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    Image Number: BHA00010_28
    Title: r1954_327_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050515:SAED:MUSIC:PERSONALITIES:DRUM MARCH 1954 – Seven In The Bar! – yeah, man! Its Patrick Matshikiza himself, aged 14, “digging” his first red-host composition, which he calls “Primus Tento” (First Attempt) (Photograph by Drum Photographer ©Baileys Archives) Neg 327 Pix 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 5138 x 5101
    Media Id: 69_685
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, history, cultural history, Drum Magazine, social comments, historical value, 1954, Queenstown, Eastern Cape, musician, pianists, piano, young boys, personality, talented, carrying baby, Brothers, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00012_10
    Title: The Kids Learn To Live - Kutlwanong Home
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: JULY 1961 Ð THE KIDS LEARN TO LIVE. SAED:SOCIAL:CHILDREN:DRUM JULY 1961 Ð The Kids learn to live Ð ItÕs a great moment Ð a deaf boy realizes what speech means. As he puts his hands to teacher Mrs MokhudiÕs throat he feels the vibrations that cause her to speak. Solemnly, he learns the first step in breaking his silence. Soon he too may be able to make sounds by following the pattern of those muscle contractions. Soon, too he will find a new way of life. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. ItÕs the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. Sounds grim. But it isnÕt. the kids who live there are perhaps as gay and wild as any other bunch of kids. They are rapidly learning to make their own world tic
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5641 x 3742
    Media Id: 69_390
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, horizontal, July, 1961, 1960s, Roodepoort, black African woman, black African boy, teachers, deaf people, disabled, Gauteng, Mrs Mokhudi, Kutlwanong Home, home, Ian Berry, boy, puts hands to teacher, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00012_11
    Title: d1961_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CHILDREN:DRUM JULY 1961 Ð The Kids learn to live Ð Just like schoolchildren all over the world these kids are eager when the teacher asks them a question. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. ItÕs the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg.Yes, that is the story of Kutlwanong. Sounds grim. But it isnÕt. the kids who live there are perhaps as gay and wild as any other bunch of kids. They are rapidly learning to make their own world tick. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©Baileys Archives) NEG 9
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5629 x 3772
    Media Id: 69_262
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, black and white image, South Africa, Africa, Roodepoort, Kutloanong , Drum Magazine, July, 1961, schoolchildren, classrooms, arms raised, black African children, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00012_12
    Title: d1961_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CHILDREN:DRUM JULY 1961 The Kids learn to live They may be deaf, dumb and blind, but that doesn't mean they can't enjoy a game with a rope as well as the next kid. Rope games play a big part in the life of the school for all the children. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It's the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. Sounds grim. But it isn't. the kids who live there are perhaps as gay and wild as any other bunch of kids. They are rapidly learning to make their own world tick. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry Baileys Archives) NEG 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5633 x 3742
    Media Id: 70_287
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00012_7
    Title: d1960_11
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CHILDREN:DRUM JULY 1961 The Kids learn to live They may be deaf, dumb and blind, but that doesnÕt mean they canÕt enjoy a game with a ball as well as the next kid. Ball games play a big part in the life of the school for all the children. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. ItÕs the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. Sounds grim. But it isnÕt. the kids who live there are perhaps as gay and wild as any other bunch of kids. They are rapidly learning to make their own world tick. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©Baileys Archives) NEG 11
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5610 x 3766
    Media Id: 69_348
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00012_8
    Title: d1961_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CHILDREN:DRUM JULY 1961 Ð The Kids learn to live Ð Girls learn to make good wives Ð Domestic classes are part of the routine for these deaf and dumb girls. They may still marry, later on. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. ItÕs the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. Sounds grim. But it isnÕt. the kids who live there are perhaps as gay and wild as any other bunch of kids. They are rapidly learning to make their own world tick. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©Baileys Archives) NEG 5
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3748 x 5591
    Media Id: 69_533
