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Search Term: October 1959

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    Image Number: BHA00011_1
    Title: Rustenburg Coronation – Chief Edward Patric Lebone Molotlegi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DRUM OCTOBER 1959 � Proud and self-conscious, the khaki-clad Mafokeng Guards pave the way for the Chief down a dusty street of the village of Phokeng. In their wake too are local dignitaries, children and a few stray dogs. Rustenburg Coronation � It lasted three days. Fifteen thousand people came. Jazz bands, brass bands, the lot. Even the Minister of Bantu Administration looked in at the village of Phokeng for the coronation of Chief �dward Patric Lbone Molotlegi of the Bafokeng tribe. Joburg�s nitelife celebrities, professional men, teachers, factory workers, businessmen and the usual �guests� who turn up to everything going. They all flocked to the dusty, country village of Phokeng, near Rustenburg, in the Transvaal. It was going to be �The feast of the year,� (Photograph by Peter Magubane �Baileys Archives) NEG 3
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5703 x 3784
    Media Id: 69_181
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Rustenburg, North West Province, South Africa, history, coronation of the King of the Bafokeng, October 1959, 1959, October, street, khakhi guards, Peter Magubane, dusty street, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00011_2
    Title: B1959_14
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DRUM OCTOBER 1959 Proud and self-conscious, the khaki-clad Mafokeng Guards pave the way for the Chief down a dusty street of the village of Phokeng. Rustenburg Coronation It lasted three days. Fifteen thousand people came. Jazz bands, brass bands, the lot. Even the Minister of Bantu Administration looked in at the village of Phokeng for the coronation of Chief ¨dward Patric Lbone Molotlegi of the Bafokeng tribe. Joburg's nitelife celebrities, professional men, teachers, factory workers, businessmen and the usual ’guests“ who turn up to everything going. They all flocked to the dusty, country village of Phokeng, near Rustenburg, in the Transvaal. It was going to be ’The feast of the year,“ (Photograph by Peter Magubane Baileys Archives) NEG 14
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5697 x 3748
    Media Id: 70_232
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00011_3
    Title: Rustenburg Coronation
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DRUM OCTOBER 1959 � Despite efforts to separate them, black and white mingled in the crowd. Rustenburg Coronation � It lasted three days. Fifteen thousand people came. Jazz bands, brass bands, the lot. Even the Minister of Bantu Administration looked in at the village of Phokeng for the coronation of Chief �dward Patric Lbone Molotlegi of the Bafokeng tribe. Joburg�s nitelife celebrities, professional men, teachers, factory workers, businessmen and the usual �guests� who turn up to everything going. They all flocked to the dusty, country village of Phokeng, near Rustenburg, in the Transvaal. It was going to be �The feast of the year,� (Photograph by Peter Magubane �Baileys Archives) NEG 16
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3795 x 5709
    Media Id: 70_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Rustenburg, North West Province, South Africa, history, coronation of the King of the Bafokeng, coronation, October 1959, 1959, phokeng, Chief Edward Patric Lebone Molotlegi, Bafokeng, tribe, Peter Magubane, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA00011_4
    Title: B1959_19
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: PHOTOGRAPHS TAKEN BY PETER MAGUBANE. OCTOBER 1959 - RUSTENBURG CORONATION . SAED:SOCIAL:PERSONALITY:DRUM OCTOBER 1959 � The Chief�s naval uniform was only sign of British influence. Rustenburg Coronation � It lasted three days. Fifteen thousand people came. Jazz bands, brass bands, the lot. Even the Minister of Bantu Administration looked in at the village of Phokeng for the coronation of Chief �dward Patric Lbone Molotlegi of the Bafokeng tribe. Joburg�s nitelife celebrities, professional men, teachers, factory workers, businessmen and the usual �guests� who turn up to everything going. They all flocked to the dusty, country village of Phokeng, near Rustenburg, in the Transvaal. It was going to be �The feast of the year,� (Photograph by Peter Magubane �Baileys Archives) NEG 19
