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    Image Number: BHA00013_18
    Title: c1960_26
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DRUM APRIL 1960 Ð District six has got a Ghost! ÐÒHe was at that windowÓ Mrs. Mymona Barnes saw him at his Old Rectory window, looking down. The first one to see the ghost was Auntie Susie Thompson. She screamed: ÒYee heeee!Ó fell to her knees, and beat her head on the hard tarmac of Caledon Street, while her parcels scattered all about her. A bottle slipped from under her arm and broke. Its valuable contents spilled into the gutter. (Photograph by Drum Photographer ©Baileys Archives) Neg 26
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3828 x 5870
    Media Id: 70_120
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, vertical, Drum Magazine, history, black and white image, Africa, Cape Town, cultural history, social comments, historical value, personality, District Six, Western Cape, Coloured woman, doorways, pointing finger, spirits of ancestors, 1960, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_20
    Title: District Six – Spaasie Smith
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DRUM APRIL 1960 District six has got a Ghost! Tough Spaasie saw it, too, when Spaasie Smith saw it, many people agreed: ÒThis ghost is real!Ó The first one to see the ghost was Auntie Susie Thompson. She screamed: ÒYee heeee!Ó fell to her knees, and beat her head on the hard tarmac of Caledon Street, while her parcels scattered all about her. A bottle slipped from under her arm and broke. Its valuable contents spilled into the gutter. (Photograph by Drum Photographer ©Baileys Archives) Neg 34
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3822 x 5882
    Media Id: 69_362
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: District Six, Ghost, Spaasie Smith, Cape Town, Caledon Street, woman, susie Thompson, cape town,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_21
    Title: c1960_21
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DRUM APRIL 1960 Ð District six has got a Ghost! Ð ÒIt wouldnÕt frighten meÓ Popeye Abrahams remembers Father Hudson as a good man, from a kid. The first one to see the ghost was Auntie Susie Thompson. She screamed: ÒYee heeee!Ó fell to her knees, and beat her head on the hard tarmac of Caledon Street, while her parcels scattered all about her. A bottle slipped from under her arm and broke. Its valuable contents spilled into the gutter. (Photograph by Drum Photographer ©Baileys Archives) Neg 21
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3816 x 5838
    Media Id: 69_535
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, portrait, Coloured man, District Six, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_18.tif
    Title: District Six – Mrs Mymona Barnes
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053101:SAED:SOCIAL:PERSONALITY: APR 1960 – District six has got a Ghost! –“He was at that window” Mrs. Mymona Barnes saw him at his Old Rectory window, looking down. The first one to see the ghost was Auntie Susie Thompson. She screamed: “Yee heeee!” fell to her knees, and beat her head on the hard tarmac of Caledon Street, while her parcels scattered all about her. A bottle slipped from under her arm and broke. Its valuable contents spilled into the gutter. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3828 x 5870
    Media Id: 127_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, April 1960, 1960, Mymona Barnes, Cape Town, District Six, window, pointing with finger, Ghost, Auntie Susie Thompson, Caledon Street, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_20.tif
    Title: District Six – Spaasie Smith
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053102:SAED:SOCIAL:PERSONALITY: APR 1960 – District six has got a Ghost! – Tough Spaasie saw it, too, when Spaasie Smith saw it, many people agreed: “This ghost is real!” The first one to see the ghost was Auntie Susie Thompson. She screamed: “Yee heeee!” fell to her knees, and beat her head on the hard tarmac of Caledon Street, while her parcels scattered all about her. A bottle slipped from under her arm and broke. Its valuable contents spilled into the gutter. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3822 x 5882
    Media Id: 128_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: District Six, Ghost, Spaasie Smith, Cape Town, Caledon Street, woman, susie Thompson, cape town,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_21.tif
    Title: c1960_21
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053103:SAED:SOCIAL:PERSONALITY: APR 1960 – District six has got a Ghost! – “It wouldn’t frighten me” Popeye Abrahams remembers Father Hudson as a good man, from a kid. The first one to see the ghost was Auntie Susie Thompson. She screamed: “Yee heeee!” fell to her knees, and beat her head on the hard tarmac of Caledon Street, while her parcels scattered all about her. A bottle slipped from under her arm and broke. Its valuable contents spilled into the gutter. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3816 x 5838
    Media Id: 127_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0020_009.tif
    Title: End of a Rebellion
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060140:NIGED:POLITICS:WAR:PERSONALITIES:FEB 1970 – End of a Rebellion – In January 1970 Ojukwu went into exile in Cote D’Ivoire, and his deputy, Lieutenant-Colonel Philip Effiong, was left to announce the end of secession and negotiate terms for peace. The re-integration of the secessionist areas took place more easily than many observers predicted. Back under control, the secessionist soon realized the federal troops had not indulged in genocide as their leaders would have had them believe. At the end of the war a general amnesty was offered to all those who had fought against the Nigerian army. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5246 x 4130
    Media Id: 148_22
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Drum Magazine, war, February 1970, 1970, rebellion, truck, road, Ojukwu, Lieutenant-Colonel Philip Effiong, arm, Nigerian army, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_8.tif
    Title: THE BIG STRIKE
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072402:NIGED:POLITICS:PERSONALITIES:SEP 1964 The Big Strike Alhadji H.P. Adebola, UCL leader, who rivaled Imoudu for strike leadership. He was injured in clash at police barrier-and had his arm in plaster. Could the general strike of May 31 to June 13 have been averted if the Governments of the Nigerian Federation, on the one hand, and the Joint Action Committee, on the other, had exercised more self-control, more ability to give and take, more mutual trust, less arrogance, less jealousy and less delight in the show of will-power and strength?. The Governments of the Federation had long laid the stage for the strike because of their past errors of commissions and omissions, their irritating obduracy when in the wrong and equally irritating vacillation when in the right, their sense of inverted economics, the ostentatious way of life of their ministers and senior civil servants, and their airy assumption that workers of Nigeria could never get united enough to embark on success
