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Search Term: singing

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    Image Number: BHA00019_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 Ð This Music Makes Them Crazy Ð ÒBonsueÓ and ÒRopopoÓ session. ItÕs the latest craze. But some elders want it banned. They say itÕs Òtoo suggestive.Ó But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of ÒriotousÓ music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5304 x 4134
    Media Id: 69_562
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, black and white image, Africa, Nigeria, Nigerians, black African youth, pop music, teenagers, singing, laughing, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_13
    Title: b1952_25_7
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:BEAUTY PERSONALITY:MODEL:DRUM FEBRUARY 1952 Drum Cover The bathing beauty who is gracing Drum's cover this month is nineteen year, Rose Kabane, of Orlando' Crosspatch Singing Group. She was a winner in the soprano section of the Johannesburg Bantu Music Festival's vocal competitions for 1951. (Photograph by Jurgen Schaderberg BAHA) NEG 025 FRAME 7
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4576 x 4601
    Media Id: 69_196
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_17
    Title: b1952_25_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:BEAUTY PERSONALITY:MODEL:DRUM FEBRUARY 1952 Ð Drum Cover Ð The bathing beauty who is gracing DrumÕs cover this month is nineteen year, Rose Kabane, of OrlandoÕ Crosspatch Singing Group. She was a winner in the soprano section of the Johannesburg Bantu Music FestivalÕs vocal competitions for 1951. (Photograph by Jurgen Schaderberg © BAHA) NEG 025 FRAME 52
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4665 x 4713
    Media Id: 70_241
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_11
    Title: k1952_184_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SEPTEMBER 1952 Ð SALUTE TO AUNT EMÉ.. Ð NEG 184. SAED:MUSIC:PERSONALITY:DRUM SEPTEMBER 1952 Ð ÒGit on Board, you lilÕChillunÓ Aunt EmÕs childrenÕs choir lisp. Their performances at several Reef Centres have put man y school, church and communal choirs in the shade. Salute to Aunt EmÉ - Aunt EM your are great! When you retired as pianist of the Merry Blackbirds we thought weÕd never hear from you again. To us you are not just Mrs. Emily Motsieloa. From Rhodesiaas to the cape , to the thousands youÕve entertained and to the myriads who have admired you in every hall this side of the equator you are our Aunt Em, Southern AfricaÕs greatest pioneer among women musicians. Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 184 FRAME 6
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4704 x 4757
    Media Id: 69_176
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: singing, square, black and white image, South Africa, Africa, Drum Magazine, September, 1952, children's choirs, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_8
    Title: k1952_184_3
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM SEPTEMBER 1952 Ð ÒGit on Board, you lilÕChillunÓ Aunt EmÕs childrenÕs choir lisp. Their performances at several Reef Centres have put man y school, church and communal choirs in the shade. Salute to Aunt EmÉ - Aunt EM your are great! When you retired as pianist of the Merry Blackbirds we thought weÕd never hear from you again. To us you are not just Mrs. Emily Motsieloa. From Rhodesiaas to the cape , to the thousands youÕve entertained and to the myriads who have admired you in every hall this side of the equator you are our Aunt Em, Southern AfricaÕs greatest pioneer among women musicians. Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 184 FRAME 3
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4679 x 4746
    Media Id: 69_723
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Africa, South Africa, Transvaal, black African children, children's choirs, black African girls, white dresses, 1950s, singing, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_9
    Title: k1952_184_4
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITY:DRUM SEPTEMBER 1952 Ð ÒGit on Board, you lilÕChillunÓ Aunt EmÕs childrenÕs choir lisp. Their performances at several Reef Centres have put man y school, church and communal choirs in the shade. Salute to Aunt EmÉ - Aunt EM your are great! When you retired as pianist of the Merry Blackbirds we thought weÕd never hear from you again. To us you are not just Mrs. Emily Motsieloa. From Rhodesiaas to the cape , to the thousands youÕve entertained and to the myriads who have admired you in every hall this side of the equator you are our Aunt Em, Southern AfricaÕs greatest pioneer among women musicians. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 184 FRAME 4
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4724 x 4752
    Media Id: 70_85
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, September, 1952, 1950s, black African children, choirs, singing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_010.tif
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4994 x 4313