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Rustenburg
    Orientation: portrait
    Pixel Size: 3807 x 5753
    Media Id: 70_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Rustenburg, North West Province, South Africa, history, coronation of the King of the Bafokeng,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0011_3.tif
    Title: Rustenburg Coronation – Chief Edward Patric Lebone Molotlegi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053131:SAED:SOCIAL:PERSONALITY:DRUM OCT 1959 – Despite efforts to separate them, black and white mingled in the crowd. Rustenburg Coronation – It lasted three days. Fifteen thousand people came. Jazz bands, brass bands, the lot. Even the Minister of Bantu Administration looked in at the village of Phokeng for the coronation of Chief Ëdward Patric Lebone Molotlegi of the Bafokeng tribe. Joburg’s nitelife celebrities, professional men, teachers, factory workers, businessmen and the usual “guests” who turn up to everything going. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3795 x 5709
    Media Id: 131_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, social, October 1959, 1959, October, Rustenburg Coronation, Chief Edward Patric Lebone Molotlegi, Bafokeng tribe, Peter Magubane, crowd, Rustenburg, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0011_4.tif
    Title: Rustenburg Coronation – Chief Edward Patric Lebone Molotlegi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053132:SAED:SOCIAL:PERSONALITY:DRUM OCT 1959 – The Chief’s naval uniform was only sign of British influence. Rustenburg Coronation – It lasted three days. Fifteen thousand people came. Jazz bands, brass bands, the lot. Even the Minister of Bantu Administration looked in at the village of Phokeng for the coronation of Chief Ëdward Patric Lbone Molotlegi of the Bafokeng tribe. Joburg’s nitelife celebrities, professional men, teachers, factory workers, businessmen and the usual “guests” who turn up to everything going. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3807 x 5753
    Media Id: 131_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, October 1959, 1959, October, 1950s, Chief Edward Patric Lebone Molotlegi, Chief, Rustenburg Coronation, Coronation, sitting, chair, Naval uniform, Minister De Wet Nel, Afrikaans, Phokeng, Peter Magubane, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_3.tif
    Title: NIGERIA TV: THE FIRST FIVE YEARS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072408:NIGED:SOCIAL:PERSONALITIES:JUN 1964 Nigeria TV: The First 5 Years Announcer Julie Coker. The launching of a television station was first mooted in Nigeria as far back as 1956 shortly before Queen Elizabeth IIs visit to Nigeria, by the then Premier of Eastern Nigeria, Dr. the Hon. Nnamdi Azikiwe. For various reasons, this was not possible and so the Western Nigeria Government were first, into action, WNTV began programming on October 1, 1959. Since then, WNTV has improved considerable. For, during the pioneering days, it depended wholly on imported programmes including a large helping of wild west films. For the past two years, WNTV has shown live programmes of light entertainment, Drama, Discussion Groups, Educational Programmes all local programmes with gradually improving standards as the television teams learn to use their new medium. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 2838 x 4759
    Media Id: 180_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_4.tif
    Title: NIGERIA TV: THE FIRST FIVE YEARS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072407:NIGED:SOCIAL:PERSONALITIES:JUN 1964 Nigeria TV: The First 5 Years When WNTV first started one critic said it was going to be nothing but a nine day wonder. This critic was so wrong. WNTV are pioneers who have kept their lead. They introduced vigorous programmes like Editors Choice. The launching of a television station was first mooted in Nigeria as far back as 1956 shortly before Queen Elizabeth IIs visit to Nigeria, by the then Premier of Eastern Nigeria, Dr. the Hon. Nnamdi Azikiwe. For various reasons, this was not possible and so the Western Nigeria Government were first, into action, WNTV began programming on October 1, 1959. Since then, WNTV has improved considerable. For, during the pioneering days, it depended wholly on imported programmes including a large helping of wild west films. For the past two years, WNTV has shown live programmes of light entertainment, Drama, Discussion Groups, Educational Programmes all local programmes with gradually improvin
