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    Image Number: BHA00010_37
    Title: R1954_364_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050524:SAED:SOCIAL:RELIGION:THEATRE:DRUM JAN 1954 – Unto Us A Child Is Born –‘And when eight days were accomplished for the circumcising of the child, his name was called JESUS, which was so named of the angel before he was conceived in the womb… And Jesus increased in wisdom and stature, and in favour with God and man. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©Baileys Archives) NEG 364 Pix 4.
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4751 x 4693
    Media Id: 69_754
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Africa, South Africa, Transvaal, Sophiatown, drama, children, Christmas, 1950s, churches, altars, historical costumes, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_34.tif
    Title: Christmas Play
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053030:SAED:SOCIAL:RELIGION:THEATRE:JAN1954 – Unto Us A Child Is Born – “The Angel said into her: “fear not, Mary, for thou has found favour with God”. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4795 x 4785
    Media Id: 124_41
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, January 1954, 1954, play, theatre, Mary, Angel, God, Favour, Christ The King Church, Sophiatown, church, performed, Leon Levson, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_37.tif
    Title: R1954_364_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053033:SAED:SOCIAL:RELIGION:THEATRE:JAN 1954 – Unto Us A Child Is Born –‘And when eight days were accomplished for the circumcising of the child, his name was called JESUS, which was so named of the angel before he was conceived in the womb… And Jesus increased in wisdom and stature, and in favour with God and man. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4751 x 4693
    Media Id: 125_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0023_002.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060103:NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 – The Strength And Influence Of Islam On West Africa – The Slaughtering of the rams: This part of the Eid-el-Kabir ceremony, and derives from the offering of rams to God in place of Ismail, the son of Ibrahim. It is difficult to be precise about the number of Muslims in West Africa, since in most territories religious statistics are not recorded in the census. The vast majority of the population of Northern Nigeria is Muslim, though some pagan tribes have survived, especially in the Middle Belt. In the predominantly Yoruba Western Region of Nigeria, conversion to Islam is taking place rapidly, and it is estimated that in some of the big towns, like Ibadan, between 50 and 60 per cent of the population is already Muslim. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5304 x 4078
    Media Id: 149_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0033_43.tif
    Title: SIGN! OR GO BACK AND FIGHT
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008061222:EAED:POLITICS:PERSONALITIES:FEB 1986 - Sign! Or Go Back And Fight - Peace at last: Yoweri Museveni and Tito Okello shake on their agreement as mediator, Kenya's President Moi, looks on. Peace at last for strife-torn Uganda. President Moi urged both parties to ensue that the agreement is impliment so that the people of Uganda who have been plagued by insecurity for over twenty years, can have the "God-given right" of peace and prosperity. Okello underlined his desire for peace and said that the sweat of all those Kenyans involved in the peace process "Is in our hands" adding tht "if we spill it, close to the border" And Museveni assured the world that his movement will work whole heartedly and do everything possible to make sure the agreement is implemented. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: UGANDA
    Orientation: landscape
    Pixel Size: 5698 x 4476
    Media Id: 179_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0035_12.tif
    Title: Zimbabwes Militant Marches
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060402:EAED:POLITICS:PERSONALITIES:NOV 1963 Zimbabwes Militant Marches Of God The Church on the march, with banner flying and the brass band playing. We march to sweep away sinners. The preacher was Mr. Peter Gobvu, handsomely dressed lorry-driver and secretary-general and top organizer of one of the latest and most streamlined religions to hit the townships. It is the Christian Marching Church a brassy, musical and happy sect that sings and blows its way around towns beating out a lusty Christianity that is defiantly nationalistic. We believe in God, said one member, and we believe Zimbabwe. With luck, and money, enough marching, blowing and prating the church leaders hope to extend this belief to Zambia and beyond. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5235 x 4320
    Media Id: 183_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Zimbabwe, Drum Magazine, November 1963, 1963, militant, march, church, banner, flying, brass band, music, Peter Gobvu, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0035_13.tif
