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    Image Number: BHA00010_14
    Title: a1956_T491_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NOVEMBER 1956 WHY ISN'T GATSHA CHIEF? NEG T491SAED:POLITICS:PERSONALITY:DRUM NOVEMBER 1956 Gatsha Buthelezi, whom Drum described as a rebel chief, will play a decisive role yet in Zululand.People who know what is going on in the native affairs Department say that one of the reasons why the Government has not yet recognized Gatsha formally as Chief of the Shenge Tribe, might well have been the article.Now, this government does many things I disapprove of, but in my opinion, would not be so naive as to reg
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4636 x 4614
    Media Id: 69_659
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, Drum Magazine, historical, social documentary, social comments, historical value, 1956, 1950s, Dr Mangosuthu Gatsha Buthelezi, political, chief, rebels, standing, Zululand, KwaZulu Natal, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00010_15
    Title: a1956_T491_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:POLITICS:PERSONALITY:DRUM NOVEMBER 1956 Gatsha Buthelezi, whom Drum described as a rebel chief, will play a decisive role yet in Zululand. People who know what is going on in the native affairs Department say that one of the reasons why the Government has not yet recognized Gatsha formally as Chief of the Shenge Tribe, might well have been the article.
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4666 x 4614
    Media Id: 70_175
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Africa, South Africa, Zululand, Dr Mangosuthu Gatsha Buthelezi, sitting in car, November, 1956, 1950s, Zulus, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00010_34
    Title: R1954_364_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050518:SAED:SOCIAL:RELIGION:THEATRE:JAN1954 – Unto Us A Child Is Born – “The Angel said into her: “fear not, Mary, for thou has found favour with God”. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©Baileys Archives) NEG 364 Pix 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4795 x 4785
    Media Id: 69_407
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, January, 1954, 1950s, Sophiatown, Johannesburg, Gauteng, churches, plays, Christmas, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00010_35
    Title: R1954_364_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050523:SAED:SOCIAL:RELIGION:THEATRE:DRUM JAN 1954 Unto Us A Child Is Born And Mary arose in those days, and entered into the house of Zacharias, and saluted Elizabeth. And it come to pass, that Elizabeth heard in her womb, and Elizabeth was filled with the Holy Ghost.. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©Baileys Archives) Pix 2 NEG 364
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4667 x 4763
    Media Id: 69_244
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, South Africa, Africa, Drum Magazine, January, 1954, 1950s, Christmas, Sophiatown, drama, plays, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00010_36
    Title: R1954_364_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:RELIGION:THEATRE:DRUM JANUARY 1954 Unto Us A Child Is Born Behold there came wise men from the East to Jerusalem.and lo, the star, which they saw in the East, went before them, till it came and stood over where the young child was. And when they were come into the house, they saw the young Child with Mary, his mother, and fell down, and worshipped him A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson Baileys Archives) NEG 364 Pix 3
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4742 x 4725
    Media Id: 70_299
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00010_37
    Title: R1954_364_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050524:SAED:SOCIAL:RELIGION:THEATRE:DRUM JAN 1954 – Unto Us A Child Is Born –‘And when eight days were accomplished for the circumcising of the child, his name was called JESUS, which was so named of the angel before he was conceived in the womb… And Jesus increased in wisdom and stature, and in favour with God and man. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©Baileys Archives) NEG 364 Pix 4.
