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Search Term: showman

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    Image Number: BHA0017_009.tif
    Title: Bobby Benson
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060175:NIGED:MUSIC:PERSONALITIES:OCT 1957 – It’s Showtime For Bobby Benson – The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That’s where it all started – I saw the birth of Bobby’s now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer ©BAHA) `
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4715 x 4742
    Media Id: 147_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Nigeria, west Africa, music, personalities, October 1957, 1957, showman, musical instruments, Moleye street, Lagos Nightclub, Lagos, drum photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_010.tif
    Title: Bobby Benson
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060176:NIGED:MUSIC:PERSONALITIES:OCT 1957 – It’s Showtime For Bobby Benson – The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That’s where it all started – I saw the birth of Bobby’s now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer ©BAHA) `
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4051 x 5303
    Media Id: 147_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, music, personalities, Drum Magazine, October 1957, Bobby Benson, Showtime, musical instruments, Moleye street, Drum Photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:MUSIC:ENTERTAINMENT:PERSONALITIES:OCT 1957 It's Showtime For Bobby Benson’I'm a showman, not a musician“ claims band leader Bobby Benson. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That's where it all started I saw the birth of Bobby's now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4051 x 5303
    Media Id: 70_205
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM OCT 1957 IT'S SHOWTIME FOR BOBBY BENSONNIGED:MUSIC:ENTERTAINMENT:PERSONALITIES:OCT 1957 It's Showtime For Bobby Benson The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That's where it all started I saw the birth of Bobby's now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments.(Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4715 x 4742
    Media Id: 69_371
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0242_003.tif
    Title: Showman and illusionist, Professor Alfredo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010022360:SAED:BEAUTIES:FEB 1960 - Showman and illusionist, Professor Alfredo, invited the Queen to see the ''Headless Woman,'' who was on show at the Fair. The Queen wanted to make sure if she was alive. Took her pulse. (Photograph by Ranjith Kally ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5740 x 3916
    Media Id: 780_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, beauties, February 1960, 1960, showman, illusionist, professor, Alfredo, Queen, fair, Ranjith Kally, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999091004
    Path: african.pictures / Bailey's African History Archive / Drum Staff
    Description: DM1999091004:SAED:SOCIAL:STAFF:NODATE - Benni Benjo 'Gwigza' Mrwebi, Also Known As Gwigwi - Clarinetist, altosax player, band leader, clown and showman. Gwigwi was the leader of the 'Harlem Swingsters' in the early fifties. Name a stage, he was on it. Name a show, he was in it, playing his clarinet and his altosax. He played highbrow and lowbrow with equal zest. Gwigwi shot wisecracks in the mornong and last thing at night and had an undying passion for brown and white shoes. Gwigwi like so many showbiz people went to london with the jazz opera King Kong, where he stayed for some years, playing his altorsax in night clubs and jazz sessions . He also acted in a film and appeared on TV and was known to every club in Soho. Gwigwi died in Boston of a heart attack in the mid sixties. (Photograph by Drum Phortographer BAHA) caption take from the fifties people of South Africa
    Collections: Baileys African History Archive
    Subcollections: Drum Staff
    Orientation: portrait
    Pixel Size: 1670 x 2570
    Media Id: 69_57
    Credit: Drum Staff / Baileys African History Archive / Africa Media Online
    Keywords: facing camera, portrait, head and shoulders, Drum Magazine, Africa, South Africa, black and white image, vertical, staff, Benni Benjo - Gwigwi, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999091004
    Path: african.pictures / Bailey's African History Archive / Drum Staff
    Description: DM1999091004:SAED:SOCIAL:STAFF:NODATE - Benni Benjo 'Gwigza' Mrwebi, Also Known As Gwigwi - Clarinetist, altosax player, band leader, clown and showman. Gwigwi was the leader of the 'Harlem Swingsters' in the early fifties. Name a stage, he was on it. Name a show, he was in it, playing his clarinet and his altosax. He played highbrow and lowbrow with equal zest. Gwigwi shot wisecracks in the mornong and last thing at night and had an undying passion for brown and white shoes. Gwigwi like so many showbiz people went to london with the jazz opera King Kong, where he stayed for some years, playing his altorsax in night clubs and jazz sessions . He also acted in a film and appeared on TV and was known to every club in Soho. Gwigwi died in Boston of a heart attack in the mid sixties. (Photograph by Drum Phortographer BAHA) caption take from the fifties people of South Africa
    Collections: Baileys African History Archive
    Subcollections: Drum Staff
    Orientation: portrait
    Pixel Size: 1670 x 2570
    Media Id: 20_213
    Credit: Drum Staff / Baileys African History Archive / Africa Media Online
    Keywords: facing camera, portrait, head and shoulders, Drum Magazine, Africa, South Africa, black and white image, vertical, staff, Benni Benjo - Gwigwi, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072120
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072120:SAED:BEAUTY:SEP1962 - Alf Herbert - Cover Girl-Candid Confessions of a showman, Alf known to his cast as the old Geezer - gets right into a rehearsal himself. Alf Herbert (with his bicarb and his ulcers and his zoot shirt) opened up to G.R Naidoo in Durban and told a real showman's tale ... from the day his mother had labour pains while she was being strangled on stage in "Othello" (what a stormy birth) to the many times he has had to by-pass towns because he didn't have money to pay the bills. It is the story,too, of African Jazz. His African Jazz and Variety has been on the road for almost ten years. Alf Herbert, at 52, can keep awake for 19 out of 24 hours for days on end. (Photograph by G.R Naidoo © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 2820 x 1990
    Media Id: 44_91
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, 1962, 1960s, white African man, black African women, black African men, rehearsals, Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072121