    Media Id: 149_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, culture, Drum Magazine, September 1959, 1959, Durbar, North, pounding, Pulsating, drums, men, dancer, smiles, colourful ropes, singing, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_011.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060117:NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –Solemn And Eerie: The notes of the pipers wail across the arena, recalling of a strange and glorious past From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Pixel Size: 4986 x 4304
    Media Id: 149_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_012.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060118:NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –The horsemen Strut their stuff in splendid pomp and glory. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5153 x 4091
    Media Id: 149_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_014.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060119:NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar – The Beating Of War Drums by special mallams during durbar. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5202 x 4013
    Media Id: 149_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Pixel Size: 4994 x 4313
    Media Id: 69_380
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, horizontal, black African people, 1950s, 1959, Durbar Festival, traditional dress, traditional drums, traditional music, traditional dancing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_11
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar Solemn And Eerie: The notes of the pipers wail across the arena, recalling of a strange and glorious past From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4986 x 4304
    Media Id: 69_521
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Nigeria, Africa, Drum Magazine, September, 1959, 1950s, Durbar Festival, musicians, wind instruments (music), pipers, flutes, West Africa, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_12
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 Ð The NorthÕs Great Durbar ÐThe horsemen Strut their stuff in splendid pomp and glory. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5153 x 4091
    Media Id: 69_660
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, West Africa, Africa, horizontal, history, cultural history, Nigeria, Drum Magazine, social comments, historical value, horsemen, tribal dress, tribal weapon, spears, cultural weapons, tradition, culture, African culture, display, audience, horses, 1959, 1950s, Durbar Festival, Northern Nigeria, celebration, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_14
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM SEP 1959 THE NORTH'S GREAT DURBARNIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar The Beating Of War Drums by special mallams during durbar. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5202 x 4013
    Media Id: 70_183
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0036_39.tif
    Title: JUNGLE JOSHUA!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060256:EAED:POLITICS:PERSONALITIES::JUN 1964 Jungle Joshua! They came crashing through the dry thornsNkomo and another restrictee carrying wood for their evening fire. They were singing, I heard them singing. Nkomo leading, faint but clear, the Chinamanos, Josiah and Ruth, and a gramophone squeaking away somewhere in the bush. Crashing through the dry thorns came Nkomo himself, with a great log over his shoulder and Chinamano swinging a giant woodmans axe, and the othersJoseph Msika, Stanislaus Marembe, Dan Madzimbamuto of the beard, and Mrs Chinamano, coming through the woods collecting firewood. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: landscape
    Pixel Size: 5743 x 3836
    Media Id: 181_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0047_004.tif
    Title: The Man Who Found A Mammy -Water
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082005:GHAED:SOCIAL:MUSIC:PERSONALTIES: MAY 1961 - The Man Who Found A Mammy -Water - She Calls Him To Come Down To Water, Bill is afraid, wants to run away, But the mammy-water calls to him, a low seductive moan, and he cannot move. He notoces how lovely she is, how lustrous is her long hair. There he was on the shore, playing his guitar and singing to himself. Suddenly he caught sight of something gleaming in the water. He went closer. It had the tail of fish, but this was no ordinary child if the sea. The hair was lustrous, the face divine - a mammy water! ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5920 x 4494
    Media Id: 252_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0047_005.tif
    Title: Man Who Found A Mammy -Water
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082006:GHAED:SOCIAL:MUSIC:PERSONALTIES:MAY 1961 - The Man Who Found A Mammy -Water - He Shows Her How To Play A Guitar Then the wonder of getting to know each other. Bill tells of the night club where he plays the guitar, shows his new love the mysteries of his instrument. Bill makes up his mind: he must take her home. Llfe will not be the complete without her, and it's too bad that the neighbours think. So it's off to Accra. There he was on the shore, playing his guitar and singing to himself. Suddenly he caught sight of something gleaming in the water. He went closer. It had the tail of fish, but this was no ordinary child if the sea. The hair was lustrous, the face divine - a mammy water! ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4003 x 5175
