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    Image Number: BHA00013_13
    Title: Street Fighting
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . FEBRUARY 28 1960 Ð STRIP HER! SOCK HER!. SAED:SOCIAL:WOMEN:POST FEBRUARY 28 1960 Ð Strip her, Sock her! Ð Round 1: Left: hey what is this? A free-for-all? Shoes, fists and legs fly-other dangerous weapons are barred by the rules, or maybe because theyÕre just not available at the moment This was a woman onlyÓ fights Ð and it took place during the week in Prince Edward street. (Photograph by Ranjith Kally ©Baileys Archives) Neg 11
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5793 x 3884
    Media Id: 69_622
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, horizontal, Drum Magazine, historical value, socials, history, Fights, fighters, black African women, torn clothing, hitting, groups, onlookers, night time, anger, 1960, 1960s, aggression, fight , St Edward street, bare fist fighting, woman fighting, Ranjith Kally, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_14
    Title: c1960_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WOMEN:POST FEBRUARY 28 1960 Ð Strip her, Sock her! Ð Round 3: ÒAh! Not so fast with your right-which already landed my famous left ÒscratchÓ to the faceÓ says the one on the left. (Photograph by Ranjith Kally ©Baileys Archives) Neg 10
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5805 x 3777
    Media Id: 69_611
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, horizontal, Drum Magazine, historical value, socials, history, black African women, torn clothing, hitting, night time, onlookers, crowds, street scene, pulling, anger, 1960, 1960s, aggressive, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00019_7
    Title: Man, Highlife Is Getting Crazier Still
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM JAN 1959 MAN, HIGHLIFE IS GETTING CRAZIER STILLNIGED:SOCIAL:ENTERTAINMENT:MUSIC:JAN 1959 Man, Highlife Is Getting Crazier Still Lagos lads and lassies do the no-motions-barred Tcha-Tcha-Tcha.. They call it Highlife, reaching for stars. ’My customers dance anything from blues to the ukulele Hawaiian. But their latest craze is Tcha-Tcha-Tcha,“ a Lagos night club proprietor told us as we were wandering around to find out how the people enjoy themselves. And he wasn't exaggerating when he called the Tcha a craze, for, on the dance floor, were boys and girls some rolling on the ground, some reeling like wounded things, and some falling backwards and forwards all answering the call of the Tcha-Tcha-Tcha. This was crazy Highlife getting crazier, madder, loonier, bursting at the seams with abandon. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5386 x 4080
    Media Id: 70_154
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, High life, dancing, Drum Magazine, music, entertainment, January 1959, 1959, January, 1950s, African woman, African man dancing, Tcha-Tcha, dance, night club, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_4
    Title: a1952_2_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:CRIME: DRUM JANUARY 1952 Leaders on Johannesburg vigilantes give their views on fighting tsotsism. Vigilantes' patrol location streets and help send down the crime rate but they make enemies as well as friends. Mr Moretsele, chairman of the Western Native Township Vigilante Association says: ’Although our area is probably the toughest for night patrol, we are just as determined to carry on this work as we were when we started as pioneers in it. (Photograph by Jurgen Schadeberg BAHA) NEG 002 FRAME 4
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4688 x 4787
    Media Id: 70_65
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_6
    Title: a1952_2_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:CRIME: DRUM JANUARY 1952 Ð Leaders on Johannesburg vigilantes give their views on fighting tsotsism. VigilantesÕ patrol location streets and help send down the crime rate but they make enemies as well as friends. Mr J. Lumane, chairman of the Orlando East Vigilante Association, says: ÒSince we started patrolling the streets of Orlando at night and confiscating dangerous weapons from suspicious persons, the number of rapes, robberies and assaults committed at night has diminished. (Photograph by Jurgen Schadeberg © BAHA) NEG 002 FRAME 5
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4724 x 4751
    Media Id: 69_603
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, carpenter, workshops, black African man, hammer, wood, apron, contentment, personality, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0003_10
    Title: a1953_081_7
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: March 1953 Ð Fishy Business! Ð neg 081. SAED:SOCIAL:DRUM MARCH 1953Ð Fishy Business Ð A lot of people think that the Cape Coloured fishermen make thousands by lifting a finger. The fishermen donÕt agree: and after weÕd been out with them one night, we didnÕt either. At Kalk Bay the little fleet goes out nearly every night around midnight. They spend the whole night fishing, and come back to sell their catch next morning. Some days people just wonÕt want fish, and they have to be chucked back where they came from: other days (like Boxing Day) theyÕll buy at any price: but thatÕs just when the fish donÕt seem to be around. (Photograph by Jurgen Schaderberg © BAHA) NEG 081 FRAME 7
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4659 x 4708
    Media Id: 70_119
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, Drum Magazine, history, cultural history, social comments, historical value, fishermen, fishing boats, Cape Coloureds, catch of fish, Kalk Bay, Western Cape, 1953, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0003_11
