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Search Term: tradition

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    Image Number: BHA00013_4
    Title: b1959_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: MAY 1959 WHY BEACH APARTHEID!SAED:POLITICS:APARTHEID:DRUM MAY 1959 Why beach Apartheid! Kalk Bay has for long been a favourite bathing spot for non-whites. No one questioned it. But will we be able to go on swimming there? The people of the Cape have always got along happily without apartheid on their beaches. Now noseybodies from the north, mad with separate entrances and ’For Whites Only“notices, have been agitating to clear non-whites from certain spot. But why break a tradition which been accepted by all for 300 years? (Photograph by Kenneth Mackenzie Baileys Archives) Neg 6
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3766 x 5823
    Media Id: 70_257
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_5
    Title: Why beach Apartheid!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:POLITICS:APARTHEID:DRUM MAY 1959 Ð Why beach Apartheid! Ð There are no apartheid notices, but only whites use swings. Some want practice to become law. Kalk Bay has for long been a favourite bathing spot for non-whites. No one questioned it. But will we be able to go on swimming there? The people of the Cape have always got along happily without apartheid on their beaches. Now noseybodies from the north, mad with separate entrances and ÒFor Whites OnlyÓnotices, have been agitating to clear non-whites from certain spot. But why break a tradition which been accepted by all for 300 years? (Photograph by Kenneth Mackenzie ©Baileys Archives) Neg 9
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3768 x 5832
    Media Id: 69_826
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, Drum Magazine, history, South Africa, Africa, cultural history, social comments, historical value, apartheid, beaches, beaches - whites only signs, swings, White people, black African children, watching, 1959, 1950s, Kenneth Mackenzie,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_7
    Title: k1952_182_04
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DRUM SEPTEMBER 1952 Ð ÒA womanÕs place is all overÕÕ Ð Mrs. C.L Mampuru, B.A, U.ed., of Orlando. Former teacher, social worker, and freelance writer, says: I think a womanÕs place is all over. Originally, women had to keep at home looking after the children and ploughing the land. A woman accepted that type of life and was proud to be at home to do what custom and tradition imposed on her. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 182 FRAME 04
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4697 x 4725
    Media Id: 70_100
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, Drum Magazine, history, cultural history, social comments, historical value, personality, September, 1952, 1950s, warm, portrait, smiling, head and shoulders, black woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_4.tif
    Title: b1959_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053126:SAED:POLITICS:APARTHEID:MAY 1959 – Why beach Apartheid! – Kalk Bay has for long been a favourite bathing spot for non-whites. No one questioned it. But will we be able to go on swimming there? The people of the Cape have always got along happily without apartheid on their beaches. Now noseybodies from the north, mad with separate entrances and “For Whites Only”notices, have been agitating to clear non-whites from certain spot. But why break a tradition which been accepted by all for 300 years? (Photograph by Kenneth Mackenzie ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3766 x 5823
    Media Id: 127_22
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_5.tif
    Title: Beach Apartheid
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053127:SAED:POLITICS:APARTHEID:MAY 1959 – Why beach Apartheid! – There are no apartheid notices, but only whites use swings. Some want practice to become law. Kalk Bay has for long been a favourite bathing spot for non-whites. No one questioned it. But will we be able to go on swimming there? The people of the Cape have always got along happily without apartheid on their beaches. Now noseybodies from the north, mad with separate entrances and “For Whites Only”notices, have been agitating to clear non-whites from certain spot. But why break a tradition which been accepted by all for 300 years? (Photograph by Kenneth Mackenzie ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3768 x 5832
    Media Id: 127_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, apartheid, May 1959, children, Kenneth Mackenzie, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0013_7.tif
    Title: withchdoctor or Herbalist
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053054:SAED:SOCIAL:WITCHCRAFT:JUL 1959– Folk live in dread in the land of witchcraft – And what do the bones reveal? Blouberg Bapole consulted the bones when a neighbour’s child vanished. The bones “pointed” at someone, but the “suspect” shown by the bones was later acquitted. Man, you can’t even trust the bones nowadays! (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3889 x 5925
    Media Id: 128_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, witchcraft, herbalist, bones, Blouberg Bapole, Peter Magubane, July 1959, 1959, black, african, culture, tradition,
    Model Release: No
    Property Release: No

