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Search Term: dancer

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    Image Number: BHA00019_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:POLITICS:PERSONALITIES:MAY 1962 Great Men Came To The Conference Of Destiny Foreign Minister Jaja Wachukwu danced with wild abandon at one of the parties.ÓThis man is quite a jack-of-all-trades. He was a good lawyer when in practice, as far as I know, heÕs a good foreign minister. Tonight, he has also proved himself a first-rate dancer. The man has many possibilities, indeed.ÓThe Conference of Heads of African and Malagasy States, which was held in Lagos, Nigeria, at the beginning of the year, saw some encouraging evidence of a continental unity based on the awareness of common problems, and the necessity to fight them with weapons of inter-continental co-operation and friendship. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4110 x 5301
    Media Id: 69_344
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_13
    Title: d1952_053_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: March 1952 Babsy Dancing Star - Neg 053SAED:SOCIAL:PERSONALITY:DANCE:DRUM MARCH 1952 Babsy Dancing Star Babsy Palmer , sensational South African dancer. Babsy is a well known professional dancer, prize winner in the South African Bantu National competitions and famous, also, for her dancing demonstration in the Johannesburg Bantu Music Festival. Youth and charming, Babsy Palmer looks equally charming in a sophisticated evening dress, as you can see in our picture on the opposite page. (Photograph by Jurgen Schadeberg BAHA) NEG 053 FRAME 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4724 x 4753
    Media Id: 70_244
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_16
    Title: d1952-053_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DANCE:DRUM MARCH 1952 Ð Babsy Dancing Star Ð Babsy Palmer , sensational South African dancer, wears this beautiful white dress to show off her flying footsteps. Babsy is a well known professional dancer, prize winner in the South African Bantu National competitions and famous, also, for her dancing demonstration in the Johannesburg Bantu Music Festival. Youth and charming, Babsy Palmer looks equally charming in a sophisticated evening dress, as you can see in our picture on the opposite page. (Photograph by Jurgen Schadeberg © BAHA) NEG 053 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4748 x 4722
    Media Id: 69_450
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, March, 1952, 1950s, dancers, professional, evening dresses, glamorous, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_010.tif
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4994 x 4313
    Media Id: 149_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, culture, Drum Magazine, September 1959, 1959, Durbar, North, pounding, Pulsating, drums, men, dancer, smiles, colourful ropes, singing, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_011.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060117:NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –Solemn And Eerie: The notes of the pipers wail across the arena, recalling of a strange and glorious past From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Pixel Size: 4986 x 4304
    Media Id: 149_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_012.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060118:NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –The horsemen Strut their stuff in splendid pomp and glory. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5153 x 4091
    Media Id: 149_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_014.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060119:NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar – The Beating Of War Drums by special mallams during durbar. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5202 x 4013
    Media Id: 149_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Pixel Size: 4994 x 4313
    Media Id: 69_380
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, horizontal, black African people, 1950s, 1959, Durbar Festival, traditional dress, traditional drums, traditional music, traditional dancing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_11
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar Solemn And Eerie: The notes of the pipers wail across the arena, recalling of a strange and glorious past From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4986 x 4304
    Media Id: 69_521
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Nigeria, Africa, Drum Magazine, September, 1959, 1950s, Durbar Festival, musicians, wind instruments (music), pipers, flutes, West Africa, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_12
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 Ð The NorthÕs Great Durbar ÐThe horsemen Strut their stuff in splendid pomp and glory. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5153 x 4091
    Media Id: 69_660
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, West Africa, Africa, horizontal, history, cultural history, Nigeria, Drum Magazine, social comments, historical value, horsemen, tribal dress, tribal weapon, spears, cultural weapons, tradition, culture, African culture, display, audience, horses, 1959, 1950s, Durbar Festival, Northern Nigeria, celebration, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_14
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM SEP 1959 THE NORTH'S GREAT DURBARNIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar The Beating Of War Drums by special mallams during durbar. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5202 x 4013
