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    Image Number: BHA00010_34
    Title: R1954_364_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050518:SAED:SOCIAL:RELIGION:THEATRE:JAN1954 – Unto Us A Child Is Born – “The Angel said into her: “fear not, Mary, for thou has found favour with God”. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©Baileys Archives) NEG 364 Pix 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4795 x 4785
    Media Id: 69_407
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, January, 1954, 1950s, Sophiatown, Johannesburg, Gauteng, churches, plays, Christmas, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00010_35
    Title: R1954_364_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050523:SAED:SOCIAL:RELIGION:THEATRE:DRUM JAN 1954 Unto Us A Child Is Born And Mary arose in those days, and entered into the house of Zacharias, and saluted Elizabeth. And it come to pass, that Elizabeth heard in her womb, and Elizabeth was filled with the Holy Ghost.. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©Baileys Archives) Pix 2 NEG 364
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4667 x 4763
    Media Id: 69_244
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, South Africa, Africa, Drum Magazine, January, 1954, 1950s, Christmas, Sophiatown, drama, plays, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00010_36
    Title: R1954_364_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:RELIGION:THEATRE:DRUM JANUARY 1954 Unto Us A Child Is Born Behold there came wise men from the East to Jerusalem.and lo, the star, which they saw in the East, went before them, till it came and stood over where the young child was. And when they were come into the house, they saw the young Child with Mary, his mother, and fell down, and worshipped him A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson Baileys Archives) NEG 364 Pix 3
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4742 x 4725
    Media Id: 70_299
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_10
    Title: a1952_11_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORTS:PERSONALITY:DRUM FEBRUARY 1952 First African Lady Golfer - Mary Mofokeng Issues challenge To golfers of her sex. Mary taking a drive at St Andrews Golf Course. Mary Mofokeng's first ambitions didn't have a thing to do with golf, in fact they didn't have a thing to do with sport generally. Born at Harrismith, Orange Free State, 26 years ago, she was, unfortunately parentless at an early age; but sympathetic relations thought she should become a school teacher. So they sent her to a Natal Institution for a domestic Science course, which she completed, but has never found much use for ever since; for , instead for practicing domestic science she joined a Johannesburg dry cleaning factory as an ordinary hand, and still in the dry cleaning business, this time as a marker. (Photograph by Jurgen Schaderberg BAHA) NEG 011 FRAME 3
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 4638 x 4641
    Media Id: 70_223
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_11
    Title: b1952_11_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORTS:PERSONALITY:DRUM FEBRUARY 1952 First African Lady Golfer - Mary Mofokeng Issues challenge To golfers of her sex. Mary marking articles at the dry cleaning establishment where she works. Mary Mofokeng's first ambitions didn't have a thing to do with golf, in fact they didn't have a thing to do with sport generally. Born at Harrismith, Orange Free State, 26 years ago, she was, unfortunately parentless at an early age; but sympathetic relations thought she should become a school teacher. So they sent her to a Natal Institution for a domestic Science course, which she completed, but has never found much use for ever since; for , instead for practicing domestic science she joined a Johannesburg dry cleaning factory as an ordinary hand, and still in the dry cleaning business, this time as a marker. (Photograph by Jurgen Schaderberg BAHA) NEG 011 FRAME 6
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4642 x 4754
    Media Id: 70_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_14
    Title: b1952_11_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORTS:PERSONALITY:DRUM FEBRUARY 1952 First African Lady Golfer - Mary Mofokeng Issues challenge To golfers of her sex. Back in Domestic Science at home in Pimvile on a Saturday afternoon, Mary is sharing a joke with her sister in-law, Mrs Edith Mkasibe, over a cup of tea. Mary Mofokengs first ambitions didn't have a thing to do with golf, in fact they didnÕt have a thing to do with sport generally. Born at Harrismith, Orange Free State, 26 years ago, she was, unfortunately parentless at an early age; but sympathetic relations thought she should become a school teacher. So they sent her to a Natal Institution for a domestic Science course, which she completed, but has never found much use for ever since; for , instead for practicing domestic science she joined a Johannesburg dry cleaning factory as an ordinary hand, and still in the dry cleaning business, this time as a marker. (Photograph by Jurgen Schaderberg © BAHA) NEG 011 FRAME 4
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 4689 x 4690
    Media Id: 69_190
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_15