    Title: a1953_081_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:DRUM MARCH 1953Ð Fishy Business Ð A lot of people think that the Cape Coloured fishermen make thousands by lifting a finger. The fishermen donÕt agree: and after weÕd been out with them one night, we didnÕt either. At Kalk Bay the little fleet goes out nearly every night around midnight. They spend the whole night fishing, and come back to sell their catch next morning. Some days people just wonÕt want fish, and they have to be chucked back where they came from: other days (like Boxing Day) theyÕll buy at any price: but thatÕs just when the fish donÕt seem to be around. (Photograph by Jurgen Schaderberg © BAHA) NEG 081 FRAME 9
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4662 x 4715
    Media Id: 69_686
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, square, South Africa, Africa, March, 1953, 1950s, fishermen, Cape Coloured, Kalk Bay, night time, fishing boats, angled shot, looking down, wooden boats, fishing rods, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0003_12
    Title: a1953_081_16
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:SOCIAL:DRUM MARCH 1953Ð Fishy Business Ð A lot of people think that the Cape Coloured fishermen make thousands by lifting a finger. The fishermen donÕt agree: and after weÕd been out with them one night, we didnÕt either. At Kalk Bay the little fleet goes out nearly every night around midnight. They spend the whole night fishing, and come back to sell their catch next morning. Some days people just wonÕt want fish, and they have to be chucked back where they came from: other days (like Boxing Day) theyÕll buy at any price: but thatÕs just when the fish donÕt seem to be around. (Photograph by Jurgen Schaderberg © BAHA) NEG 081 FRAME 16
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4704 x 4715
    Media Id: 69_595
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, Cape Coloureds, fishermen, fishing industry workers, fresh fish, for sale, customers, Kalk Bay, 1953, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0003_13
    Title: a1953_081_19
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:DRUM MARCH 1953 Fishy Business A lot of people think that the Cape Coloured fishermen make thousands by lifting a finger. The fishermen don't agree: and after we'd been out with them one night, we didn't either. At Kalk Bay the little fleet goes out nearly every night around midnight. They spend the whole night fishing, and come back to sell their catch next morning. Some days people just won't want fish, and they have to be chucked back where they came from: other days (like Boxing Day) they'll buy at any price: but that's just when the fish don't seem to be around. (Photograph by Jurgen Schaderberg BAHA) NEG 081 FRAME 19
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4736 x 4673
    Media Id: 69_305
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0003_14
    Title: a1953_081_18
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:DRUM MARCH 1953 Fishy Business A lot of people think that the Cape Coloured fishermen make thousands by lifting a finger. The fishermen don't agree: and after we'd been out with them one night, we didn't either. At Kalk Bay the little fleet goes out nearly every night around midnight. They spend the whole night fishing, and come back to sell their catch next morning. Some days people just won't want fish, and they have to be chucked back where they came from: other days (like Boxing Day) they'll buy at any price: but that's just when the fish don't seem to be around. (Photograph by Jurgen Schaderberg BAHA) NEG 081 FRAME 18
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 4710 x 4715
    Media Id: 69_318
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0003_15
    Title: a1953_81_20
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:SOCIAL:DRUM MARCH 1953Ð Fishy Business Ð A lot of people think that the Cape Coloured fishermen make thousands by lifting a finger. The fishermen donÕt agree: and after weÕd been out with them one night, we didnÕt either. At Kalk Bay the little fleet goes out nearly every night around midnight. They spend the whole night fishing, and come back to sell their catch next morning. Some days people just wonÕt want fish, and they have to be chucked back where they came from: other days (like Boxing Day) theyÕll buy at any price: but thatÕs just when the fish donÕt seem to be around. (Photograph by Jurgen Schaderberg © BAHA) NEG 081 FRAME 20
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4680 x 4742
    Media Id: 69_570
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, Cape Coloureds, fishermen, fishing industry workers, fresh fish, for sale, customers, Kalk Bay, 1953, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_1
    Title: m1953_243_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: MARCH 1953 HIYA, STRANGER! NEG 243SAED:SPORTS:BOXING:PERSONALITY:DRUM MARCH 1953 Jolting Joe, Middleweight Champ, tells Drum all about his travels overseas. Welcome Home by his eldest daughter Tandiwe on his return from England. She'd been told of her father's coming, but wasn't very sure it was him till he entered the gate it'd been a long time! After leaving Johannesburg on a cold and windy night, you can imagine my surprise and joy when I alighted in London on a perfect summer day two mornings later! We went through Customs with people curiously staring at this solitary and rather puzzled black face amongst all the white ones, we boarded the express train for Doncaster, Yorkshire, where the Wood-cocks, and now I, were to live and the train! (Photograph by Jurgen Schadeberg Baileys Archives) NEG 243 FRAME 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4733 x 4682