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 3633 x 4564
    Media Id: 180_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0048_015.tif
    Title: Horror Bomb - Tamale Rally
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081913:GHAED:POLITICS:PERSONALITIES:OCT 1959 - Horror Bomb - Tamale Rally, Northern Ghana:Members of the International Atom Protest. At first reports about nuclear bomb explosions read to us like stories from another world. Then France said it proposed to test an atom bomb in the Sahara. Ghana led the protest against the test because of fears that it would bring deadly dust into our country, with untold possibilities for harm. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5633 x 4366
    Media Id: 253_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, politics, Horror Bomb, October 1959, October, 1959, 1950s, Tamane Rally, Northern Ghana, rally, cars, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0055_008.tif
    Title: Omolo Agar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082605:EAED:POLITICS:PERSONALITIES:OCT 1959 - Government Cracks Down - In Detention - Omolo Agar, Organising Secretary of the NPCP. Arrests and searches were simultaneously going on in many parts of Kenya. Omolo Agar was detained at an Eldoret Hotel, while the police took away a large tin trunk containing Omolo's books and papers from his father's Nyanza House. By March 7, thirty-nine Africans had been arrested. It was the big-gest police round-up since the Mau-Mau emergency. Tom Mboya was almost the only NPCP (Nairobi People's Convention Party) leader who remained in active politics. The rest were arrested, then detained or restricted. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5767 x 4255
    Media Id: 133_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, politics, Drum Magazine, October 1959, 1959, Government, Omolo Agar, Secretary, NPCP, Kenya, detained, Eldoret Hotel, hotel, police, boo, Nyanza, arrest, Africans, Tom Mboya, March 7, Mau Mau, Drum Photographer, fence, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999111214
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999111214:EAED:POLITICS:PERSONALITY:DEC1968 - The Case Of Rawson Macharia - On October 21 1952 the colonial authorities arrested six leaders they believed were responsible for directing the operations of the Mau Mau Movement, Jomo Kenyatta was one of them. After three weeks in detention they were transported to Kapenguria to stand trial for managing Mau Mau. The judge in that famous summing up of the trial at Kapenguria said: "Although my finding of the facts means that I disbelieve ten witnesses for the defence and I believe one witness for the prosecution, I have no hesitation on doing so. Rawson Macharia gave his evidence so well." In 1958, six years later, the truth was out. Rawson Macharia's evidence was placed in doubt. (This picture) Kenyatta was called to give evidence at Macharia's trial in January 1959. It was the first time he had been seen in public since his trial at Kapenguria. He looked gaunt and weak and walked with a stoop. Kenyatta was finally re
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3007 x 1944
    Media Id: 43_1492
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, 1968, December, horizontal, black and white image, South African history, Drum Magazine, Africa, 1960s, White African men, policemen, black African man, Jomo Kenyatta, freedom fighters, activists, apartheid, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021705
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021705:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - John Mehegan, Hugh Masekeka. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. He thinks that trumpeter Hugh Masekela, standing, is in world class. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2880 x 1960
    Media Id: 43_1400
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, South Africa, Drum Magazine, South African history, black and white image, horizontal, performances, October, 1959, 1950s, musicians, jazz, John Mehegan, Jazz Foundation, Juliard School of Music, Hugh Masakela, black African men, white African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021706
    Title: What Our Players Learned From The Jazz Prof.