    Title: b1952_11_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORTS:PERSONALITY:DRUM FEBRUARY 1952 Ð First African Lady Golfer - Mary Mofokeng Issues challenge To golfers of her sex. Mary playing a game of cards. Mary MofokengÕs first ambitions didnÕt have a thing to do with golf, in fact they didnÕt have a thing to do with sport generally. Born at Harrismith, Orange Free State, 26 years ago, she was, unfortunately parentless at an early age; but sympathetic relations thought she should become a school teacher. So they sent her to a Natal Institution for a domestic Science course, which she completed, but has never found much use for ever since; for , instead for practicing domestic science she joined a Johannesburg dry cleaning factory as an ordinary hand, and still in the dry cleaning business, this time as a marker. (Photograph by Jurgen Schaderberg © BAHA) NEG 011 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4742 x 4733
    Media Id: 69_482
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, February, 1952, 1950s, black African women, friends, friendships, drinking tea, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0005_23
    Title: j1953_177_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY: DRUM MARCH 1953 HOUSEWIFE Before Bedtime, Rose plays cards with her three children and mother-in-law Mary. Two -year-old daughter Anne is on her lap, while Shirley and only son Donald (8) study their cards. Tomorrow she will be up at 6.0, for a hard day. While men go out into the world for fame and fortune, Africa's women are working, quietly and modestly, keeping the home and family. All over Africa, in every village and township, women are fighting their lonely battle against the ever-growing trials of keeping house. 32-Year old Rose Rachel Thlopane is one of them and here Drum takes you into her home. Hats off to the Housewife. (Photograph by Jurgen Schadeberg Baileys Archives) NEG 177 FRAME 6
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 4698 x 4704
    Media Id: 70_193
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_34.tif
    Title: Christmas Play
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053030:SAED:SOCIAL:RELIGION:THEATRE:JAN1954 – Unto Us A Child Is Born – “The Angel said into her: “fear not, Mary, for thou has found favour with God”. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4795 x 4785
    Media Id: 124_41
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, January 1954, 1954, play, theatre, Mary, Angel, God, Favour, Christ The King Church, Sophiatown, church, performed, Leon Levson, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_35.tif
    Title: R1954_364_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053031:SAED:SOCIAL:RELIGION:THEATRE:DRUM JAN 1954 – Unto Us A Child Is Born – “And Mary arose in those days, and entered into the house of Zacharias, and saluted Elizabeth. And it come to pass, that Elizabeth heard in her womb, and Elizabeth was filled with the Holy Ghost.. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4667 x 4763
    Media Id: 124_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_36.tif
    Title: Unto Us A Child Is Born
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053032:SAED:SOCIAL:RELIGION:THEATRE:JAN 1954 – Unto Us A Child Is Born – Behold there came wise men from the East to Jerusalem….and lo, the star, which they saw in the East, went before them, till it came and stood over where the young child was. And when they were come into the house, they saw the young Child with Mary, his mother, and fell down, and worshipped him… A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4742 x 4725
    Media Id: 125_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum magazine, religion, theatre, play, children, Christ The King, Sophiatown, Leon Levson, Christmas, January 1954, 1954, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0043_005.tif
    Title: Womens Conference Accra
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081306:GHAED:WOMEN:POLITICS:PERSONALITIES:OCT 1960 - Womens Conference Accra - Miss Faika Farouk (centre, with mike) bringing greetings from Tunisian women. Others are (R to L) Miss Sophia Doku, M.P, Mrs. L. Ogulesi, Nigerian delegate, Miss Verna E. Warren of Jamaica and Mrs. Mary Fiske of Liberia - For the first time in historywomen of Africa get together - Women of Africa and of African descent, from the United States of America, West Indies, North and West Africa, gathered for the first great Conference at the Commonwealth Hal (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4699 x 3621
    Media Id: 252_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, women, politics, conference, Accra women's conference, October 1960, October, 1960, 1960s, sitting, traditional attire, Miss Faika Farouk, Miss Sophia Doku, Mrs L Ogulesi, Miss Verna E. Warren, Jamaica, Nigeria, delegates, Mrs Mary Fiske, Liberia, Tunisia, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0047_012.tif
    Title: Do We Marry To Late?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082102:GHAED:SOCIAL:PERSONALTIES:JAN 1960 - Do We Marry To Late? - Miss Mary Chaainortey ''I must Go To Secondary First. Then Work For A few Years. That's The Way I Want Tt. No Security, No Marriage For Me.'' In the ''good old days,'' a woman who reached the age of 22 and was still without a husband, was looked at askance and considered an old maid. But to-day, single women of 30 and more are not a rarity. And many them get married for the first time when they are as ''old'' as 40. Our former system of marrying a girl off at 15 - after celebrating her Otofo, which meant she had reached the age of puberty and was ready for marriage- had the advantage of having the girl safely out of the way before she became too interested in men, or men became too interested in her. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4157 x 5353
    Media Id: 252_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0049_004.tif
    Title: Ten Years Of The C.P.P.