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, 1960s, deaf people, mute people, black African girls, handicapped people, vocational education, Kutloanong , Roodepoort, black African boys, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00012_9.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052404:SAED:SOCIAL:CHILDREN JUL 1961 – The Kids learn to live– This is no game of follow my leader – to each none of the children it is deadly serious. The are deaf, dumb and blind and this is the way they take their exercise, holding on to each other for safety. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It’s the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. (Photograph by Ian Berry ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5529 x 3713
    Media Id: 132_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00019_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 Ð This Music Makes Them Crazy Ð ÒBonsueÓ and ÒRopopoÓ session. ItÕs the latest craze. But some elders want it banned. They say itÕs Òtoo suggestive.Ó But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of ÒriotousÓ music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5304 x 4134
    Media Id: 69_562
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, black and white image, Africa, Nigeria, Nigerians, black African youth, pop music, teenagers, singing, laughing, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00019_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 Ð This Music Makes Them Crazy Ð ÒBonsueÓ and ÒRopopoÓ session. ItÕs the latest craze. But some elders want it banned. They say itÕs Òtoo suggestive.Ó But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of ÒriotousÓ music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5222 x 4144
    Media Id: 69_669
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, Africa, horizontal, history, cultural history, West Africa, Nigeria, Drum Magazine, social comments, historical value, African music, modern dance, entertainment, jive, african youth, fun, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00019_7
    Title: Man, Highlife Is Getting Crazier Still
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM JAN 1959 MAN, HIGHLIFE IS GETTING CRAZIER STILLNIGED:SOCIAL:ENTERTAINMENT:MUSIC:JAN 1959 Man, Highlife Is Getting Crazier Still Lagos lads and lassies do the no-motions-barred Tcha-Tcha-Tcha.. They call it Highlife, reaching for stars. ’My customers dance anything from blues to the ukulele Hawaiian. But their latest craze is Tcha-Tcha-Tcha,“ a Lagos night club proprietor told us as we were wandering around to find out how the people enjoy themselves. And he wasn't exaggerating when he called the Tcha a craze, for, on the dance floor, were boys and girls some rolling on the ground, some reeling like wounded things, and some falling backwards and forwards all answering the call of the Tcha-Tcha-Tcha. This was crazy Highlife getting crazier, madder, loonier, bursting at the seams with abandon. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5386 x 4080
    Media Id: 70_154
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, High life, dancing, Drum Magazine, music, entertainment, January 1959, 1959, January, 1950s, African woman, African man dancing, Tcha-Tcha, dance, night club, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_1
    Title: a1952_4_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:MUSIC:DRUM JANUARY 1952 - How To Become A Second Harry James! Ð Blow in the New Year. 5 year old Donald Smith, of Polly Street, Johannesburg, demonstrates the first stages towards his great ambition. (Photograph by Jurgen Schadeberg © BAHA) NEG 004 FRAME 5
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4715 x 4724
    Media Id: 69_629
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, 1952, 1950s, buglers, African child, young child, young boys, playing (musical instruments), ceremonial dress, talent, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_20
    Title: b1952_32_17
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORT:HORSE RACE:PERSONALITY:DRUM FEBRUARY 1952 Ð There he goes for exercise - IÕve Got A Horse Ð A day in the life of a stable boy. Any kid can ride a horse, but not any boy rides a racehorse every morning. Eleven year old Jacob, seen here exercising Tied Up in the early morning, was born in the stable yard at Mr Pat Wrights Ôtraining establishment at the Colchester Lodge Stables. There is not much you can tell him about horses nowÉWho knows, one of these days he may be riding the fastest thing on four legs in this country. If a horse is to win the South African Derby or Durban July he will have to be scrupulously fed, watched, petted, groomed and exercised everyday of his racing career. Make no mistake, thatÕs everything. When he wins, youÕre thrilled, itÕs your work, when he fails, itÕs the jockey, or the course or his handicapper, never a horse. He wonÕt let you down. (Photograph by Jurgen Schaderberg © BAHA) NEG 032 FRAME 17
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4644 x 4663
    Media Id: 69_435
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, February, 1952, 1950s, stablehands, horses, horseriders, black African boys, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_2.tif
