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    Image Number: BHA00019_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 Ð This Music Makes Them Crazy Ð ÒBonsueÓ and ÒRopopoÓ session. ItÕs the latest craze. But some elders want it banned. They say itÕs Òtoo suggestive.Ó But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of ÒriotousÓ music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5304 x 4134
    Media Id: 69_562
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, black and white image, Africa, Nigeria, Nigerians, black African youth, pop music, teenagers, singing, laughing, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00019_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 Ð This Music Makes Them Crazy Ð ÒBonsueÓ and ÒRopopoÓ session. ItÕs the latest craze. But some elders want it banned. They say itÕs Òtoo suggestive.Ó But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of ÒriotousÓ music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5222 x 4144
    Media Id: 69_669
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, Africa, horizontal, history, cultural history, West Africa, Nigeria, Drum Magazine, social comments, historical value, African music, modern dance, entertainment, jive, african youth, fun, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00019_7
    Title: Man, Highlife Is Getting Crazier Still
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM JAN 1959 MAN, HIGHLIFE IS GETTING CRAZIER STILLNIGED:SOCIAL:ENTERTAINMENT:MUSIC:JAN 1959 Man, Highlife Is Getting Crazier Still Lagos lads and lassies do the no-motions-barred Tcha-Tcha-Tcha.. They call it Highlife, reaching for stars. ’My customers dance anything from blues to the ukulele Hawaiian. But their latest craze is Tcha-Tcha-Tcha,“ a Lagos night club proprietor told us as we were wandering around to find out how the people enjoy themselves. And he wasn't exaggerating when he called the Tcha a craze, for, on the dance floor, were boys and girls some rolling on the ground, some reeling like wounded things, and some falling backwards and forwards all answering the call of the Tcha-Tcha-Tcha. This was crazy Highlife getting crazier, madder, loonier, bursting at the seams with abandon. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5386 x 4080
    Media Id: 70_154
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, High life, dancing, Drum Magazine, music, entertainment, January 1959, 1959, January, 1950s, African woman, African man dancing, Tcha-Tcha, dance, night club, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_13
    Title: b1952_25_7
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:BEAUTY PERSONALITY:MODEL:DRUM FEBRUARY 1952 Drum Cover The bathing beauty who is gracing Drum's cover this month is nineteen year, Rose Kabane, of Orlando' Crosspatch Singing Group. She was a winner in the soprano section of the Johannesburg Bantu Music Festival's vocal competitions for 1951. (Photograph by Jurgen Schaderberg BAHA) NEG 025 FRAME 7
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4576 x 4601
    Media Id: 69_196
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_17
    Title: b1952_25_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:BEAUTY PERSONALITY:MODEL:DRUM FEBRUARY 1952 Ð Drum Cover Ð The bathing beauty who is gracing DrumÕs cover this month is nineteen year, Rose Kabane, of OrlandoÕ Crosspatch Singing Group. She was a winner in the soprano section of the Johannesburg Bantu Music FestivalÕs vocal competitions for 1951. (Photograph by Jurgen Schaderberg © BAHA) NEG 025 FRAME 52
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4665 x 4713
    Media Id: 70_241
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_13
    Title: d1952_053_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: March 1952 Babsy Dancing Star - Neg 053SAED:SOCIAL:PERSONALITY:DANCE:DRUM MARCH 1952 Babsy Dancing Star Babsy Palmer , sensational South African dancer. Babsy is a well known professional dancer, prize winner in the South African Bantu National competitions and famous, also, for her dancing demonstration in the Johannesburg Bantu Music Festival. Youth and charming, Babsy Palmer looks equally charming in a sophisticated evening dress, as you can see in our picture on the opposite page. (Photograph by Jurgen Schadeberg BAHA) NEG 053 FRAME 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4724 x 4753
    Media Id: 70_244
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_16
    Title: d1952-053_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DANCE:DRUM MARCH 1952 Ð Babsy Dancing Star Ð Babsy Palmer , sensational South African dancer, wears this beautiful white dress to show off her flying footsteps. Babsy is a well known professional dancer, prize winner in the South African Bantu National competitions and famous, also, for her dancing demonstration in the Johannesburg Bantu Music Festival. Youth and charming, Babsy Palmer looks equally charming in a sophisticated evening dress, as you can see in our picture on the opposite page. (Photograph by Jurgen Schadeberg © BAHA) NEG 053 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4748 x 4722
    Media Id: 69_450