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081510:GHAED:POLITICS:PERSONALITIES:JUN 1959 - Ten Years Of The C.P.P. - Madam Mary Mensah, chairman of the women's section of the C.P.P., has played a big part in bringing the ladies round to the idea that politics is not for men only. It was born in a period of strife and frustration ten years ago. The people of the Gold Coast were restless for independence, waiting for a leader to show the way. That leader grasped the opportunity. He was Kwame Nkrumah, the man who launched the Convention People's Party on June 12, 1949, and then led to the struggle which brought about the state of Ghana. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4609 x 4837
    Media Id: 251_36
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0049_018.tif
    Title: Mary Boateng spent two years learning about heavy engines
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081809:GHAED:SOCIAL:WOMEN:PERSONALITIES:DEC 1966 - Look Out, Men, Because - Here Come The Girls. Mary Boateng spent two years learning about heavy engines. The women of Ghana are on the GO. They have gate-crashed all the fields of endeavour formerly labelled MEN ONLY - WOMEN NOT ALLOWED. In both light and heavy industry they are there. In other skilled jobs they rival the men in merit and purposefulness. (Photograph by Drum by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3856 x 5576
    Media Id: 251_26
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Drum Magazine, women, December 1966, 1966, Mary Boateng, engines, working, sitting, skills, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0057_015.tif
    Title: Modern Miracle?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090403:EAED:RELIGION:PERSONALITIES:FEB 1959 - Modern Miracle? - He shows his legs used to be after monts of normal walking, Lazarus can no longer take up his old cripple position. For 24 of those years he was a cripple. One day last May he was found crouching at his uncle's hut door. Following the "miracle," he can now stand upright. "Holy mother give me a sign of your power. Make me walk," This was the fervent prayer one day of 32-year-old Lazarus Byekwaso before the statue of the Virgin Mary. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: KENYA
    Orientation: portrait
    Pixel Size: 3971 x 5831
    Media Id: 145_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0173_034.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102804:SAED:BEAUTIES:PERSONALTIES:GCPOCT13 1963 - Attractive Miss Mary Maistry, who was chosen the ''Gala Queen'' by members of the Natal Garment Workers' Union at their annual dance held in Durban's Bolton Hall last week, She was crowded by the secretary of the union Councillor J.C.Bolton. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1776 x 3339
    Media Id: 782_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0212_009.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009100512:SAED:SOCIAL:PERSONALTIES:GCPNOV18 1962 - Attractive Miss mary Nkabinde, of Orlando West, this week found herself the "mother" of a five-month-old baby girl - and it all happened on the Orlando train to Park Station, Johannesburg. The Mother of the child had vanished after saying she was going to the toilet. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Orlando West
    Orientation: portrait
    Pixel Size: 3876 x 5888
    Media Id: 794_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0212_010.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009100511:SAED:SOCIAL:PERSONALTIES:GCPNOV18 1962 - Attractive Miss mary Nkabinde, of Orlando West, this week found herself the "mother" of a five-month-old baby girl - and it all happened on the Orlando train to Park Station, Johannesburg. The Mother of the child had vanished after saying she was going to the toilet. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Orlando West
    Orientation: portrait
    Pixel Size: 3852 x 5848
    Media Id: 794_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0221_001.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010020901:SAED:SOCIAL:PERSONALITIES:OCT 1960 - Helen and Mary Dunn, two spinsters, live a solitary life. Photographed here outside their house with their brother Domenic Dunn, the "agitator." The Dunn clan is the family left by John Dunn, the great white lover of the 19th century who married over 45 black wives and produced more than 100 children with features ranging from European to African. (Photograph by G.R Naidoo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3908 x 5927
    Media Id: 779_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001051013
    Title: Miriam In New York - A gifted composer
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001051013:SAED:MUSIC:PERSONALITY:APR1960 - Miriam In New York - A gifted composer, Miriam has recorded many a hit tune with her company, the Skylarks. Mammygirl Nketle, Mary Rabotapi, Miriam Makeba. Their latest hit is 'Miriam's Goodbye to South Africa.' (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1940 x 1912
    Media Id: 43_1233
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Miriam Makeba, South African history, black and white image, 1960, square, April, personality, The Skylarks, jazz, Mammygirl Nketle, Mary Rabotapi, black African women, Drum photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001051628
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001051628:SAED:MUSIC:PERSONALITY:MAY1957 - Dolly Rathebe - Drum Cover 1957. At the Huddleston Swimming bath, Johannesburg, Dolly and friends made fancy formation for Drum's cover, Dolly's third! Johanna Radebe , an up and coming singer whose rough and tumbletownship life reminds us of early, wild Dolly. Mary Rabotapi, a cousin of Dolly's is a young sister in her own right. She has begun the long climb to stardom. Thoko Thomo, the sizler who has risen in Dolly's wake, is so hot that she singes the audience off its seat. Serious threat! And sweet sister violet is a Bloemfontein holidaying in Johannesburg. She was entertained by Dolly at the bath. (Photograph by Drum Photographer Baileys Archive) neg T778
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1940 x 1930
    Media Id: 43_499
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: file covers, Drum Magazine, magazines, Africa, South Africa, Dolly Rathebe, 1950s, 1957, South African history, black and white image, May, square, black African women, swimming, swimming pools, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001053002
    Title: Linda Is A Ball