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    Image Number: BHA0015_015.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060201:NIGED: POLITICS: PERSONALITIES MAY 1962 – Akintola Awolowo Quarell – Chief Obafemi Awolowo: His party nearly split. The action group which has, for the past ten years, spared political Nigeria the spectacle of public quarrels, departed from this tradition on February 2.It proved that as a of human beings, it too has its own contradictions – high ambitions and lack of patience, insistent idealism in conflict with insistent realism, courage and cowardice, intoxication and stupor, ideological headlines and ideological surrenders, intellectual strength and intellectual weakness, pettiness and grandeur, love and hate, and mutual trust and mutual suspicion. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 4188 x 5108
    Media Id: 147_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0015_15
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM MAY 1962: AKINTOLA AWOLOWO QUARELL. NIGED: POLITICS: PERSONALITIES MAY 1962 Ð Akintola Awolowo Quarell Ð Chief Obafemi Awolowo: His party nearly split. The action group which has, for the past ten years, spared political Nigeria the spectacle of public quarrels, departed from this tradition on February 2.It proved that as a of human beings, it too has its own contradictions Ð high ambitions and lack of patience, insistent idealism in conflict with insistent realism, courage and cowardice, intoxication and stupor, ideological headlines and ideological surrenders, intellectual strength and intellectual weakness, pettiness and grandeur, love and hate, and mutual trust and mutual suspicion. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: portrait
    Pixel Size: 4188 x 5108
    Media Id: 69_623
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, Drum Magazine, historical value, socials, history, 1962, 1960s, Nigeria, politics, traditional dress, portrait, three quarters view, chief, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0016_12
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 Ð The NorthÕs Great Durbar ÐThe horsemen Strut their stuff in splendid pomp and glory. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5153 x 4091
    Media Id: 69_660
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, West Africa, Africa, horizontal, history, cultural history, Nigeria, Drum Magazine, social comments, historical value, horsemen, tribal dress, tribal weapon, spears, cultural weapons, tradition, culture, African culture, display, audience, horses, 1959, 1950s, Durbar Festival, Northern Nigeria, celebration, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_010.tif
    Title: Juju
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080506:GHAED:SOCIAL:PERSONALITIES:AUG 1961- Ju-ju What is the Truth - As the fire blazes and drums beat out their rhythm. One of the men leaps into the blaze and dances in the straw. Others followed him..." You want to see juju at work? why Amotive is the place!" "No, Agbomey is better! Go there, man!" "The place is Bioseh!" Yes, suggestion came by the million, when we said we wanted to see juju. No-one told us: I have personally been to so-and so place and seen such and such wonders. i guaranteed that if you go there, you will see and photograph the same wonders.(Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2910 x 3803
    Media Id: 250_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: juju, ju-ju, Ghana, Drum Magazine, East Africa, August 1961, 1961, west africa, hut, tradition, dance, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0049_011.tif
    Title: Return Of The Asantehene
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081801:GHAED:CULTURE:POLITICS:PERSONALITIES:SEP 1963: Return Of The Asantehene - Everyone wants to shake on Tema quayside! -What a welcome the Asantehene got when Nana returned home after his medical treatment abroad! He's looking fine! In the past, because of historical reasons, (one great Asante King, Osei Tutu, was killed by the Akyems as he crossed the Pra River) the Asantehene was never allowed to leave Asante. But today, life has become so complex to travel overseas. Because of the long tradition, however, when Nana Sir Osei Agyyemang Prempeh the Second went to Britain last year for medical treatment, there was anxiety among all the Asante people. Would he be stronger on his return than when he left? (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5565 x 4407
    Media Id: 251_27
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, politics, September, 1963, September 1963, Asantehene, Asante King, Christian Gbagbo, African men, hat, people, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0049_012F.tif
    Title: Return Of The Asantehene
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081802:GHAED:CULTURE:POLITICS:PERSONALITIES:SEP 1963 - Return Of The Asantehene - Crowds flocked to Tema harbour to greet Asantehene. In the past, because of historical reasons, (one great Asante King, Osei Tutu, was killed by the Akyems as he crossed the Pra River) the Asantehene was never allowed to leave Asante. But today, life has become so complex to travel overseas. Because of the long tradition, however, when Nana Sir Osei Agyyemang Prempeh the Second went to Britain last year for medical treatment, there was anxiety among all the Asante people. Would he be stronger on his return than when he left? Only a few people were supposed to turn up at Tema to welcome the Asantehene. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 5689 x 6957
