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    Image Number: BHA00010_28
    Title: r1954_327_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050515:SAED:MUSIC:PERSONALITIES:DRUM MARCH 1954 – Seven In The Bar! – yeah, man! Its Patrick Matshikiza himself, aged 14, “digging” his first red-host composition, which he calls “Primus Tento” (First Attempt) (Photograph by Drum Photographer ©Baileys Archives) Neg 327 Pix 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 5138 x 5101
    Media Id: 69_685
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, history, cultural history, Drum Magazine, social comments, historical value, 1954, Queenstown, Eastern Cape, musician, pianists, piano, young boys, personality, talented, carrying baby, Brothers, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_019.tif
    Title: Cape Musician Becomes A.M.E. Bishop
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102909:SAED:RELIGION:PERSONALITIES:JUL 1956 - Cape Musician Becomes A.M.E. Bishop - Reverend Dr. Francis Herman Gow, the newly-appointed bishop of the African Methodist Church (A.M.E) in South Africa, has always believed in the brotherhood of man. He has always held the convition that the bond that holds man together is stronger than the forces which try to break it. Dr. Gow, 66, was born in Cape Town of a Cape Coloured woman and an American Negro. His father Francis MacDonald Gow, was the first non-white photographer in Cape Town, who also took the first flash-photo in the Union. He did this at a banquet in the Old Drill Hall in honour of Cecil John Rhodes. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 4607 x 5892
    Media Id: 140_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_020.tif
    Title: Cape Musician Becomes A.M.E. Bishop
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102910::SAED:RELIGION:PERSONALITIES:JUL 1956 - Cape Musician Becomes A.M.E. Bishop - Reverend Dr. Francis Herman Gow, the newly-appointed bishop of the African Methodist Church (A.M.E) in South Africa, has always believed in the brotherhood of man. He has always held the convition that the bond that holds man together is stronger than the forces which try to break it. Dr. Gow, 66, was born in Cape Town of a Cape Coloured woman and an American Negro. His father Francis MacDonald Gow, was the first non-white photographer in Cape Town, who also took the first flash-photo in the Union. He did this at a banquet in the Old Drill Hall in honour of Cecil John Rhodes. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 4560 x 5902
    Media Id: 140_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0062_001.tif
    Title: Cape Musician Becomes A.M.E. Bishop
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102911::SAED:RELIGION:PERSONALITIES:JUL 1956 - Cape Musician Becomes A.M.E. Bishop - Bishop Ball (left) and Dr. Gow - Reverend Dr. Francis Herman Gow, the newly-appointed bishop of the African Methodist Church (A.M.E) in South Africa, has always believed in the brotherhood of man. He has always held the convition that the bond that holds man together is stronger than the forces which try to break it. Dr. Gow, 66, was born in Cape Town of a Cape Coloured woman and an American Negro. His father Francis MacDonald Gow, was the first non-white photographer in Cape Town, who also took the first flash-photo in the Union. He did this at a banquet in the Old Drill Hall in honour of Cecil John Rhodes. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 5056 x 4300
    Media Id: 143_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0062_002.tif
    Title: Cape Musician Becomes A.M.E. Bishop
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102912:SAED:RELIGION:PERSONALITIES:JUL 1956 - Cape Musician Becomes A.M.E. Bishop - Reverend Dr. Francis Herman Gow, the newly-appointed bishop of the African Methodist Church (A.M.E) in South Africa, has always believed in the brotherhood of man. He has always held the convition that the bond that holds man together is stronger than the forces which try to break it. Dr. Gow, 66, was born in Cape Town of a Cape Coloured woman and an American Negro. His father Francis MacDonald Gow, was the first non-white photographer in Cape Town, who also took the first flash-photo in the Union. He did this at a banquet in the Old Drill Hall in honour of Cecil John Rhodes. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4235 x 4281
    Media Id: 143_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0075_018F.tif
    Title: Angela Heads For The Stars
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102719:SAED:MUSIC:CHILDREN:PERSONALITIES:AUG 1963 - Angela Heads For The Stars - At play (left) Angela's just like any other girl of 12. She likes skipping and hop-scotch. Angela Khuzwayo is 12 and has become a violinist of promise. She has not missed a lesson in two years and her teacher, well-known Durban Musician Patrick Chambers, says that he could not have wished for a keener pupil. This shy school girl has become the pride of her neighbour-hood. Whenever Angela practises at her home the neighbours proudly say: 'That's our Angela'. And those who have time wander up the winding stairs to the Khuzwayo house to listen. (Photograph by G.R Naidoo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3596 x 7588