    Media Id: 70_183
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0019_003.tif
    Title: Great Men Came To The Conference Of Destiny Foreign Minister Jaja Wachukwu
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060157:NIGED:POLITICS:PERSONALITIES:MAY 1962 – Great Men Came To The Conference Of Destiny –Foreign Minister Jaja Wachukwu danced with wild abandon at one of the parties.”This man is quite a jack-of-all-trades. He was a good lawyer when in practice, as far as I know, he’s a good foreign minister. Tonight, he has also proved himself a first-rate dancer. The man has many possibilities, indeed.”The Conference of Heads of African and Malagasy States, which was held in Lagos, Nigeria, at the beginning of the year, saw some encouraging evidence of a continental unity based on the awareness of common problems, and the necessity to fight them with weapons of inter-continental co-operation and friendship. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4110 x 5301
    Media Id: 146_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, politics, May 1962, 1962, Conference of Destiny, Foreign Minister, Jaja Wachukwu, dancing, dancer, Lagos, he Conference of Heads of African and Malagasy states, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_012.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112111:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - It's a high kick off for Transkei independence as this young tribal dancer does her thing during the celebrations at Independence Stadium Umtata. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph byChris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 3744 x 5445
    Media Id: 138_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0252_001.tif
    Title: Martin Molefe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052301:SAED:SOCIAL:PERSONALTIES:OCT 1962 - They're calling him the Black Norman Hartnell now, since he designed the dresses for the bridesmaid at the Basuto royal wedding. Small, wiry Martin Molefe, with the ballet dancer tread and fluttery hands, has invaded a woman's world and in two years has battled his way to the top. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4709 x 4751
    Media Id: 786_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Martin Molefe, design, designer, wedding, Peter Magubane, October 1962, Basuto Royal wedding, South Africa, Drum Magazine,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0254_004.tif
    Title: Martin Molefe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010011303:SAED:SOCIAL:PERSONALTIES:OCT 1962 - They're calling him the Black Norman Hartnell now, since he designed the dresses for the bridesmaid at the Basuto royal wedding. Small, wiry Martin Molefe, with the ballet dancer tread and fluttery hands, has invaded a woman's world and in two years has battled his way to the top. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3835 x 5831
    Media Id: 803_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, October 1962, 1962, Martin Molefe, Norman Harnell, dress, wedding dress, designer, Basuto Royal wedding, wedding, ballet dance, Peter Magubane, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0254_005.tif
    Title: Martin Molefe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052302:SAED:SOCIAL:PERSONALTIES:OCT 1962 - They're calling him the Black Norman Hartnell now, since he designed the dresses for the bridesmaid at the Basuto royal wedding. Small, wiry Martin Molefe, with the ballet dancer tread and fluttery hands, has invaded a woman's world and in two years has battled his way to the top. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3843 x 5815
    Media Id: 803_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Martin Molefe, design, designer, wedding, Peter Magubane, October 1962, Basuto Royal wedding, South Africa, Drum Magazine,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0254_009.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010011305:SAED:SOCIAL:PERSONALTIES:OCT 1962 - Martin helps the bride prepare her hair,They're calling him the Black Norman Hartnell now, since he designed the dresses for the bridesmaid at the Basuto royal wedding. Small, wiry Martin Molefe, with the ballet dancer tread and fluttery hands, has invaded a woman's world and in two years has battled his way to the top. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5803 x 3839
    Media Id: 803_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072207
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999072207:SAED:MUSIC:BEAUTIES:APARTHEID:THEATRE:MAY1961 - The Reef's Zsa Zsa Gabour - She's a girl who knows what she wants in life and doesn't hesitate to go out and get it - even if it means treading on other people's corns in the process. That's Dottie Tiyo, snake dancer with Alf Herbert's 'Drums of Africa', a peppy musical doing the rounds in Johannesburg. Dottie was jailed under the act of Immorality for being cought with a Johannesburg businesman. (Photoggraph by Peter Magubane © Baileys Archive)street, fashion,
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 2990 x 1970
    Media Id: 19_851
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072207
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999072207:SAED:MUSIC:BEAUTIES:APARTHEID:THEATRE:MAY1961 - The Reef's Zsa Zsa Gabour - She's a girl who knows what she wants in life and doesn't hesitate to go out and get it - even if it means treading on other people's corns in the process. That's Dottie Tiyo, snake dancer with Alf Herbert's 'Drums of Africa', a peppy musical doing the rounds in Johannesburg. Dottie was jailed under the act of Immorality for being cought with a Johannesburg businesman. (Photoggraph by Peter Magubane Baileys Archive)street, fashion,