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4751 x 4693
    Media Id: 69_754
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Africa, South Africa, Transvaal, Sophiatown, drama, children, Christmas, 1950s, churches, altars, historical costumes, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00012_12
    Title: d1961_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CHILDREN:DRUM JULY 1961 The Kids learn to live They may be deaf, dumb and blind, but that doesn't mean they can't enjoy a game with a rope as well as the next kid. Rope games play a big part in the life of the school for all the children. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It's the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. Sounds grim. But it isn't. the kids who live there are perhaps as gay and wild as any other bunch of kids. They are rapidly learning to make their own world tick. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry Baileys Archives) NEG 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5633 x 3742
    Media Id: 70_287
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00012_7
    Title: d1960_11
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CHILDREN:DRUM JULY 1961 The Kids learn to live They may be deaf, dumb and blind, but that doesnÕt mean they canÕt enjoy a game with a ball as well as the next kid. Ball games play a big part in the life of the school for all the children. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. ItÕs the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. Sounds grim. But it isnÕt. the kids who live there are perhaps as gay and wild as any other bunch of kids. They are rapidly learning to make their own world tick. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©Baileys Archives) NEG 11
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5610 x 3766
    Media Id: 69_348
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00014_1
    Title: Fah fee - Gambling
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:GAMBLING:DRUM JANUARY 1961- Fah Fee: all sections play this number racket The sleek American car with the China man behind the wheel threads its way carefully down Hanover Street, spine of Cape Towns teeming District Six, where they say a thousand murderers could hide for a lifetime from the cops. Even in the changed world of today. It pulls in to the curb, the engine still ticking over, and the chinaman gives a gentle toot on his horn. Form the shadowy doorway of a tumbledown shop a lean, quick figure emerges, one hand gripping something in his jacket pocket. He glances swiftly up and down the street, over the heads of gutterfuls of kids and round the broad beams of washerwomen coming and going. It's all clear and he draws a fistful of paper slips from his pocket. As the tiny square of paper is taken from the matchbox the Chinaman is already on his way again, and the helper lifts his hand to his throat and draws it quickly a cross as though killing a cocker
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3833 x 5769
    Media Id: 69_759
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Gambling, fah fee, January 1961, Drum Magazine, District six, 1961, Drum photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00014_2
    Title: Fah Fee: all sections play this number racket
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:GAMBLING:DRUM JANUARY 1961- Fah Fee: all sections play this number racket Ð By signs the news goes round, no 21 The Elephant come. The sleek American car with the China man behind the wheel threads its way carefully down Hanover Street, spine of Cape TownÕs teeming District Six, where they Ðsay Ð a thousand murderers could hide for a lifetime from the cops. Even in the changed world of today. It pulls in to the curb, the engine still ticking over, and the chinaman gives a gentle toot on his horn. Form the shadowy doorway of a tumbledown shop a lean, quick figure emerges, one hand gripping something in his jacket pocket. He glances swiftly up and down the street, over the heads of gutterfuls of kids and round the broad beams of washerwomen coming and going. ItÕs all clear Ð and he draws a fistful of paper slips from his pocket. As the tiny square of paper is taken from the matchbox the Chinaman is already on his way again, and the helper lifts his hand to his throat
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3814 x 5747
    Media Id: 69_412
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, vertical, Mount Darwin, District six, fah fee, gambling, china man, Drum Photographer, January 1961, 1961, January, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00014_3