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021706:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - John Mehegan, Gwigwi Mwrebi, I.Bernhardt, Sol Klaaste. Jazz Has Got To Come From The Heart. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. We ought to thank the Jazz Foundation for bringing Mr Mehegan to us all the way from New York, where he is Professor of Jazz Piano at the Juliard School of Music. A lot of America's best jazz musicians have studied at Juliard, and thats no kidding. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1958 x 2940
    Media Id: 42_909
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Gwigwi Mwrebi, vertical, October, 1959, 1950s, musicians, jazz, John Mehegan, Jazz Foundation, Juliard School of Music, Ian Bernardt, Sol Klaaste, black African men, White African men, Ian Berry, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021707
    Title: Thandi Mpambane (Klaasen)
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021707:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Thandi Mpambane (Klaasen). Jazz has got to come from the heart. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. We ought to thank the Jazz Foundation for bringing Mr Mehegan to us all the way from New York, where he is Professor of Jazz Piano at the Juliard School of Music. A lot of America's best jazz musicians have studied at Juliard, and that's no kidding. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2980 x 1950
    Media Id: 43_725
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, white African man, White African woman, October, 1959, 1950s, musicians, jazz, black African woman, Jazz Foundation, Thandi Klaasen, singing, performances, Ian Berry, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030804
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030804:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - John Mehegan, Hugh Masekeka. American pianist John Mehegen came to South Africa to play a short season in the plush white clubs . He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. He thinks that trumpeter Hugh Masekela, standing, is in world class. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1616 x 2384
    Media Id: 43_224
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, October, 1959, 1950s, musicians, jazz, John Mehegan, Jazz Foundation, Juliard School of Music, Hugh Masakela, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000033105
    Title: Trouble In Natal - Cato Manor Women
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000033105:SAED:POLITICS:WOMEN:OCT1959 - Trouble in Natal - 20 000 Women rioted in Cato Manor over living conditions and government beerhalls and passes for women. (Photo by Drum photographer Baileys Archive) law, drinking, liquor, removals
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2765 x 1851
    Media Id: 43_199
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, South Africa, Drum Magazine, South African history, black and white image, horizontal, slogans, marching, Cato Manor, KwaZulu-Natal, October, 1959, 1950s, riots, black African women, protests, Drum Photographer, women, protests, beerhall, passes, trouble, Natal, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000033106
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000033106:SAED:POLITICS:WOMEN:OCT1959 - Trouble in Natal - 20 000 Women rioted in Cato Manor over living conditions and government beerhalls and passes for women. (Photo by Drum photographer Baileys Archive) law, drinking, liquor, removals
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5623 x 3658
    Media Id: 43_1169
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, marching, Cato Manor, KwaZulu-Natal, October, 1959, 1950s, riots, black African women, protests, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000033107
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000033107:SAED:POLITICS:WOMEN:OCT1959 - Trouble in Natal - 20 000 Women rioted in Cato Manor over living conditions and government beerhalls and passes for women. (Photo by Drum photographer Baileys Archive) law, drinking, liquor, removals
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1592 x 2338
    Media Id: 44_132
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, marching, vertical, Cato Manor, KwaZulu-Natal, October, 1959, 1950s, riots, black African women, protests, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000033108
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000033108:SAED:POLITICS:WOMEN:OCT1959 - Trouble in Natal - 20 000 Women rioted in Cato Manor over living conditions and government beerhalls and passes for women. (Photo by Drum photographer Baileys Archive) law, drinking, liquor, removals
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3574 x 5708
    Media Id: 43_1060
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, threatening, vertical, Cato Manor, KwaZulu-Natal, October, 1959, 1950s, riots, black African woman, protests, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051114
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051114:GHANED:SOCIAL:ENTERTAINMENT:MUSIC:DANCE:OCT1959 - Tokio Joes Menacing Or Morden. Go, Boy, Go! Hit The Beat of Rock. Rock 'n Roll Has Hit Th Younger Generation, And The Younger Generation Is Hitting Back. There's a new type of young man growing up all over the world. (Photograph by Drum Photograph BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2388 x 1792
    Media Id: 43_1001
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ghana, 1959, October, 1950s, Drum Magazine, Africa, black and white image, horizontal, black African people, rock 'n roll, African history, dancing, clapping, onlookers, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000101010
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000101010:SAED:SOCIAL:OCT1959 - Pilgrims From Mecca - Cape gives a warm welcome to those. The greatest dream of the devout Moslem is to go to Mecca. For many of the pilgrims from South Africa it means a lifetime of sacrifice. Yet it is a price they willingly pay. (Photograph by Drum Photograph Baileys Archive) indian