    Media Id: 252_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, politics, September 1963, 1963, Asantehene, crowds, Tema Harbour, Asante, tradition, Nana Sir Osei Agyyemang Prempeh, Christian Gbagbo, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0053_015.tif
    Title: End Of The Road For The Litunga
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008091802:EAED:POLITICS:PERSONALITIES:JAN 1966 - End Of The Road For The Litunga - The Litunga OF Barotseland, Sir Mwanawina Lewanika always hoped that the road to Zambia's Independence would lead to him to a position of power. He sheltered under the British flag; surrounded himself with the trappings of tradition, but the broad road ahead led to a dead end. But all of these for midable upheavals none appeared more insoluble that the seemingly endless struggle with the 47 years old feudal ruler of Barotseland, Sir Mwanawina Lewanika the third, Knight of the British Empire. Sir Mwanawina trouble was that his ageing eyes refused to, accept the change that was taking place around them.He had Kaunda arrested in his area during the nationalist struggle - supposedly for being "an undesirable influence on my people " (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5643 x 3826
    Media Id: 141_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, politics, Drum Magazine, January 1966, 1966, Litunga, End of the Road, Sir Mwanawina Lewanika, Barotseland, Zambia, British empire, Kaunda, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0070_003.tif
    Title: Sobhuza Uses Power For People's Good
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112102:SAED:POLITICS:PERSONALITIES:DEC 1969 - Sobhuza Uses Power For People's Good - The King in an evening suit at a royal banquet given in honour of Princess Alexandra and here husband, the Hon. Angus Ogilvy, during Swaziland's independence celebrations. Africa has few kings today who have the power to exert influence in their countries. They are either constitutional monarchs or act as nominal heads of state with little power. The one difference is Swaziland. King Sobhuza II of Swaziland is more than a constitutional monarch - he actively leads his country. He tells his nation that it was the tradition of all African kingdoms that their kings were leaders as well as kings. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Swaziland
    Pixel Size: 4671 x 4643
    Media Id: 138_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0071_002.tif
    Title: Circumcision School
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112419:SAED:TRADITION:DEC 1968 - Circumcision School for girls is considered mainly a preparation for marriage, and most of the rituals connected with circumcision and initiation are believed to ensure fertility. Here a group of masked girls are seen during circumcision school. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2469 x 3574
    Media Id: 144_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, tradition, culture, December 1968, 1968, circumcision, school, marriages, girls, ritual, fertility, masked, blankets, sticks, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0071_003.tif
    Title: Chanting 'Doc' Says He Can Make Rain
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112422:SAED:TRADITION:PERSONALITIES:OCT 1968 - Chanting 'Doc' Says He Can Make Rain. What could be the cause of the agony written all over the face? Sangoma Maseko explains that he was at that moment "possessed" by the spirits of his ancestors. Maseko is a bold man. Straight away he challenges DRUM saying that he can make rain. he also claims to be able to cure insanity. He gives the names of two Soweto people he says he cured from insanity. Since we've not had the lovely scent of rain for a long time I challenged Mr. Maseko to make bold his claim as rainmaker. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3972 x 5621
    Media Id: 144_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, tradition, October, 1968, rain, Sangoma, Maseko, Chanting, rainmaker, Drum Photographer, African man, 1960s, October 1968, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0075_016F
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102717:SAED:SOCIAL:PERSONALITIES:JUN 1963 - Africa's Only Lamplighter - Greying Mr. O. Magethe is South Africa's only old-world lamplighter - and he may well be the last in Africa of a dying tradition of men. Lamplighters were colourful characters in the old cities of Europe, but electricity has taken over from gas-light in most of them now - and the lamplighters have gone. Mr. Magethe lights 15 gaslamps at the street corners in the little Free State hamlet of Luckhoff every evening, and puts them out at 10.30 every night. (Photograph by Allen Loxton ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 5576 x 8337
    Media Id: 142_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0217_008.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010030904:SAED:POLITICS:PERSONALITIES:JUN 1973 - Women in tradition at the opening of the Lebowa Assembly. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3880 x 5853
    Media Id: 787_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0228_002.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011040711:SAED:SPORTS:BOXING:PERSONALITIES:SEP 1956 - The last of the Indian Champs, Louis Joshua. He was part of a long tradition of 'Indian' boxing champions evident in the first five decades of the century. Although Joshua was a 'killer' in the ring he was reported to be really soft-hearted out of it. ( Photograph by G.R Naidoo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4513 x 4557