    Title: d1961_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:GAMBLING:DRUM JANUARY 1961- Fah Fee: all sections play this number racket Ð The sleek American car with the China man behind the wheel threads its way carefully down Hanover Street, spine of Cape TownÕs teeming District Six, where they Ðsay Ð a thousand murderers could hide for a lifetime from the cops. Even in the changed world of today. It pulls in to the curb, the engine still ticking over, and the chinaman gives a gentle toot on his horn. Form the shadowy doorway of a tumbledown shop a lean, quick figure emerges, one hand gripping something in his jacket pocket. He glances swiftly up and down the street, over the heads of gutterfuls of kids and round the broad beams of washerwomen coming and going. ItÕs all clear Ð and he draws a fistful of paper slips from his pocket. As the tiny square of paper is taken from the matchbox the Chinaman is already on his way again, and the helper lifts his hand to his throat and draws it quickly a cross as though killing a cocker
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3797 x 5795
    Media Id: 69_248
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, Drum Magazine, January, 1961, Cape Town, gambling, gamblers, District Six, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00014_4
    Title: d1961_26
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: JANUARY 1961 FAH FEE. SAED:SOCIAL:GAMBLING:DRUM JANUARY 1961- Fah Fee: all sections play this number racket The sleek American car with the China man behind the wheel threads its way carefully down Hanover Street, spine of Cape Towns teeming District Six, where they say a thousand murderers could hide for a lifetime from the cops. Even in the changed world of today. It pulls in to the curb, the engine still ticking over, and the chinaman gives a gentle toot on his horn. Form the shadowy doorway of a tumbledown shop a lean, quick figure emerges, one hand gripping something in his jacket pocket. He glances swiftly up and down the street, over the heads of gutterfuls of kids and round the broad beams of washerwomen coming and going. It's all clear and he draws a fistful of paper slips from his pocket. As the tiny square of paper is taken from the matchbox the Chinaman is already on his way again, and the helper lifts his hand to his throat and draws it quickly a cross
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5832 x 3834
    Media Id: 69_268
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00018_7
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:POLITICS:PERSONALITIES:MAR 1970 All-Africa Constitutional Conference New Hope For Nigeria's future came when Lieutenant-Colonel Gowon opened the All-Africa Constitutional Conference. When MajorGeneral Yakubu Gowon had to assume power in 1966, the Nigerian house was in a state of chaotic disorder, torn apart by tribalism, corruption and ambition. And as the young Yakubu Gowon voluntarily took it upon himself to try and repair this crumbling structure, the attendant reactions were mixed. Some people felt that he must be either an impetuous fool or just a plain joker. Others felt that, since the young man seemed to like exercised in the impossible, we should wait to see him play it out so as to witness a magical genius. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5257 x 4060
    Media Id: 70_265
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_11
    Title: Jake Tuli Family
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: JUNE 1954 ÔWEÕRE COMING, DADDY!Ó - NEG 389. SAED:BOXING:PERSONALITY:DRUM JUNE 1954 ÔWeÕre coming, Daddy!Ó- Jake TuliÕs family prepares to join him in the house heÕs bought in England! DonÕt think IÕm sissy because IÕm pushing Jepu-thatÕs my sister VeronicaÕs pram. The photograph was all a mistake and me being naughty! Me IÕm the terrificest little boyo in South Africa. IÕm Jake NtuliÕs little bit. That is why, IÕm a bit annoyed with Jake, though heÕs my proud father. He left us too long ago. Me and my bigger sister Veronica and Mummy. November last year, when he writes a letter he says: ÔLove and kisses to you and the kids.ÕÕ We told mummy to tell Daddy to quit this business of sending us his love and kisses by air mail. We want him in person. When your Dad writes and says heÕs bought you a house in England, man, thatÕs a deal. You forgive him right away. So folks, weÕre off to England. (Photograph by Drum Photographer ©Baileys Archives) NEG 389 FRAME 17
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4705 x 4728
    Media Id: 69_313
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Boxing, Jake Tuli, Boxer, June 1954, June, 1954, Jake Tuli's family, Jake Tuli's son, Veronica, England, house, Drum Photographer, pushing pram, pram, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_11.tif
    Title: Jake Tuli Family
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052712:SAED:BOXING:PERSONALITY:JUN 1954 – ‘We’re coming, Daddy!”- Jake Tuli’s family prepares to join him in the house he’s bought in England! This is a family without Daddy. Pity he isn’t here to play with me. I can box him, you know? Every time Mummy says, ‘we’re going to England Veronica, to see Daddy, Veronica says, “Is that near Park station, Mummy?” She doesn’t realize that she’s going to see the greatest little daddy in the world. Jake Tuli. Boxer of the century. So folks, we’re off to England. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4705 x 4728