    Media Id: 70_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_16
    Title: n1953_256_11
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Talking Trumpet When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now he's a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella you'd say ’Ah! There's a jazz creature, yes man! He's be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldn't have to learn it. But you'd meet Elijah, and you wouldn't even talk politics to him cause he'd be so different. (Photograph by Jurgen Schadeberg Baileys Archives) NEG 256 FRAME 11
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4724 x 4697
    Media Id: 70_171
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_17
    Title: n1953_256_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . AUGUST 1953 Ð TALKING TRUMPET Ð NEG 256. SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Ð Talking Trumpet Ð When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now heÕs a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella youÕd say ÒAh! ThereÕs a jazz creature, yes man! HeÕs be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldnÕt have to learn it. But youÕd meet Elijah, and you wouldnÕt even talk politics to him cause heÕd be so different. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 256 FRAME 9
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4749 x 4724
    Media Id: 69_654
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, trumpets, playing (musical instruments), lying down, offices, blowing, black African man, Elijah Nkwanyana, 1953, 1950s, African musicians, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_18
    Title: n1953_256_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Talking Trumpet When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now he's a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella you'd say ’Ah! There's a jazz creature, yes man! He's be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldn't have to learn it. But you'd meet Elijah, and you wouldn't even talk politics to him cause he'd be so different. (Photograph by Jurgen Schadeberg Baileys Archives) NEG 256 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4700 x 4714
    Media Id: 70_155
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_2
    Title: m1953_243_11
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORTS:BOXING:PERSONALITY:DRUM MARCH 1953 Ð Jolting Joe, Middleweight Champ, tells Drum all about his travels overseasÉ. Ð After leaving Johannesburg on a cold and windy night, you can imagine my surprise and joy when I alighted in London on a perfect summer day two mornings later! We went through Customs with people curiously staring at this solitary Ð and rather puzzled Ð black face amongst all the white ones, we boarded the express train for Doncaster, Yorkshire, where the Wood-cocks, and now I, were to live Ð and the train! (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 243 FRAME 11
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4782 x 4644
    Media Id: 69_470
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, 1953, 1950s, March, boxers, black African people, fathers, mothers, children, families, homes, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_3
    Title: m1953_243_13
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:SPORTS:BOXING:PERSONALITY:DRUM MARCH 1953 Ð Jolting Joe, Middleweight Champ, tells Drum all about his travels overseasÉ. Ð After leaving Johannesburg on a cold and windy night, you can imagine my surprise and joy when I alighted in London on a perfect summer day two mornings later! We went through Customs with people curiously staring at this solitary Ð and rather puzzled Ð black face amongst all the white ones, we boarded the express train for Doncaster, Yorkshire, where the Wood-cocks, and now I, were to live Ð and the train! (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 243 FRAME 13
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4698 x 4758
    Media Id: 69_179
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, South Africa, Africa, Drum Magazine, March, 1953, 1950s, boxers, black African man, black African boy, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_4
    Title: m1953_243_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORTS:BOXING:PERSONALITY:DRUM MARCH 1953 Jolting Joe, Middleweight Champ, tells Drum all about his travels overseas. Keeping Fit, in England or at home is a daily practice with Joliting Joe. He's so keen on boxing that he began gymnasium training two weeks after his return to South Africa. If all goes well, he will have his first fight in March against Simon Greb or Windy Mkize After leaving Johannesburg on a cold and windy night, you can imagine my surprise and joy when I alighted in London on a perfect summer day two mornings later! We went through Customs with people curiously staring at this solitary and rather puzzled black face amongst all the white ones, we boarded the express train for Doncaster, Yorkshire, where the Wood-cocks, and now I, were to live and the train! (Photograph by Jurgen Schadeberg Baileys Archives) NEG 243 FRAME 6
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4644 x 4716
    Media Id: 69_198
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_5