    Title: ZIMBABWES MILITANT MARCHES OF GOD
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060401:EAED:POLITICS:PERSONALITIES:NOV 1963 Zimbabwes Militant Marches Of God Mr Peter Gobvu, the secretary General of the Marching Church. Joy, said the preacher. We march to sweep away sinners. The preacher was Mr. Peter Gobvu, handsomely dressed lorry-driver and secretary-general and top organizer of one of the latest and most streamlined religions to hit the townships. It is the Christian Marching Church a brassy, musical and happy sect that sings and blows its way around towns beating out a lusty Christianity that is defiantly nationalistic. . (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: portrait
    Pixel Size: 3875 x 5449
    Media Id: 183_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0044_006.tif
    Title: Gods Of War
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081410:GHAED:CULTURE:SOCIAL:PERSONALITIES:SEP 1959 - Gods Of War - As in days of old, a warrior leaps high with a length of rope meant for strange tribesmen who cross his path. Krobos pay homage to their Gods Of War. Every year both the Yilo and Manya Krobos of Ghana hold festivals to re-dedicate themselves to their war gods. The ceremony dates back to the days when the Krobos had to defend themselves against tribes which invaded their land. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3113 x 4465
    Media Id: 251_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ghana, West Africa, Culture, September 1959, 1959, God of War, Krobos, Manya Krobos, Festivals, ceremony, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0044_008.tif
    Title: Gods Of War
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081412:GHAED:CULTURE:SOCIAL:PERSONALITIES:SEP 1959 - Gods Of War - A close-up of the Naduworncr, Chief priest of the god of plenty, Nadu. His abode is near Odumase. Krobos pay homage to their Gods Of War. Every year both the Yilo and Manya Krobos of Ghana hold festivals to re-dedicate themselves to their war gods. The ceremony dates back to the days when the Krobos had to defend themselves against tribes which invaded their land. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4176 x 4990
    Media Id: 251_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0045_001.tif
    Title: The Mad God Of Ghana
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082206:GHAED:POLITICS:PERSONALITIES:POST MAY 1966 - The Mad God Of Ghana - Kwame Nkrumah not afraid to offend the old colonial power - Kwame and Britain's Macmillan. Ghana harboured a Dr Faust for 15 years, but he played his role of a Dr Jekyll so well that he got us all fooled for quite some time during which he twisted the law to keep hime in power. The way things went is almost understandable. First there was the excitement and euphoria of the struggle for Ghana's independence. Then came the battle to free the down-trodden people of Africa. Nkrumah hastened the colonialist flight from Africa. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4726 x 3598
    Media Id: 254_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0046_020.tif
    Title: The Mad God Of Ghana
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082205:GHAED:POLITICS:PERSONALITIES:POST MAY 1966 - The Mad God Of Ghana - Shades of Walter Raleigh: As he walked towards the platform at rallies, women would spread their cover-cloths. Ghana harboured a Dr Faust for 15 years, but he played his role of a Dr Jekyll so well that he got us all fooled for quite some time during which he twisted the law to keep hime in power. The way things went is almost understandable. First there was the excitement and euphoria of the struggle for Ghana's independence. Then came the battle to free the down-trodden people of Africa. Nkrumah hastened the colonialist flight from Africa. (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4857 x 5862
    Media Id: 255_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0056_012.tif
    Title: Freedom! Then Masinde Is Arrested Again
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090202:EAED:POLITICS:PERSONALITIES:JUN 1975 - Freedom! Then Masinde Is Arrested Again - Masinde behind bars, yet again. "What I wanted was to eliminate western civilisation, "he told a court in 1962. Masinde was arrested on October 30, 1962, along with four of his supporters and charged with holding a public meeting at Namwela sublocation without a licence and behaving in a manner likely to cause a breach of the peace. When he appeared in court Masinde told the magistrate that he wished the government to order his redetention "because I am tired of police threats. Twice I have been treatened with guns. Therefore I prefer to be deported and detained. Most of the time since 1945 I was in prison. God sent me to the world to fight for my rights. I have never organised the Musambwa movement. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: KENYA
    Orientation: portrait
    Pixel Size: 4453 x 5757