    Media Id: 141_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0075_019F
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102720:SAED:MUSIC:CHILDREN:PERSONALITIES:AUG 1963 - Midget With A Mighty Heart - 26-Year-old Johannes is blind. And a cripple. And a three-foot midget. Most people stricken like Johannes would have despaired long ago and given up all hope of happiness. But not Johannes. This little man has the heart of a giant - and a mountain of talent and guts. Years ago, he heard a street musician playing guitar outside his Ingogo, Natal home. 'Mom, he said, 'I'm going to learn to play the guitar.' And despite all the odds, he has not only learnt to play it, but has developed a terrific talent. Now he is able to earn a living from it. At present, he is mainly a street corner musician. ( Photograph by Alf Kumalo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 5615 x 8118
    Media Id: 142_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0075_020F.tif
    Title: Midget With A Mighty Heart
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102721:SAED:MUSIC:CHILDREN:PERSONALITIES:AUG 1963 - Midget With A Mighty Heart - Johannes also plays the flute, he is with his elder brother on the Guitar. 26-Year-old Johannes is blind. And a cripple. And a three-foot midget. Most people stricken like Johannes would have despaired long ago and given up all hope of happiness. But not Johannes. This little man has the heart of a giant - and a mountain of talent and guts. Years ago, he heard a street musician playing guitar outside his Ingogo, Natal home. 'Mom, he said, 'I'm going to learn to play the guitar.' And despite all the odds, he has not only learnt to play it, but has developed a terrific talent. Now he is able to earn a living from it. At present, he is mainly a street corner musician. ( Photograph by Alf Kumalo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Ingogo, Natal
    Orientation: portrait
    Pixel Size: 3356 x 6564
    Media Id: 142_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_019.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102035:SAED:SOCIAL:MUSIC:DEC 1972 - Mrs Eve Magubane tells the moving story of Cyril's life. Cyril Magubane, a great musician and brave man is dead. From the age of five he lived in pain. But he never showed it, and was an inspiration to all who worked with him. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2685 x 5168
    Media Id: 792_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_020.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102034:SAED:SOCIAL:MUSIC:DEC 1972 - Cyril, a great musician and a brave man. The expression we all knew so well when Cyril Magubane twanged that guitar of his. None of us could ever tell if the expression learnt pain or that he was lost in a world of his own. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 4789 x 2981
    Media Id: 792_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_015.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010020304:SAED:MUSIC:NO DATE: Unknown Musician. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3913 x 5936
    Media Id: 783_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0209_018.tif
    Title: Music
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010020305:SAED:SOCIAL:MUSIC: NO DATE - Unknown Musician. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3940 x 5915
    Media Id: 783_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, music, man, musicial instrument, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0226_004.tif
    Title: Sonny Pillay and Miriam Makeba were the black glamour couple of the 1950s
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011041207:GCP:MUSIC:PERSONALITIES:5JUL 1959 - Sonny Pillay and Miriam Makeba were the black glamour couple of the 1950s and part of the King Kong musical cast that went to London. Now based in New York, Pillay a singer, composer and author has written a book called 'Shadow people' detailing his experiences before leaving South Africa. (Photograph by Ranjith Kally ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4789 x 4822
    Media Id: 779_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, Music, July 1959, July, 1959, Sonny Pillay, Miriam Makeba, couple, sitting, drinking, Makeba, Pillay, composer, author, musician, New York, Indian man, African woman, Indians, Ranjith Kally, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072013
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999072013:SAED:MUSIC:PERSONALITY:WOMEN:MAY1961 Ambassador Jazz Club - Beattie Benjamin the Cape's top jazz singer and friend of Dollar Brand (Abdul Ibrahim), croons to a multiracial audience at he club. (Photograph by Drum photographer Baielys Archives) jazz, exile, coloured people