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072121:SAED:BEAUTY:SEP1962 - Alf Herbert - Cover Girl-Candid Confessions of a showman, Alf known to his cast as the old Geezer - gets right into a rehearsal himself. Alf Herbert (with his bicarb and his ulcers and his zoot shirt) opened up to G.R Naidoo in Durban and told a real showman's tale ... from the day his mother had labour pains while she was being strangled on stage in "Othello" (what a stormy birth) to the many times he has had to by-pass towns because he didn't have money to pay the bills. It is the story,too, of African Jazz. His African Jazz and Variety has been on the road for almost ten years. Alf Herbert, at 52, can keep awake for 19 out of 24 hours for days on end. (Photograph by G.R Naidoo © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 3020 x 1920
    Media Id: 43_1200
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, 1962, 1960s, white African man, black African women, Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, posing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072122
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072122:SAED:BEAUTY:SEP1962 - Alf Herbert - Cover Girl-Candid Confessions of a showman, Alf known to his cast as the old Geezer - gets right into a rehearsal himself. Alf Herbert (with his bicarb and his ulcers and his zoot shirt) opened up to G.R Naidoo in Durban and told a real showman's tale ... from the day his mother had labour pains while she was being strangled on stage in "Othello" (what a stormy birth) to the many times he has had to by-pass towns because he didn't have money to pay the bills. It is the story,too, of African Jazz. His African Jazz and Variety has been on the road for almost ten years. Alf Herbert, at 52, can keep awake for 19 out of 24 hours for days on end. (Photograph by G.R Naidoo © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 3050 x 2000
    Media Id: 43_323
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, 1962, 1960s, white African man, black African women, rehearsals, Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090911
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000090911:SAED:THEATRE:MUSIC:JAN1962 - Krazy Krismas As K.K. Komes Home - 'KIng Kong' nothing will stop him goes the first line of the theme song from the show, but now a guy called Hylton has stopped him. It was British showman Mr Hylton who decided to close the show as it reached Birmingham. Now some of th cast will be back home in time, not a White Christmas, but the real k-razy one you get back home. (Photograph By Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1998 x 2005
    Media Id: 70_163
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Princess Theatre, theatre posters, South African history, black and white image, 1962, square, January, 1960s, King Kong, pavements, black African people, White people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000090911
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000090911:SAED:THEATRE:MUSIC:JAN1962 - Krazy Krismas As K.K. Komes Home - 'KIng Kong' nothing will stop him goes the first line of the theme song from the show, but now a guy called Hylton has stopped him. It was British showman Mr Hylton who decided to close the show as it reached Birmingham. Now some of th cast will be back home in time, not a White Christmas, but the real k-razy one you get back home. (Photograph By Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Pixel Size: 1998 x 2005
    Media Id: 23_190
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001082706
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001082706:SAED:THEATRE:PERSONALITY:MUSIC:JAN1962 - Krazy Krismas As K.K. Komes Home - Lemy Mabaso Goes Up. When he was 15, the cast gave Lemy the clarinet he is playing on the balcony of his London flat. Inside a week, without a lesson, he was knocking out happily recognisable tunes on the 'special clarinet... 'KIng Kong' nothing will stop him goes the first line of the theme song from the show, but now a guy called Hylton has stopped him. It was British showman Mr Hylton who decided to close the show as it reached Birmingham. Now some of the cast will be back home in time, not a White Christmas, but the real k-razy one you get back home. (Photograph By Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1970 x 2000
    Media Id: 42_807
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, musician, South African history, black and white image, square, 1962, musicians, January, 1960s, Lemmy Mabaso, penny whistles, London, UK, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001082707
    Title: Lemmy Mabaso
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001082707:SAED:THEATRE:MUSIC:JAN1962 - Krazy Krismas As K.K. Komes Home - Lemy Mabaso Goes Up. When he was 15, the cast gave Lemy the clarinet he is playing on the balcony of his London flat. Inside a week, without a lesson, he was knocking out happily recognisable tunes on the 'special clarinet... 'KIng Kong' nothing will stop him goes the first line of the theme song from the show, but now a guy called Hylton has stopped him. It was British showman Mr Hylton who decided to close the show as it reached Birmingham. Now some of the cast will be back home in time, not a White Christmas, but the real k-razy one you get back home. (Photograph By Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1970 x 2000
    Media Id: 43_157
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: musician, 1962, Drum Magazine, musicians, South African history, black and white image, January, square, 1960s, Lemmy Mabaso, clarinets, London, UK, black African man, January 1962, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002053001
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002053001:GCP:MUSIC:PERSONALITY:NOV1964 - The Inkspots Come Back And Steal The Thunder - Philemon Mokgosi, Shadrack Motsoene, Showman Mokgosi and Boikie More. At A variety concert at the Springs Civic Hall this week the Inkspots stole the thunder from even the celebrated Doris Molefe, the Orlando Blues Singer. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3401 x 3043
    Media Id: 43_288
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, 1964, November, 1960s, Springs, Gauteng, Springs Civic Hall, The Inkspots, Philemon Mokgosi, Shadrack Motsoene, Boikie More, Doris Molefe, black African men, black African woman, singing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002053002
    Title: The Inkspots
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002053002:GCP:MUSIC:PERSONALITY:NOV1964 - The Inkspots Come Back And Steal The Thunder - Philemon Mokgosi, Shadrack Motsoene, Showman Mokgosi and Boikie More. At A variety concert at the Springs Civic Hall this week the Inkspots stole the thunder from even the celebrated Doris Molefe, the Orlando Blues Singer. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3004 x 3461
    Media Id: 43_1237
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1964, Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, November, 1960s, Springs, Gauteng, Springs Civic Hall, The Inkspots, Philemon Mokgosi, Shadrack Motsoene, Boikie More, Doris Molefe, black African men, black African woman, singing, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
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      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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