Baha Archive
  • Home
  • About
  • Contact
  • Galleries
  • Browse
  • Login
  • Register

Search Term: excitement

  • Images (24)
  • Audio
  • Video
  • Documents'
Showing Page 1 of 1 Page/s
Order By: Show Per Page
    X
    Image Number: BHA0045_001.tif
    Title: The Mad God Of Ghana
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082206:GHAED:POLITICS:PERSONALITIES:POST MAY 1966 - The Mad God Of Ghana - Kwame Nkrumah not afraid to offend the old colonial power - Kwame and Britain's Macmillan. Ghana harboured a Dr Faust for 15 years, but he played his role of a Dr Jekyll so well that he got us all fooled for quite some time during which he twisted the law to keep hime in power. The way things went is almost understandable. First there was the excitement and euphoria of the struggle for Ghana's independence. Then came the battle to free the down-trodden people of Africa. Nkrumah hastened the colonialist flight from Africa. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4726 x 3598
    Media Id: 254_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0046_020.tif
    Title: The Mad God Of Ghana
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082205:GHAED:POLITICS:PERSONALITIES:POST MAY 1966 - The Mad God Of Ghana - Shades of Walter Raleigh: As he walked towards the platform at rallies, women would spread their cover-cloths. Ghana harboured a Dr Faust for 15 years, but he played his role of a Dr Jekyll so well that he got us all fooled for quite some time during which he twisted the law to keep hime in power. The way things went is almost understandable. First there was the excitement and euphoria of the struggle for Ghana's independence. Then came the battle to free the down-trodden people of Africa. Nkrumah hastened the colonialist flight from Africa. (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4857 x 5862
    Media Id: 255_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0052_010F.tif
    Title: Putting Zing Into Zambia
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008091604:EAED:POLITICS:PERSONALITIES:MAY 1964 - Putting Zing Into Zambia - Banners and flags flutter and thousand hands wave in wild excitement as Dr Kaunda emerges smiling from Zambia's Parliament, having just been sworn in as Prime Minister. It was Zambia 's happiest two days: the openning of the new first black Parliament. Prime Minister Kaunda appeared onthr balcony high above the stately lawns of Parliament. A blaze of colour...the cheering of thousands - everybody danced and laughed as Zambia got going with a zing. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Orientation: portrait
    Pixel Size: 3109 x 7634
    Media Id: 136_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_003.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112401:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Men riding horses - You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: landscape
    Pixel Size: 5687 x 3840
    Media Id: 135_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_009.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112108:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - In pensive mood Chief Kaiser Matanzima contemplates the rocky road ahead in his bid to get the newly independent Transkei international recognition. It's going to be a long, hard tight for the Prime Minister. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 3738 x 5444
    Media Id: 137_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_010.tif
    Title: Transkei Independence - Chief Kaiser Matanzima
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112109:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Chief Kaiser Matanzima, resplendent in dark suit, reads his address to the cheering Transkeiians. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph byChris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5448 x 3758
    Media Id: 137_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, December 1976, 1976, December, Transkei independence, Chief Kaiser Matanzima, Matanzima, Transkei, indedepence, dark suit, addressing, Chris Van der Merwe, suit, speaking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_011.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112110:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - The Prime Minister of the Transkei Kaiser Matanzima and Dr Nico Diedrichs, the President of South Africa, stand to attention for the national anthem. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 4446 x 5741
    Media Id: 137_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_012.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112111:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - It's a high kick off for Transkei independence as this young tribal dancer does her thing during the celebrations at Independence Stadium Umtata. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph byChris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 3744 x 5445
    Media Id: 138_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_016.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112115:AED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Transkei: Capitalism is the order of the day. Industry made it clear that it supported the new state. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: landscape
    Pixel Size: 5581 x 3765
    Media Id: 137_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_017.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112116:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Transkei: Despite some fears there were no scenes of violence at Umtata. The only gunfire came from the 101-gun salute by the South African big guns. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5589 x 3839