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1968 x 1945
    Media Id: 69_458
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, square, black and white image, Drum Magazine, musician, Ambassador Jazz Club, music, Beattie Benjamin, singer, musicians, Coloured people, South African history, Africa, jazz, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999121004
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999121004:GCP:DANCE:MUSIC:BEAUTIES:31JUL1955 - The New Look And Old Look Went Dancing - It was a chilly night warmed only by the dense crowd at the Mafri dance. Girls were modelling African and European dress. Unknown musician. (Photograph by Bob Gosani © Baileys Archive) neg 856
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Pixel Size: 2130 x 2010
    Media Id: 19_911
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999121004
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999121004:GCP:DANCE:MUSIC:BEAUTIES:31JUL1955 - The New Look And Old Look Went Dancing - It was a chilly night warmed only by the dense crowd at the Mafri dance. Girls were modelling African and European dress. Unknown musician. (Photograph by Bob Gosani Baileys Archive) neg 856
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2130 x 2010
    Media Id: 70_306
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1955, square, July, music, jazz pianist, Mafri Dance, African Jazz, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021013
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021013:POLITICS:PERSONALITY:DM2000021014:POLITICS:PERSONALITY:SEP1961 - James Mpanza - The Sofasonke Story - Frm Death Cell To Success - Mpanza Today Has His Own 'Political' Party With Plenty Of Followers. Hundreds Seek Advice - Condemned killer and missionary, racehorse owner, religious visionary, writer, amateur lawyer, politician, musician, that is James Sofasonke Mpanza, the old Miracle Man of Orlando. We all know the legend. He was born on May 1889. He went first to school in New Germany and then his mother sent him to Adams Seminaryafter he was recomended for standard VII. The following year his mother could not raise the examination fee. (Photograph by Drum Photographer Baileys Archives) sofasonke party, criminal
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2751 x 3543
    Media Id: 70_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: portrait, facing camera, head and shoulders, Drum Magazine, South Africa, Africa, South African history, black and white image, September 1961, Miracle Man of Orlando, vertical, politicians, musician, James Sofasonke Mpanza, criminal, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021013
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000021013:POLITICS:PERSONALITY:DM2000021014:POLITICS:PERSONALITY:SEP1961 - James Mpanza - The Sofasonke Story - Frm Death Cell To Success - Mpanza Today Has His Own 'Political' Party With Plenty Of Followers. Hundreds Seek Advice - Condemned killer and missionary, racehorse owner, religious visionary, writer, amateur lawyer, politician, musician, that is James Sofasonke Mpanza, the old Miracle Man of Orlando. We all know the legend. He was born on May 1889. He went first to school in New Germany and then his mother sent him to Adams Seminaryafter he was recomended for standard VII. The following year his mother could not raise the examination fee. (Photograph by Drum Photographer © Baileys Archives) sofasonke party, criminal
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 2751 x 3543
    Media Id: 19_736
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021014
    Title: James Mpanza
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021014:POLITICS:PERSONALITY:SEP1961 - James Mpanza - The Sofasonke Story - Frm Death Cell To Success - Mpanza Today Has His Own 'Political' Party With Plenty Of Followers. Hundreds Seek Advice - Condemned killer and missionary, racehorse owner, religious visionary, writer, amateur lawyer, politician, musician, that is James Sofasonke Mpanza, the old Miracle Man of Orlando. We all know the legend. He was born on May 1889. He went first to school in New Germany and then his mother sent him to Adams Seminaryafter he was recomended for standard VII. The following year his mother could not raise the examination fee. (Photograph by Drum Photographer Baileys Archives) Sofasonke party, criminal, hangman,
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2271 x 3543
    Media Id: 70_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, Orlando, black and white image, South African history, Africa, musician, South Africa, politicians, Drum Magazine, Gauteng, head and shoulders, facing camera, portrait, Miracle Man of Orlando, James Sofasonke Mpanza, 1960s, 1960, 1961, September, vertical, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021014