    Media Id: 786_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072016
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999072016:SAED:THEATRE:PERSONALITY:MUSIC:NOV1961 - Ken Gampu and Sam Williams in the stage production of 'Dingaka' - the tribal prince who comes to the city. (Photograph by Drum photographer © Baileys Archives) Tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Pixel Size: 1950 x 1960
    Media Id: 19_967
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072016
    Title: Ken Gampu and Sam Williams in the stage production of 'Dingaka'
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999072016:SAED:THEATRE:PERSONALITY:MUSIC:NOV1961 - Ken Gampu and Sam Williams in the stage production of 'Dingaka' - the tribal prince who comes to the city. (Photograph by Drum photographer Baileys Archives) Tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1950 x 1960
    Media Id: 70_236
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, South Africa, Drum Magazine, South African history, square, 1961, black and white image, music, Ken Gampu, Dingaka, personality, Sam Williams, theatre productions, tradition, blanket, stage, acting, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: dm1999121003
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999121003:GCP:DANCE:MUSIC:BEAUTIES:31JUL1955 - The New Look And Old Look Went Dancing - It was a chilly night warmed only by the dense crowd at the Mafri dance. Girls were modelling African and European dress. Violet Ramitloa modelled Pedi dress and Violet Letoaba, Shangaan dress. (Photograph by Bob Gosani Baileys Archive) Tradition, fashion. neg 856
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4635 x 4653
    Media Id: 43_402
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Bob Gosani, black and white image, 1950s, South African history, 1955, July, Africa, South Africa, Violet Ramitloa, black African people, Drum Magazine, horizontal, Violet Letoaba, ,
    Model Release: No
    Property Release: No

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    Image Number: dm2000040523
    Title: he Leaders Met And They All Had Fun - Joshua Nkomo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000040523:EAED:POLITICS:PERSONALITY:JUL1962 - The Leaders Met And They All Had Fun - Joshua Nkomo. "Kenneth Kaunda, my brother", said the big man, looking like a Buddha in his great robe of yellow."Joshua, my brother," said the tall man, every inch a prophet in his robe of black and purple. The two clasped hands. Around them in a circle nearly 10,000 people cheered and shouted and sang. (Photograph by David Davies Unknown) tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3433 x 2841
    Media Id: 42_679
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, 1962, July, African history, 1960s, Joshua Nkomo, Kenneth Kaunda, black African men, black African women, black African children, traditional dress, political leaders, bare breasted, ,
    Model Release: No
    Property Release: No

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    Image Number: dm2000051539
    Title: The Twilight Of A God
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051539:GHANAED:TRADITION:PERSONALITY:MAY1959 - The Twilight Of A God - Wrapped Up In Tradition: The Asantehene, in full regal attire, rides in a palanquin to the greeting of his subjects. It is not often that they see their king these nowadays. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2020 x 1970
    Media Id: 43_56
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, royal family, square, royal families, African history, May, 1959, 1950s, Ashanti, Asantehene, Ghana, Akan state, chief, tribal dress, tribesmen, traditional weapons, traditional ceremony, sedan chairs, palanquins, Drum Photographer, May 1959, ,
    Model Release: No
    Property Release: No

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    Image Number: dm2000071902
    Title: Doctor John Maluleke
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000071902:SAED:SOCIAL:RELIGION:MAR1958 - Black Doctor For Whites - Doctor John Maluleke is an African Herbalist who treats more White patients than Black. He lives at Klipgat about 30 miles from Pretoria. Here he shows a picture of himself with General Smuts, who he says, was his patient. He has 14 wives and 36 kids. (Photograph by Peter Magubane Baileys Archives) rural,medicine,Whites, tradition, culture, Shangaan
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1910 x 2940
    Media Id: 69_434
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: March, 1958, 1950s, Drum Magazine, South Africa, Africa, South African history, black and white image, carrying on the head, black African women, vertical, buckets, walking, traditional dress, rural community, rural, culture, tradition, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000071902
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000071902:SAED:SOCIAL:RELIGION:MAR1958 - Black Doctor For Whites - Doctor John Maluleke is an African Herbalist who treats more White patients than Black. He lives at Klipgat about 30 miles from Pretoria. Here he shows a picture of himself with General Smuts, who he says, was his patient. He has 14 wives and 36 kids. (Photograph by Peter Magubane © Baileys Archives) rural,medicine,Whites, tradition, culture, Shangaan
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1910 x 2940
    Media Id: 23_613
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000071906