    Media Id: 138_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, Transkei, December 1976, 1976, Transkei Independence, Umtata, gunsalute, gunfire, celebration, independence, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0072_002.tif
    Title: The Africanists: Fireworks - Or False -Alarm?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102227:SAED:POLITICS:PERSONALITIES:APR 1960 - The Africanists: Fireworks - Or False Alarm? - Potlako Leballo addressing meeting, most excitable of top men in Pan Africanist Congress is fiery Potlako Leballo, the National Secretary. "We believe in only one race - the human race." Not since the mass round-up of treason suspects has there been so much excitement in African Politics. The cause of the fuss is a tough-talking group of Angry Young Men. They are leaders of the Pan-Africanist Congress. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 6534 x 4213
    Media Id: 141_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0072_005.tif
    Title: The Africanists: Fireworks - Or False -Alarm?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102230:SAED:POLITICS:PERSONALITIES:APR 1960 - The Africanists: Fireworks - Or False Alarm? - Peter Molotsi is Secretary for Pan Africanist Affairs. Keeps in touch with the parts of Africa. Not since the mass round-up of treason suspects has there been so much excitement in African Politics. The cause of the fuss is a tough-talking group of Angry Young Men. They are leaders of the Pan-Africanist Congress. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3618 x 5212
    Media Id: 141_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0175_006E.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102007:SAED:SOCIAL:NO DATE - Many youngsters are drawn like moths to the bright lights of Hillbrow. They come from the urban areas and the townships seeking work and excitement. This one, like most, has found only despair. And, like most, will be arrested on a pass or vagrancy offence. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Hillbrow
    Orientation: portrait
    Pixel Size: 3109 x 4742
    Media Id: 796_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA_20090429_4277.tif
    Title: Amateur Zone-Final Brings Back Fans
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009031307:SAED:SPORTS:SOCCER:PERSONALITIES:GCP OCT1 1967 - Yacob Mia, the Northern goalkeeper in action with Southern Natal's centre-forward Henry Oliver. The excitement of amateur soccer returned at the Northdale Stadium, Maritzburg, last week where a crowd of more than 3,000 saw the inter-zonal final between Southerns and Northerns. Southern Natal gained a 3-1 victory. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Northdale Stadium
    Orientation: portrait
    Pixel Size: 3477 x 5263
    Media Id: 120_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA_20090429_4283.tif
    Title: Aces United v/s All Blacks
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009031313:SAED:SPORTS:SOCCER:PERSONALITIES:GCP SEP10 1967 - An Aces forward head the ball forward. The player obscured is also an Aces forward. In a game which lacked the excitement of a clash between two provincial clubs of top ranking, Aces United were held to a 1-1 draw in a drab friendly agains Johannesburg's Dlamini All Blacks at Currie's Fountain Stadium on Sunday. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Currie's Fountain Stadium
    Orientation: portrait
    Pixel Size: 3462 x 5207
    Media Id: 121_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021130
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021130:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - No excitement for Manhattan Brothers 'Dam-Dam' Mdledle, and old hand in showbiz. He quietly reads philosophy backstage. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4624 x 4656
    Media Id: 42_766
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Nathan Dam Dam Mdledle, square, Manhattan Brothers, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, reading, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000022206
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000022206:SAED:POLITICS:SEP1958 - The Cown Versus 91 - Treason Trial Gets Off To A Surprise Start. Great Synagogue, Pretoria. Suddenly one realised that the whole drama of the Treason Trial had shifted. During the preparatory examination in Johannesburg, all the excitement was outside the court. Scores of policemen, photographers, repoters and members of the public milled outside of the red-brick courtroom. Now, in the ex-synagogue, in Paul Kruger Street, Pretoria, only 91 persons faced the actual trial. Sixty four had been discharged by order of the Attorney General. As soon as the trial began, the charge was withdrawn against one, Mr H. G. Makgothi, who had been taken ill with tuberculosis. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5769 x 3741
    Media Id: 43_640
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, Paul Kruger Street, September, 1958, 1950s, Pretoria, Gauteng, Treason Trial, freedom fighters, apartheid, anti-apartheid, synagogues, courts, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041718
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041718:SOCIAL:MUSIC:PERSONALITY:FEB1961 - Satchmo In West Africa - Louis Satchmo Armstrong had arrived. The man who has been with it since jazz begun, had brought his music to West Africa. For him it was a return to his spiritual home, a move back to the roots. For jazz fans it was a visit of excitement, the man with the golden horn, mopping sweat from his brow and filling the night air with music. Armstrong went and left a big question behind: Do we in West Africa really appreciate jazz? (Photograph by Ray Wilson Afrinews)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2749 x 2055