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000021014:POLITICS:PERSONALITY:SEP1961 - James Mpanza - The Sofasonke Story - Frm Death Cell To Success - Mpanza Today Has His Own 'Political' Party With Plenty Of Followers. Hundreds Seek Advice - Condemned killer and missionary, racehorse owner, religious visionary, writer, amateur lawyer, politician, musician, that is James Sofasonke Mpanza, the old Miracle Man of Orlando. We all know the legend. He was born on May 1889. He went first to school in New Germany and then his mother sent him to Adams Seminaryafter he was recomended for standard VII. The following year his mother could not raise the examination fee. (Photograph by Drum Photographer © Baileys Archives) Sofasonke party, criminal, hangman,
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 2271 x 3543
    Media Id: 19_759
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021408
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021408:SAED:MUSIC:MAY1955 - Zig-Zag and His Jazz - Isaac Nkosi - 'Zig Zag Zakes' has been a horn blower all his life. Since the days of the great jazz Maniacs, when that mighty team was founded, since the days when 'Zulu Boy' Cele started jazz history in this country, 'Zig Zag Zakes' has been blowing string and mighty jazz. Zakes retired from big business when the Jazz Maniacs foulded up. He started the smaller bands for recording purposes chiefly. Now and again he sits in with Themba Ellison's African Swingsters. Zakes plays the Alto-sax and the clarinet. His hometown, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. A patieint teacher who combines teaching with sympathy. A jazzman who has great feeling for jazz and creative mind that has composed many tunes heard on record. (Photograph by Drum Photgrapher Baileys Archive) neg 540
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2200 x 2040
    Media Id: 43_182
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, Isaac Nkosi, Zig-Zag Zakes, May, 1955, 1950s, musician, jazz, saxophone, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021409
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021409:SAED:MUSIC:MAY1955 - Zig-Zag and His Jazz - Isaac Nkosi - 'Zig Zag Zakes' has been a horn blower all his life. Since the days of the great Jazz Maniacs, when that mighty team was founded, since the days when 'Zulu Boy' Cele started jazz history in this country, 'Zig Zag Zakes' has been blowing string and mighty jazz. Zakes retired from big business when the Jazz Maniacs foulded up. He started the smaller bands for recording purposes chiefly. Now and again he sits in with Themba Ellison's African Swingsters. Zakes plays the Alto-sax and the clarinet. His hometown, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. A patient teacher who combines teaching with sympathy. A jazzman who has great feeling for jazz and creative mind that has composed many tunes heard on record. (Photograph by Drum Photgrapher Baileys Archive) neg 540
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4681 x 4569
    Media Id: 70_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, Isaac Nkosi, Zig-Zag Zakes, May, 1955, 1950s, musician, jazz, clarinets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021410
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021410:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coa
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 1960
    Media Id: 43_731
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, personality, square, jazz, music, September, 1960, Kippie Moeketsi, saxophonist, playing, black African man, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021411
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021411:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labelling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coa
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 1980
    Media Id: 42_911
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: personality, jazz, Drum Magazine, South Africa, South African history, black and white image, music, square, September, 1960, Kippie Moeketsi, saxophonist, playing, black African man, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021412
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021412:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labelling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coat
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 1980
    Media Id: 43_1405
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, personality, square, music, jazz, September, 1960, saxophonist, playing, black African man, Kippie Moeketsi, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021413
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021413:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coate
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4683 x 4637
    Media Id: 43_1004
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: personality, music, Drum Magazine, South Africa, South African history, black and white image, jazz, square, September, 1960, saxophonist, playing, black African man, Kippie Moeketsi, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021419
