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Search Term: tribal dress

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    Image Number: BHA0015_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:POLITICS:PERSONALITIES:SEP 1962 Ð Diary Of Western NigeriaÕs Political Crisis Ð Alhaji Dauda Adegbenro becomes the new premier of the Western Region. This record of the crisis in Western Nigeria serves as a reminder that we must never again allow political difference to get so disastrously out of hand. ( Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: portrait
    Pixel Size: 4088 x 5218
    Media Id: 70_117
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, history, cultural history, social comments, historical value, 1962, 1960s, vertical, black and white image, Nigeria, Africa, West, portrait, close-up, tribal markings, traditional dress, newly-elected, prime minister, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_12
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 Ð The NorthÕs Great Durbar ÐThe horsemen Strut their stuff in splendid pomp and glory. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5153 x 4091
    Media Id: 69_660
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, West Africa, Africa, horizontal, history, cultural history, Nigeria, Drum Magazine, social comments, historical value, horsemen, tribal dress, tribal weapon, spears, cultural weapons, tradition, culture, African culture, display, audience, horses, 1959, 1950s, Durbar Festival, Northern Nigeria, celebration, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM FEB 1965 Ð WHY HATE THE IBOS?. NIGED:POLITICS:PERSONALITIES:FEB 1965 Ð Why Hate The Ibos? Ð Nnamdi Azikiwe Ð A painful cry of a member of a persecuted group. ÒBesides the Jews, probably no other linguistic group has suffered so much persecution in history as the Ibo have been obliged to endure in Nigeria.Ó This statement was made by President Nnamdi Azikiwe in 1964. It brought into the open the truth of tribal discrimination in Nigeria. The anti-Ibo feeling that swept through the federation received its main kick from the publication of the 1963 census, its acceptance by the governments of Northern and Western Nigeria and its rejection by both the government and the Ibos of Eastern Nigeria. Minor issues such as the sharing of board appointments between the Eastern and Western members of the NCNC Ð have also gone into fanning its embers. (Photograph by Drum Photographer ©BAHA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: portrait
    Pixel Size: 4052 x 5169
    Media Id: 69_810
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, history, Africa, Nigeria, West Africa, Drum Magazine, cultural history, social comments, historical value, 1960s, suffering, tribal conflict, one person, black African man, traditional dress, speaking, explaining, 1965, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0046_003.tif
    Title: All Africa Met Here
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082113:GHAED:POLITICS:PERSONALITIES:MAR 1959 - All Africa Met Here - Oddest Hat: A.A. Ochwada led the men from the Kenya Federation of Labour. He wore tribal head-dress, and became one of the best-known delegates to Accra's population. All Africa is walking up, growing up, joining up. We arrived at one of the great turning points in history. And in this tremendous Continental movement, it is West Africa that is giving the lead and setting the pace. The Accra Talks were one more strong step on the road to a free and united Africa. (Photograph by Fred Attol BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3576 x 4763
    Media Id: 255_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_012.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112111:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - It's a high kick off for Transkei independence as this young tribal dancer does her thing during the celebrations at Independence Stadium Umtata. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph byChris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 3744 x 5445
    Media Id: 138_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021132
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021132:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - 'Lo Six', meaning We Six, with that crack of a little whip Thoko Thomo, in spirituals and in jungle rhythms that rocked the City Hall with unbridled applause. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4489 x 4475
    Media Id: 43_1160
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Lo-Six, square, traditional dress, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, tribal dancers, stage sets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050821
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050821:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - The Queen Mother. Queen mother of Tafo is another authority ready to correct Tafonehe on local history. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1938 x 2278
    Media Id: 44_204
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, 1964, October, vertical, African history, 1960s, Tafohene (ruler), Old Tafo, Abuakwa people, Queen Mother, OHUM Festival, black African men, tribal dress, traditional ceremony, Ghana, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050822
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050822:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Ghana
    Orientation: landscape
    Pixel Size: 2559 x 1775
    Media Id: 42_853
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, October, 1964, 1960s, Ghana, Old Tafo, Tafohene (ruler), Abuakwa people, OHUM Festival, traditional ceremony, black African men, river, carrying, tribal dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050825