    Media Id: 137_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0074_015.tif
    Title: Thousands Answer The Call Of Prayer
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102706:SAED:SOCIAL:RELIGION:MAY 1963 - Thousands Answer The Call Of Prayer - Wattville Stadium where the prayer meetings were held, at lunch time on Easter Saturday, as organisers prepared the huge meal while the congregation waited. The theme of the convention was "Faithful Ministers" - and each member of the church is trained to be a minister by propogating the word od God. Thirteen thousans Jehovah's Witnesses from through out South Africa, Basutoland, Bechuanaland, Swaziland and South West Africa gathered in Benoni over the Easter week-end for mammoth national convention of prayer and baptism. The convention was arranged by the Watchtower Bible and Tract Society. Old folk, young folk - men and women were there. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Benoni, Johannesburg
    Orientation: landscape
    Pixel Size: 6080 x 4664
    Media Id: 134_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0075_017F
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102718:SAED:RELIGION:POLITICS:JUN 1963 - Transkei - The Frightened Land. In this frightened land of the Transkei, some turn to God for help. Here a young nun kneels in prayer to ask for a peaceful solution. The Transkei, on the eve of its birth as South Africa's first Bantustan nation, is a land of frightened men. The 17,000 Whites are frightened -and bitter. Bitter because in the land of White privilege, they suddenly find the architects of apartheid pulling the mat from under them, the 13,000 Coloureds are frightened and hopeless. Hopeless because they feel they can expect no more under black rule than they got under White. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 5607 x 8021
    Media Id: 142_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_004.tif
    Title: What God has done to us,' asks Jan Januarie, a leader of the broken Elandskloof community.
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102304:SAED:LABOUR:NOV 1963 - 'What God has done to us,' asks Jan Januarie, a leader of the broken Elandskloof community. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1728 x 3924
    Media Id: 788_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, labour, November 1963, 1963, November, Jan Januarie, leader, broken, Elandskloof, community, sitting, pointing finger, Drum Photographer, man, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0194_015.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009110625:SAED:SOCIAL:PERSONALITIES:GCPJAN13 1963 - Mr. Leraisi urged investors to put their trust in God. Two hundred people most of them elderly came from all parts of the Transvaal to the Rand Supreme Court on Tuesday to learn the fate of the African Mutual Credit Association and try to get some idea of what was going to happen to the money they had invested in the business. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Rand Supreme Court
    Orientation: landscape
    Pixel Size: 5947 x 3946
    Media Id: 789_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0194_016.tif
    Title: Mr. Leraisi raised his hands and urged investors to put their trust in God
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009110618:SAED:SOCIAL:PERSONALITIES:GCPJAN13 1963 - Mr. Leraisi raised his hands and urged investors to put their trust in God. Two hundred people most of them elderly came from all parts of the Transvaal to the Rand Supreme Court on Tuesday to learn the fate of the African Mutual Credit Association and try to get some idea of what was going to happen to the money they had invested in the business. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5947 x 3940
    Media Id: 788_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, Mr Leraisi, raised hands, God, trust, investors, hat, social, Drum Magazine, January 1963, 1963, ,
    Model Release: No
    Property Release: No

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    Image Number: SY2000090903
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SY2000090903:SAED:THEATRE:MUSIC:FEB1961 - God Help The English - Will they through their bowler hats into the fog? The sweat of hundreds of rehearsals has made this musical into a hit . ( Photographer Eli Wynberg © Eli Wynberg)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2475 x 1984
    Media Id: 70_134
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: SY2000090904
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SY2000090904:SAED:THEATRE:MUSIC:FEB1961 - God Help The English - Will they through their bowler hats into the fog? Thandi Khumalo, Louisa Emmanuel, Stephen Moloi at the Tate Gallery looking at a leger painting. (Photograph by Alan Vines © Report, London)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2394 x 1833
    Media Id: 70_160
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999111201