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021419:SAED:MUSIC:MAY1955 - Zig-Zag and His Jazz - Isaac Nkosi - 'Zig Zag Zakes' has been a horn blower all his life. Since the days of the great jazz Maniacs, when that mighty team was founded, since the days when 'Zulu Boy' Cele started jazz history in this country, 'Zig Zag Zakes' has been blowing string and mighty jazz. Zakes retired from big business when the Jazz Maniacs foulded up. He started the smaller bands for recording purposes chiefly. Now and again he sits in with Themba Ellison's African Swingsters. Zakes plays the Alto-sax and the clarinet. His hometown, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. A patieint teacher who combines teaching with sympathy. A jazzman who has great feeling for jazz and creative mind that has composed many tunes heard on record. (Photograph by Drum Photgrapher Baileys Archive) neg 540
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2720 x 1940
    Media Id: 43_624
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, Isaac Nkosi, Zig-Zag Zakes, May, 1955, 1950s, musician, jazz, clarinets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021502
    Title: Dollar Brand - Abdul Ibrahim
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021502:SAED: MUSIC:PERSONALITY:DEC1959 - Crazy? Genius? Beatnik? Dollar Brand - Abdul Ibrahim before he left the country. (Photograph by Drum photographer Baileys Archives) jazz, exile
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1950 x 2960
    Media Id: 43_781
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, 1959, December, vertical, 1950s, Abdul Ibrahim, musician, black African man, playing (musical instruments), Dollar Brand, Drum Photographer, Jazz, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021704
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021704:SAED:MUSIC:PERSONALITY:MAY1964 - Sosthinus John Mothuping is 18, Blind - Teenager Extraordinary - He plays the piano, guitar, sings and runs his own jazz band. He loves cracking jokes and laughs rauously in a high pitched voice any time something funny is said. Yes, nothing very extraordinary about this, but thruth is Sos is Blind and so are all the band member of his band. He can still afford to laugh although his father Zeph Mothuping has been in jail since 1960 when arrested with the PAC leaders. "My favourite is Ray Charles, of course." Besides music, Sos also runs a Cultural Club at Uncle Tom's Hall. They hold debates, play indoor games to while away time. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2880 x 1960
    Media Id: 43_1002
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, blind people, May, 1964, 1960s, Sosthinus John Mothuping, musician, guitarist, guitar, jazz, playing, athlete, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021708
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021708:SAED:MUSIC:MAR1954 - King Force - Wilson Silgee - Twenty years a King of Jazz and still not out! Wilson Silgee was leading the famous Jazz Maniacs. "There's too much of this cheap jazz flying about. Crude imitation American stuff. Just noise. There's only one thing to do, break it! That's what I do..." "Jazz is my life. I've learned the hard way, three diplomas at Trinity College of Music, London." Twenty years they begged him to put his music on disc. Twenty years he refused. He wanted to carry that message across personally. He's carried that message through more than 50,000 miles of jazz entertainment in South Africa. And now he's put his music, his great sounds, down on Gallotone discs. 'King Force and his Jazz Forces' (Photograph by Bob Gosani Baileys Archive) neg 486
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2110 x 1970
    Media Id: 42_1023
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1954, March, 1950s, Wilson Silgee, King Force and his Jazz Forces, musician, jazz, piano, saxophone, black African man, Jazz Maniacs, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021709
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021709:SAED:MUSIC:MAR1954 - King Force - Wilson Silgee - Twenty years a King of Jazz and still not out! Wilson Silgee was leading the famous Jazz Maniacs. "There's too much of this cheap jazz flying about. Crude imitation American stuff. Just noise. There's only one thing to do, break it! That's what I do..." "Jazz is my life. I've learned the hard way, three diplomas at Trinity College of Music, London." Twenty years they begged him to put his music on disc. Twenty years he refused. He wanted to carry that message across personally. He's carried that message through more than 50,000 miles of jazz entertainment in South Africa. And now he's put his music, his great sounds, down on Gallotone discs. 'King Force and his Jazz Forces' (Photograph by Bob Gosani Baileys Archive) neg 486
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4672 x 4624
    Media Id: 70_140