    Title: c1952_36_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052409:SAED:SOCIAL:CRIME:SEP 1952 – That is wrecking Africa – African addicts smoke dagga in trams, trains and buses, on the street corners of locations and in cinemas, while their Indian counterparts smoke it with the same indifference on the sports fields, in Cinemas in Johannesburg, and particularly at the corner of Market and End street, Johannesburg. Europeans are involved with Africans, Indians and Coloureds in the shipment of dagga into Cape. The risk of having cars confiscated is eliminated by the registration of the car in a friend’s name. The smuggler with a modest organization often depends upon bedding boys employed on the railways, the either receive quantities for personal use or are paid in money for their service. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4731 x 4818
    Media Id: 131_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_3
    Title: c1952_36_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CRIME:DRUM SEPTEMBER 1952 That is wrecking Africa African addicts smoke dagga in trams, trains and buses, on the street corners of locations and in cinemas, while their Indian counterparts smoke it with the same indifference on the sports fields, in Cinemas in Johannesburg, and particularly at the corner of Market and End street, Johannesburg. Europeans are involved with Africans, Indians and Coloureds in the shipment of dagga into Cape. The risk of having cars confiscated is eliminated by the registration of the car in a friend's name. The smuggler with a modest organization often depends upon bedding boys employed on the railways, the either receive quantities for personal use or are paid in money for their service. Photograph by Drum Photographer Baileys Archive) NEG 036 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4731 x 4782
    Media Id: 69_758
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_4
    Title: dagga
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CRIME:DRUM SEPTEMBER 1952 That is wrecking Africa African addicts smoke dagga in trams, trains and buses, on the street corners of locations and in cinemas, while their Indian counterparts smoke it with the same indifference on the sports fields, in Cinemas in Johannesburg, and particularly at the corner of Market and End street, Johannesburg. Europeans are involved with Africans, Indians and Coloureds in the shipment of dagga into Cape. The risk of having cars confiscated is eliminated by the registration of the car in a friend's name. The smuggler with a modest organization often depends upon bedding boys employed on the railways, the either receive quantities for personal use or are paid in money for their service. Photograph by Drum Photographer Baileys Archive) NEG 036 FRAME 4
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4713 x 4776
    Media Id: 69_786
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, September 1952, car, suits, men, addicts, smoke,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_4.tif
    Title: That is wrecking Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052410:SAED:SOCIAL:CRIME:SEP 1952 – That is wrecking Africa – African addicts smoke dagga in trams, trains and buses, on the street corners of locations and in cinemas, while their Indian counterparts smoke it with the same indifference on the sports fields, in Cinemas in Johannesburg, and particularly at the corner of Market and End street, Johannesburg. Europeans are involved with Africans, Indians and Coloureds in the shipment of dagga into Cape. The risk of having cars confiscated is eliminated by the registration of the car in a friend’s name. The smuggler with a modest organization often depends upon bedding boys employed on the railways, the either receive quantities for personal use or are paid in money for their service. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4713 x 4776
    Media Id: 130_24
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, crime, September 1952, 1952, September, African addicts, car, suits, hat, bonnet, addicts, dagga, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_19
    Title: n1953_263_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: JULY 1953 Ð WHOÕLL BE 1953Õs BEST TEAM? Ð NEG 263. SAED:SPORTS:PERSONALITY:SOCCER:DRUM JULY 1953 Ð WhoÕll be 1953Õs best Team? Ð Danielo Twalarov predicts.. Ð ItÕs already evident from the league table of the J.B.F.A that the Naughty Boys of Sophiatown under Shortdex S. Kitsa and the Mighty Greens of Kliptown are becoming, on present form, the best J.B.F.A. teams for 1953.(Photograph by Drum Photographer ©Baileys Archives) NEG 263 FRAME 6
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4718 x 4673
    Media Id: 69_670
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, history, cultural history, Drum Magazine, social comments, historical value, Sport, Soccer, 1953, 1950s, soccer players, Johannesburg, Gauteng, personality, dressed up, soccer balls, supporters, advertising, Transvaal, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_19.tif
    Title: n1953_263_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060619:SAED:SPORTS:PERSONALITY:SOCCER: JUL 1953 – Who’ll be 1953’s best Team? – Danielo Twalarov predicts.. – It’s already evident from the league table of the J.B.F.A that the Naughty Boys of Sophiatown under Shortdex S. Kitsa and the Mighty Greens of Kliptown are becoming, on present form, the best J.B.F.A. teams for 1953.(Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4718 x 4673
    Media Id: 128_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_28
    Title: Patrick Matshikiza
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053020:SAED:MUSIC:PERSONALITIES: MAR 1954 – Seven In The Bar! – yeah, man! Its Patrick Matshikiza himself, aged 14, “digging” his first red-host composition, which he calls “Primus Tento” (First Attempt) (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 8710 x 8648