    Media Id: 126_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Jake Tuli, family, June 1954, 1954, daddy, England, sports, boxing, century, Drum Photographer, pram, pushing, child, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_12
    Title: r1954_893_21
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:BOXING:PERSONALITY:DRUM JUNE 1954 Ð ÔWeÕre coming, Daddy!Ó- Jake TuliÕs family prepares to join him in the house heÕs bought in England! This is a family without Daddy. Pity he isnÕt here to play with me. I can box him, you know? Every time Mummy says, ÔweÕre going to England Veronica, to see Daddy, Veronica says, ÒIs that near Park station, Mummy?Ó She doesnÕt realize that sheÕs going to see the greatest little daddy in the world. Jake Tuli. Boxer of the century. So folks, weÕre off to England. (Photograph by Drum Photographer ©Baileys Archives) NEG 389 FRAME 21
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4756 x 4706
    Media Id: 70_123
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, Drum Magazine, history, cultural history, social comments, historical value, 1954, 1950s, Jake Tuli, boxers, Boxing legend, children, son, daughters, playing, riding bikes, hoops (toys), gardens, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_12.tif
    Title: r1954_893_21
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052713:SAED:BOXING:PERSONALITY:JUN 1954 – ‘We’re coming, Daddy!”- Jake Tuli’s family prepares to join him in the house he’s bought in England! This is a family without Daddy. Pity he isn’t here to play with me. I can box him, you know? Every time Mummy says, ‘we’re going to England Veronica, to see Daddy, Veronica says, “Is that near Park station, Mummy?” She doesn’t realize that she’s going to see the greatest little daddy in the world. Jake Tuli. Boxer of the century. So folks, we’re off to England. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4756 x 4706
    Media Id: 126_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_13
    Title: r1954_389_24
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:BOXING:PERSONALITY:DRUM JUNE 1954 ”We're coming, Daddy!“- Jake Tuli's family prepares to join him in the house he's bought in England! This is a family without Daddy. Pity he isn't here to play with me. I can box him, you know? Every time Mummy says, ”we're going to England Veronica, to see Daddy, Veronica says, ’Is that near Park station, Mummy?“ She doesn't realize that she's going to see the greatest little daddy in the world. Jake Tuli. Boxer of the century. So folks, we're off to England. (Photograph by Drum Photographer Baileys Archives) NEG 389 FRAME 24
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4707 x 4680
    Media Id: 69_693
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_13.tif
    Title: We're coming, Daddy! - Jake Tuli' s family prepares to join him in the house he's bought in England!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052714:SAED:BOXING:PERSONALITY:JUN 1954 – ‘We’re coming, Daddy!”- Jake Tuli’s family prepares to join him in the house he’s bought in England! This is a family without Daddy. Pity he isn’t here to play with me. I can box him, you know? Every time Mummy says, ‘we’re going to England Veronica, to see Daddy, Veronica says, “Is that near Park station, Mummy?” She doesn’t realize that she’s going to see the greatest little daddy in the world. Jake Tuli. Boxer of the century. So folks, we’re off to England. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4707 x 4680
    Media Id: 126_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, sports, boxing, June, 1954, Jake Tuli's family, Jake Tuli, England, Drum Photographer, bicycle, Veronica, boxer, June 1954, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_14.tif
    Title: a1956_T491_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053012:SAED:POLITICS:PERSONALITY:NOV 1956 – Why Isn’t Gatsha Chief? - Gatsha Buthelezi, whom Drum described as a ‘rebel’ chief, will play a decisive role yet in Zululand. People who know what is going on in the native affairs Department say that one of the reasons why the Government has not yet recognized Gatsha formally as Chief of the Shenge Tribe, might well have been the article. Now, this government does many things I disapprove of, but in my opinion, would not be so naïve as to regard the article as an accurate record of the man Gatsha. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4636 x 4614
    Media Id: 125_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_15.tif
    Title: a1956_T491_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053011:SAED:POLITICS:PERSONALITY:NOV 1956 – Why Isn’t Gatsha Chief? - Gatsha Buthelezi, whom Drum described as a ‘rebel’ chief, will play a decisive role yet in Zululand. People who know what is going on in the native affairs Department say that one of the reasons why the Government has not yet recognized Gatsha formally as Chief of the Shenge Tribe, might well have been the article. Now, this government does many things I disapprove of, but in my opinion, would not be so naïve as to regard the article as an accurate record of the man Gatsha. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4666 x 4614