    Title: m1953_243_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORTS:BOXING:PERSONALITY:DRUM MARCH 1953 Ð Jolting Joe, Middleweight Champ, tells Drum all about his travels overseasÉ. Telling tales of a foreign land to his kids gives Joe lots of pleasure. Even the eldest, Leon, couldnÕt imagine the sea- not even a ship, a floating house with hundreds of people. With these tales Joe has kept them out of mischief for many a day.Ð After leaving Johannesburg on a cold and windy night, you can imagine my surprise and joy when I alighted in London on a perfect summer day two mornings later! We went through Customs with people curiously staring at this solitary Ð and rather puzzled Ð black face amongst all the white ones, we boarded the express train for Doncaster, Yorkshire, where the Wood-cocks, and now I, were to live Ð and the train! (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 243 FRAME 10
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4688 x 4733
    Media Id: 69_462
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, March, 1953, 1950s, lounge, household objects, family, black African children, black African man, father, boxers, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_6
    Title: m1953_243_15
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SPORTS:BOXING:PERSONALITY:DRUM MARCH 1953 Jolting Joe, Middleweight Champ, tells Drum all about his travels overseas. After leaving Johannesburg on a cold and windy night, you can imagine my surprise and joy when I alighted in London on a perfect summer day two mornings later! We went through Customs with people curiously staring at this solitary and rather puzzled black face amongst all the white ones, we boarded the express train for Doncaster, Yorkshire, where the Wood-cocks, and now I, were to live and the train! (Photograph by Jurgen Schadeberg Baileys Archives) NEG 243 FRAME 15
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4703 x 4677
    Media Id: 70_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0019_007.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060155:NIGED:SOCIAL:ENTERTAINMENT:MUSIC:JAN 1959 – Man, Highlife Is Getting Crazier Still – Lagos lads and lassies do the no-motions-barred Tcha-Tcha-Tcha.. They call it Highlife, reaching for stars. “My customers dance anything from blues to the ukulele Hawaiian. But their latest craze is Tcha-Tcha-Tcha,” a Lagos night club proprietor told us as we were wandering around to find out how the people enjoy themselves. And he wasn’t exaggerating when he called the Tcha a craze, for, on the dance floor, were boys and girls – some rolling on the ground, some reeling like wounded things, and some falling backwards and forwards – all answering the call of the Tcha-Tcha-Tcha. This was crazy Highlife getting crazier, madder, loonier, bursting at the seams with abandon. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5386 x 4080
    Media Id: 146_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_1.tif
    Title: THE CONFESSION OF A WITCH
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072410:NIGED:SOCIAL:WITCHCRAFT:MAY 1964 The Confession of a witch Madam Fariyike prays on each day at Ajaye Apostilic Church. Prophet Ayodele also prays for her to ward off spirits of former witch circle. For 30 Years she practiced evil witchcraft. She flew in the night like a terrible bird, and brought death to 30 people. These are the claims of Salamo Fariyike, who confesses her past to Dapo Daramola. Thirty years ago, at the age of 17, a young girl was offered what appeared to her to be an ordinary delicious akara ball for breakfast by her dying grandmother. The girl gratefully munched the akara and thanked granny for her kindness. But far from being the ordinary delicacy which the innocent girl thought it was, she claims that akara ball turned her life upside down transforming her overnight from a pretty, kind-hearted, lovable girl to vicious, cruel, blood-sucking witch. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 5720 x 4507
    Media Id: 181_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_14.tif
    Title: THE NIGHT OF THE TIGER
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072214:NIGED:POLITICS:PERSONALITIES:SEP 1963 The Night Of The Tiger Alhaji Adegbenro leaves Broad Street Prison after conferring with Chief Awolowo. On the night of July 1 a ferocious political tiger once again began to stalk Western Nigeria. It was the night Premier S.L. Akintola and the Action Group leader Alhadji Adegbenro announced that the Action Group and the United Peoples Party had agreed to merge. At once new tensions strained the West. There was new suspicion and fear. How can Western Nigerias leaders ride the tiger they helped to create? (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 4479 x 5399
    Media Id: 180_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_15.tif
    Title: THE NIGHT OF THE TIGER
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072213:NIGED:POLITICS:PERSONALITIES:SEP 1963 The Night Of The Tiger A fight breaks out a political meeting in Western Nigeria as new tension builds up. On the night of July 1 a ferocious political tiger once again began to stalk Western Nigeria. It was the night Premier S.L. Akintola and the Action Group leader Alhadji Adegbenro announced that the Action Group and the United Peoples Party had agreed to merge. At once new tensions strained the West. There was new suspicion and fear. How can Western Nigerias leaders ride the tiger they helped to create? (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 5680 x 4504
    Media Id: 180_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_16.tif
    Title: THE NIGHT OF THE TIGER
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072212:NIGED:POLITICS:PERSONALITIES:SEP 1963 The Night Of The Tiger While NCNC leaders meet urgently in Ibadan, supporters parade outside. On the night of July 1 a ferocious political tiger once again began to stalk Western Nigeria. It was the night Premier S.L. Akintola and the Action Group leader Alhadji Adegbenro announced that the Action Group and the United Peoples Party had agreed to merge. At once new tensions strained the West. There was new suspicion and fear. How can Western Nigerias leaders ride the tiger they helped to create? (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 5657 x 4427