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1954, Drum Magazine, South Africa, Africa, South African history, black and white image, March, square, 1950s, Wilson Silgee, King Force and his Jazz Forces, musician, jazz, piano, saxophone, black African man, Jazz Maniacs, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021710
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021710:SAED:MUSIC:PERSONALITY:APR1955 - 20 Years Of Senor Jazzmo - Antonio Saude, the man from Portuguese East Africa who took South Africa by storm 20 years ago. And is still rocking the ole town! He plays trumpet, violin, trombone, cornet, guitar, mandolin, saxophone, clarinet, banjo, ukelele, euphonium and the bombadin. You wouldn't guess his age, but he's 51: Musician, plumber, carpenter, band conductor, founder of jazz bands and father. (Photograph by Drum photographer Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1990 x 1910
    Media Id: 42_796
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1955, April, 1950s, musician, jazz, saxophone, Antonio Saude, black African men, trumpets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021711
    Title: 20 Years Of Senor Jazzmo - Antonio Saude, the man from Portuguese East Africa who took South Africa by storm 20 years ago
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021711:SAED:MUSIC:PERSONALITY:APR1955 - 20 Years Of Senor Jazzmo - Antonio Saude, the man from Portuguese East Africa who took South Africa by storm 20 years ago. And is still rocking the ole town! He plays trumpet, violin, trombone, cornet, guitar, mandolin, saxophone, clarinet, banjo, ukelele, euphonium and the bombadin. You wouldn't guess his age, but he's 51: Musician, plumber, carpenter, band conductor, founder of jazz bands and father. (Photograph by Drum photographer Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 1950
    Media Id: 43_145
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1955, Drum Magazine, South Africa, Africa, South African history, black and white image, April, square, 1950s, musician, jazz, guitarist, Antonio Saude, black African man, black African woman, black African child, violins, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021713
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021713:SAED:MUSIC:PERSONALITY:AUG1952 - Elijah Nkwanyana - Talking Trumpeter - Mr Confess - Natal music lovers will remember the tour of the Inkspots in 1952, under Philimon Mokgosi. There was a young man with the troupe singing a number called 'Confess'. He sang and played it so well that from Vryheid to Durban the girls crowned him 'Mr Confess.' That was none other than Elijah Nkanyana, fourth of a family of six, of very modest means. He is being polished by one of South Africa's foremost white pianists, Dave Lee, of Johannesburg. (Photograph by Drum Photographer Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1849 x 1967
    Media Id: 69_496
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, trumpets, square, trumpeters, August, 1952, 1950s, Elijah Nkwanyana, musician, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021715
    Title: Gray Mbau
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021715:SAED:MUSIC:PERSONALITY:AUG1952 - Gray Mbawu - Play Time '52 - Reaching for the star and riding high note is Gray Mbawu, who possesses the highest trumpet range, his top note is E.Gray deplores the detorioration so evident among big bands and hopes for better times with the re-appearance of Harlem Swingsters on the jazz scene. (Photograph by Drum Photographer Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1900 x 1870
    Media Id: 43_1093
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Gray Mbawu, August, 1952, 1950s, trumpets, trumpeters, Drum Magazine, South Africa, Africa, South African history, black and white image, black African man, Harlem Swingsters, square, playing, musician, jazz, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030606
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030606:SAED:MUSIC:PERSONALITY:FEB1952 - Meet The Music's General - Meet The Maestro - General 'Genie' Duze, the most genial of musicians. Together with Billy Roach they share the honour of being South Africa's top Guitarists. Genie has sat on nearly all the stages of the Union's leading towns. He has also taken part in a film. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2030 x 1830
    Media Id: 43_1319
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1952, February, 1950s, General Duze, Billy Roach, musician, guitarist, black African man, artists, guitar, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030607
    Title: General Duze
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030607:SAED:MUSIC:PERSONALITY:FEB1952 - Meet The Music's General - Meet The Maestro - General 'Genie' Duze, the most genial of musicians. Together with Billy Roach they share the honour of being South Africa's top Guitarists. Genie has sat on nearly all the stages of the Union's leading towns. He has also taken part in a film. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2030 x 1830