    Media Id: 125_14
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_34.tif
    Title: Christmas Play
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053030:SAED:SOCIAL:RELIGION:THEATRE:JAN1954 – Unto Us A Child Is Born – “The Angel said into her: “fear not, Mary, for thou has found favour with God”. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4795 x 4785
    Media Id: 124_41
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, January 1954, 1954, play, theatre, Mary, Angel, God, Favour, Christ The King Church, Sophiatown, church, performed, Leon Levson, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_35.tif
    Title: R1954_364_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053031:SAED:SOCIAL:RELIGION:THEATRE:DRUM JAN 1954 – Unto Us A Child Is Born – “And Mary arose in those days, and entered into the house of Zacharias, and saluted Elizabeth. And it come to pass, that Elizabeth heard in her womb, and Elizabeth was filled with the Holy Ghost.. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4667 x 4763
    Media Id: 124_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_36.tif
    Title: Unto Us A Child Is Born
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053032:SAED:SOCIAL:RELIGION:THEATRE:JAN 1954 – Unto Us A Child Is Born – Behold there came wise men from the East to Jerusalem….and lo, the star, which they saw in the East, went before them, till it came and stood over where the young child was. And when they were come into the house, they saw the young Child with Mary, his mother, and fell down, and worshipped him… A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4742 x 4725
    Media Id: 125_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum magazine, religion, theatre, play, children, Christ The King, Sophiatown, Leon Levson, Christmas, January 1954, 1954, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0010_37.tif
    Title: R1954_364_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053033:SAED:SOCIAL:RELIGION:THEATRE:JAN 1954 – Unto Us A Child Is Born –‘And when eight days were accomplished for the circumcising of the child, his name was called JESUS, which was so named of the angel before he was conceived in the womb… And Jesus increased in wisdom and stature, and in favour with God and man. A Christmas play is performed at the church of Christ The King, Sophiatown. (Photograph by Leon Levson ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4751 x 4693
    Media Id: 125_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0012_12.tif
    Title: d1961_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053049:SAED:SOCIAL:CHILDREN:JUL 1961 – The Kids learn to live –They may be deaf, dumb and blind, but that doesn’t mean they can’t enjoy a game with a rope as well as the next kid. Rope games play a big part in the life of the school – for all the children. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It’s the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5633 x 3742
    Media Id: 133_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0012_7.tif
    Title: The Kids Learn To Live - Kutlwanong Home
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053048:SAED:SOCIAL:CHILDREN:JUL 1961 – The Kids learn to live –They may be deaf, dumb and blind, but that doesn’t mean they can’t enjoy a game with a ball as well as the next kid. Ball games play a big part in the life of the school – for all the children. This is the story of courage. Unusual human courage mixed with plain, unmitigated Bad Luck. It’s the story of 123 boys and girls, some of them deaf, dumb and blind, all fighting nigh and day to make life better than death. They stay in their boarding school-cum home at Kutlwanong in Roodepoort, less than 20 miles from Johannesburg. Yes, that is the story of Kutlwanong. A thin, kindly woman, Mrs. Mokhudi teaches them. (Photograph by Ian Berry ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5610 x 3766
    Media Id: 132_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, July 1961, 1961, kids, learn, live, playing game, ball, deaf, blind, dumb, Kutlwanong, Roodepoort, Johannesburg, Mrs. Mokhudi, teacher, Ian Berry, children playing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0014_1.tif
    Title: d1961_33
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053110:SAED:SOCIAL:GAMBLING:JAN 1961- Fah Fee: all sections play this number racket – The sleek American car with the China man behind the wheel threads its way carefully down Hanover Street, spine of Cape Town’s teeming District Six. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3833 x 5769
    Media Id: 128_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0014_2.tif
    Title: Fah fee - Gambling
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053111:SAED:SOCIAL:GAMBLING:JAN 1961- Fah Fee: all sections play this number racket – The sleek American car with the China man behind the wheel threads its way carefully down Hanover Street, spine of Cape Town’s teeming District Six. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3814 x 5747