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, March, 1952, 1950s, dancers, professional, evening dresses, glamorous, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0004_15
    Title: h1952_125_02
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: AUGUST 1952 CLASSICAL MUSIC NEG 125SAED:MUSIC:ENTERTAINMENT:PERSONALITY:DRUM AUGUST 1952 - Classical Music Billy Birkenstock and Joe du Prooz are as inseparable off. Stage as on. They have produced the most outstanding team of light duettists for many year (Photograph by Drum Photographer BAHA) NEG 125 FRAME 02
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4677 x 4696
    Media Id: 70_69
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0004_15.tif
    Title: Billy Birkenstock and Joe du Prooz are as inseparable off
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052419:SAED:MUSIC:ENTERTAINMENT:PERSONALITY:AUG1952 - Classical Music – Billy Birkenstock and Joe du Prooz are as inseparable off. Stage as on. They have produced the most outstanding team of light duettists for many year (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4677 x 4696
    Media Id: 126_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, entertainment, music, August, August 1952, 1952, Billy Birkenstock, Joe du Prooz inseparable, Classical music, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_8
    Title: k1952_184_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM SEPTEMBER 1952 Ð ÒGit on Board, you lilÕChillunÓ Aunt EmÕs childrenÕs choir lisp. Their performances at several Reef Centres have put man y school, church and communal choirs in the shade. Salute to Aunt EmÉ - Aunt EM your are great! When you retired as pianist of the Merry Blackbirds we thought weÕd never hear from you again. To us you are not just Mrs. Emily Motsieloa. From Rhodesiaas to the cape , to the thousands youÕve entertained and to the myriads who have admired you in every hall this side of the equator you are our Aunt Em, Southern AfricaÕs greatest pioneer among women musicians. Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 184 FRAME 3
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4679 x 4746
    Media Id: 69_723
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Africa, South Africa, Transvaal, black African children, children's choirs, black African girls, white dresses, 1950s, singing, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_16
    Title: n1953_256_11
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Talking Trumpet When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now he's a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella you'd say ’Ah! There's a jazz creature, yes man! He's be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldn't have to learn it. But you'd meet Elijah, and you wouldn't even talk politics to him cause he'd be so different. (Photograph by Jurgen Schadeberg Baileys Archives) NEG 256 FRAME 11
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4724 x 4697
    Media Id: 70_171
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_17
    Title: n1953_256_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . AUGUST 1953 Ð TALKING TRUMPET Ð NEG 256. SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Ð Talking Trumpet Ð When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now heÕs a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella youÕd say ÒAh! ThereÕs a jazz creature, yes man! HeÕs be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldnÕt have to learn it. But youÕd meet Elijah, and you wouldnÕt even talk politics to him cause heÕd be so different. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 256 FRAME 9
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4749 x 4724
    Media Id: 69_654
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, trumpets, playing (musical instruments), lying down, offices, blowing, black African man, Elijah Nkwanyana, 1953, 1950s, African musicians, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_18
    Title: n1953_256_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Talking Trumpet When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now he's a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella you'd say ’Ah! There's a jazz creature, yes man! He's be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldn't have to learn it. But you'd meet Elijah, and you wouldn't even talk politics to him cause he'd be so different. (Photograph by Jurgen Schadeberg Baileys Archives) NEG 256 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4700 x 4714
    Media Id: 70_155
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0008_2.tif
    Title: Lex Mona plays a powerful trumpet
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060620:SAED:MUSIC:PERSONALITIES: SEP 1953 – Little Town, Jazz Town! – Leader Lex Mona plays a powerful trumpet – though his favourite instrument is the tenor sax. .(Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4745 x 4682
    Media Id: 129_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, September 1953, 1953, Jazz Town, Jazz, Little town, instrument, tenor sax, trumpet, Lex Mona, plays, Drum Photographer, plays powerful Trumpet, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_28