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050825:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1754 x 2549
    Media Id: 42_791
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, Ghana, Old Tafo, vertical, African history, Akyem Abuakwa, OHUM Festival, Abuakwa people, Tafohene (ruler), black African people, tribal dress, traditional dancing, traditional ceremony, October, 1964, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050830
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050830:GHANED:FUNERAL:TRADITION:CULTURE:AUG1961 - In Memory Of Otumfuo, Sir Osei Agyeman Pempeh II, Asantehe - The Asantehemaa, the Bantamahene, the Akyempimhene, the Gyasehene, the Mawerehene and the Ankobeahene deeply regret to announce the passing awayof Otumfuo Sir Osei Agyeman Prempeh the Second. It was unbelievableto many, so shocking did it sound. But the above was the sorrowful news that, having received traditional Ashanti blessing, hit the deadlines on the morning of Saturday, 30 May May 1970. Even after this official announcement some people still remained sceptical. The reason for this sceptism was not far to find: months before the announcement Ghanaians had, with some regularity, had been hearing rumours of Otumfuo's death. (Photographer by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2253 x 2166
    Media Id: 43_1403
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, 1961, square, August, African history, 1960s, Ghana, black African man, tribal dress, traditional instrument, traditional ceremony, musician, Ashanti, Sir Osei Agyeman Pempeh II, deceased, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050834
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050834:GHANED:SOCIAL:TRADITION:OCT1964 - Salute To Comfort Onyina - After a hard day's tractor driving she finds plenty of time and energy to dance. She's known as Queen of the Cha-cha-cha. Here she teaches young girls the adowa. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2386 x 1775
    Media Id: 42_933
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, 1964, October, African history, Ghana, 1960s, black African women, Onyina, tribal dress, traditional dancing, rural villages, traditional homesteads, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051523
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051523:GHANAED:TRADITION:CULTURE:ENTERTAINMENT - Aruna Yamuri - Mallam (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2040 x 1920
    Media Id: 43_1218
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Aruna Yamuri - Mallam, black African man, tribal dress, traditional weapons, shouting, rural villages, aggression, Drum Magazine, Africa, black and white image, square, Ghana, African history, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051524
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051524:GHANAED:TRADITION:CULTURE:NODATE - Aruna Yamuri - Mallam. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2040 x 1920
    Media Id: 43_1202
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, tribal dress, Africa, black African men, black and white image, Aruna Yamuri - Mallam, square, Nigeria, traditional weapons, traditional dancing, traditional ceremony, traditional huts, huts, hut, sand, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051539
    Title: The Twilight Of A God
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051539:GHANAED:TRADITION:PERSONALITY:MAY1959 - The Twilight Of A God - Wrapped Up In Tradition: The Asantehene, in full regal attire, rides in a palanquin to the greeting of his subjects. It is not often that they see their king these nowadays. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2020 x 1970
    Media Id: 43_56
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, royal family, square, royal families, African history, May, 1959, 1950s, Ashanti, Asantehene, Ghana, Akan state, chief, tribal dress, tribesmen, traditional weapons, traditional ceremony, sedan chairs, palanquins, Drum Photographer, May 1959, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072011
    Title: Young Woman In Tribal Dress
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072011:SAED:BEAUTY:1957 - Women In Tribal Dress - (Photograph by Drum Photographer © Baileys Archives) neg E696
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1970 x 1950
    Media Id: 42_1051
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, tribal dress, Drum Magazine, Africa, traditional huts, black African woman, bare breasted, 1957, traditional dress, ladders, 1950s, Young woman, Drum Photographer, breast, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072012
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072012:SAED:BEAUTY - Dorah Ansah - Women In Tribal Dress - (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 1965 x 1923
    Media Id: 43_1526
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, African history, black and white image, Drum Magazine, black African woman, smoking, cigarettes, Africa, lighting, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
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      17. biometric information,
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      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
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  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
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    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

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