    Media Id: 128_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, gambling, January 1961, 1961, January, 1960s, men, fah-fee, chinaman, District six, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0014_3.tif
    Title: d1961_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053112:SAED:SOCIAL:GAMBLING:JAN 1961- Fah Fee: all sections play this number racket – The sleek American car with the China man behind the wheel threads its way carefully down Hanover Street, spine of Cape Town’s teeming District Six. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3797 x 5795
    Media Id: 129_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0014_4.tif
    Title: Fah fee - Gambling
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053113:SAED:SOCIAL:GAMBLING:JAN 1961- Fah Fee: all sections play this number racket – The sleek American car with the China man behind the wheel threads its way carefully down Hanover Street, spine of Cape Town’s teeming District Six. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5832 x 3834
    Media Id: 128_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, social, gambling, January 1961, 1961, January, fah fee, china man, Cape Town, District Six, men, women, sitting, bicycle, dock, hat, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0035_17.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM200806319:EAED:CULTURE:PERSONALITIES:DEC 1963 - The Good Old Days - Are Gone “ Litungas musicians play their timeless rhythms near the palace mostly when white visitors are around with lots of money. The Zambians say he will remain a traditional ruler, a sort of local constitutional ruler and figure ahead. Others mutter what a marvelous tourist attraction for rich Americans this quaint old boy with his crazy castle and his royal row boat might make. The Old Man turns to the dark pillars of his palace. The Absolute Ruler is absolute no more. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Orientation: landscape
    Pixel Size: 1825 x 1246
    Media Id: 172_43
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_002.tif
    Title: Call Me Mister Muscles
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080705:GHAED:SPORTS:PERSONALITIES:APR 1967 - Call Me Mister Muscles - He picks up a 50 Kilo bag of cement with his teeth and makes child's play of two daughters. He-man Armstrong (full name:Armstrong Tijani Lawani), left his home at Pig Farm, a suburb of Accra to call on a friend. Suddenly he found himself called upon to use the immense strength hidden under his flowing robes in some hair raising feats... (Phograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3376 x 4285
    Media Id: 254_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0047_005.tif
    Title: Man Who Found A Mammy -Water
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082006:GHAED:SOCIAL:MUSIC:PERSONALTIES:MAY 1961 - The Man Who Found A Mammy -Water - He Shows Her How To Play A Guitar Then the wonder of getting to know each other. Bill tells of the night club where he plays the guitar, shows his new love the mysteries of his instrument. Bill makes up his mind: he must take her home. Llfe will not be the complete without her, and it's too bad that the neighbours think. So it's off to Accra. There he was on the shore, playing his guitar and singing to himself. Suddenly he caught sight of something gleaming in the water. He went closer. It had the tail of fish, but this was no ordinary child if the sea. The hair was lustrous, the face divine - a mammy water! ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4003 x 5175
    Media Id: 252_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, music, May 1961, guitar, 1961, mammy, water, play, Bill, mammy water, Drum Photographer, musical instruments, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0049_007.tif
    Title: Child Labour
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081513:GHAED:LABOUR:CHILDREN:JUN 1960 - Child Labour - These children are not playing with pebbles. Oh, no. They are tradesmen even at their tender age. They are counting garden eggs which they are helping to sell at the Accra Market. They wake early, work till late. No play for them. It's a familiar sight to us all. Seven and eight-year-olds hawking goods through our streets. But can we tolerate near-babies working eight, nine hours a day in our country? Child labour has been part of the Ghanaian traditional life of the country from time immemorial. Kids who should be sitting in school are doing heavy work in carpenters' and blacksmith' shops. Some of them who work in private homes are not much older than ten. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4776 x 3639
    Media Id: 251_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0050_014.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090808:EAED:SOCIAL:POLITICS:JUN 1962 - It Was Holy Week Slaughter - Kids play behind CHT 2333 on the day after the killings. The battle for leadership between UNIP and ANC became a real war at Easter when fighting, reprisal raids and killings tore apart the uneasy peace of N.R. (Photograph by Dick Walker ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 4767 x 2412