    Media Id: 180_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_2.tif
    Title: he Confession of a witch For 30 Years she practiced evil witchcraft
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072409:NIGED:SOCIAL:WITCHCRAFT:MAY 1964 The Confession of a witch For 30 Years she practiced evil witchcraft. She flew in the night like a terrible bird, and brought death to 30 people. These are the claims of Salamo Fariyike, who confesses her past to Dapo Daramola. Thirty years ago, at the age of 17, a young girl was offered what appeared to her to be an ordinary delicious akara ball for breakfast by her dying grandmother. The girl gratefully munched the akara and thanked granny for her kindness. But far from being the ordinary delicacy which the innocent girl thought it was, she claims that akara ball turned her life upside down transforming her overnight from a pretty, kind-hearted, lovable girl to vicious, cruel, blood-sucking witch. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5723 x 4524
    Media Id: 181_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, witchcraft, woman, witch, flew, night, Salamo Fariyike, confession, Dapo Darmola, akara, Drum Photographer, flying, bird, May 1964, 1964, May, 1960s, practiced, evil, portrait, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0032_7.tif
    Title: Uganda's New Strongman: Major General Idi Amin, surrounded by armed soldiers
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008071804:EAED:POLITICS:PERSONALITIES:FEB 1971 - Uganda's New Strongman: Major General Idi Amin, surrounded by armed soldiers, drives through the crowded streets. It all started with the rattling of gunfire throughout the night of January 24, 1971, which gave residents of Kampala not the slightest chance to sleep. Only a few people, probably only men of the armed forces, knew what was going on. The gunfire continued throughout them morning, and still there was no real knowledge of what was taking place. Then at 3:45 p.m. Radio Uganda interrupted its day-long music broadcasts, and an unnamed soldier read a lengthy statement announcing that the army had taken over the government. They also decided to take power from Dr Obote and hand it to our fellow soldier, Major General Idi Amin Dada. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5703 x 4467
    Media Id: 182_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Uganda, Drum magazine, Amin, Major General Idi Amin, Dada, Idi Amin, soldiers, Obote, driving, gunfire, Radio Uganda, Drum Photographer, February 1971, 1971, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0033_55.tif
    Title: ASSINATION BID THAT FAILED
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008061308:EAED:POLITICS:PERSONALITIES:JUN 1970 - Assassination Bid That Failed - The night of the shooting: President is seen leaving Lugogo Stadium after having his controversial Common Man's Chapter adopted by the UPC. Minutes after this photograph was taken, Obote was shot. It would have been the most audacious assassination in modern Africa - an unknown taxi-driver killing President Milton Obote while he was surrounded by troops and security guards. But it failed by the narrowest of margins, because a semi-automatic Czech pistol jammed after the first shot, and because a Chinese-made hand grenade failed to explode. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: UGANDA
    Orientation: landscape
    Pixel Size: 4782 x 3526
    Media Id: 178_38
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0033_57.tif
    Title: ASSINATION BID THAT FAILED
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008061309:EAED:POLITICS:PERSONALITIES:JUN 1970 - Assassination Bid That Failed - Obote speaks on his vision of a self-reliant socialist Uganda on the fateful night. It would have been the most audacious assassination in modern Africa - an unknown taxi-driver killing President Milton Obote while he was surrounded by troops and security guards. But it failed by the narrowest of margins, because a semi-automatic Czech pistol jammed after the first shot, and because a Chinese-made hand grenade failed to explode. President Obote suffered minor face wounds when the first bullet ripped through his cheeks, damaging some of his teeth and pat of his tongue. But, to Uganda's great good fortune, the damage was slight, and he was soon back at his duties. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: UGANDA
    Pixel Size: 4053 x 3520
    Media Id: 179_39
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0037_10.tif
    Title: THE MAN WHO DIDNT STAY TO DINNER
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060238:EAED:POLITICS:PERSONALITIES:MAR 1963 The Man Who Didnt Stay To Dinner Rusape had never seen such a day. The leaders on Bail Shake hands of well-wishers. Nkomo and his friends had spent two nights in detention. Joshua Nkomo went to a dinner party that Saturday night, but he didnt finish dinner. As his meal stood on the table uneaten, Nkomo was in Jail. The Southern Rhodesian African Nationalist leader who had eluded jail so long was spending his first night in the cells together with three others from the dinner party James Chikerema, Daniel Madzimbamuto, and Maurice Nyagumbo, all former long-term Gokwe restrictees. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: landscape
    Pixel Size: 4914 x 3234