    Media Id: 252_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, music, May 1961, guitar, 1961, mammy, water, play, Bill, mammy water, Drum Photographer, musical instruments, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0066_012.tif
    Title: Welcome To Luthuli! - Luthuli talks to White Crowd
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110419:SAED:POLITICS:PERSONALITIES:JUN 1959 - Welcome To Luthuli! - Luthuli talks to White Crowd. Non-political whites turned up in hundreds to see Luthuli, hear his views at the multi-race meeting. "I think it could only happen in the Cape," said Luthuli. The Whites in the audience looked a little surprised and even startled - at the singing and shouting that began and ended the meeting. But they listened to the Chief's long and closely-thought-out speech with wrapt attention. No one barracked or interrupted, and no one asked any unfriendly questions. At the end one white man got up to congratulate Luthuli on the dignity and sincerity with which he had spoken. (Photograph by Cloete Breytenbach BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5376 x 3527
    Media Id: 143_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, June 1959, 1959, Chief Albert Luthuli, welcome, talks, white crowd, non-political whites, see, hear, views, congratulate, dignity, Cloete Bdreytenbach, Luthuli, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0236_018.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010022317:SAED:POLITICS:PERSONALITIES:GCP APR4 1965 -Even as John Harris walked towards the scafforld and death at dawn on Thursday, he did not repent placing the bomb in the station concourse, the Roman Catholic priest who watched him die told POST this week. Instead he died singing the American Freedom song, "We Shall Overcome." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3935 x 5855
    Media Id: 788_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0236_019.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010022326:SAED:POLITICS:PERSONALITIES:GCP APR4 1965 -Even as John Harris walked towards the scafforld and death at dawn on Thursday, he did not repent placing the bomb in the sattion concourse, the Roman Catholic priest who watched him die told POST this week. Instead he died singing the American Freedom song, "We Shall Overcome." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3879 x 5808
    Media Id: 788_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0236_020.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010022325:SAED:POLITICS:PERSONALITIES:GCP APR4 1965 -Even as John Harris walked towards the scafforld and death at dawn on Thursday, he did not repent placing the bomb in the sattion concourse, the Roman Catholic priest who watched him die told POST this week. Instead he died singing the American Freedom song, "We Shall Overcome." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3855 x 5800
    Media Id: 788_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0242_005.tif
    Title: Seleka Ngakane
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010022353:SAED:MUSIC:PERSONALITY:GCP JUN26 1960 - Curvacious Seleka Ngakane, the singing beauty in Alan Paton-Todd Matshikiza's "Umkhumbane," is seen singing solo. The newly formed theatrical group-members of the "Umkhumbane" cast took Durban by surprise when their first production a Variety Concert - played in packed audiences at the "Umkhumbane workshop in Pine street, Durban last week. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3838 x 5815
    Media Id: 780_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Seleka Ngakane, GCP, June 1960, 1960, curvacious, singing, beauty, Alan Paton, Todd Matshikiza, Umkhumbane, music, south africa, Drum photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999110203
    Title: They Are Singing The Year Out - Four of Johannesburgs top vocalists met recently on stage of the Orlando Community Center
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999072015:SAED:ENTERTAINMENT:MUSIC:WOMEN:DEC1955 - They Are Singing The Year Out - Four of Johannesburgs top vocalists met recently on stage of the Orlando Community Center in an 'end of the year' show. Veteran singers and leading bandsmen were joined by comparitive newcomers to wish the entertainment world a merry festive season. The picture show young Nancy 'Meadowlands' Jacobs (left), who entered the show business this year with a recording hit with Emily 'Piti Piti' Kwenane, Louisa 'Basin Street' Emmanual and Martha 'Bande Lami' Mdenge, the seasoned queens of song, in a song-and-dance demonstration at the end of the show. This is surely one act that could pack any hall if made permanet. If is the word. These songstresses did this act to give the lucky audience their 'Christmass Box'. (Photograph by Bob Gosani Baileys Archives) fashion, double base, hairstyles