    Media Id: 125_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, March, 1954, March 1954, Patrick Matshikiza, boy, playing instruments, instruments, children, boys, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0012_11.tif
    Title: d1961_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053046:SAED:SOCIAL:CHILDREN:JUL 1961 – The Kids learn to live – Just like schoolchildren all over the world these kids are eager when the teacher asks them a question. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It’s the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5629 x 3772
    Media Id: 132_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0012_12.tif
    Title: d1961_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053049:SAED:SOCIAL:CHILDREN:JUL 1961 – The Kids learn to live –They may be deaf, dumb and blind, but that doesn’t mean they can’t enjoy a game with a rope as well as the next kid. Rope games play a big part in the life of the school – for all the children. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It’s the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5633 x 3742
    Media Id: 133_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0012_7.tif
    Title: The Kids Learn To Live - Kutlwanong Home
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053048:SAED:SOCIAL:CHILDREN:JUL 1961 – The Kids learn to live –They may be deaf, dumb and blind, but that doesn’t mean they can’t enjoy a game with a ball as well as the next kid. Ball games play a big part in the life of the school – for all the children. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It’s the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5610 x 3766
    Media Id: 132_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, July 1961, 1961, kids, learn, live, playing game, ball, deaf, blind, dumb, Kutlwanong, Roodepoort, Johannesburg, Mrs. Mokhudi, teacher, Ian Berry, children playing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0012_8.tif
    Title: d1961_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053047:SAED:SOCIAL:CHILDREN:JUL 1961 – The Kids learn to live – Girls learn to make good wives – Domestic classes are part of the routine for these deaf and dumb girls. They may still marry, later on. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It’s the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. A thin, kindly woman, Mrs. Mokhudi teaches them.. (Photograph by Ian Berry ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3748 x 5591
    Media Id: 133_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_16.tif
    Title: Street Fighting
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053108:SAED:SOCIAL:WOMEN:GCP FEB 28 1960 – Strip her, Sock her! – Round 7: This is it, boys – the beginning of the end. Tigerish punching has given way to clinching and it’s waltz and wrestle while the spectators jeer. But there’s always the prospect of a sudden K.O blow…(Photograph by Ranjith Kally ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5710 x 3715
    Media Id: 127_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, women, street fighting, February, 1960, round 7, Ranjith Kally, women fighting, fight, St. Edward Street, bare fist fighting, men looking, men standing, punching, punch, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0019_005.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060132:NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 – This Music Makes Them Crazy – “Bonsue” and “Ropopo” session. It’s the latest craze. But some elders want it banned. They say it’s “too suggestive.” But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of “riotous” music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5304 x 4134
    Media Id: 146_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0019_006.tif
    Title: Ropopo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060131:NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 – This Music Makes Them Crazy – “Bonsue” and “Ropopo” session. It’s the latest craze. But some elders want it banned. They say it’s “too suggestive.” But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of “riotous” music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5222 x 4144
    Media Id: 146_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Drum magazine, music, entertainment, December 1959, Bonsue, Ropopo, crazy, dancing, teenagers, Matthew Faji,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0019_007.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060155:NIGED:SOCIAL:ENTERTAINMENT:MUSIC:JAN 1959 – Man, Highlife Is Getting Crazier Still – Lagos lads and lassies do the no-motions-barred Tcha-Tcha-Tcha.. They call it Highlife, reaching for stars. “My customers dance anything from blues to the ukulele Hawaiian. But their latest craze is Tcha-Tcha-Tcha,” a Lagos night club proprietor told us as we were wandering around to find out how the people enjoy themselves. And he wasn’t exaggerating when he called the Tcha a craze, for, on the dance floor, were boys and girls – some rolling on the ground, some reeling like wounded things, and some falling backwards and forwards – all answering the call of the Tcha-Tcha-Tcha. This was crazy Highlife getting crazier, madder, loonier, bursting at the seams with abandon. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5386 x 4080
    Media Id: 146_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0034_1.tif