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001053002:GCPED:SAED:THEATRE:PERSONALITY:7FEB1971 - Linda Is A Ball - Linda Bottom. She is determined to learn her way to stardom. Linda is a ball of fire with a brain. She's cute She's cute likeable and very intelligent. On stage she is a ball of fire that sends fans clapping hands, dancing an screaming for more of that magic. A star with great promise if she can be properly handled. The Question, Mary Twala, Linda Bottoman and Eugene Madonsela. The Question, Thoko Mgcina, Nosisi Rululu, Eugene Madonsela and Linda Bottoman. (Photograph by Mike Mzileni BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2910 x 1840
    Media Id: 43_1151
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, Mary Twala, February, 1971, 1970s, Linda Bottom, Eugene Madonsela, Thoko Mgcina, Nosisi Rululu, singers, black African women, black African man, Mike Mzileni, theatre, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001053003
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001053003:GCPED:SAED:THEATRE:PERSONALITY:7FEB1971 - Linda Is A Ball - Linda Bottom. She is determined to learn her way to stardom. Linda is a ball of fire with a brain. She's cute likeable and very intelligent. On stage she is a ball of fire that sends fans clapping hands, dancing an screaming for more of that magic. A star with great promise if she can be properly handled. The Question, Mary Twala, Linda Bottoman and Eugene Madonsela. (Photograph by Mike Mzileni BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 3060 x 1870
    Media Id: 44_115
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Mary Twala, Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, February, 1971, 1970s, Linda Bottom, Eugene Madonsela, Thoko Mgcina, Nosisi Rululu, singers, black African women, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004083001
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083001:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1990 x 2960
    Media Id: 42_645
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, 1960, vertical, May, personality, jazz, Miriam Makeba, The Skylarks, vocalists, Performing, black African women, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004083002
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083002:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1990 x 2960
    Media Id: 43_1650
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1960, Drum Magazine, South Africa, South African history, black and white image, May, vertical, personality, jazz, Miriam Makeba, The Skylarks, vocalists, Performing, black African women, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004083003
    Title: Miriam Makeba And The Skylarks rehearsals
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083003:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1990 x 2960
    Media Id: 43_1315
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083004:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
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    Model Release: No
    Property Release: No

    X
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    Title: Miriam Makeba And The Skylarks rehearsals
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083005:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083006:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
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    Model Release: No
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    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083007:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba(Photograph by Drum Photographer BAHA)
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    Model Release: No
    Property Release: No

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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083008:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA)
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    Keywords: Drum Magazine, South Africa, South African history, black and white image, vertical, personality, jazz, music, May, 1960, Miriam Makeba, vocalists, 1960s, ,
    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083009:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
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    Subcollections: Drum Social Histories
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    Keywords: personality, Drum Magazine, South Africa, South African history, black and white image, vertical, jazz, music, May, 1960, Miriam Makeba, vocalists, 1960s, ,
    Model Release: No
    Property Release: No

    X
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    Title: On The Way Up - Miriam Makeba And The Skylarks rehearsals
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083015:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kent, Hugh Masekela
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083016:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA)
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083017:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA)
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
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    Collections: Baileys African History Archive
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083020:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
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    Keywords: personality, jazz, Drum Magazine, South Africa, South African history, black and white image, vertical, music, May, 1960, Miriam Makeba, vocalists, 1960s, ,
    Model Release: No
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083021:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083022:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083024:SAED:SOCIAL:MUSIC:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks rehearsals. Therewas atime whem Miriam sang in the dingy halls. A time when she found it difficult to choose between a good meal and a pair of stockings, never dreaming she would be a star. Miriam rehearsing with the skylarks., Mummy Girl, Mary and Abegail. The group consisted of Miriam Makeba (Photograph by Drum Photographer BAHA) Gibson Kente
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2004083026
    Title: On The Way Up - Miriam Makeba And The Skylarks
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004083026:SAED:SOCIAL:MUSIC:WOMEN:PERSONALITY:MAY1960 - On The Way Up - Miriam Makeba And The Skylarks. Lady of song :Part II of Miriam Makeba life story. (Photograph by Drum Photographer BAHA) Rehearsals, Gibson Kente, Nummy Girl, Mary
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2004083027
    Title: Miriam Makeba
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
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    Model Release: No
    Property Release: No

    X
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    Title: Miriam Makeba
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
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    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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