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Search Term: traditional weapons

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    Image Number: BHA00019_8
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . DRUM FEB 1963 Ð MAJEKODUNMI Ð THE MAN WHO SAVED THE WEST. NIGED:POLITICS:PERSONALITIES:FEB 1963 Ð Majekodunmi Ð The Man Who Saved The West Ð A Man in a hurry Ð Dr Majekodunmi was to do a lot in the West, quickly. ÒBut not by me alone. It was a very successful adventure in co-operation,Ó he said. In May 1962 a crisis flared in the Western Region. Then in stepped Dr Moses Majekodunmi, doctor and scientist. His job as administrator was to replace chaos with order. His chief weapons were a cool brain and courage. Since 1941, he has been a very well-known man. That he was appointed a senator some few years ago by the government of the federation did not in itself take the scientist from science to politics. It was subsequently announced that Dr Majekodunmi the senator, would also be Dr Majekodunmi, the federal minister of health. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4146 x 5161
    Media Id: 69_656
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, Drum Magazine, historical value, socials, history, 1963, 1960s, Nigeria, West Africa, politicians, black African man, administrator, traditional dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050820
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050820:GHANED:MUSIC:TRADITION:CULTURE:MAY1961 - (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1816 x 2277
    Media Id: 43_1089
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: African history, black and white image, Drum Magazine, vertical, Africa, black African men, traditional dress, traditional weapons, traditional dancing, May, 1961, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051523
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051523:GHANAED:TRADITION:CULTURE:ENTERTAINMENT - Aruna Yamuri - Mallam (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2040 x 1920
    Media Id: 43_1218
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Aruna Yamuri - Mallam, black African man, tribal dress, traditional weapons, shouting, rural villages, aggression, Drum Magazine, Africa, black and white image, square, Ghana, African history, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051524
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051524:GHANAED:TRADITION:CULTURE:NODATE - Aruna Yamuri - Mallam. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2040 x 1920
    Media Id: 43_1202
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, tribal dress, Africa, black African men, black and white image, Aruna Yamuri - Mallam, square, Nigeria, traditional weapons, traditional dancing, traditional ceremony, traditional huts, huts, hut, sand, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051539
    Title: The Twilight Of A God
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051539:GHANAED:TRADITION:PERSONALITY:MAY1959 - The Twilight Of A God - Wrapped Up In Tradition: The Asantehene, in full regal attire, rides in a palanquin to the greeting of his subjects. It is not often that they see their king these nowadays. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2020 x 1970
    Media Id: 43_56
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, royal family, square, royal families, African history, May, 1959, 1950s, Ashanti, Asantehene, Ghana, Akan state, chief, tribal dress, tribesmen, traditional weapons, traditional ceremony, sedan chairs, palanquins, Drum Photographer, May 1959, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001032016
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032016:NIGED:SOCIAL:CULTURE:OCT1960 - Noble Names On Our Path To Freedom - Fierce Horsemen of the North. There are tough fighters in our history, and aristocrats of the first order. They have all helped to guide Nigeria on its road to freedom. Sometimes we have had to battle up hills, but with the independence at last, this is the time to rest a moment and remember our past heroes. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 3420 x 2624
    Media Id: 43_82
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, Nigeria, October, 1960, 1960s, horses, horsemen, traditional dress, traditional weapons, soldiers, horseriding, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062707
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062707:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Izangoma (witchdoctors). In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3000 x 1970
    Media Id: 43_820
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African women, black African woman, traditional weapons, Shakespeare, Macbeth, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062708
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062708:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA) dancing
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3000 x 1990
    Media Id: 43_1553
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African women, black African woman, traditional weapons, Shakespeare, Macbeth, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062709
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062709:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Welcome Msomi. In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA) dancing
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2030 x 3010
    Media Id: 43_780
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African women, black African woman, traditional weapons, Shakespeare, Macbeth, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062710
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062710:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Welcome Msomi and Daphne Hlomuka. In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA) dancing, traditional gear
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2030 x 3000
    Media Id: 44_104
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African women, black African woman, traditional weapons, Shakespeare, Macbeth, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062711
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062711:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA) dancing, traditional gear, Thembi Mtshali
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2036 x 1980
    Media Id: 43_1212
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, square, colour image , May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African women, black African woman, traditional weapons, Shakespeare, Macbeth, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062712
    Title: Wenze Kahle Umabatha - Daphne Hlomuka And Welcome Msomi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062712:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Welcome Msomi and Daphne Hlomuka. In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA) dancing, traditional gear
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2003 x 2028
    Media Id: 43_332
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: colour image , Drum Magazine, South Africa, Africa, South African history, square, May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African women, black African woman, traditional weapons, Shakespeare, Macbeth, traditional attire, Ranjith Kally, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062713
    Title: Wenze Kahle Umabatha - Daphne Hlomuka And Welcome Msomi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062713:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Daphne Hlomuka. In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA) dancing, traditional gear
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1910 x 3000
    Media Id: 42_683
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African woman, traditional weapons, Shakespeare, Macbeth, Ranjith Kally, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062714
    Title: Wenze Kahle Umabatha - Daphne Hlomuka
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062714:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Daphne Hlomuka. In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA) dancing, traditional gear
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 3045 x 1902
    Media Id: 42_700
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African women, black African woman, traditional weapons, Shakespeare, Macbeth, Ranjith Kally, traditional gear, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062717
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062717:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Daphne Hlomuka, Thembi Mtshali, Iris Putini. In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4012 x 3151
    Media Id: 44_51
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, May, 1972, 1970s, Umabatha , Daphne Hlomuka, Welcome Msomi, Natal Theatre Workshop Company, traditional dress, traditional dancing, black African man, black African women, black African woman, traditional weapons, Shakespeare, Macbeth, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002042219
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002042219:SAED:RELIGION:PERSONALITY:DEC1953 - Bishop Limba Comes To The Reef - The Cape's richest priest tours the Union with his faithful group and fabulous mobile fleet. The new 'Messiah', Bishop James Tata Limba and his wife, U-Mama, arrive at Randfontein in their immaculate Buick 8. Out of the confusion of warring African religious sects since the beginning of the century, some have survived and became powerful organisations. One of them is Bishop Limba's 'Church of Christ' in Port Elizabeth. (Photogrpah by Bob Gosani BAHA) neg 312
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1990 x 1910
    Media Id: 43_1029
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: traditional weapons, 1953, December, Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1950s, Bishop James Tata Limba, Gauteng, black African man, traditional dress, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

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