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000071906:SAED:SOCIAL:RELIGION:MAR1958 - Black Doctor For Whites - Doctor John Maluleke is an African Herbalist who treats more White patients than Black. He lives at Klipgat about 30 miles from Pretoria. Here he shows a picture of himself with General Smuts, who he says, was his patient. He has 14 wives and 36 kids. (Photograph by Peter Magubane © Baileys Archives) rural,medicine,Whites, tradition, culture, Shangaan, young boys wearing tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1870 x 2890
    Media Id: 19_790
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000071906
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000071906:SAED:SOCIAL:RELIGION:MAR1958 - Black Doctor For Whites - Doctor John Maluleke is an African Herbalist who treats more White patients than Black. He lives at Klipgat about 30 miles from Pretoria. Here he shows a picture of himself with General Smuts, who he says, was his patient. He has 14 wives and 36 kids. (Photograph by Peter Magubane Baileys Archives) rural,medicine,Whites, tradition, culture, Shangaan, young boys wearing tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1870 x 2890
    Media Id: 69_790
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, black African children, March, vertical, 1958, 1950s, traditional dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000111419
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000111419:SAED:POLITICS:PERSONALITIES:DEC1963 - South Africa goes on Trial - Woman wearing tradition. The whole world was watching when the three major sabotage trials started in Pretoria, Cape Town and Maritzburg. Outside the Palace of Justice during the Rivonia Trial. (Photograph by Alf Kumalo Baileys Archives) protest, traditional wear, neg P3
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1923 x 2947
    Media Id: 43_835
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1963, December, vertical, 1960s, black African woman, traditional dress, Pretoria, Gauteng, Rivonia, Palace of Justice, sabotage trials, portrait, facing camera, head and shoulders, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001032007
    Title: Festivals- West Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032007:NIGED:SOCIAL:WOMEN:CULTURE:NODATE - Festivals, West-Africa. (Photograph by Drum Photographer BAHA) tradition dress
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1990 x 1930
    Media Id: 42_606
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: African people, crowds, festivals, Drum Magazine, Africa, West Africa, square, colour image , African history, rural villages, celebrations, colourful, traditional dress, traditional African dancing, traditional ceremony, drums, joyous, noise, music, excitement, jubilant, Drum Photographer, Nigeria, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092001
    Title: ur Aims, By The Big Three -
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092001:SAED:POLITICS:TRADITION:WOMEN:NOV1963 - Our Aims, By The Big Three - All over the Transkei, in the towns, in the kraals and deep in the hills, they're talking of 'The New Government'. During an extensive eve-of-election tour of the territory, we heard men making speeches that border on sedition (in South Africa). We heard men talking tough, talking dreams of a Utopia. And at times, we heard people talking downright trash. The highlight of the Transkei campaigne is undoubtedly the bitter clash between Paramount Chief Kaiser Matanzima and Paramount Chief Victor Poto. Looming in the background, and perhaps the most important man in the election, is Paramount Chief Sabata Dalindyebo of the Tembus. These women supported Dalindyebo. (Photograph by Drum photographer BAHA) elections, Bantustan
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 3025 x 1887
    Media Id: 43_956
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, women, tradition, politics, November, 1963, Transkei, election campaign, black African people, Xhosa women, 1960s, Drum Photographer, hut, blanket, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092002
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092002:SAED:POLITICS:WOMEN:TRADITION:NOV1963 - Our Aims, By The Big Three - All over the Transkei, in the towns, in the kraals and deep in the hills, they're talking of 'The New Government'. During an extensive eve-of-election tour of the territory, we heard men making speeches that border on sedition (in South Africa). We heard men talking tough, talking dreams of a Utopia. And at times, we heard people talking downright trash. The highlight of the Transkei campaigne is undoubtedly the bitter clash between Paramount Chief Kaiser Matanzima and Paramount Chief Victor Poto. Looming in the background, and perhaps the most important man in the election, is Paramount Chief Sabata Dalindyebo of the Tembus. These women supported Dalindyebo. (Photograph by Drum photographer BAHA) elections, Bantustan
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3040 x 1903
    Media Id: 43_603
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: women, Drum Magazine, South Africa, South African history, black and white image, horizontal, tradition, politics, November, 1963, Transkei, election campaign, black African people, Xhosa women, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092003