    Title: Patrick Matshikiza
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053020:SAED:MUSIC:PERSONALITIES: MAR 1954 – Seven In The Bar! – yeah, man! Its Patrick Matshikiza himself, aged 14, “digging” his first red-host composition, which he calls “Primus Tento” (First Attempt) (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 8710 x 8648
    Media Id: 125_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, March, 1954, March 1954, Patrick Matshikiza, boy, playing instruments, instruments, children, boys, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Pixel Size: 4994 x 4313
    Media Id: 69_380
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, horizontal, black African people, 1950s, 1959, Durbar Festival, traditional dress, traditional drums, traditional music, traditional dancing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_11
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar Solemn And Eerie: The notes of the pipers wail across the arena, recalling of a strange and glorious past From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4986 x 4304
    Media Id: 69_521
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Nigeria, Africa, Drum Magazine, September, 1959, 1950s, Durbar Festival, musicians, wind instruments (music), pipers, flutes, West Africa, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_009.tif
    Title: Bobby Benson
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060175:NIGED:MUSIC:PERSONALITIES:OCT 1957 – It’s Showtime For Bobby Benson – The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That’s where it all started – I saw the birth of Bobby’s now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer ©BAHA) `
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4715 x 4742
    Media Id: 147_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Nigeria, west Africa, music, personalities, October 1957, 1957, showman, musical instruments, Moleye street, Lagos Nightclub, Lagos, drum photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_010.tif
    Title: Bobby Benson
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060176:NIGED:MUSIC:PERSONALITIES:OCT 1957 – It’s Showtime For Bobby Benson – The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That’s where it all started – I saw the birth of Bobby’s now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer ©BAHA) `
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4051 x 5303
    Media Id: 147_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, music, personalities, Drum Magazine, October 1957, Bobby Benson, Showtime, musical instruments, Moleye street, Drum Photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:MUSIC:ENTERTAINMENT:PERSONALITIES:OCT 1957 It's Showtime For Bobby Benson’I'm a showman, not a musician“ claims band leader Bobby Benson. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That's where it all started I saw the birth of Bobby's now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4051 x 5303
    Media Id: 70_205
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM OCT 1957 IT'S SHOWTIME FOR BOBBY BENSONNIGED:MUSIC:ENTERTAINMENT:PERSONALITIES:OCT 1957 It's Showtime For Bobby Benson The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That's where it all started I saw the birth of Bobby's now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments.(Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4715 x 4742
    Media Id: 69_371
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0019_005.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060132:NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 – This Music Makes Them Crazy – “Bonsue” and “Ropopo” session. It’s the latest craze. But some elders want it banned. They say it’s “too suggestive.” But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of “riotous” music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5304 x 4134
    Media Id: 146_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0019_006.tif
    Title: Ropopo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060131:NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 – This Music Makes Them Crazy – “Bonsue” and “Ropopo” session. It’s the latest craze. But some elders want it banned. They say it’s “too suggestive.” But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of “riotous” music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5222 x 4144
    Media Id: 146_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Drum magazine, music, entertainment, December 1959, Bonsue, Ropopo, crazy, dancing, teenagers, Matthew Faji,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0032_7.tif
    Title: Uganda's New Strongman: Major General Idi Amin, surrounded by armed soldiers
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008071804:EAED:POLITICS:PERSONALITIES:FEB 1971 - Uganda's New Strongman: Major General Idi Amin, surrounded by armed soldiers, drives through the crowded streets. It all started with the rattling of gunfire throughout the night of January 24, 1971, which gave residents of Kampala not the slightest chance to sleep. Only a few people, probably only men of the armed forces, knew what was going on. The gunfire continued throughout them morning, and still there was no real knowledge of what was taking place. Then at 3:45 p.m. Radio Uganda interrupted its day-long music broadcasts, and an unnamed soldier read a lengthy statement announcing that the army had taken over the government. They also decided to take power from Dr Obote and hand it to our fellow soldier, Major General Idi Amin Dada. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5703 x 4467