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999111201:GHANAED:POLITICS:PERSONALITY:JUL1957 - Long Live Ghana - The first five minutes in the life of Ghana at Accra's Old Polo Ground. On midnight's stroke Premier Nkrumah highlifted on to the platform in front of those thousands of Ghanaians. Then he beckoned to his Cabinet to follow him. The cabinet waved, then Nkrumah began his speech. "At long last the battle has ended. Ghana is free forever. From now on there is a new African in the world. We are going to create our own African personality. We will create a nation that will be respected by every other nation. I rely on you. God bless you." Photograph by James Barnor and Deh BAHA) independence, colonial
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Ghana
    Orientation: landscape
    Pixel Size: 2826 x 1895
    Media Id: 42_707
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, horizontal, Africa, Ghana, Accra, traditional dress, Drum Magazine, black African men, public addresses, Premier Nkrumah, July, 1957, 1950s, Old Polo Ground, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041025
    Title: God Hel[p The English - Thart's Lemmy 'Penny Whistle and his boys'
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041025:SAED:ENTERTAINMENT:MUSIC:PERSONALITY:FEB1961 - God Hel[p The English - Thart's Lemmy 'Penny Whistle and his boys'. Will they throw bowler hats into the fog? Horray for King Kong! Its London at last. Producer Leon Gluckman has spent worried weeks getting the play streamlined for London audiences. Its more slick and fast. has a lot of zing, too. Lemmy Special's fascinating kwela antics are mainly wasted in the show, for reasons best known to Arnorld Dover and Leon Gluckman. I've seen a much better Lemmy Special perfoming in the street unproduced. (Photograph by Ian Berry Baileys Archives) theatre
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2784 x 1955
    Media Id: 42_907
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, King Kong, pennywhistlers, February, 1961, 1960s, Lemmy Mabaso, Performing, penny whistles, black African men, musicians, Ian Berry, theatre, ,
    Model Release: No
    Property Release: No

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    Image Number: dm2000051539
    Title: The Twilight Of A God
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051539:GHANAED:TRADITION:PERSONALITY:MAY1959 - The Twilight Of A God - Wrapped Up In Tradition: The Asantehene, in full regal attire, rides in a palanquin to the greeting of his subjects. It is not often that they see their king these nowadays. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2020 x 1970
    Media Id: 43_56
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, royal family, square, royal families, African history, May, 1959, 1950s, Ashanti, Asantehene, Ghana, Akan state, chief, tribal dress, tribesmen, traditional weapons, traditional ceremony, sedan chairs, palanquins, Drum Photographer, May 1959, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090905
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000090907:SAED:THEATRE:MUSIC:APR1961 - - God Help The English - Will they throuw their bowler hats into the fog? Members of Lucky's gang the, The Prowlers. Durin this scene they are asking Lucky for a cost-of-living allowance. These boys instil elecricity into the musical with their prowling adventures. They also do the power-charge knife dance. A thug is carried away after a slug from King Kong ( Photographer Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 2716 x 1706
    Media Id: 69_491
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, 1961, February, musical theatre, Performing, jazz, singing, God Help the English, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090905
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000090907:SAED:THEATRE:MUSIC:APR1961 - - God Help The English - Will they throuw their bowler hats into the fog? Members of Lucky's gang the, The Prowlers. Durin this scene they are asking Lucky for a cost-of-living allowance. These boys instil elecricity into the musical with their prowling adventures. They also do the power-charge knife dance. A thug is carried away after a slug from King Kong ( Photographer Ian Berry © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 2716 x 1706
    Media Id: 23_558
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090908
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000080905:SAED:THEATRE:MUSIC:FEB1961 - God Help The English - Will they throw their bowler hats into the fog? Members of Lucky's gang the, The Prowlers. During this scene they are asking Lucky for a cost-of-living allowance. These boys instil elecricity into the musical with their prowling adventures. They also do the power-charge knife dance. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2401 x 1759
    Media Id: 70_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1961, Drum Magazine, South Africa, South African history, black and white image, horizontal, February, musical theatre, Performing, jazz, singing, God Help the English, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090908