    Media Id: 43_1653
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: guitar, Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1952, February, 1950s, General Duze, Billy Roach, musician, black African man, artists, guitarist, February 1952, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030608
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030608:SAED:MUSIC:PERSONALITY:FEB1952 - Meet The Music's General - Meet The Maestro - General 'Genie' Duze, the most genial of musicians. Together with Billy Roach they share the honour of being South Africa's top Guitarists. Genie has sat on nearly all the stages of the Union's leading towns. He has also taken part in a film. 'Genie' is a love of books and gets lots of ideas from even a simple folk tale. But book or no book the guiter must always be around. (Photograph by Jurgen Schaderberg Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2000 x 1920
    Media Id: 43_1213
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1952, Drum Magazine, South Africa, Africa, South African history, black and white image, square, February, 1950s, General Duze, Billy Roach, musician, guitarist, black African man, artists, guitar, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030609
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030609:SAED:MUSIC:PERSONALITY:FEB1952 - Meet The Music's General - Meet The Maestro - General 'Genie' Duze, the most genial of musicians. Together with Billy Roach they share the honour of being South Africa's top Guitarists. Genie has sat on nearly all the stages of the Union's leading towns. He has also taken part in a film. Keeping fit! Lifting about 40 pounds for a start. Don't drop that on the guitar p...p...lease! (Photograph by Jurgen Schaderberg Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2000 x 1920
    Media Id: 44_106
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1952, Drum Magazine, South Africa, Africa, South African history, black and white image, February, square, 1950s, General Duze, Billy Roach, musician, black African man, artists, guitarist, Weightlifting, guitar, weights, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030610
    Title: Billy Roach
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030610:SAED:MUSIC:PERSONALITY:FEB1952 - Meet The Music's General - Meet The Maestro - General 'Genie' Duze, the most genial of musicians. Together with Billy Roach they share the honour of being South Africa's top Guitarists. Genie has sat on nearly all the stages of the Union's leading towns. (Photograph by Jurgen Schaderberg Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2000 x 1920
    Media Id: 43_782
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1952, February, Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1950s, General Duze, Billy Roach, musician, guitarist, artists, black African man, raking, 1952, February, Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1950s, General Duze, Billy Roach, musician, guitarist, artists, black African man, raking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030620
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030620:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1830
    Media Id: 42_936
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, September, square, Kippie 'Charlie Parker' Moeketsi, clarinets, musician, playing, 1970, 1970s, black African man, clarinetist, walls, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030621
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030621:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1830
    Media Id: 43_668
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, square, September, Kippie Moeketsi, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030622
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030622:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1830
    Media Id: 43_1028
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, September, Kippie Moeketsi, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030623
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030623:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4667 x 4713
    Media Id: 69_529
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, Drum Magazine, South Africa, Africa, South African history, black and white image, square, Kippie Moeketsi, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030624
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030624:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi, the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4662 x 4692
    Media Id: 43_1364
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, Drum Magazine, South Africa, Africa, South African history, black and white image, Kippie Moeketsi, square, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030813