    Media Id: 178_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0037_9.tif
    Title: The Man Who Didn't Stay To Dinner - Joshua Nkomo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060237:EAED:POLITICS:PERSONALITIES:MAR 1963 The Man Who Didnt Stay To Dinner The little town of Rusape had never seen such a day before. Armed police tried to clear the enthusiastic crowd, but couldnt. Nkomo and his friends had spent two nights in detention. Joshua Nkomo went to a dinner party that Saturday night, but he didnt finish dinner. As his meal stood on the table uneaten, Nkomo was in Jail. The Southern Rhodesian African Nationalist leader who had eluded jail so long was spending his first night in the cells together with three others from the dinner party James Chikerema, Daniel Madzimbamuto, and Maurice Nyagumbo, all former long-term Gokwe restrictees. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 4920 x 3030
    Media Id: 178_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, March 1963, 1963, Drum Magazine, politics, Rusape, armed, police, Nkomo, detention, Joshua Nkomo, party, jail, Drum Photographer, ames Chikerema, Daniel Madzimbamuto, Maurice Nyagumbo, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0038_2.tif
    Title: Birth Of A Nation Independence Day, October 24, 1964 Zambians become citizens of the world
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060248:EAED:POLITICS:PERSONALITIES:DEC 1964 Birth Of A Nation Independence Day, October 24, 1964 Zambians become citizens of the world. Kenneth Kaunda welcomes Queen Elizabeths aunt, the Princess Royal, to the Independence Stadium. In a shower of sparks, Zambia was born. Giant rockets, bursting high, splattered and spumed, the night wind brought down a fiery rain of sparks on the 180,000 people crowding below in the huge Independence Stadium three times the size of Olympic stadium in Tokyo, everybody told everybody. But those were about the only fire-works evident as, with monumental calmness, Northern Rhodesia became the Republic of Zambia. Simon Kapwepwe, Foreign Minister to-be, showed most emotion. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 8046 x 4948
    Media Id: 182_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Zambia, Drum Magazine, politics, independence, Zambia Independence, Kenneth Kaunda, December 1964, 1964, December, Queen Elizabeth's aunt, Princess Royal, celebration, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0044_009.tif
    Title: Kick The Jujuman Out Of Sport
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081414:GHAED:SPORTS:SOCCER:PERSONALITIES:MAY 1959 - Kick The Jujuman Out Of Sport - A sheep is slaughtered by a Jujuman. It's supposed to bring luck on the sportsfield. In the past, on the night before a match, many football players used to spend the night in the open at cemeteries. Some of them are still burying sheep alive because the jujuman says that will bring victory. A first-class team did it recently before a big match. Fortunately for them, they had also kept up their training, so they didn't have to rely on the sheep to get goals for them. The practices are making many sports-men lazy and training-shy. What is more, they are driving intelligent and potentially good players away from the sportsfield. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 3481 x 3268
    Media Id: 251_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0044_012.tif
    Title: Kick The Jujuman Out Of Sport
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081418:GHAED:SPORTS:SOCCER:PERSONALITIES:MAY 1959 - Kick The Jujuman Out Of Sport - It's the night before the match. The soccer players are having a long bout with the mutiman. They drink his mixture. In the past, on the night before a match, many football players used to spend the night in the open at cemeteries. Some of them are still burying sheep alive because the jujuman says that will bring victory. A first-class team did it recently before a big match. Fortunately for them, they had also kept up their training, so they didn't have to rely on the sheep to get goals for them. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 3915 x 4311
    Media Id: 251_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0047_005.tif
    Title: Man Who Found A Mammy -Water
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082006:GHAED:SOCIAL:MUSIC:PERSONALTIES:MAY 1961 - The Man Who Found A Mammy -Water - He Shows Her How To Play A Guitar Then the wonder of getting to know each other. Bill tells of the night club where he plays the guitar, shows his new love the mysteries of his instrument. Bill makes up his mind: he must take her home. Llfe will not be the complete without her, and it's too bad that the neighbours think. So it's off to Accra. There he was on the shore, playing his guitar and singing to himself. Suddenly he caught sight of something gleaming in the water. He went closer. It had the tail of fish, but this was no ordinary child if the sea. The hair was lustrous, the face divine - a mammy water! ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4003 x 5175
    Media Id: 252_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, music, May 1961, guitar, 1961, mammy, water, play, Bill, mammy water, Drum Photographer, musical instruments, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0047_015.tif
    Title: J.A. Dawutey
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082105:GHAED:SOCIAL:PERSONALTIES:JAN 1960 - Do We Marry Too Late? - J.A. Dawutey: "Unlees Our Girls Are Prepared To Forget The Night Clubs And Devote Most Of Their Time To The Home, Their Chances Of Getting Married Are Slim. That's A Fact!" And not only because fewer men are marrying more than one wife. But because, as the jazz tune says, ''Things ain't what they used to be.'' Marriage is no longer the simple matter of a girl being healthy and of the right age. Marriage has been made complicated by the influence of Western civilisation, the rising cost of living- and a lowering of morals. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3593 x 4680