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2990 x 1970
    Media Id: 69_712
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Drums of Africa, Africa, black and white image, South Africa, theatre productions, horizontal, 1961, South African history, Zsa Zsa Gabour, May, musical theatre, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050814
    Title: Ghana Gets Stage Struck - Dancer Seth Ansah rehearsed for three months for 'Obadzeng
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050814:GHANED:SOCIAL:ENTERTAINMENT:THEATRE:SEP1961 - Ghana Gets Stage Struck - Dancer Seth Ansah rehearsed for three months for 'Obadzeng,' and looked as if he had been doing the steps all his life. The footlights have begun to cast heir spell over the peolple of Ghana. It all began with 'Obadzeng,' Ghana's first musical drama and the most exciting thing we've seen for a long time. Now folk are signing up more and more for drama classes, learning the tricks of the trade and hoping for a part in our next big stage show. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2017 x 2459
    Media Id: 44_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Obadzeng, theatrical productions, vertical, dancers, Seth Ansah, 1961, black and white image, traditional dress, Drum Magazine, African history, Ghana, September, musician, 1960s, singers, Africa, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000111302
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM200011302:SAED:BEAUTIES:1958:Irene Batchelor - The Girl Who Took Over -Irene Batchelor, the 27 year old Cape Town Beauty Queen, is the new sizzling, snake dancer in the 'folies' show. This sentimental blues singer, with a Marilyn-wiggle, was first chosen as a substitute for Dottie Tiyo while Dottie was attending court with company director Rudd on charges under Immorality Act. And when Dotty walked out of the folies for good, producer Alf Herbert made this pint-sized lovely his main attraction. (Photograph by Ranjith Kally © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1860 x 2990
    Media Id: 43_1230
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, black African woman, dancing, vertical, 1958, 1950s, beaches, snake dancers, Irene Batchelor, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001101703
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001101703:GCPLR:SOCIAL:THEATRE:PERSOANLITY:25FEB1968 - Angry Nongqause Actors Quit, 'Pay Bad' - Euphonia Kata, Florence Mateta and Nombeko Jumba..."we didn't insist on written contracts. A group of top artists who walked out of the star-studded musical play 'Nongqause' claim this week that they were underpaid, and at times they had to live on their wits instead of salaries. But producer Basil Somhlahlo denied their story and accused some of them of being petty minded. Ten actors have pulled out of the show in different groups during its tours round the country in the past year, including the female lead, Anne Gxasheka, belly dancer Laura Yako and top billed Malombo Jazz Makers. (Photograph by Alf Kumalo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2960 x 1960
    Media Id: 42_719
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, 1958, February, 1950s, Nongqause, Euphonia Kata, Florence Mateta , Nombeko Jumba, actors, black African women, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002071914
    Path: african.pictures / Bailey's African History Archive / Drum Ads
    Description: DM2002071914:SAED:SOCIAL:ADVERT:AUG1956 - Miss Sherley Petersen a talented ballroom dancer - Karoo Cream. ( BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Ads
    Orientation: portrait
    Pixel Size: 3327 x 4085
    Media Id: 98_881
    Credit: Drum Ads / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, advertisements, advertising, marketing, vertical, black and white image, colour image , Africa, South Africa, trademarks, August, 1956, 1950s, Karroo Cream, cosmetics, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004060105
    Title: Subeba - Drum Cover
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004060105:SOCIAL:BEAUTIES:PERSONALITY:WAED:JAN 1973 - Lovely Subeba from Somalia is Drum's January cover girl. unfortunately for the admires of beauty in her home country, Subeba - Sue to her friends - left Somalia when she was very young and settled with her family in Aden. Now she has moved on to England where she is heading for a successful career as a model and dancer. Aged 20, Sue likes to travel and so far has visited Beirut and several places in Europe. Top of her list places to visit is Somalia. "It's so many years since I left I've completey forgotten what it's like" she says. Among her other interests she lists swimming and tennis. (Photograph by Drum Photographer ©BAHA) model, dancer Drum cover Jan 1973
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1900 x 1870
    Media Id: 44_168
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, South Africa, Drum Magazine, South African history, square, Subeba, colour image , January, 1973, 1970s, cover girls, black African woman, somalia, beauty, England, Europe, sue, drum cover,
    Model Release: No
    Property Release: No

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2007/002089/23

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      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

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Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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