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2055 x 1593
    Media Id: 70_114
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, December, South African history, black and white image, horizontal, women, music, Johannesburg, Nancy Jacobs, vocalists, Louisa Emmanuel, Emily Kwenane, Martha Mdenge, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999110203
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999072015:SAED:ENTERTAINMENT:MUSIC:WOMEN:DEC1955 - They Are Singing The Year Out - Four of Johannesburgs top vocalists met recently on stage of the Orlando Community Center in an 'end of the year' show. Veteran singers and leading bandsmen were joined by comparitive newcomers to wish the entertainment world a merry festive season. The picture show young Nancy 'Meadowlands' Jacobs (left), who entered the show business this year with a recording hit with Emily 'Piti Piti' Kwenane, Louisa 'Basin Street' Emmanual and Martha 'Bande Lami' Mdenge, the seasoned queens of song, in a song-and-dance demonstration at the end of the show. This is surely one act that could pack any hall if made permanet. If is the word. These songstresses did this act to give the lucky audience their 'Christmass Box'. (Photograph by Bob Gosani © Baileys Archives) fashion, double base, hairstyles
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 2055 x 1593
    Media Id: 23_226
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999121019
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999121019:SAED:MUSIC:THEATRE:APARTHEID:AUG1956 - Shantytown In City Hall - It all started with the huge, compelling party poster splashed majestically over Johannesburg. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dance of the townships would be presented by the Union of South African Artists. So if this Union claims to champion the cause of us Blacks, why the heck should they go in for segregation and separate audiences and black dates and white dates? At the end of the seventh show, Township Jazz moved to the Taj Mahal Night Club where the artists and friends were treated to a pary to celebrate the success of the run. (Photograph by Bob Gosani Baileys Archive) Manhattan Brothers, Dennis Godblatt. NEG T497
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1934 x 2431
    Media Id: 69_602
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1956, South Africa, Johannesburg, vertical, performances, dancing, musicians, music, dance, artists, black and white image, Johannesburg City Hall, Africa, Gauteng, August, 1950s, singing, Union of South African Artists, anti-apartheid, segregation, Manhattan Brothers, celebrations, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000012501
    Title: Thandi (Mpambani) Klaasen
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072501:SAED:MUSIC:PERSONALITY:DEC1954 - What They Say About Tandi! - Thandi (Mpambani) Klaasen with Todd Matshikiza. I said to Tandi "Where you born sister?" She said, 'Turfontein, Mister.' "I said you're cute." She said 'shoot.' This is what i shot out of her. She's the biggest, heppest, and jivest of family of nine. She's had three diaappointments only. When the Gay Gaities Troupe split, when her Quad sisters quit show bizness, and when her eight year old love affair fizzled out. She got famous in 1943, singing 'Cow Cow Boogie.' She was mad about jivingso she got used to jeans. (Photograph by Drum Photographer © Baileys Archives) neg 449 Thandi Mpambani vocalist for the Cuban brothers
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4590 x 4608
    Media Id: 42_1038
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1954, square, December, music, Thandi Klaasen, Todd Matshikiza, personality, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021114
    Title: Louisa Emmanuel and Isaac Peterson
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021114:SAED:MUSIC:MAR1955 - Jazzing the Blues - Louisa Emanuel and Isaac Peterson. Louisa, one hundred and twenty pounds of vocal dynamite packed in four yards of lace and tafetta. And Isaac, son of Peterson. Bound by ties of brotherhood to American clothes. Commanded by a little birdie inside of him to sing sing sing to save the sorrows of ten million black voices. (Photograph by Bob Gosano Baileys Archive) neg 478, Todd Matshikiza article
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4735 x 4638
    Media Id: 69_694
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, 1955, South African history, black and white image, March, square, jazz, Louisa Emanuel, Isaac Peterson, singing, Performing, vocalists, 1950s, Bob Gosani,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021115
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021115:SAED:MUSIC:MAR1955 - Jazzing the Blues - Louisa Emanuel and Isaac Peterson, singing partners. Louisa, one hundred and twenty pounds of vocal dynamite packed in four yards of lace and tafetta. And Isaac, son of Peterson. Bound by ties of brotherhood to American clothes. Commanded by a little birdie inside of him to sing sing sing to save the sorrows of ten million black voices. (Photograph by Bob Gosano Baileys Archive) neg 478, Todd Matshikiza article