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092003:SAED:POLITICS:TRADITION:WOMEN:NOV1963 - Our Aims, By The Big Three - All over the Transkei, in the towns, in the kraals and deep in the hills, they're talking of 'The New Government'. During an extensive eve-of-election tour of the territory, we heard men making speeches that border on sedition (in South Africa). We heard men talking tough, talking dreams of a Utopia. And at times, we heard people talking downright trash. The highlight of the Transkei campaigne is undoubtedly the bitter clash between Paramount Chief Kaiser Matanzima and Paramount Chief Victor Poto. Looming in the background, and perhaps the most important man in the election, is Paramount Chief Sabata Dalindyebo of the Tembus. These women supported Dalindyebo. (Photograph by Drum photographer BAHA) elections, Bantustan
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2990 x 1895
    Media Id: 42_1024
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: women, tradition, Drum Magazine, South Africa, South African history, black and white image, horizontal, politics, November, 1963, Transkei, election campaign, black African people, Xhosa women, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092004
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092004:SAED:POLITICS:WOMAN:TRADITION:NOV1963 - Our Aims, By The Big Three - All over the Transkei, in the towns, in the kraals and deep in the hills, they're talking of 'The New Government'. During an extensive eve-of-election tour of the territory, we heard men making speeches that border on sedition (in South Africa). We heard men talking tough, talking dreams of a Utopia. And at times, we heard people talking downright trash. The highlight of the Transkei campaigne is undoubtedly the bitter clash between Paramount Chief Kaiser Matanzima and Paramount Chief Victor Poto. Looming in the background, and perhaps the most important man in the election, is Paramount Chief Sabata Dalindyebo of the Tembus. These women supported Dalindyebo. (Photograph by Peter Magubane BAHA) elections, Bantustan
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3041 x 1901
    Media Id: 42_963
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: women, tradition, politics, Drum Magazine, South Africa, South African history, black and white image, horizontal, November, 1963, Transkei, election campaign, black African people, Xhosa women, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001101708
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001101708:SAED:SOCIAL:THAETRE:PERSONALITY:26FEB1967 - Nongqause, Four-Way Hope Of Success - The Cast. Many of Soweto's hopes for another international stage success are pinned on the new musical Nongqause, which opened at the glittering premiere in the Mofolo Hall this month. And Drum's verdict after watching the show several times is: It could make it! Nongqause is part tragic part comedy. It is a history and a fantasy. It has music, poetry and action. And throughout its length, there is a strong feeling of tribal Africa. (Photograph by Alf Kumalo BAHA) tradition, dance
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3000 x 1980
    Media Id: 43_1304
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, Nongqause, February, 1967, 1960s, black African women, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001101709
    Title: Nongqause
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001101709:SAED:SOCIAL:THAETRE:PERSONALITY:26FEB1967 - Nongqause, Four-Way Hope Of Success - The Cast. Many of Soweto's hopes for another international stage success are pinned on the new musical Nongqause, which opened at the glittering premiere in the Mofolo Hall this month. And Drum's verdict after watching the show several times is: It could make it! Nongqause is part tragic part comedy. It is a history and a fantasy. It has music, poetry and action. And throughout its length, there is a strong feeling of tribal Africa. (Photograph by Alf Kumalo BAHA) tradition, dance
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2990 x 1930
    Media Id: 43_1641
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, Nongqause, February, 1967, 1960s, black African women, mofolo, show, Alf Kumalo, theatre,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001101710
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001101710:SAED:SOCIAL:THAETRE:PERSONALITY:26FEB1967 - Nongqause, Four-Way Hope Of Success - The Cast. Many of Soweto's hopes for another international stage success are pinned on the new musical Nongqause, which opened at the glittering premiere in the Mofolo Hall this month. And Drum's verdict after watching the show several times is: It could make it! Nongqause is part tragic part comedy. It is a history and a fantasy. It has music, poetry and action. And throughout its length, there is a strong feeling of tribal Africa. (Photograph by Alf Kumalo BAHA) tradition, dance
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2990 x 1930
    Media Id: 43_831
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Nongqause, Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, February, 1967, 1960s, black African women, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001101711
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001101711:SAED:SOCIAL:THAETRE:PERSONALITY:26FEB1967 - Nongqause, Four-Way Hope Of Success - The Cast. Many of Soweto's hopes for another international stage success are pinned on the new musical Nongqause, which opened at the glittering premiere in the Mofolo Hall this month. And Drum's verdict after watching the show several times is: It could make it! Nongqause is part tragic part comedy. It is a history and a fantasy. It has music, poetry and action. And throughout its length, there is a strong feeling of tribal Africa. (Photograph by Alf Kumalo BAHA) tradition, dance