    Title: BEER-UTIFUL!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060508:EAED:SOCIAL:BEAUTIES:PERSONALITIES:MAR 1962 Beer-Utiful! Hold your breath, boys the frothiest half-pint ever. Loveliest barmaid south of the line in the expertsopinion is this little lady name of Espinah Phiri, she serves the Copperbelts frothiest half-pint (you may say thats what she herself) at the Bwacha Hotel, Kitwe. Shes 22 and shes been Miss Kitwe, Miss Copperbelt (1957), Miss Northern Rhodesia, Miss Ndola, and runner-up to Miss Central Africa 1961. Shes in the current Miss Central Africa Competition. Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: portrait
    Pixel Size: 1792 x 5716
    Media Id: 178_24
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0035_1.tif
    Title: BEER-UTIFUL!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060506:EAED:SOCIAL:BEAUTIES:PERSONALITIES:MAR 1962 Beer-Utiful! Hold your breath, boys the frothiest half-pint ever. Loveliest barmaid south of the line in the expertsopinion is this little lady name of Espinah Phiri, Gents quaffing beer with her are Mr. Abiah Chazah (with moustache) and Mr. George Langtron - both Salesmen. She serves the Copperbelts frothiest half-pint (you may say thats what she herself) at the Bwacha Hotel, Kitwe. Shes 22 and shes been Miss Kitwe, Miss Copperbelt (1957), Miss Northern Rhodesia, Miss Ndola, and runner-up to Miss Central Africa 1961. Shes in the current Miss Central Africa Competition. Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: portrait
    Pixel Size: 2334 x 3592
    Media Id: 182_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0036_26.tif
    Title: THE LITTLE GIRL WHO CANT LIVE NEXT DOOR
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060274:EAED:SOCIAL:POLITICS:PERSONALITIES:MAR 1963 - The Little Girl Who Cant Live Next Door Flats To Let, Come And Take Them But Not You, Alphoncine, youre Black. Introducing Alphoncine a little girl of four. She is luckier than most of her four year- old friends. She is better dressed, better fed and she is assured of better education, for her father gets good money. Alphoncine is one of perhaps half a million little boys and girls growing up in Southern Rhodesias townships. How far will Alphoncine get? How far above her background will she rise, what standard will she pass on to her children? (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Pixel Size: 4460 x 4888
    Media Id: 181_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0039_019.tif
    Title: Last Of The Amazons
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080516:GHAED:SOCIAL:PERSONALITIES:JUN 1962 - Last Of The Amazons - Horsetail Is a Charm Against Bullets - I use to challenge the boys in tree climbing and bird shooting, "she said proudly. "I could climb the tallest trees. Whatever the boys did I did and they didn't like me, calling me nyonu nutsu ( "girl-boy" ) and other names of the sort. If I heard anyone call me such a name we fought. Sometimes i beat the offender and sometimes I got beaten. But i never minded being beaten up- i only had abuse from my mother, who said i troubled the boys too much, but a chief's daughter should not do that!" (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4374 x 5429
    Media Id: 250_46
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Drum Magazine, social, June 1962, 1962, Horsetail, charm, Christian Gbagbo, woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0044_004.tif
    Title: A Glory Of The Coast
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081408:GHAED:EDUCATION:SOCIAL:PERSONALITIES:JUN 1960 - A Glory Of The Coast - Boys of science - The most modern methods of teaching science are employed at the school. All theories are illustrated with practical experiments. These youths are studying chemistry. About 40 years ago a man had a vision. He wanted West Africa to have a school comparable with the best in Britain. From that ideal has grown Achimota, pride of Ghana, glory of the coast to-day. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5623 x 4384
    Media Id: 251_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0044_005.tif
    Title: Glory Of The Coast - The Girls Go Gay
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081409:GHAED:EDUCATION:SOCIAL:PERSONALITIES:JUN 1960 - A Glory Of The Coast - The Girls Go Gay - Full of the joy of youth, the rhythm of the same dances their mothers do back home, the girls raise their cheery voices during the Founder's Day Celebrations. The white children join in the fun, and even if they don't know all the steps, they are happy to be part of the crowd. This picture shows also why so many boys never want to leave Achimota. About 40 years ago a man had a vision. He wanted West Africa to have a school comparable with the best in Britain. From that ideal has grown Achimota, pride of Ghana, glory of the coast to-day. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5870 x 4558
    Media Id: 251_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, social, June 1960, 1960, Glory, coast, girls, go gay, youth, dance, Founder's Day Celebrations, Achimota, Drum Photographer, women dancing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_009.tif
    Title: Ghana's Triumph
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081907:GHAED:SPORTS:SOCCER:PERSONALITIES:MAY 1960 - Ghana's Triumph - The Governor-General Lord Listowel, shakes hands with Aggrey Fynn of the Ghana team before the start of the match at the Accra Stadium. And the boys all lived up to expectations. Twelve countries battled for Kwame Nkrumah Gold Cup. And it's worth quite a packet. So, weeks before the games, each of the countries practised hard, sorting out the best boys to represent them. Ghana practised and chose well. They pocketed the Gold Cup. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 6376 x 4047