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4580 x 4702
    Media Id: 43_500
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, blues, 1955, Todd Matshikiza, Louisa Emanuel, vocalists, African Jazz, Bob Gosano, March, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021116
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021116:SAED:MUSIC:RELIGION:FEB1956 - Father Huddleston entertained by The Girls Who Said Goodbuy! - That night at Johannesburg Social Centre when a tribute and farewell show was given for this Fr. Huddleston bloke. 'Twas a helluva big show that. Biggest for 1955. Also why they sang with such gusto and pep was because they recognised full well the part he had played in helping a Musicians Union to be born. Helluva tough birth too. Things are so tough for Unions, man. And this Union's been getting monies for musicians whose music were sold profitlessly overseas. See where we are with this Huddleston bloke? (Photograph by Bob Gosani Baileys Archive) neg T74
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2190 x 2010
    Media Id: 43_859
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, Drum Magazine, South Africa, Africa, South African history, black and white image, square, tribute, Musicians Union, Johannesburg Social Centre, February, 1956, 1950s, people, Father Huddleston, dancing, performances, singing, entertainment, farewell, stage sets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021118
    Title: Father Huddleston entertained by The Girls Who Said Goodbuy!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021118:SAED:MUSIC:RELIGION:FEB1956 - Father Huddleston entertained by The Girls Who Said Goodbuy! - Dynamo driver with a peppy hep stick, Ursula Bergman, gives it the 'go' in a special tribute number "Do not leave us Huddleston," specially written and performed by the colourful Synco Fans under Wilfred Sentso. That night at Johannesburg Social Centre when a tribute and farewell show was given for this Fr. Huddleston bloke. 'Twas a helluva big show that. Biggest for 1955. Also why they sang with such gusto and pep was because they recognised full well the part he had played in helping a Musicians Union to be born. Helluva tough birth too. Things are so tough for Unions, man. And this Union's been getting monies for musicians whose music were sold profitlessly overseas. See where we are with this Huddleston bloke? (Photograph by Bob Gosani Baileys Archive) neg T74
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2210 x 2010
    Media Id: 43_743
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, tribute, Musicians Union, Drum Magazine, South Africa, Africa, South African history, black and white image, square, Johannesburg Social Centre, February, 1956, 1950s, people, Father Huddleston, dancing, performances, singing, entertainment, farewell, Ursula Bergman, black African woman, children, stage sets, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021119
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021119:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! The clowns of the show, 'King Jeff' mugging with a saxophone and Boney Molantoa amused each other all the way to Durban with tall talk and acrobatics. (Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2182 x 2024
    Media Id: 43_1589
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: laughing, square, saxophones, black and white image, South African history, Africa, South Africa, Drum Magazine, black African men, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, saxophone, Boney Molantoa, King Jeff, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021120
    Title: Jazz on wheels - Thandi Klaasen
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021120:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Hard working singer Tandi Mpambani (Klaasen) dragged two of the Cuban Brothers she sings with, 'Pinny' Ngakane and guitarist John Dhlamini, to a rehearsal on the train. (Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4694 x 4657
    Media Id: 43_607
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: singers, square, Africa, South Africa, Drum Magazine, Thandi Klaasen, black and white image, South African history, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, guitarist, musicians, John Dhlamini, Pinny Ngakane, guitar, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021121
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021121:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! (forth from left)(Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2153 x 2027
    Media Id: 42_951
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Dolly Rathebe, black and white image, South African history, Africa, South Africa, Drum Magazine, troupes, square, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, black African people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021122
    Title: Jazz on wheels
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021122:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2180 x 2020