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000080905:SAED:THEATRE:MUSIC:FEB1961 - God Help The English - Will they throw their bowler hats into the fog? Members of Lucky's gang the, The Prowlers. During this scene they are asking Lucky for a cost-of-living allowance. These boys instil elecricity into the musical with their prowling adventures. They also do the power-charge knife dance. (Photograph by Ian Berry © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 2401 x 1759
    Media Id: 19_749
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090909
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000090905:SAED:THEATRE:MUSIC:FEB1961 - God Help The English - Will they through their bowler hats into the fog? The sweat of hundreds of rehearsals has made this musical into a hit. (Photograph by Ian Berry © Baileys Archives) neg B611, Mirriam Makeba
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 2586 x 1815
    Media Id: 19_963
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090909
    Title: God Help The English
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000090905:SAED:THEATRE:MUSIC:FEB1961 - God Help The English - Will they through their bowler hats into the fog? The sweat of hundreds of rehearsals has made this musical into a hit. (Photograph by Ian Berry Baileys Archives) neg B611, Mirriam Makeba
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2586 x 1815
    Media Id: 70_240
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1961, February, Drum Magazine, South Africa, musical theatre, South African history, black and white image, horizontal, Performing, jazz, singing, God Help the English, 1960s, Ian Berry, theatre, February 1961, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001071205
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001071205:SAED:SOCIAL:RELIGION:JUL1959 - The Church moves into Politics - Men of God call recent Government acts immoral. African churchmen, ministers from all over the country showed a new fighting spirit when they met recently for conferece in Vereeniging. It was not solemn ecclesiastical affairs that worried them, but acts of Government. And from these talks emerged a cry that is being carried far: "We must lead the people." Story by: Matthew Nkoana. (Photograph by Peter Magubane BAHA) ) Sharpeville, Vereeniging
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3891 x 2659
    Media Id: 42_586
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, July, religion, politics, 1959, 1950s, protests, apartheid, ministers of religion, talking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001071206
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001071206:SAED:SOCIAL:RELIGION:JUL1959 - The Church moves into Politics - Men of God call recent Government acts immoral. African churchmen, ministers from all over the country showed a new fighting spirit when they met recently for conferece in Vereeniging. It was not solemn ecclesiastical affairs that worried them, but acts of Government. And from these talks emerged a cry that is being carried far: "We must lead the people." Story by: Matthew Nkoana. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4036 x 2599
    Media Id: 44_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: July, religion, Drum Magazine, South Africa, South African history, black and white image, horizontal, politics, 1959, 1950s, protests, apartheid, ministers of religion, talking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001082704
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001082704:SAED:THEATRE:MUSIC:FEB1961 - God Help The English - Will they throw their bowler hats into the fog? Shebeen Queen, Joyce (Peggy Phango), throws a shinding for King Kong (Nathan Mdledle) at her place, to celebrate King Kong's release from prison. Liveley scene. Hooray for King Kong its London-bound at last. Producer Leon Gluckman has spent worried weeks getting the play streamlined for London audiences. It's more slick and fast. Has a lot of zing, too.(Photograph by Ian Berry © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 2980 x 4101
    Media Id: 23_434
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001082705
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001082705:SAED:THEATRE:PERSONALITY:MUSIC:FEB1961 - God Help The English - Will they throw their bowler hats into the fog?Joyce at Back O' The Moon. Liveley scene. Hooray for King Kong its London-bound at last. Producer Leon Gluckman has spent worried weeks getting the play streamlined for London audiences. It's more slick and fast. Has a lot of zing, too.(Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2596 x 4713
    Media Id: 44_234
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1960s, Drum Magazine, South Africa, Africa, South African history, black and white image, February, vertical, 1961, Peggy Phango, shebeens, black African woman, black African man, dancing, Nathan Dambuza Mdledle, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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