    Media Id: 252_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: J.A. Dawutey, Ghana, January 1960, 1960, marry, men, married, jazz,
    Model Release: No
    Property Release: No

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    Image Number: BHA0050_002.tif
    Title: N.R. Tackles Pro Game's Problems
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090906:EAED:SPORTS:SOCCER:PERSONALITIES:MAY 1962 - N.R Tackles Pro Game's Problems. Chairman was Ndola's Tom Mtimi - Mr Soccer, a smiling business and newspaperman, town councilor and office bearer on a string of national and civic organisations. This was jus one more for Mtimi - one more that often kept him up all night. Backing him were a group of white pro-soccer prophets led by Luanshya's Arthur Edward Johannson (35 years of soccer administrator). Anxiously they turned out together for big kick-off. When it was all over a happier looking Mtimi told DRUM: " Yes, it's O.K. It's going to work. A more guarded Johannson said: "It took South Africa 40 years to organise pro-soccer. It took us three months. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Pixel Size: 2652 x 2976
    Media Id: 144_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0050_015.tif
    Title: Riot Cops march in, armed to teeth, after Chifubu slaughter
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090807:EAED:SOCIAL:POLITICS:JUN 1962 - It Was Holy Week Slaughter - Riot Cops march in, armed to teeth, after Chifubu slaughter. That night three platoons of riot squad police, bristling firepower, rolled into Chifubu. But the Holy Week War had left it bloodiest mark. Two weeks later, no arrest had been made. The battle for leadership between UNIP and ANC became a real war at Easter when fighting, reprisal raids and killing tore apart the uneasy peace of N.R. It wasn't only political people who were hurt, though. In the most savage of the Easter fighting a mob of about 30 attacked a peaceful home and three men were killed there. (Photograph by Dick Walker BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 4018 x 2004
    Media Id: 144_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, politics, Drum Magazine, riot cops, Holy, Holy week slaughter, slaughter, Chifubu, riot, squad, police, UNIP, ANC, Dick Walker, June 1962, June, 1962, 1960s, men, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0054_002.tif
    Title: "IT Couldn't Happen Here"
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008092210:EAED:POLITICS:RIOTS:PERSONALITIES:SEP 1966 - "IT Couldn't Happen Here" - Even riot situations can show up human decency. Mr. Jack Cayle puts his arm around the shoulders of his night watchman who saved his factory from rioters. It couldn't happen here, they said. Nyasaland and Northern Rhodesia, yes. They were very different places and black nationalist had been allowed to run riot. But not here. Sharpeville and Langa, certainly. When you keep the lid on things that tightly then something is bound to burst. But not here. Not Southern Rhodesia. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Pixel Size: 4461 x 4834
    Media Id: 142_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0057_018.tif
    Title: Modern Miracle?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090406:EAED:RELIGION:PERSONALITIES:MAR 1959 - Modern Miracle? - The Place Where He Came To Pray, Lazarus could often be seen praying at a statue of the Virgin which commemorated Lourdes miracles. Then came a night of pain - and his recovery. He woke again later, felt the pain once more. Yet somehow it wasn't the same. Something strange seemed to have happened to his legs. He became frightened, excited. He streched down his legs had become straight. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: KENYA
    Orientation: landscape
    Pixel Size: 5787 x 3966
    Media Id: 145_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0064_013.tif
    Title: Ngidi Scares Jetu Out Of The Ring
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110101:SAED:SPORTS:BOXING:PERSONALITIES:GCP JUL2 1967 - Ngidi Scares Jetu Out Of The Ring - George "King Marshall" Jetu, the man who claims to be Rhodesian middleweight champion. Ran Out Of The Ring to surrender in the third round when he fought Joe "Axe Killer" Ngidi the South night. Jetu - real name Amn Bando - had boasted that he would knock Ngidi's head off. But in the ring, he offered little opposition. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 3624 x 2402
    Media Id: 136_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0066_002.tif
    Title: From Exile To A Few Days In Europe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110409:SAED:POLITICS:PERSONALITIES:JAN 1962 - From Exile To A Few Days In Europe. At Durban airport, Chief Lutuli looks anxiously at his watch. With him are his wife, daughter and Mr. M.B. Yengwa. First leg of flight was late. It was a bit of a mix-up. After driving in style to Durban airport - in the same convertible Mr. Macmillan used - and greeting thousands of well-wishers, Mr. Lutuli was not permitted to address the crowd waiting for him at Jan Smuts Airport. And then the plane had to come back and the Lutuli's spent the night at the airport where you couldn't get to see them. But next day they said their goodbyes at last. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 3195 x 2722