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2640 x 2039
    Media Id: 43_555
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, women, South African history, black and white image, horizontal, 1959, October, Pilgrims from Mecca, Islam, religion, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001051603
    Title: What Our Players Learned From The Jazz Prof
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001051603:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Thandi Mpambane (Klaasen). Jazz has got to come from the heart. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. We ought to thank the Jazz Foundation for bringing Mr Mehegan to us all the way from New York, where he is Professor of Jazz Piano at the Juliard School of Music. A lot of America's best jazz musicians have studied at Juliard, and that's no kidding. (Photograph by Ian Berry Baileys Archives) Peter Magubane, Simon Sabela
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4012 x 2957
    Media Id: 42_804
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, black African men, October, 1959, 1950s, musicians, jazz, black African woman, Jazz Foundation, performances, Thandi Klaasen, White African men, entertainment, singing, Ian Berry, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001091202
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001091202:GCPFE:POLITICS:PERSONALITY:17MAY1964 - Mafekeng To Pleade For Wife's Return - Mr Moffat Mafekeng husband of Elizabeth Mafekeng. Mr Moffat Mafekeng, of Paarl, is to ask Mr Vorster to allow his wife, Elizabeth, who was banished in 1959, to return to South Africa. Mrs Elizabeth Mafekeng was National President of the African Food and Canning Workers Union. She was told to go to Southey, a small village 72 miles from Vryburg. Mrs Mafekeng, howecer defied the order and fled to Basutoland. When I spoke to Mr Mafekeng at his home in Barborosa Street, in Paarl, last week, he told me that his wife's banishment order was due to to expire in October this year. But he pointed out that as his wife defied the order she is liable to be arrested as soon as she returned to South Africa. Mr Mafekeng said he would ask Mr Vorster to allow his wife to come back. He said that his wife had had a heart attack recently. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1830 x 3020
    Media Id: 43_1441
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: May, Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, 1964, 1960s, black African man, smoking, pipe smoking, hats, Moffat Mafekeng, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092701
    Title: Manhattan Brothers
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092701:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - The Manhattan Brothers with Sol Klaaste (piano) with Artists' Union's Ian Bernardt. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2989 x 1950
    Media Id: 43_679
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, October, Artists' Union, Ian Bernardt, 1959, 1950s, musicians, jazz, Sol Klaaste, Jazz Foundation, Manhattan Brothers, black African men, white African man, Ian Berry,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092705
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092705:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - 'Dam Dam Ndledle with the Manhattan Brothers in workshop with the Professor. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1960 x 3034
    Media Id: 43_981
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Manhattan Brothers, Nathan Dam Dam Mdledle, October, Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, 1959, 1950s, musicians, jazz, John Mehegan, Jazz Foundation, Juliard School of Music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092706
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092706:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - The Manhattan Brothers with Miriam Makeba performing at City Hall during Mehegan's visit. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3030 x 1989
    Media Id: 43_702
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, October, 1959, 1950s, Ian Berry, Manhattan Brothers, Miriam Makeba, performances, performers, stages (theatres), ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092707
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092707:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - The Manhattan Brothers with Miriam Makeba performing at City Hall during Mehegan's visit. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1960 x 3060
    Media Id: 42_886
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, October, 1959, 1950s, Ian Berry, Manhattan Brothers, performances, singing, stages (theatres), ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092708
    Title: What Our Players Learned From The Jazz Prof
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092708:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Hugh Masekela, Jonas Gwangwa during a session with Prof Mehegan. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2008 x 3049
    Media Id: 43_586
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: rehearsals, October, Jonas Gwangwa, Drum Magazine, South Africa, Africa, South African history, black and white image, Hugh Masakela, vertical, 1959, 1950s, musicians, jazz, John Mehegan, Jazz Foundation, Juliard School of Music, Ian Berry, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092710
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092710:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Kippie Moeketsi, Hugh Masekela, Jonas Gwangwa during a session with Prof Mehegan. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3060 x 2030
    Media Id: 43_159
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, South African history, black and white image, horizontal, jazz, music, personality, October, 1959, Performing, playing, Hugh Masakela, Kippie Moeketsi, Jonas Gwangwa, Jazz Foundation, John Mehegan, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092711
