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Search Term: musical instrument

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    Image Number: BHA0047_005.tif
    Title: Man Who Found A Mammy -Water
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082006:GHAED:SOCIAL:MUSIC:PERSONALTIES:MAY 1961 - The Man Who Found A Mammy -Water - He Shows Her How To Play A Guitar Then the wonder of getting to know each other. Bill tells of the night club where he plays the guitar, shows his new love the mysteries of his instrument. Bill makes up his mind: he must take her home. Llfe will not be the complete without her, and it's too bad that the neighbours think. So it's off to Accra. There he was on the shore, playing his guitar and singing to himself. Suddenly he caught sight of something gleaming in the water. He went closer. It had the tail of fish, but this was no ordinary child if the sea. The hair was lustrous, the face divine - a mammy water! ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4003 x 5175
    Media Id: 252_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, music, May 1961, guitar, 1961, mammy, water, play, Bill, mammy water, Drum Photographer, musical instruments, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0062_010.tif
    Title: The Twist Kid - Percy Morubane
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102920:SAED:CHILDREN:MUSIC:PERSONALITIES:FEB 1964 - The Twist Kid - They say in township lingo that when a guy rules the roost 'hyslaan die kataar'. Well here's one tiny tot who can claim that already even though he's hardly a tickey-and-a-guitar high and is just two year old. Midget maestro Percy Morubane nearly hidden behind his guitar, his legs dangling out over the edge of a bench, his little fingers twanging furiously, his head bent in solemn concentration. He was gone... real gone - far away from his Aunt Suzie Randles' house in Grahamstown Street behind the Johannesburg Pass Office. . (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4020 x 2560
    Media Id: 143_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, child, February 1964, guitar, 1964, musical instrument, kataar, twist kid, Percy Morubane, pass office, Johannesburg, Grahamstown street, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0080_002F.tif
    Title: Dan Twala and Family, ''Soccer Referee'' Twala is the manager of the Johannesburg Bantu Sports Club
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011050914:SAED:SPORTS:SOCCER:PERSONALITIES:FEB 1955 - Dan Twala & Family, ''Soccer Referee'' Twala is the manager of the Johannesburg Bantu Sports Club, one of the most important executive positions in the country. (Photograph by Bob Gosani ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4650 x 4603
    Media Id: 122_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, sport, soccer, Dan Twala, February 1955, 1955, February, Referee, manager, Johannesburg Bantu Sports Club, family, musical instrument, standing, suit, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_018.tif
    Title: Music
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010020305:SAED:SOCIAL:MUSIC: NO DATE - Unknown Musician. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3940 x 5915
    Media Id: 783_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, man, musicial instrument, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0219_004.tif
    Title: At 68 the tall Nemathaka is in the generation between Muthomi and ours
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010011320:SAED:MUSIC:SOCIAL:PERSONALTIES:MAR22 1975 - At 68 the tall Nemathaka is in the generation between Muthomi and ours and it is, therefore, not suprising that he is the last of the makers of the mbila-mutondo. Playing this set, which is now owned by a chief, is Nemathaka (right), and a friend. This set has four bars and all the gourds normally placed under each bar for resonance missing. But it is still used for ceremonies at the chief's place. (Photograph by Mike Mzileni ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5853 x 3925
    Media Id: 778_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, 1975 March 1975, Nemathaka, Muthomi, generation, mbila-mutondo, Mike Mzileni, tall, musical instrument, ,
    Model Release: No
    Property Release: No