    Media Id: 182_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Uganda, Drum magazine, Amin, Major General Idi Amin, Dada, Idi Amin, soldiers, Obote, driving, gunfire, Radio Uganda, Drum Photographer, February 1971, 1971, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0035_12.tif
    Title: Zimbabwes Militant Marches
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060402:EAED:POLITICS:PERSONALITIES:NOV 1963 Zimbabwes Militant Marches Of God The Church on the march, with banner flying and the brass band playing. We march to sweep away sinners. The preacher was Mr. Peter Gobvu, handsomely dressed lorry-driver and secretary-general and top organizer of one of the latest and most streamlined religions to hit the townships. It is the Christian Marching Church a brassy, musical and happy sect that sings and blows its way around towns beating out a lusty Christianity that is defiantly nationalistic. We believe in God, said one member, and we believe Zimbabwe. With luck, and money, enough marching, blowing and prating the church leaders hope to extend this belief to Zambia and beyond. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5235 x 4320
    Media Id: 183_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Zimbabwe, Drum Magazine, November 1963, 1963, militant, march, church, banner, flying, brass band, music, Peter Gobvu, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0044_002.tif
    Title: A Glory Of The Coast
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081406:GHAED:EDUCATION:SOCIAL:PERSONALITIES:JUN 1960 - A Glory Of The Coast - Music is a special study - including the drums. Beating the drums at the Founder's Day Celebrations is Mr. Phillip Ghebo, senior music master, the man who composed Ghana's anthem. About 40 years ago a man had a vision. He wanted West Africa to have a school comparable with the best in Britain. From that ideal has grown Achimota, pride of Ghana, glory of the coast to-day. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4400 x 5371
    Media Id: 251_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0047_005.tif
    Title: Man Who Found A Mammy -Water
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082006:GHAED:SOCIAL:MUSIC:PERSONALTIES:MAY 1961 - The Man Who Found A Mammy -Water - He Shows Her How To Play A Guitar Then the wonder of getting to know each other. Bill tells of the night club where he plays the guitar, shows his new love the mysteries of his instrument. Bill makes up his mind: he must take her home. Llfe will not be the complete without her, and it's too bad that the neighbours think. So it's off to Accra. There he was on the shore, playing his guitar and singing to himself. Suddenly he caught sight of something gleaming in the water. He went closer. It had the tail of fish, but this was no ordinary child if the sea. The hair was lustrous, the face divine - a mammy water! ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4003 x 5175
    Media Id: 252_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, music, May 1961, guitar, 1961, mammy, water, play, Bill, mammy water, Drum Photographer, musical instruments, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_006.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081904:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - The face of downright innocence put up by a "virgin", having just attained age. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3523 x 5443
    Media Id: 254_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_007.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081905:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - A twin-set of braodsmiles beamed by traditional artists in the Kente cloth. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4324 x 5613
    Media Id: 254_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_008.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081906:GHAED:SOCIAL:CULTURE:ARTS:PERSONALITIES:MAY 1968 - National Arts Festival - Beatrice Addo (extreme left) leading a trio in court dance for chiefs, KETE. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5456 x 3768
    Media Id: 254_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0058_013.tif
    Title: Fringe Country:Where There Is No Colour Bar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102218:SAED:APARTHEID:SOCIAL:PERSONALITIES:MAR 1961 - Fringe Country: Where There Is No Colour Bar - Whites Listen Blacks Play - Music know no colour bar. When Kwela Kids whistle, all races stop and listen to them. "Fringe-country", that social no-mans-land, where energetic, defiant, young people of all races live and play together as humans. Yes, even under the racial skies of South Africa! (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1997 x 2979