    Media Id: 43_1447
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: troupes, square, black African men, black and white image, South African history, Africa, South Africa, Drum Magazine, city hall, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, Jazz On wheels, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021123
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021123:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2870 x 1950
    Media Id: 43_890
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, musicians, stagehands, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, stage sets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021124
    Title: Jazz on wheels
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021124:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2866 x 1938
    Media Id: 43_948
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, musicians, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021125
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021125:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3002 x 1940
    Media Id: 43_1432
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, passengers, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021126
    Title: Dolly Rathebe - Jazz on Wheels
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021126:SAED:MUSIC:PERSONALITY:JUL1955 - Jazz on Wheels! - Dolly Rathebe, Drum Cover, July 1955. When the Jazz Parade arrived in Durban, the artist all wanted to go to the beach. And they did too - after rehearsals! It was a singing and swimming afternoon though it had its exciting moments for Dolly. The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1960 x 3016
    Media Id: 42_1008
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, July, 1955, 1950s, Dolly Rathebe, singer, actresses, beaches, posing, Bob Gosani, July 1955, beach, durban, bikini, water, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021129
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021129:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Not all the songs sung by the troupe on the train were jazzy. Guitarist Billy Roach, his singing wife Mavis and the male star, Gene Williams, settled down to one of those nostalgic numbers sung on train journeys- like 'Sentimental Journey'. (Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2141 x 2028
    Media Id: 43_708
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Mavis Roach, square, Billy Roach, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, wife, troupes, Gene Williams, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021415
    Title: Simon Nkabinde, Juliet, Faith, Manxola, Windy Sibeko and Julia Yendel
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021415:SAED:MUSIC:THEATRE:JUN1967 - Simon Nkabinde, Juliet, Faith, Manxola, Windy Sibeko and Julia Yendel. Not a day passes without the Mahotella Sisters being heard on the radio. A Soweto party without the sexy troup's records being played, is unthinkable. But to most people the 'sister's are faceless voices. Drum joined Juliet and her colleagues in their recording studio and on the township platform just to see what being a recording idol means. Any five year old kid in the townships knows, or has heard of Mahlathini, whose proper name is Simon Nkabinde. This rotund, gravel- voiced lad from Orlando East has sent Mbaqanga fans into frenzies with his famous 'Sithunyiwe' and' Uyawuzwa Umoya' - two records that are selling like hot cakes. He is the only man in this group. Backing them are Marks Mankwane, on lead guitar, Wilfred Mosebi, drums, Joseph Makwela, bass guitar, and Vivian Ngubeni, rythm guitar.The first show we went to was a perfomance for scho
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 2902 x 1774
    Media Id: 43_1348
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, South African history, Africa, 1960, June, black and white image, 1967, performers, musicians, 1960s, South Africa, Drum Magazine, black African women, singing, Simon Nkabinde, Juliet, Faith, Manxola, Windy Sibeko, Julia Yendel, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021416
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021416:SAED:MUSIC:THEATRE:AUG1970 - They've Hit Jackpot - Nobesuthu Shawe, Thandi Radebe, Olive Masinga, Thandi Kheswa, and Hilda Tloubatla. The Mahotella Queens must rank among South Africa's most popular singing Stars. At the moment the troupe is enjoying a smash hit with their new disc 'Lilizela' which is selling like hot cakes. They are in great demand as performers and have appeared at leading theatres and clubs across the country and in Malawi and Rhodesia. The four wiggling belles have in the past refused to copy a set style, preffering their own. On stage they use minimum hand movement all action is reserved for the feet. (Photograph by Drum Photograph Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2480 x 1911
    Media Id: 42_930
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, dancers, dancing, August, 1970, 1970s, Nobesuthu Shawe, Thandi Radebe, Olive Masinga, Thandi Kheswa, Hilda Tloubatla, The Mahotella Queens, musicians, singers, troupes, Performing, black African women, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021501