    Media Id: 144_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0058_005.tif
    Title: Pietermaritzburg Conference
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:POLITICS:WOMEN:MAY 1961 - Pietermaritzburg Conference - Delegates Play Builder - The Hall is packed to capacity. Many can't get in. Shelters are put up hastily to protect them from the rain. Fourteen hundred delegates from all over the South Africa went to Maritzburg, where they sounded a new and powerful call for unity. The odds were all against success, and yet the outcome was a triumph, an indication of a new spirit of resolve which has emerged among the African people. Few meetings can have been preceded by so many unfavourable omens as the All-In Africa Conference at Maritzburg. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 2929 x 2224
    Media Id: 135_42
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0058_013.tif
    Title: Fringe Country:Where There Is No Colour Bar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102218:SAED:APARTHEID:SOCIAL:PERSONALITIES:MAR 1961 - Fringe Country: Where There Is No Colour Bar - Whites Listen Blacks Play - Music know no colour bar. When Kwela Kids whistle, all races stop and listen to them. "Fringe-country", that social no-mans-land, where energetic, defiant, young people of all races live and play together as humans. Yes, even under the racial skies of South Africa! (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1997 x 2979
    Media Id: 136_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0058_014.tif
    Title: Fringe Country:Where There Is No Colour Bar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102219:SAED:APARTHEID:SOCIAL:MUSIC:PERSONALITIES:MAR 1961 - Fringe Country: Where There Is No Colour Bar - No place is less race concious than the Jazz world. The Goodwill lounge in Durban was a mixed venue, so was Crescent in Johannesburg. "Fringe-country", that social no-mans-land, where energetic, defiant, young people of all races live and play together as humans. Yes, even under the racial skies of South Africa! (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: DURBAN
    Orientation: landscape
    Pixel Size: 5928 x 4671
    Media Id: 136_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_004.tif
    Title: The King!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM20081028014:SAED:SOCIAL:PERSONALITIES:APR 1955 - The King! - The family-man: King Masinga at his Lamontville home with his daughters Thaba and Zaki. His niece Nono serves tea. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5045 x 3910
    Media Id: 140_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_005.tif
    Title: The King!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102815:SAED:SOCIAL:PERSONALITIES:APR 1955 - The King! - The Broadcaster: Masinga broadcasts the Durban S.A.B.C's Bantu Programme. He has composed songs and written vernacular radio plays. He has translated many English plays into Zulu for broadcasting: like Shakespeare and Prokokieff's "Peter the Wolf."King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4575 x 3868
    Media Id: 140_14
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_006.tif
    Title: The King!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102816:SAED:SOCIAL:PERSONALITIES:APR 1955 - The King! - The Garderner: At Home in Lamontville, Masinga potters in the garden whenever he gets the time. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3005 x 3892
    Media Id: 139_42
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_007.tif
    Title: King Edward Masinga is known to most South African radio listeners
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102817:SAED:SOCIAL:PERSONALITIES:APR 1955 - The King! - The Writer: He has written Zulu plays, and is now working on a new translation of Shakespeare. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3031 x 3883
    Media Id: 140_9
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, April 1955, 1955, King, writer, King Edward Masinga, Zulu plays, studios, broadcasting, comedian, composer, singer, radio, Zulu, Durban Studios, South African Broadcasting Corporation, Drum Photographer, suit, tie, man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_009.tif
    Title: King Masinga
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102819:SAED:SOCIAL:PERSONALITIES:NO DATE - King Masinga - Lovely pose of Masinga's new wife with her three ''daughters'' at Lamontville. From left to right. Thaba aged 12, Mrs Masinga in beret, Zaki standing in front and foster child of Masinga, Nono, aged 20. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Duke Ngcobo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 4536 x 3432
    Media Id: 140_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_010.tif
    Title: King Masinga