    Title: Kippie Moeketsi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM20000030806:SAED:MUSIC:PERSONALITY:NODATE - Kippie Moeketsie - Kippei leading the unforgettable sound and amazing technichal skill of Dollar Brand, Makhaya Ntshoko, Johnny Gertze, Hugh Masekela; The Jazz Epistles. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2940 x 1980
    Media Id: 42_986
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, Kippie Moeketsi, Drum Magazine, South Africa, Africa, South African history, black and white image, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, horizontal, music,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041016
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000041016:SAED:POLITICS:PERSONALITY:AUG1954 - Masterpiece In Bronze - Roseberry Tandwefika Bokwe was born at Luthuli, Tsomo, Transkei, Cape Province on the 7th March 1900. He is the son of the late Rev. John Knox Bokwe, himself a man of enlightment as missionary and pioneer musician and composer among Africans in South Africa. As a ministers child Roseberry was to move from place to place with his parents. He began his education at Ugie and continued at Lovedale Institution from 1911 to 1917. In 1918, he entered Fort Hare College for his matriculation, after which he took a teachers diploma. (Photograph by Drum Photographer © Baileys Archives) Teacher, medicine
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 2628 x 3543
    Media Id: 23_251
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041016
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041016:SAED:POLITICS:PERSONALITY:AUG1954 - Masterpiece In Bronze - Roseberry Tandwefika Bokwe was born at Luthuli, Tsomo, Transkei, Cape Province on the 7th March 1900. He is the son of the late Rev. John Knox Bokwe, himself a man of enlightment as missionary and pioneer musician and composer among Africans in South Africa. As a ministers child Roseberry was to move from place to place with his parents. He began his education at Ugie and continued at Lovedale Institution from 1911 to 1917. In 1918, he entered Fort Hare College for his matriculation, after which he took a teachers diploma. (Photograph by Drum Photographer Baileys Archives) Teacher, medicine
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2628 x 3543
    Media Id: 70_72
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, portrait, vertical, August, 1954, 1950s, teacher, black African man, Roseberry Tandwefika Bokwe , ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041023
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041023:SAED:MUSIC:PERSONALITY:MAY1955 - Zig-Zag and His Jazz - Isaac Nkosi. 'Zig Zag Zakes' has been a horn blower all his life. Since the days of the great jazz Maniacs, when that mighty team was founded, since the days when 'Zulu Boy' Cele started jazz history in this country, 'Zig Zag Zakes' has been blowing string and mighty jazz. Zakes retired from big business when the Jazz Maniacs foulded up. He started the smaller bands for recording purposes chiefly. Now and again he sits in with Themba Ellison's African Swingsters. Zakes plays the Alto-sax and the clarinet. His hometown, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. A patieint teacher who combines teaching with sympathy. A jazzman who has great feeling for jazz and creative mind that has composed many tunes heard on record. (Photograph by Drum Photgrapher Baileys Archive) neg 540
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1921 x 2802
    Media Id: 43_661
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, Isaac Nkosi, Zig-Zag Zakes, May, 1955, 1950s, musician, jazz, clarinets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041026
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041026:SAED:THEARTE:PERSONALITY:SEP1968 - Masterpiece In Bronze - Zakes Mokae eyes on the bright lights. In 1963 musicians and fans awaited actor Zakes Mokae's perfomance at the Witwatersrand University Great Wall, Johannesburg, ready to acclaim one of the greatest entertainers of our time. Lanky Zakes was just back from a smashing tour of the United Kingdom with Athol Furgards 'Blood Not.' He was to reading poetry to a backround of Jazz, the first reading of its kind in South Africa. Lichternburg born Mokae's conception of reading poetry to a backround of jazz was something magnificent. Financially struggling Dad and Mum sent aspiring Zakes to St Peter's High School, Rosettenville, Johannesburg where he really picked the stage know-how. He joined the school band, the famous Father Huddleston Jazz Band, as tenor saxophone player along with such greats as Hugh Masekela , onetime husband of Mirriam Makeba. After High school Zakes an ardent reader of poetry, disc
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2412 x 1905
    Media Id: 43_1402
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, horizontal, black African man, Zakes Mokae, September, 1968, 1960s, musician, trophies, Johannesburg, Gauteng, jazz, Witwatersrand University, Witwatersrand University Great Wall, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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