    Media Id: 136_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0062_007.tif
    Title: The Twist Kid - Percy Morubane
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102917:SAED:CHILDREN:MUSIC:PERSONALITIES:FEB 1964 - The Twist Kid - They say in township lingo that when a guy rules the roost 'hyslaan die kataar'. Well here's one tiny tot who can claim that already even though he's hardly a tickey-and-a-guitar high and is just two year old. Midget maestro Percy Morubane nearly hidden behind his guitar, his legs dangling out over the edge of a bench, his little fingers twanging furiously, his head bent in solemn concentration. He was gone... real gone - far away from his Aunt Suzie Randles' house in Grahamstown Street behind the Johannesburg Pass Office. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4545 x 5146
    Media Id: 143_22
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, children, kid, guitar, Percy Morubane, twist kid, guitar, midget, kataar, Johannesburg, pass office, Drum Photographer, Grahamstown street, February, 1964, February 1964, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0062_010.tif
    Title: The Twist Kid - Percy Morubane
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102920:SAED:CHILDREN:MUSIC:PERSONALITIES:FEB 1964 - The Twist Kid - They say in township lingo that when a guy rules the roost 'hyslaan die kataar'. Well here's one tiny tot who can claim that already even though he's hardly a tickey-and-a-guitar high and is just two year old. Midget maestro Percy Morubane nearly hidden behind his guitar, his legs dangling out over the edge of a bench, his little fingers twanging furiously, his head bent in solemn concentration. He was gone... real gone - far away from his Aunt Suzie Randles' house in Grahamstown Street behind the Johannesburg Pass Office. . (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4020 x 2560
    Media Id: 143_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, child, February 1964, guitar, 1964, musical instrument, kataar, twist kid, Percy Morubane, pass office, Johannesburg, Grahamstown street, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0062_014.tif
    Title: Sosthinus John Mothuping
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008103003:SAED:MUSIC:PERSONALITIES:MAY 1964 - Blind Sos - Teenager Extraordinary - Sosthinus John Mothuping is 18. He plays the piano, guitar, sings and runs his own Jazz band. He likes cracking jokes and laughs raucously in a high pitched voice anytime something funny is said. Sos is blind and so are all the members of his band. He can also still afford to laugh although his father Zeph Mothoping has been in jail since 1960 when arrested with other PAC leaders. In 1946, Mr Zeph Mothuping and his wife, then both school teachers, were blessed with a bright-eyed baby boy, their second. Six years later, little Sos complained of headache and 90 days later he went stone blind. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 6019 x 4774
    Media Id: 143_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, May 1964, 1964, teenager, Sosthinus John Mothuping, Mothuping, piono, music, guitar, sings, jazz band, blind, PAC, Zeph Mothoping, school teacher, leaders, arrested, jail, Sos, headache, Drum Photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0069_001.tif
    Title: When Dancing Had To Stop
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM200811201:SAED:POLITICS:PERSONALITIES:MAR 1970 - When Dancing Had To Stop - Chief Leabua Jonathan, Prime Minister since 1985, addressing 50,000 Basotho at his last meeting of the election campaign. Basotho danced in the main street of Maseru when news leaked out that Ntsu Mokhehle's Congress Party had beaten Leabua Jonathan's ruling National Party in the Lesotho general election. But Johathan swiftly stopped the music by changing the jig to a military march. He had Mokhehle and 62 others arrested, suspended the constitution and put King Moshoeshoe II under house arrest - claiming that the Congressmen had fixed the result by violence. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Lesotho
    Orientation: landscape
    Pixel Size: 5765 x 4006
    Media Id: 138_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0069_002.tif
    Title: When Dancing Had To Stop
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112002:SAED:POLITICS:PERSONALITIES:MAR 1970 - When Dancing Had To Stop - A solemn Ntsu Mokhehle is escorted from his office by an African police officer armed with a tear gas pistol. Basotho danced in the main street of Maseru when news leaked out that Ntsu Mokhehle's Congress Party had beaten Leabua Jonathan's ruling National Party in the Lesotho general election. But Johathan swiftly stopped the music by changing the jig to a military march. He had Mokhehle and 62 others arrested, suspended the constitution and put King Moshoeshoe II under house arrest - claiming that the Congressmen had fixed the result by violence. (Photograph by Drum Photographer BAHA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Lesotho
    Orientation: portrait
    Pixel Size: 3487 x 5446