    X
    Image Number: DM2000050915
    Title: John Akwaboa and Esi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050915:GHAED:MUSIC:PERSNALITY:JUL1968 - Guitar Man - Drum Profile: John Akwaboa and Esi. John Akwaboa's name is music. In Ghana this guitarist commands tremendous following. Almost every hotel, night club and bar in Ghana's blares out Akwabo's music. His discs are often hits. He is irrepressible. He is irrisistible and he enjoys every minute of it. (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1867 x 2429
    Media Id: 42_974
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, music, July 1968, 1968, guitar man, Guitarist, musical instrument, John Akwaboa, Esi, Drum Photographer, woman, men, entertainment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041032
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM20000041032:SAED:MUSIC:PERSONALITY:March 1952 - Naughty Boy-Slept Out - Yes, Makwenkwe ‘Mackay’ Davashe, idol tenourman, handsome (watch out girls), gifted, quite-spoken, and very able, did in fact sleep out for two weeks ... to learn his favourate instrument. Here is where it all started. His mother, a very strict lady, would not have anysqueeking noises or funny-looking pipes filling the house out and out and disturbing the quite of her proud home. Her son Makwenkwe was dying, bursting with urge to make music. He had been hearing older men blow and thrilling him to saturation point. Like sponge full of water his entiremake-up had become musical. At this point there there is knowing what a young what a young man might not do ...let alone what he might do. (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Pixel Size: 2294 x 2254
    Media Id: 23_160
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041032
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM20000041032:SAED:MUSIC:PERSONALITY:March 1952 - Naughty Boy-Slept Out - Yes, Makwenkwe Mackay Davashe, idol tenourman, handsome (watch out girls), gifted, quite-spoken, and very able, did in fact sleep out for two weeks ... to learn his favourate instrument. Here is where it all started. His mother, a very strict lady, would not have anysqueeking noises or funny-looking pipes filling the house out and out and disturbing the quite of her proud home. Her son Makwenkwe was dying, bursting with urge to make music. He had been hearing older men blow and thrilling him to saturation point. Like sponge full of water his entiremake-up had become musical. At this point there there is knowing what a young what a young man might not do ...let alone what he might do. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2294 x 2254
    Media Id: 70_203
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Mackay Davashe, square, March, 1952, 1950s, saxophone, black African men, saxophonist, musician, black African women, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041421
    Title: The E.T. Mensah Story
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041421:GHAED:MUSIC:PERSONALITY:JUN1957 - The E.T. Mensah Story - Four years ago E.T. Mensah chucked up his pharmacy career for full-time music making. Is it normal for a salaried phamicist with three years' training to quit his job in preference to making dance music? No, sir. But E.T had to do it, to make up a great challenge. And the great fame that he's been able achieve has been through sweat and sometimes tears. When he puts his horn to his lips, the frenzied girls give him encouragement by shouting , "Blow, blow, E.T., blow!" (Photograph by Drum Photographer BAHA) Ghana
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2929 x 2114
    Media Id: 43_203
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Ghana, Africa, African history, black and white image, horizontal, black African man, musician, June, 1957, 1950s, E.T. Mensah, trumpets, trumpeters, bed, television, playing, sitting, west africa, musical instrument, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000081506
    Title: Spokes Mashiane - Magic piper
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000081506:SAED:MUSIC:PERSONALITY:DEC1958 - The Magic Piper - Six Months ago, when we printed a picture of Spokes Mashiane, he was just one of the Reef's pennywhistlers, little known outside. Today, he's known in may lands, and his records are as likey to be sold out in London and New York as they are in any of the towns in of the Union. Spokes started by playing at the street corners. Corps used to say he was a public nuisance. But today he's a public figure. (Mashiyane)(Photograph by Ian Berry Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3000 x 1970
    Media Id: 43_1116
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, 1958, December, Spokes Mashiyane, 1950s, musician, black African man, white woman, white men, pavements, streets, street corner, Performing, Ian Berry, Spokes Mashiane, musical instrument, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000081802
    Title: Mackay Davashe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000081802:SAED:MUSIC:PERSONALITY - (Photograph by Drum Photographer Bailleys Archives) neg SA 65
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1950 x 3010
    Media Id: 43_483
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: playing (musical instruments), Drum Magazine, South Africa, Africa, South African history, black and white image, performances, vertical, jazz musicians, black African man, saxophones, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004031603
    Title: Khabi Mngoma
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004031603:SAED:SOCIAL:MUSIC:PERSONALITY:NODATE - Khabi Mngoma - (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 776 x 2072
    Media Id: 44_223
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, musician, violins, vertical, Khabi Mngoma, black African man, smiling, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004071303
    Title: The Jazzing Mr and Mrs! Mavis and Billy Roach, retired but not tired musicians
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004071303:SAED:SOCIAL:ENTERTAINMENT:MUSIC:PERSONALITY:APR1956 - The Jazzing Mr and Mrs! Mavis and Billy Roach, retired but not tired musicians. Now and again, Billy 'pling-a-ling' on his guitar with a song just for old times sake. "Oh! don't worry big boy. His travelling days are over. Now he's goin' to settle down an' make me a nice husband an' be a nice daddy to his seven kids." (Written by Todd Matshikiza and Photograph by Bob Gosani)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1980 x 2960
    Media Id: 43_331
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: personality, jazz, Drum Magazine, South Africa, South African history, black and white image, music, vertical, April, 1956, Mavis Roach, Billy Roach, black African people, 1950s, Bob Gosani, musical instrument, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2005020707
    Title: General 'Genie' Duze
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2005020707:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - General 'Genie' Duze. Jazz has got to come from the heart. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. We ought to thank the Jazz Foundation for bringing Mr Mehegan to us all the way from New York, where he is Professor of Jazz Piano at the Juliard School of Music. A lot of America's best jazz musicians have studied at Juliard, and that's no kidding. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2863 x 4349
    Media Id: 69_324
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: General Duze, October, Drum Magazine, South Africa, Africa, South African history, black and white image, guitarist, vertical, 1959, 1950s, musicians, jazz, black African man, Jazz Foundation, October 1959, Peter Magubane, musical instrument, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2005031456
    Title: Gideon Nxumalo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2005031456:GCP:MUSIC:PERSONALITY:NODATE - Gideon Nxumalo - Mr Nxumalo swings a brand new bat, which has a some what varied effect on his audiences. On the other hand, it must be said that Mr Nxumalo's playing has always been for the cosy, smoky night club, rather than the big jam session. His music is for the small dedicated ring of listers belonging to perhaps to the Brubeck 'Goes to College' school. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1970 x 1870
    Media Id: 70_177
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: playing (musical instruments), Drum Magazine, South Africa, Africa, South African history, black and white image, square, Gideon Nxumalo, 1960s, performances, pianists, Drum Photographer, musical instrument, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

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