    Media Id: 254_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_010.tif
    Title: Ghana's Triumph
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081908:GHAED:SPORTS:SOCCER:PERSONALITIES:MAY 1960 - Ghana's Triumph - Premier Kwame Nkrumah addresses crowd before presenting the 1,055 Gold Cup. Twelve countries battled for Kwame Nkrumah Gold Cup. And it's worth quite a packet. So, weeks before the games, each of the countries practised hard, sorting out the best boys to represent them. Ghana practised and chose well. They pocketed the Gold Cup. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 6544 x 4343
    Media Id: 254_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_011.tif
    Title: Kwame Nkrumah addressing crowd
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081909:GHAED:SPORTS:SOCCER:PERSONALITIES:MAY 1960 - Ghana's Triumph - Premier Kwame Nkrumah Addressing the crowd. Twelve countries battled for Kwame Nkrumah Gold Cup. And it's worth quite a packet. So, weeks before the games, each of the countries practised hard, sorting out the best boys to represent them. Ghana practised and chose well. They pocketed the Gold Cup. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 6347 x 3967
    Media Id: 254_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Drum Magazine, Kwame Nkrumah, sport, soccer, addressing crowd, crowd, Gold Cup, Drum Photographer, May 1960, 1960, May, personalities, ground, soccer field, stadium, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_012.tif
    Title: Ghana's Triumph
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081910:GHAED:SPORTS:SOCCER:PERSONALITIES:MAY 1960 - Ghana's Triumph. A Goal Foiled - "Oh no you don't this time, brother," the Sierra Leone goalie, Sula, seems to be saying as he stops what seemed to have been a certain goal. The near-goal was shot by Acquah, Ghana's fast centre-forward. Twelve countries battled for Kwame Nkrumah Gold Cup. And it's worth quite a packet. So, weeks before the games, each of the countries practised hard, sorting out the best boys to represent them. Ghana practised and chose well. They pocketed the Gold Cup. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4740 x 3423
    Media Id: 254_14
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0056_021.tif
    Title: Fundi Gita makes The New Sound
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090302:EAED:MUSIC:PERSONALITIES:MAY 1965 - Fundi Gita makes The New Sound - The Equator boys work on their "new" sound (from the left) Gabriel Omolo, Nashil Pilchen, Peter Tsotsi, Benson Simbeye (front). It all began with a group playing together in a Kenya recording studio. Fadhili William, the man they call Fundi Gita ( the guitar craftsaman) came from Kenya, but his friends Nashil Pilchen original from the Congo, while Peter Tsotsi was a Zambian. They added another Kenyan, Daudi Kabaka, and their European recording manager Charles Worrod, and hoped for a new sound. " (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: KENYA
    Orientation: portrait
    Pixel Size: 3678 x 4840
    Media Id: 136_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0058_017F.tif
    Title: Fringe Country:Where There Is No Colour Bar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102222:SAED:SOCIAL:APARTHEID:CHILDREN:MAR 1961 - Fringe Country: Where There Is No Colour Bar - All Girls are the same - Young boys like him think all little girls are a bit of a nuisance, be they black, white, brown, spotted or striped! They 're just little girls. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 6864 x 4897
    Media Id: 136_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_020.tif
    Title: Circumcision
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112418:SAED:TRADITION:DEC 1968 - Circumcision - This group of blanketed, chanting men are returning from circumcision school. Before going to the mountains they were looked on as boys, but now they are regarded as men. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 3564 x 2404
    Media Id: 135_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0066_017F.tif
    Title: Trouble In The Bantustans
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110504:SAED:SOCIAL:POLITICS:SEP 1960 - Trouble In The Bantustans. Government Youth Camp near Mount Coke. Children living here are supposed to be taught skills which will help them in after life. But see them just leading oxen, and doing ordinary manual labour and you wonder. Some boys in this camp come from Johannesburg and Cape Town. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 6711 x 4547
    Media Id: 143_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, September 1960, 1960, September, Bantustans, trouble, oxen, youth camp, manual labour, leading oxen, Peter Magubane, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0097_015.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009040109:SAED:SPORT:SOCCER:PERSONALITIES:SEP22 1972 - Chris Ngcobo (Coach) - "Zulu Royals can make the grade abroad if only there were proper training facilities for black football players. My players are physically fit but they lack ideas on the field. How can you expect a cllub to be world class when the schooled in teaching. I am the official coach and what i teach the boys is what I picked up during my days when I played soccer. There should be a school or at least clinics for black coaches to be run by qualified people''. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 1805 x 1448