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021501:SAED:MUSIC:PERSONALITY:JAN1957 - Dolly Rathebe - Dolly and Her Men! - The World Does Not Suspect That Film Star Dolly Rathebe's Real Name Is Josephine Malatsi: Years ago she 'borrowed' the name Of a school mate! - This Dolly Rathebe, the right one is non other than Eileen Dolly Rathebe, the daughter of Mr J.R. Rathebe. The film star Dolly Rathebe took over her friend's name for the fun of it. And at school Dolly was a tomboy. (But she loved boys!). She looked at life from a male point of view and seemed to have quarrel with her Maker for creating her a female. She discovered that she had a fairly good voice, mellow and husky and she toyed with the idea of 'African Jazz', the street. She started perfoming in school troups, but the sedate, well organised music of school choirs did not quite go with her. She wanted the pounding rythm that interpreted township life so well. Later, she was to thrill mourners at the wakes of dead friends with her singing
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1520 x 2312
    Media Id: 70_95
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, January, 1957, 1950s, black African woman, Dolly Rathebe, singer, actresses, singing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021501
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000021501:SAED:MUSIC:PERSONALITY:JAN1957 - Dolly Rathebe - Dolly and Her Men! - The World Does Not Suspect That Film Star Dolly Rathebe's Real Name Is Josephine Malatsi: Years ago she 'borrowed' the name Of a school mate! - This Dolly Rathebe, the right one is non other than Eileen Dolly Rathebe, the daughter of Mr J.R. Rathebe. The film star Dolly Rathebe took over her friend's name for the fun of it. And at school Dolly was a tomboy. (But she loved boys!). She looked at life from a male point of view and seemed to have quarrel with her Maker for creating her a female. She discovered that she had a fairly good voice, mellow and husky and she toyed with the idea of 'African Jazz', the street. She started perfoming in school troups, but the sedate, well organised music of school choirs did not quite go with her. She wanted the pounding rythm that interpreted township life so well. Later, she was to thrill mourners at the wakes of dead friends with her singing. So in 1943, with stand
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1520 x 2312
    Media Id: 23_238
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021707
    Title: Thandi Mpambane (Klaasen)
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021707:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - Thandi Mpambane (Klaasen). Jazz has got to come from the heart. American pianist John Mehegan came to South Africa to play a short season in the plush white clubs. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. We ought to thank the Jazz Foundation for bringing Mr Mehegan to us all the way from New York, where he is Professor of Jazz Piano at the Juliard School of Music. A lot of America's best jazz musicians have studied at Juliard, and that's no kidding. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2980 x 1950
    Media Id: 43_725
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, white African man, White African woman, October, 1959, 1950s, musicians, jazz, black African woman, Jazz Foundation, Thandi Klaasen, singing, performances, Ian Berry, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021712
    Title: Elijah Nkwanyana - Talking Trumpeter - Mr Confess
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021712:SAED:MUSIC:PERSONALITY:AUG1952 - Elijah Nkwanyana - Talking Trumpeter - Mr Confess - Natal music lovers will remember the tour of the Inkspots in 1952, under Philimon Mokgosi. There was a young man with the troupe singing a number called 'Confess'. He sang and played it so well that from Vryheid to to Durban the girls crowned him 'Mr Confess.' That was none other than Elijah Nkanyana, fourth of a family of six, of very modest means. He is being polished by one of South Africa's foremost white pianists, Dave Lee, of Johannesburg. (Photograph by Drum Photographer Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2072 x 1922
    Media Id: 43_1045
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, August, South Africa, Africa, South African history, black and white image, 1950s, square, 1952, Elijah Nkwanyana, trumpeter, Natal, music, tour, The Inskpots, 1952, Philimon Mokgosi, Mr Confess, Vryheid, Dave Lee, white pianists, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021713
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021713:SAED:MUSIC:PERSONALITY:AUG1952 - Elijah Nkwanyana - Talking Trumpeter - Mr Confess - Natal music lovers will remember the tour of the Inkspots in 1952, under Philimon Mokgosi. There was a young man with the troupe singing a number called 'Confess'. He sang and played it so well that from Vryheid to Durban the girls crowned him 'Mr Confess.' That was none other than Elijah Nkanyana, fourth of a family of six, of very modest means. He is being polished by one of South Africa's foremost white pianists, Dave Lee, of Johannesburg. (Photograph by Drum Photographer Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1849 x 1967