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1990 x 2950
    Media Id: 43_1527
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1967, Drum Magazine, South Africa, Africa, South African history, black and white image, February, vertical, 1960s, Nongqause, musicals, black African people, dancing, Mofolo Hall, Soweto, Gauteng, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002041002
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002041002:SAED:SOCIAL:POLITICS:BEAUTY:POLITICS:1970s - Bubbles Mpondo - Actress, model. The female eyebrow raiser is none other than famous joburg black model, Faith "Bubbles" The world isn't going to forget us in a hurry". Muscleman Jannie Beetge told Drum a year ago when his much-publicised affair with top black model Bubbles Mpondo was hot news. 18 month later he was proved right when the two lovers were found shot dead in their joburg flat. In this exclusive interview Stan Motjuwadi speaks to close friends of the couple who told him that it was not the first time that Jannie had shot at Bubbles during their stormy relationship.(Photograph by Drum Photographer © BAHA) tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1970 x 1980
    Media Id: 44_163
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, colour image , models, square, actresses, black African woman, Faith "Bubbles" Mpondo, posing, Bubbles, Bubbles Mpondo, actress, model, beauty, ashion, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002041003
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002041003:SAED:SOCIAL:POLITICS:BEAUTY:POLITICS:1970s - Nakedi Ribane - Actress, model. (Photograph by Drum Photographer © BAHA) tradition, telephone
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 1960 x 1980
    Media Id: 43_1128
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, actresses, square, Nakedi Ribane, 1970s, models, black African woman, posing, colour image , talking, telephone boxes, public telephones, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002041004
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002041004:SAED:SOCIAL:POLITICS:BEAUTY:POLITICS:1970s - Nakedi Ribane - Actress, model. (Photograph by Drum Photographer © BAHA) tradition, telephone
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 2020 x 1960
    Media Id: 43_1177
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, Nakedi Ribane, models, square, colour image , 1970s, actresses, black African woman, posing, bikinis, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002070503
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002070503:SAED:SOCIAL:PERSONALITY:JUN1969 - Showdown 1969 - Little Jonathan Butler, in the family tradition - (photograph by Drum Photograph BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2571 x 3596
    Media Id: 43_628
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: performances, Drum Magazine, South Africa, Africa, South African history, black and white image, singer, Coloured boy, vertical, June, 1969, 1960s, singing, Jonathan Butler, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004042017
    Title: Dr Verwoerds's Commonwealth Walk-Out
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004042017:SAED:POLITICS:PERSONALITY:APR1961 - Dr Verwoerds's Commonwealth Walk-Out Was The Unites Front's Biggest Victory - How they got busy. United front members lead a big march along London's Oxford Street at the time of the Prime Ministers' Conference. In front from left Oliver Tambo, Kusen Guizi, Dr Y Dadoo, Fenner Brockway Labour MP, and Nana Mahoma. Dr Verwoerd had just arrived and delivered a 'No Interference with our Policies' speech. Dr Verwoerds's walk-out from the commonwealth is a severe set back to the whole business and financial structure of the Union. Its political consequences must be tremendous, and will be felt increasingly, year after year. To one group it represents a signal victory, the South African politicians in exile known as 'the United Fronts.' (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2970 x 1920
    Media Id: 43_1645
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, outh Africa, Drum Magazine, South African history, square, 1961, black and white image, music, Ken Gampu, Dingaka, personality, Sam Williams, theatre productions, tradition, blanket, stage, acting, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2005020942
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2005020942:SAED:POLITICS:APARTHEID:NODATE - Soweto Residents and police van with the crowd walking towards the police van - (Photograph by Drum Photographer © BAHA) tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 3010 x 1930
    Media Id: 23_223
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2005020942
    Title: Soweto Residents and police van with the crowd walking towards the police van
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2005020942:SAED:POLITICS:APARTHEID:NODATE - Soweto Residents and police van with the crowd walking towards the police van - (Photograph by Drum Photographer BAHA) tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3010 x 1930
    Media Id: 70_116
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: demonstrations, Drum Magazine, South Africa, South African history, black and white image, horizontal, apartheid, politics, Soweto, protests, forced removals, black African people, Drum Photographer, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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