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 4407 x 5591
    Media Id: 180_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0054_002.tif
    Title: "IT Couldn't Happen Here"
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008092210:EAED:POLITICS:RIOTS:PERSONALITIES:SEP 1966 - "IT Couldn't Happen Here" - Even riot situations can show up human decency. Mr. Jack Cayle puts his arm around the shoulders of his night watchman who saved his factory from rioters. It couldn't happen here, they said. Nyasaland and Northern Rhodesia, yes. They were very different places and black nationalist had been allowed to run riot. But not here. Sharpeville and Langa, certainly. When you keep the lid on things that tightly then something is bound to burst. But not here. Not Southern Rhodesia. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Pixel Size: 4461 x 4834
    Media Id: 142_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0175_013E.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102203:SAED:SOCIAL:APR 1968 - Bizza's normal driving position - left hand on the wheel, right arm resting on the windowsil, head out, watching the "corridor". Here's Solomon Manana, known as Bizza in Soweto, one of the fastest drivers on the road today sitting in his 1955 Chev straight six. He's called a seven-minute man - that's his usual time on the Soweto-Joburg taxi run! (Photograph by Drum Photographer ©BAHA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Soweto
    Orientation: portrait
    Pixel Size: 3996 x 5660
    Media Id: 795_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_004.tif
    Title: Freddie Magaga pointed to his paralysed right arm after being shot by the police
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009101302:SAED:SOCIAL:PERSONALTIES:GCPAPR7 1963 -22 year-old Freddie Magaga pointed to his paralysed right arm after being shot by the police at a dark spot in Orlando East. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3942 x 5891
    Media Id: 783_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, April 1963, 1963, April, 1960s, Freddie Maqaga, shot, police, arm, paralysed, , Drum Photographer, car, Orlando East, Soweto, Johannesburg, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_005.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009101301:SAED:SOCIAL:PERSONALTIES:GCPAPR7 1963 -22 year-old Freddie Magaga pointed to his paralysed right arm and guffawed: "Bless those gun-happy cops. I'm a happy man today" (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Orlando East
    Orientation: portrait
    Pixel Size: 3910 x 5918
    Media Id: 783_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_006.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009101303:SAED:SOCIAL:PERSONALTIES:GCPAPR7 1963 -22 year-old Freddie Magaga pointed to his paralysed right arm after being shot by the police at a dark spot in Orlando East. Freddie was walking with his father, who happens to be a priest. They were on their way from church accompanied by their dog and other church members. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Orlando East
    Orientation: portrait
    Pixel Size: 3926 x 5902
    Media Id: 783_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050901
    Title: A Bright New Star is Born - Charlotte Daddah
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050901:GHAED:MUSIC:PERSONALITY:AUG1964 - A Bright New Star is Born - Charlotte Daddah The Girl Who Turned The Moon Blue - She was glistening in a brocade dress whose scaly glitter made her look like a mermaid. And she writhed her body about tenously as she sang; now she would put an arm around the leading altor-sax, later, it would be the trumpet that she would snuggle up to. Meanwhile, she vibrated in song: a blue melody whose romantic words chrystalised every moment of her bosom and every dreamy look appeared on the contours of her face. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2362 x 1942
    Media Id: 42_830
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African woman, Drum Magazine, Africa, black and white image, horizontal, African history, Charlotte Daddah, singer, musicians, musician, black African man, August, 1964, 1960s, Ghana, West Africa, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050902
    Title: Charlotte Daddah
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050902:GHAED:MUSIC:PERSONALITY:AUG1964 - A Bright New Star is Born - Charlotte Daddah The Girl Who Turned The Moon Blue - She was glistening in a brocade dress whose scaly glitter made her look like a mermaid. And she writhed her body about tenously as she sang; now she would put an arm around the leading altor-sax, later, it would be the trumpet that she would snggle up to. Meanwhile, she vibrated in song: a blue melody whose romantic words chrystalised every moment of her bosom and every dreamy look appeared on the contours of her face. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2374 x 2122
    Media Id: 44_248
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African girl, Drum Magazine, Africa, black and white image, horizontal, Charlotte Daddah, African history, singer, musicians, musician, black African man, August, 1964, 1960s, Ghana, West Africa, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: truel2002040702
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: TRUEL2002040702:EAED:RELIGION:PERSONALITY:JAN1985 - Tutu: The barefoot "waif" who strayed onto the path of greatness - In a typical gesture of faith and courage, armed only with the bible under his arm, confronts the forces of South African repression during their attempts to break up a demonstration. (Photograph by Shadrack Nkomo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4192 x 2874
    Media Id: 42_795
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: personality, religion, horizontal, Drum Magazine, South Africa, South African history, black and white image, January, 1985, apartheid, demonstrations, Desmond Tutu, Archbishop, black African man, 1980s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: truel2002040703
    Title: Desmond Tutu
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: TRUEL2002040703:EAED:RELIGION:PERSONALITY:JAN1985 - Tutu: The barefoot waif who strayed onto the path of greatness - In a typical gesture of faith and courage, armed only with the bible under his arm, confronts the forces of South African repression during their attempts to break up a demonstration. (Photograph by Shadrack Nkomo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4227 x 2874
    Media Id: 43_142
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South African history, South Africa, black and white image, religion, horizontal, January, personality, 1985, apartheid, demonstrations, Desmond Tutu, Archbishop, black African man, 1980s, politics, religion, Shadrack Nkomo, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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