    Media Id: 120_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0098_002.tif
    Title: How they beat Swallows coach Bobby Reed gathers the boys round the blackboard
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009031809:SAED:SPORTS:SOCCER:PERSONALITIES:AUG 1961 - How they beat Swallows coach Bobby Reed gathers the boys round the blackboard. Tactics and training are discussed, worked out. That way Daddy Reddy's underdogs snapped Aces 2-0. (Photograph by G.R Naidoo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 3489 x 1575
    Media Id: 124_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Golden City Post, GCP, Post, sport, soccer, August, 1961, August 1961, Bobby Reed, blackboard, soccer players, Swallows coach, men, G.R Naidoo, Indians, African, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0098_014.tif
    Title: Pimville United Brothers Team
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009033001:SAED:SPORT:SOCCER:PERSONALITIES:JUL22 1972 - Ben Segale Coach - ''(There is a very bright future for my boys)''. What I really like is the team spirit and I am at the moment contemplating taking then on a overseas tour to better their experience. I do agree that the standard of play is not up to the mark of the SASL days. Multiracial soccer is the only solution and we are all crying for it. There is no future in soccer with segregation. But i have confidence in my boys. It's team work and there is no selfishness during play. Our style is advanced compared to the other clubs. (Photograph by Drum Photograph)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2333 x 3690
    Media Id: 124_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0098_015.tif
    Title: Pimville United Brothers Team
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009033002:SAED:SPORT:SOCCER:PERSONALITIES:JUL22 1972 - Winston Nozonza Manager - ''Talent is abundant but the chances of improving our lads is very slim because of apartheid''. The standard of soccer is very low compared to the days of South African Soccer League when Indians, coloureds and Africans played together. In Pubs we don't have the right material as yet. Our boys lack proper training and guidance from men who are in the know-how. The only solution is for experienced international coaches throughout the country which could be a boon to our soccer. With these facilities at hand- which we hope to get in three years time - our boys could make the grade and stand up to overseas competition. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 2303 x 2736
    Media Id: 121_41
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0197_007.tif
    Title: Men and young boys pulling stucked lorry out of mud.
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009091422:SAED:SOCIAL:FLOOD:PERSONALITIES:GCPMAR26 1967 - Men and young boys pulling stucked lorry out of mud. (Photograph by Len Kumalo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5956 x 3909
    Media Id: 781_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, flood, stucked lorry, lorry, stucked, mud, men, boys, pulling, Len Kumalo, March, 1967, March 1967, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0198_001.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009091423:SAED:SOCIAL:FLOOD:PERSONALITIES:GCPMAR26 1967 - Men and young boys pulling stucked lorry out of mud. (Photograph by Len Kumalo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Kiptown
    Orientation: landscape
    Pixel Size: 5916 x 3924
    Media Id: 805_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0200_001.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009091510:SAED:SOCIAL:CHILDREN:GCPAPR2 1967 - Boys having fun at the Rand Easter Show in Johannesburg - Milner Park. (Photograph by Len Kumalo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Milner Park
    Orientation: portrait
    Pixel Size: 3904 x 5912
    Media Id: 777_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0208_001.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102009:SAED:WOMEN:PERSONALITIES:GCPSEP2 1962 - A new name is climbing in the art world, Gladys Mgudlandlu, of Cape Town. Gladys, with no proper training, has just set the critics buzzing with her one-woman show. The art boys predict a big future for her. Here she is with one of her paintings. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: square
    Pixel Size: 4850 x 4847
    Media Id: 803_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_013.tif
    Title: Basil O'Connell leapt 18 feet in the long jump event
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011040502:SAED:SPORTS:PERSONALITIES:GCPAPR7 1963 - Basil O'Connell leapt 18 feet in the long jump event at Goodwood showgrounds, where the Inter High Schools sports were being held. Basil attends St. Columbus Boys School in Athlone, and his L-O-N-G jump came in the under 17 event. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5952 x 3924
    Media Id: 783_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, April 1963, Basil O'Connel, sports, long jump, Goodwood showgrounds, Inter High School sports, Columbus Boys School, Athlone, under 17, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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