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102820:SAED:SOCIAL:PERSONALITIES:NO DATE - King Masinga - Masinga likes his gardening. Here his wife and Zaki assist him. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Ranjith Kally BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3905 x 5072
    Media Id: 139_41
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0066_013.tif
    Title: Welcome To Luthuli! - Chief Luthuli talks at curry lunch
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110420:SAED:POLITICS:PERSONALITIES:JUN 1959 - Welcome To Luthuli! - Chief Luthuli talks at curry lunch. Top table left to right, Oscar Mpetha, president of Cape Provincial ANC, Jimmy La Guma, president of SACPO, Luthuli and Dr. R Moodley of Indian National Congress. Indian womenfolk were kept going the morning Luthuli lunched with the Indians. Over delicious curry the Chief told the Indians the part they should play. (Photograph by Cloete Breytenbach BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5632 x 3911
    Media Id: 143_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, June, 1959, welcome Luthuli, Luthuli, Chief Albert Luthuli, curry lunch, Oscar Mpetha, president of Cape Provincial, ANC, Jimmy La Guma, president of SACPO, Luthuli, Dr. R Moodley, Indian National Congress, Indians, lunch, Cloete Breytenbach, June 1959, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0071_004F.tif
    Title: 'Jim' Comes To Jo'burg'
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112421:SAED:THEATRE:JUN 1963 - 'Jim' Comes To Jo'burg' - Far from his parents and his friends, this young man feels bewildered as he sits by himself and plays sad tunes of his homeland. From the hills and kraals all over Africa, young tribemen pour into Johannesburg by their thousands to make their dreams come true. Back in the villages, they dream of working on the mines and saving enough money to buy a wife or some cattle. But they are brought back to reality soon after stepping on to the station. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 6847 x 5687
    Media Id: 145_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, June 1963, 1963, June, Jim comes to Joburg, blanket, play, Johannesburg, Peter Magubane, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0074_010.tif
    Title: Ivan Godfrey- Apartheid
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102701:SAED:POLITICS:APARTHEID:PERSONALITIES:MAY 1963 - 'My Skin Is Too White' - The terrible curse on Ivan Godfrey. In his own, Non-White bus queue, Ivan gets stares and giggles. In Non-White buses he is often taunted as a 'play-Coloured'. Blue-eyed Ivan Vincent Godfrey faces an ordeal every day of his life - because his skin is too light. For 25-year old Ivan, of Fordsburg, Johannesburg, is Coloured and wants to be accepted as Coloured - But few people will believe he's not White. Wherever he goes, people regard Ivan as White -and this almost wrecked his life. For nine years, since he left school, Ivan has been battling to find - and keep jobs. But every time he gets work, a racial busybody brings up the colour of Ivan's skin. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 6096 x 3421
    Media Id: 134_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ivan Godfrey, apartheid, 1963, 1960s, non white, fordsburg, johannesburg, Drum photographer, colour,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0075_018F.tif
    Title: Angela Heads For The Stars
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102719:SAED:MUSIC:CHILDREN:PERSONALITIES:AUG 1963 - Angela Heads For The Stars - At play (left) Angela's just like any other girl of 12. She likes skipping and hop-scotch. Angela Khuzwayo is 12 and has become a violinist of promise. She has not missed a lesson in two years and her teacher, well-known Durban Musician Patrick Chambers, says that he could not have wished for a keener pupil. This shy school girl has become the pride of her neighbour-hood. Whenever Angela practises at her home the neighbours proudly say: 'That's our Angela'. And those who have time wander up the winding stairs to the Khuzwayo house to listen. (Photograph by G.R Naidoo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3596 x 7588
    Media Id: 141_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0075_019F
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102720:SAED:MUSIC:CHILDREN:PERSONALITIES:AUG 1963 - Midget With A Mighty Heart - 26-Year-old Johannes is blind. And a cripple. And a three-foot midget. Most people stricken like Johannes would have despaired long ago and given up all hope of happiness. But not Johannes. This little man has the heart of a giant - and a mountain of talent and guts. Years ago, he heard a street musician playing guitar outside his Ingogo, Natal home. 'Mom, he said, 'I'm going to learn to play the guitar.' And despite all the odds, he has not only learnt to play it, but has developed a terrific talent. Now he is able to earn a living from it. At present, he is mainly a street corner musician. ( Photograph by Alf Kumalo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 5615 x 8118
    Media Id: 142_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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