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092711:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Kippie Moeketsi, Hugh Masekela, Jonas Gwangwa during a session with Prof Mehegan. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3010 x 2010
    Media Id: 42_814
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: jazz, Drum Magazine, South Africa, South African history, black and white image, horizontal, music, personality, October, 1959, Performing, playing, Hugh Masakela, Kippie Moeketsi, Jonas Gwangwa, Jazz Foundation, John Mehegan, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092712
    Title: What Our Players Learned From The Jazz Prof
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092712:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Kippie Moeketsi, Hugh Masekela, Jonas Gwangwa during a session with Prof Mehegan. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3070 x 2030
    Media Id: 44_240
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: jJazz, music, Drum Magazine, South Africa, South African history, black and white image, horizontal, personality, October, 1959, Performing, playing, Hugh Masakela, Kippie Moeketsi, Jonas Gwangwa, Jazz Foundation, John Mehegan, 1950s, Ian Berry, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001101601
    Title: Forced removals
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001101601:GCP:SOCIAL:CHILDREN:250CT1959 - Sophia Refugee 1959 (Little Girl Crying) - I used to play here with my mates when this was our house, when Mom and Dad and Me lived here. But then the Big Men and The Big Machines came and knocked down all the houses and my friends have gone away and I'm lonely and I don't know where we're going now. That's why I'm crying. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Sophiatown, South Africa
    Orientation: portrait
    Pixel Size: 3121 x 3799
    Media Id: 43_936
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Gauteng, Johannesburg, vertical, Sophiatown, forced removals, October, 1959, 1950s, black African girl, black African child, ruins, rubble, apartheid, crying, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001112704
    Title: Cato Manor Riots
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001112704:SAED:POLITICS:WOMEN:OCT1959 - Trouble in Natal - Group Areas. (Photo by Drum photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3756 x 2452
    Media Id: 43_894
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, 1959, Group Areas Act, KwaZulu-Natal, marching, banners, protesters, Cato Manor, 1950s, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2005020703
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2005020703:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Sophie Mgcina belting it out. John Mehegen, Hugh Masekeka. American pianist John Mehegen came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. He thinks that trumpeter Hugh Masekela, is world class. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 4398 x 2847
    Media Id: 70_127
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, October, 1959, 1950s, Peter Magubane, singer, singing, black African woman, Sophie Mgcina, performances, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2005020705
    Title: What Our Players Learned From The Jazz Prof
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2005020705:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Abegail Kubeka. Jazz has got to come from the heart. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. We ought to thank the Jazz Foundation for bringing Mr Mehegan to us all the way from New York, where he is Professor of Jazz Piano at the Juliard School of Music. A lot of America's best jazz musicians have studied at Juliard, and that's no kidding. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2814 x 4381
    Media Id: 69_708
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: October, Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, 1959, 1950s, musicians, jazz, black African man, Jazz Foundation, Abigail Kubeka, Peter Magubane, piono, Juliard School of music, October 1959, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2005020706
    Title: What Our Players Learned From The Jazz Prof. - Abegail Kubeka
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2005020706:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Abegail Kubeka. Jazz has got to come from the heart. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. We ought to thank the Jazz Foundation for bringing Mr Mehegan to us all the way from New York, where he is Professor of Jazz Piano at the Juliard School of Music. A lot of America's best jazz musicians have studied at Juliard, and that's no kidding. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4282 x 2682
    Media Id: 69_580
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: October, Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, 1959, 1950s, musicians, jazz, black African woman, Jazz Foundation, Abigail Kubeka, singer, singing, Peter Magubane, Mr Mehegan, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2005020707
    Title: General 'Genie' Duze
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2005020707:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - General 'Genie' Duze. Jazz has got to come from the heart. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. We ought to thank the Jazz Foundation for bringing Mr Mehegan to us all the way from New York, where he is Professor of Jazz Piano at the Juliard School of Music. A lot of America's best jazz musicians have studied at Juliard, and that's no kidding. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2863 x 4349
    Media Id: 69_324
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: General Duze, October, Drum Magazine, South Africa, Africa, South African history, black and white image, guitarist, vertical, 1959, 1950s, musicians, jazz, black African man, Jazz Foundation, October 1959, Peter Magubane, musical instrument, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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