    Media Id: 142_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0066_003.tif
    Title: Chief Luthuli - From Exile To A Few Days In Europe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110410:SAED:POLITICS:PERSONALITIES:JAN 1962 - From Exile To A Few Days In Europe. the scene moves from Durban to the Rand Airport, Chief waves a goodbye, that night he is back at Jan Smuts, off to Oslo next day. It was a bit of a mix-up. After driving in style to Durban airport - in the same convertible Mr. Macmillan used - and greeting thousands of well-wishers, Mr. Lutuli was not permitted to address the crowd waiting for him at Jan Smuts Airport. And then the plane had to come back and the Lutuli's spent the night at the airport where you couldn't get to see them. But next day they said their goodbyes at last. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2886 x 4181
    Media Id: 143_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, Chief Luthuli, exile, Europe, Durban, Rand Airport, Jan Smuts, Oslo, goodbye, Luthuli waving, Drum Photographer, 1962, January, January 1962, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0068_011F.tif
    Title: King's Secret Journey
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110619:SAED:SOCIAL:PERSONALITIES:GCP APR5, 1970 - King's Secret Journey - Lesotho's King Moshoeshoe II has become a Dutchman - by adoption. The king, Chief Jonathan's arch enemy in Lesotho politics, will spend six months in Holland "by choice" according to Chief Jonathan. The King was spirited out of South Africa on Friday night. He was driven from Maseru to Johannesburg with Chief Patrick Mota, the minister of Justice, and Chief Kenebone Nkuebe, who will attend the King during his exile. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Lesotho
    Orientation: portrait
    Pixel Size: 4596 x 6783
    Media Id: 144_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0070_015.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112114:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Mozambique: All comrades together: Independence night. In the middle, President Samora Machel. To his left is Brigadier Vasco Goncalves, who lost his job as Premier of Portugal because of his Red sympathies. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: landscape
    Pixel Size: 5656 x 3740
    Media Id: 138_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0072_010.tif
    Title: The Temple That Will Not Die
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102304:SAED:RELIGION:DEC 1960 - The Temple That Will Not Die - A night-time prayer session in the cellars of the temple whose reputation is continually growing. This is the story of Durban's Umbilo temple... a temple that has been condemned to death, but survives all attempts to destroy it, as if it was wielding a magic power of its own. It already has a legendary past. It still has worshippers who prefers its ruins to other modern shrines. (Photograph by G.R Naidoo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Durban
    Orientation: portrait
    Pixel Size: 4243 x 5682
    Media Id: 141_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0073_010.tif
    Title: The Men With No Place To Hide!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102322:SAED:POLITICS:PERSONALITIES:MAR 1962 - The Men With No Place To Hide! - By the flickering light of a candle they meet at night and talk of where they can sleep, and how they can stay out of Jail.. - The call of good money earned by healthy sweat drew them south to face hardship, prison sentences, and in the early days farm labour and hard treatment. The new official drive against "foreign natives" has brought new problems. From Cape Province 36 Tanganyikans are on the way home - deported by government order. (Photograph by Peter Magubane BAHA)foreigns, deportation, labour
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 6883 x 4611
    Media Id: 134_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0075_016F
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102717:SAED:SOCIAL:PERSONALITIES:JUN 1963 - Africa's Only Lamplighter - Greying Mr. O. Magethe is South Africa's only old-world lamplighter - and he may well be the last in Africa of a dying tradition of men. Lamplighters were colourful characters in the old cities of Europe, but electricity has taken over from gas-light in most of them now - and the lamplighters have gone. Mr. Magethe lights 15 gaslamps at the street corners in the little Free State hamlet of Luckhoff every evening, and puts them out at 10.30 every night. (Photograph by Allen Loxton ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 5576 x 8337
    Media Id: 142_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0174_020.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102124:SAED:BEAUTIES:PERSONALITIES:DEC 1971 - Model Lilian always in front of the lens, turns the camera on fellow beauty Meisie Pilane. Lovely as ever former Miss South Africa Lilian Thebe poses for DRUM. Lilian Thebe looked just as wonderful as she did that night in 1968 she was crowned Miss South Africa. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2571 x 3600
    Media Id: 776_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0174_021.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102123:SAED:BEAUTIES:PERSONALITIES:DEC 1971 - Lovely as ever former Miss South Africa Lilian Thebe poses for DRUM. Lilian Thebe looked just as wonderful as she did that night in 1968 she was crowned Miss South Africa. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3361 x 7117
    Media Id: 776_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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