    Media Id: 138_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0069_006F.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112006:SAED:POLITICS:PERSONALITIES:MAR 1970 - When Dancing Had To Stop - Colourfullly dressed Premier Jonathan addresses 50,000 people under a formal portrait of himself in a Maseru election rally. Basotho danced in the main street of Maseru when news leaked out that Ntsu Mokhehle's Congress Party had beaten Leabua Jonathan's ruling National Party in the Lesotho general election. But Johathan swiftly stopped the music by changing the jig to a military march. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Lesotho
    Orientation: portrait
    Pixel Size: 5649 x 7043
    Media Id: 138_26
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0069_007F
    Title: Colourfullly dressed Premier Jonathan addresses 50,000 people under a formal portrait of himself in a Maseru election rally
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112007:SAED:POLITICS:PERSONALITIES:MAR 1970 - When Dancing Had To Stop - Colourfullly dressed Premier Jonathan addresses 50,000 people under a formal portrait of himself in a Maseru election rally. Basotho danced in the main street of Maseru when news leaked out that Ntsu Mokhehle's Congress Party had beaten Leabua Jonathan's ruling National Party in the Lesotho general election. But Johathan swiftly stopped the music by changing the jig to a military march. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 8025 x 5815
    Media Id: 139_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Lesotho, Maseru, Premier Jonathan, address, election, rally, Jonathan Leabua, ruling National Party, Ntsu Mokhehle, Congress Party, Drum Photographer, Blanket attire, hat, March 1970, March, 1970, speaking, crowd, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0073_013.tif
    Title: Quiet Big Wedding
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102402:SAED:SOCIAL:WEDDING:PERSONALITIES:JUL 1962 - Quiet Big Wedding - Solemn moment for bride and groom on 1st day of wedding. The big wedding turned out to quiet a quiet affair - with far fewer than the thousands of guests who were expected. A late lunch was served - it turned out to be dinner - and festivities (including sacred music) lasted two whole days. Township gossip buzzed about it. This was to be a big show, Chief Tidimane Pilane marrying Irene Ross of Johannesburg. Hundreds of pounds were spent on preparations for the affair, tipped to be the 'Wedding of the Year'. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Johannesburg, Meadowlands
    Orientation: landscape
    Pixel Size: 4020 x 2753
    Media Id: 135_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0073_014.tif
    Title: Quiet Big Wedding
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102403:SAED:SOCIAL:WEDDING:PERSONALITIES:JUL 1962 - Quiet Big Wedding - Flower Girls snatch moment of fun while couple not looking. The big wedding turned out to quiet a quiet affair - with far fewer than the thousands of guests who were expected. A late lunch was served - it turned out to be dinner - and festivities (including sacred music) lasted two whole days. Township gossip buzzed about it. This was to be a big show, Chief Tidimane Pilane marrying Irene Ross of Johannesburg. Hundreds of pounds were spent on preparations for the affair, tipped to be the 'Wedding of the Year'. T (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Johannesburg, Meadowlands
    Orientation: panoramic
    Pixel Size: 4062 x 2461
    Media Id: 135_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0073_015.tif
    Title: Quiet Big Wedding
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102404:SAED:SOCIAL:WEDDING:PERSONALITIES:JUL 1962 - Quiet Big Wedding - Second Day: The Band that provided the music - plenty of dignity. Chief Tidimane Pilane marrying Irene Ross of Johannesburg. Hundrends of pounds were spent on preparations for the affair, tipped to be the "Wedding of the Year". And then came the second day of the wedding. A bright sunny thursday, a national holiday at that. A neat programme with 16 items was swiftly prepared and a copy handed to each guest who cared to ask for it. While the bride and his groom paraded in the yards of the Chief's kraal, a brass band of elderly ladies and gentlemen entertained the guests with church hymns. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Rustenburg
    Orientation: panoramic
    Pixel Size: 4041 x 2437
    Media Id: 135_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0073_017.tif
    Title: Quiet Big Wedding
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102406:SAED::SOCIAL:WEDDING:PERSONALITIES:JUL 1962 - Quiet Big Wedding - Solemn moment for bride and groom on 1st day of wedding. The big wedding turned out to quiet a quiet affair - with far fewer than the thousands of guests who were expected. A late lunch was served - it turned out to be dinner - and festivities (including sacred music) lasted two whole days. Township gossip buzzed about it. This was to be a big show, Chief Tidimane Pilane marrying Irene Ross of Johannesburg. Hundreds of pounds were spent on preparations for the affair, tipped to be the 'Wedding of the Year'. Then came the first day of the wedding at the Dutch Reformed Church, Meadowlands, Johannesburg. A plush German sports car was provided for the groom and his bride. Guests marvelled at the bride's costly gown with its 1,000 beads. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Johannesburg, Meadowlands
