africa must become a community, and that the Sahara is now no barrier to this. In this way Africa, which was once the craddle of civilisation, would recover her leading position. Colonialism must end, they said, and those who have had their dignity taken from them by the colonial powers must have their freedom and dignity restored to them. for Asia is now free, and Africa is the last continent in which colonialism survives. In the same way, all racialism must go, and with it the myth of the superiority of one race over another. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3742 x 4953
    Media Id: 254_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_008.tif
    Title: General Kotoka
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080708:GHAED:POLITICS:PERSONALITIES:FEB 1967 - One Year Of Freedom - Generals Kotoka (left) Ankrah and Air Vice Marshal Out are tackling Ghana's problems with military zest. Here they step it out at the International Trade Fair site. When Major General EK Kotoka announced the overthrow of the CPP government on Radio Ghana on February 24, 1966, the sound of relief and joy went up to high heavens. Since then Nkrumah has remained in exile dismissed from office, the first Parliament has stayed dissolved, the constitution abrogated and the CPP disbanded. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4615 x 3360
    Media Id: 254_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, politics, February 1967, General Kotoka, freedom, General, Radio Ghana, Drum Photographer, Air Vice Marshal ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_009.tif
    Title: One Year Of Freedom - The men behind the coup
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080709:GHAED:POLITICS:PERSONALITIES:FEB 1967 - One Year Of Freedom - The men behind the coup: J.W.K Harlley, A.A. Afrifa, E.K. Kotaka and A.K Deku. When Major General EK Kotoka announced the overthrow of the CPP government on Radio Ghana on February 24, 1966, the sound of relief and joy went up to high heavens. Since then Nkrumah has remained in exile dismissed from office, the first Parliament has stayed dissolved, the constitution abrogated and the CPP disbanded. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 4827 x 2917
    Media Id: 255_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, politics, Drum magazine, February 1967, 1967, freedom, coup, men, uniform, J.W.K Harlley, A.A. Afrifa, E.K. Kotaka, A.K Deku, CPP, government, Radio Ghana, Radio, February 24, 1966, Nkrumah, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_011.tif
    Title: Gee! She Is Beautiful
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081101:GHAED:POLITICS:PERSONALITIES:JUL 1958: Gee! She Is Beatiful - GHANA'S FIRST SIGHT OF HER:There were mutters of approval all round as the people of Ghana got a glimpse of Mrs. Nkrumah, right, at a ceremony when a statue of her husband was unveiled. The important ceremony was over. The Prime Minister of Ghana, Dr. Kwame Nkrumah, rose from his seat and walked down the aisle. But for once Ghana's leader failed to draw the stares. We were all looking at his wife, the former Miss Fathia Helen Ritzk, of Egypt. When, on December 30 last year, Ghana heard that Dr. Nkrumah had been married that morning to a woman they had never heard of, and who had arrived unheralded in the country only that day, it was the manner of the marriage rather than the fact that shocked the country. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4794 x 3658
    Media Id: 255_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_012.tif
    Title: Mrs Nkrumah
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081102:GHAED:POLITICS:PERSONALITIES:JUL 1958: Gee! She is Beautiful - Grace and Charm: Mrs. Nkrumah had not made any public appearance since her hush-hush marriage to the Premier a few months ealier. But then she began to attend public events. For more than two months Mrs Nkrumah made no public appearances. then she began attending important events. There was still no explanations of the questions the people had been asking, but it no longer, seemed to matter. Mrs. Nkrumah's beauty, her engaging, shy smile, her slim figure had charmed everyone, men and women alike. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4788 x 3588
    Media Id: 254_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Drum Magazine, July 1958, 1958, beautiful, Fathia Nkrumah, Nkrumah, Drum Photographer, woman, dress, suits, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_013.tif
    Title: Gee! She Is Beautiful
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081103:GHAED:POLITICS:PERSONALITIES:JUL 1958:Gee! She Is Beautiful: THE NKRUMAHS TOGETHER: The people of Ghana had waited for a long time for a glimpse of their Premier and his wife together. . Here it is, at last. For more than two months Mrs Nkrumah made no public appearances. then she began attending important events. There was still no explanations of the questions the people had been asking, but it no longer, seemed to matter. Mrs. Nkrumah's beauty, her engaging, shy smile, her slim figure had charmed everyone, men and women alike. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3536 x 4295
    Media Id: 254_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_017.tif
    Title: A Partnership Begins
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081107:GHAED:POLITICS:PERSONALITIES: FEB 1959: A Partnership Begins - Fresh from bringing independence to his country, Sekou Toure comes to Ghana to meet Nkrumah. A dramatic meeting. A historic moment. The head of newly-born state, M. Skou Tour of Guinea, steps down from a plane on to the tarmac at Accra. There to greet him is the head of another new state- a bare eighteen months senior to his own. The two men embrace. Their two countries embrace as well. For, following a few days of conference, the world hears a thrilling announcement. Kwame Nkrumah of Ghana and Skou Tour of Guinea have decided to merge their two countries into one. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 3574 x 3488
    Media Id: 254_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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