    Media Id: 69_496
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, trumpets, square, trumpeters, August, 1952, 1950s, Elijah Nkwanyana, musician, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021713
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000021713:SAED:MUSIC:PERSONALITY:AUG1952 - Elijah Nkwanyana - Talking Trumpeter - Mr Confess - Natal music lovers will remember the tour of the Inkspots in 1952, under Philimon Mokgosi. There was a young man with the troupe singing a number called 'Confess'. He sang and played it so well that from Vryheid to Durban the girls crowned him 'Mr Confess.' That was none other than Elijah Nkanyana, fourth of a family of six, of very modest means. He is being polished by one of South Africa's foremost white pianists, Dave Lee, of Johannesburg. (Photograph by Drum Photographer © Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Pixel Size: 1849 x 1967
    Media Id: 23_555
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021734
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021734:SAED:POLITICS:OCT1952 - In Johannesburg People From All Over The Reef Attend A Mass Meeting To Protest Against Unjust Laws. The Benoni unit marches into 'Freedom Square' singing 'Mayibuye Africa,' and carrying banners with caricatures of Moroka and Dadoo. The defiance campaign was born over a year ago, in Johannesburg, on July 1951, when non-white leaders met and decided to form a Joint Planning Council to co-ordinate Africans, Indians and Coloureds, and "to embark upon an immediate mass campaign for the repeal of oppressive measures" which the Council pledged to attack were, and still are, limited to the Pass Laws, Stock Limitations, the Group Areas Act, the Separate Voters, Represantation Act, the Bantu Authorities Act, and the Suppresssion of Communism Act. The Joint Planning Council consisted of J.B. Marks, Dr Moroka and Walter Sisulu, of the African National Congress. They issued a report, to be put before the African National Congress, the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4426 x 4384
    Media Id: 69_745
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: October, 1952, Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1950s, Defiance Campaign, Johannesburg, Gauteng, Joint Planning Council, marching, black African people, Fordsburg, Benoni, apartheid, anti-apartheid, African National Congress, ANC, demonstrations, police, segregation, white African people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000022201
    Title: Inside A 90 Day Detainee's Cell - Albertina Sisulu's Jail Ordeal
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000022201:SAED:POLITICS:PERSONALITY:SEP1963 - Inside A 90 Day Detainee's Cell - Albertina Sisulu's Jail Ordeal. She's celebrating with friends after her release. What goes on inside a 90-day detainee's cell? How do the Special Branch try to break down a person held under the law that has shocked the world. Drum has got the answers from one of South Africa's most important 90-day detainees, Albertina Sisulu, wife of Walter Sisulu, former national executive member of the African National Congress who was held in the sensational Rivonia raid in July. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2984 x 1868
    Media Id: 43_581
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, celebrating, singing, drinking, black African women, Albertinah Sisulu, September, 1963, 1960s, African National Congress, Walter Sisulu, Rivonia, detainees, Johannesburg, Gauteng, black African people, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030803
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030803:SAED:MUSIC:PERSONALITY:JAN1957 - Dolly Rathebe - Dolly and Her Men! - The World Does Not Suspect That Film Star Dolly Rathebe's Real Name Is Josephine Malatsi: Years Ago She 'Borrowed' Name Of A School Mate! - This Dolly RAthebe, the right one is non other than Eileen Dolly Rathebe, the daughter of Mr J.R. Rathebe. The film star Dolly Rathebe took over her friend's name for the fun of it. And at school Dolly was a tomboy. (But she loved boys!). She looked at life from a male point of view and seemed to have quarrel with her Maker for creating her a female. She discovered that she had a fairly good voice, mellow and husky and she toyed with the idea of 'African Jazz', the Street. She started perfoming in school troups, but the sedate, well organised music of school choirs did not quite go with her. She wanted the pounding rythm that intepreted township life so well. Later, she was to thrill mourners at the wakes of dead friends with her singing. So
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1990 x 1900
    Media Id: 43_202
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, January, square, black African woman, Dolly Rathebe, posing, beaches, 1957, 1950s, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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