    Orientation: panoramic
    Pixel Size: 5825 x 3208
    Media Id: 134_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_012.tif
    Title: Raymond Nkwe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102820:SAED:MUSIC:PERSONALITIES:GCPSEP24 1967 - Promoter Raymond Nkwe, who is organising Jazz Festival RSA. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4072 x 5745
    Media Id: 791_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Raymond Nkwe, GCP, 1967, September 1967, Jazz, festival, RSA, promoter, music, Drum photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_014.tif
    Title: Promoter Raymond Nkwe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102817:SAED:MUSIC:PERSONALITIES:GCPSEP24 1967 - Promoter Raymond Nkwe, who is organising Jazz Festival RSA. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5647 x 3831
    Media Id: 792_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, September, 1967, Promoter, Raymond Nkwe, Jazz Festival, Drum Photographer, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_011.tif
    Title: Ralph Israel
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010012110:SAED:MUSIC:SOCIAL:PERSONALTIES:GCPARP14 1963 - Meet South Africa's youngest band leader - eight-year-old Ralph Israel, who is the lead guitarist of the Durban combo ''The Satelites''. With his little fingers handling his guitar (it's a whole foot TALLER than Ralph), he saw his group win their way through to the final when they entered a preliminary judging of a rock band contest in Durban last week. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3924 x 5912
    Media Id: 783_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ralph Israel, GCP, April 1963, 1963, band leader, youngest, eight year old, Durban, guitarist, Durban, The Satelites, south africa, music,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_017.tif
    Title: Guitarist Reuben Senne
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010020402:SAED:MUSIC:PERSONALITIES:GCPAPR14 1963 - Guitarist Reuben Senne. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3908 x 5972
    Media Id: 783_22
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, April 1963, music, Guitarist, Reuben Senne, musical instruments, playing, smiling, Drum Photographer, sitting, 1963, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_018.tif
    Title: Music
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010020305:SAED:SOCIAL:MUSIC: NO DATE - Unknown Musician. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3940 x 5915
    Media Id: 783_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, man, musicial instrument, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_020.tif
    Title: Frank Naidoo of Avoca is so attached to children in the suburbs of Durban that they follow him like a pied piper,
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102142:SAED:SOCIAL:MUSIC:PERSONALTIES:GCPAPR13 1963 - Forty-three-year-old Frank Naidoo of Avoca is so attached to children in the suburbs of Durban that they follow him like a pied piper, fascinated by the music he plays. Naidoo the father of five childern works as gardener for R10 a month. To boost his income he sings and play on his off days every Saturday and Sunday. He leaves his home with his organ and sings from door to door for a few cents. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5891 x 3891
    Media Id: 783_14
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, music, April 1963, 1963, Frank Naidoo, Avoca, Durban, Children, pied piper, father, Drum Photographer, hat, Indian, music instrument, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_021.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102143:SAED:SOCIAL:MUSIC:PERSONALTIES:GCPAPR13 1963 - Forty-three-year-old Frank Naidoo of Avoca is so attached to children in the suburbs of Durban that they follow him like a pied piper, fascinated by the music he plays. Naidoo the father of five childern works as gardener for R10 a month. To boost his income he sings and play on his off days every Saturday and Sunday. He leaves his home with his organ and sings from door to door for a few cents. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5868 x 3915
    Media Id: 783_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_022.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102144:SAED:SOCIAL:MUSIC:PERSONALTIES:GCPAPR13 1963 - Forty-three-year-old Frank Naidoo of Avoca is so attached to children in the suburbs of Durban that they follow him like a pied piper, fascinated by the music he plays. Naidoo the father of five childern works as gardener for R10 a month. To boost his income he sings and play on his off days every Saturday and Sunday. He leaves his home with his organ and sings from door to door for a few cents. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3863 x 5862
    Media Id: 783_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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