    Media Id: 43_789
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, Louis 'Satchmo' Armstrong, February, 1961, 1960s, jazz musicians, West Africa, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041729
    Title: Satchmo In West Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041729:SOCIAL:MUSIC:PERSONALITY:FEB1961 - Satchmo In West Africa - Louis Satchmo Armstrong had arrived. The man who has been with it since jazz begun, had brought his music to West Africa. For him it was a return to his spiritual home, a move back to the roots. For jazz fans it was a visit of excitement, the man with the golden horn, mopping sweat from his brow and filling the night air with music. Armstrong went and left a big question behind: Do we in West Africa really appreciate jazz? (Photograph Barry Plumber)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1957 x 2477
    Media Id: 43_682
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, Louis Armstrong, vertical, February, 1961, 1960s, jazz, musician, singers, African American, West Africa, Satchmo In West Africa, Louis Satchmo Armstrong, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001032007
    Title: Festivals- West Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032007:NIGED:SOCIAL:WOMEN:CULTURE:NODATE - Festivals, West-Africa. (Photograph by Drum Photographer BAHA) tradition dress
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1990 x 1930
    Media Id: 42_606
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: African people, crowds, festivals, Drum Magazine, Africa, West Africa, square, colour image , African history, rural villages, celebrations, colourful, traditional dress, traditional African dancing, traditional ceremony, drums, joyous, noise, music, excitement, jubilant, Drum Photographer, Nigeria, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001032008
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032008:NIGED:SOCIAL:WOMEN:CULTURE:NODATE - Festivals, West-Africa. (Photograph by Drum Photographer BAHA) beating of drums
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1979 x 1954
    Media Id: 43_291
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, rural villages, Africa, African people, square, crowds, festivals, West Africa, colour image , African history, celebrations, colourful, traditional dress, traditional African dancing, traditional ceremony, drums, joyous, noise, music, excitement, jubilant, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001032009
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032009:NIGED:SOCIAL:WOMEN:CULTURE:NODATE - Festivals, West-Africa. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1920 x 1950
    Media Id: 42_713
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: African people, Drum Magazine, crowds, Africa, festivals, square, West Africa, colour image , African history, rural villages, celebrations, colourful, traditional dress, traditional African dancing, traditional ceremony, drums, joyous, noise, music, excitement, jubilant, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004011303
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004011303:SAED:SOCIAL:POLITICS:APARTHEID:APR1960 - The Africanists: Fireworksor False Alarm? - Mr H.S. Ngcobo. In Natal, PAC admits, the image of Luthuli still looms up big in peoples minds. And it is difficult for PAC to counter the ANC. "But when action comes people will follow us," says Ngcobo. Not since the mass round-up of treason suspects has there been so much excitement in African politics. The cause of the fuss is a tough-talking group of Angry Young Men. They are the leaders of the Pan Africanist Congress. What are they like these men? What are they saying? What do they MEAN? (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2384 x 3488
    Media Id: 43_1018
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1960, April, vertical, 1960s, H.S. Ngcobo, political leaders, black African men, public addresses, Pan Africanist Congress (PAC), ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004011309
    Title: P Molotsi is secretary for Pan African Affairs
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004011309:SAED:SOCIAL:POLITICS:APARTHEID:APR1960 - The Africanists: Fireworksor False Alarm? - P Molotsi is secretary for Pan African Affairs. Keeps in touch with the other parts of Africa. Not since the mass round-up of treason suspects has there been so much excitement in African politics. The cause of the fuss is a tough-talking group of Angry Young Men. They are the leaders of the Pan Africanist Congress. What are they like these men? What are they saying? What do they MEAN? (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1765 x 2644
    Media Id: 43_601
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, April, 1960, 1960s, P. Molotsi, Pan Africanist Congress (PAC), secretary, apartheid, black African man, smiling, ,
    Model Release: No
    Property Release: No

Showing Page 1 of 1 Page/s
Order By: Show Per Page
Main Menu
  • Home
  • About
  • Contact
  • Galleries
Legal
  • Terms & Conditions
  • Help

Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

Loading...

Login

Please enter login details below.



Forgot your password?
Register Now

Register

Note: Your password will be generated automatically and sent to your email address.