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Search Term: African child

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    Image Number: BHA00011_9
    Title: Ic1960_21
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:CHILDREN:DRUM APRIL 1960 Ð Unmarried Mothers and their babies Ð She depends on her parents Ð Sarah Phalatse used to be a school-teacher. Last saw her ÒhusbandÓ just before the baby was born. She says he hasnÕt given as much as a napkin or a bar of soap for the child. So she stays with her family in Joburg. Her father is a municipal cop in the city. The basic trouble is a political one, say some folk interviewed by a Drum reporter. All tied up with basic social conditions and no sex education. And in the meantime more and more kids have to start out life without even the minimum of a chance. (Photograph by Peter Magubane ©Baileys Archives) NEG 21
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3704 x 5688
    Media Id: 69_509
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, vertical, April, 1960, 1960s, black African people, mothers, babies, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_10
    Title: b1959_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð Efena, another daughter of Mr. Ratlou, took her child to Mrs. Rademeyer when it was ill. She says Mrs. Rademeyer burnt some white powder and then listened to a horn. She was told that she Ð not her daughter Ð was sick. (Photograph by Peter Magubane ©Baileys Archives) Neg 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3890 x 5892
    Media Id: 69_720
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, Africa, South Africa, 1950s, black African woman, carrying baby on back, blanket, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_7
    Title: b1959_40
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð And what do the bones reveal? Blouberg Bapole consulted the bones when a neighbourÕs child vanished. The bones ÒpointedÓ at someone, but the ÒsuspectÓ shown by the bones was later acquitted. Man, you canÕt even trust the bones nowadays! (Photograph by Peter Magubane ©Baileys Archives) Neg 40
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3889 x 5925
    Media Id: 69_234
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, Drum Magazine, July, 1959, 1950s, diviners, male diviner, black African man, African woman, throwing bones, reading bones, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_8
    Title: b1959_23
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð Amos Ratlou: ÒWhen my grandchild was ill, I paid first with a goat, then two pigs, and later two donkeys. But the child did not improve. I also paid Mrs. Rademeyer 5s. for the bones.Ó First three little kids vanished from their parentsÕhuts. No sign of them although the parents looked and looked, and whole villages helped. Gone. (Photograph by Peter Magubane ©Baileys Archives) Neg 23
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3890 x 5903
    Media Id: 69_415
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, vertical, July, 1959, 1950s, black African man, pointing, overalls, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00013_9
    Title: Rebecca Ratlou - Witchcraft
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:WITCHCRAFT:DRUM JULY 1959 Ð Folk live in dread in the land of withcraft Ð Rebecca Ratlou: ÒMy father paid two pigs for my treatment. I gave birth to a child two months premature. She did not live.Ó People are scared. First three little kids vanished from their parentsÕhuts. No sign of them although the parents looked and looked, and whole villages helped. Gone. (Photograph by Peter Magubane ©Baileys Archives) Neg 13
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3890 x 5903
    Media Id: 69_251
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, South Africa, Africa, Drum Magazine, July, 1959, witches - African religion, Peter Magubane, social, witchcraft, woman, July 1959, Rebecca Ratlou, dread land,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0001_1
    Title: a1952_4_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:MUSIC:DRUM JANUARY 1952 - How To Become A Second Harry James! Ð Blow in the New Year. 5 year old Donald Smith, of Polly Street, Johannesburg, demonstrates the first stages towards his great ambition. (Photograph by Jurgen Schadeberg © BAHA) NEG 004 FRAME 5
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4715 x 4724
    Media Id: 69_629
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, 1952, 1950s, buglers, African child, young child, young boys, playing (musical instruments), ceremonial dress, talent, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_10
    Title: m1953_254_13
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:POVERTY:DRUM JULY 1953 Ð How to feed them? Ð Every morning in JohannesburgÕs locations anxious hungry black children can be seen queueing up in front of a stall, pushing out empty mugs for milk, and scrambling for peanut-buttered bread. They are some of the 5,000 African children who get an extra daily meal of rich food from the African Children Feeding Scheme. They feed 10 schools. And have nine feeding centres in the Reef locations. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 254 FRAME 13
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4668 x 4770
    Media Id: 69_639
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, 1953, 1950s, poverty, feeding schemes, milk, sandwiches, young child, hunger, black African child, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0007_13
    Title: n1953_254_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:SOCIAL:POVERTY:DRUM JULY 1953 Ð How to feed them? Ð 12 year old Nicodimus Maleke, of Orlando, waits for his turn of peanut-buttered bread. With no father and his mother not working, the feeding scheme gives him his richest meal. Every morning in JohannesburgÕs locations anxious hungry black children can be seen queueing up in front of a stall, pushing out empty mugs for milk, and scrambling for peanut-buttered bread. They are some of the 5,000 African children who get an extra daily meal of rich food from the African Children Feeding Scheme. They feed 10 schools. And have nine feeding centres in the Reef locations. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 254 FRAME 10
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4748 x 4685
    Media Id: 69_526
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, South Africa, Africa, black African child, poverty, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0008_9
    Title: o1953_283_21
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: OCTOBER 1953 Ð SNATCH! WILL MEAN MORE RACIAL CONFLICT Ð NEG 283. SAED:SOCIAL:POLITICS:PERSONALITIES:DRUM OCTOBER 1953 Ð Gray Mbau, 27-year-old Social Worker, lives with wife Louisa, son Jethron and niece Edna in pleasant Sophiatown, Johannesburg, cottage. Mr. and Mrs. Mbau are two of 75,000 to be ÔsnatchedÕ from Johannesburg homes. He bough his free hold property in 1951 for £1250 but under the ÔsnatchÕ Act it is evaluated at £500. He stopped all improvements through the Act so he should not lose more money. .(Photograph by Drum Photographer ©Baileys Archives) NEG 283 FRAME 21
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4687 x 4733
    Media Id: 69_680
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, history, cultural history, Drum Magazine, social comments, historical value, schoolchildren, reading, library, black African child, sitting at table, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0013_7.tif
    Title: withchdoctor or Herbalist
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053054:SAED:SOCIAL:WITCHCRAFT:JUL 1959– Folk live in dread in the land of witchcraft – And what do the bones reveal? Blouberg Bapole consulted the bones when a neighbour’s child vanished. The bones “pointed” at someone, but the “suspect” shown by the bones was later acquitted. Man, you can’t even trust the bones nowadays! (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3889 x 5925
    Media Id: 128_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, witchcraft, herbalist, bones, Blouberg Bapole, Peter Magubane, July 1959, 1959, black, african, culture, tradition,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0035_4.tif
    Title: Leopold Takawira - in-Sized Power Man Recent study taken in London
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060503:EAED:POLITICS:PERSONALITIES:SEP 1962 Pin-Sized Power Man Recent study taken in London. Leopold has a liking for tweeds. Leopold Takawira was born in August, 1916, of the royal family of Chief Chilimanzi, a brother to Chief Mutasa of Manicaland who fled from home due to quarrels. Leopold was the only child in the family, having lost his mother when he was a year old and his father at five. He brought up by his grandmother in Fort Victoria and later moved to Chilimanzi in 1929. He was educated up to Standard IV at Driefontein Mission in Chilimanzi area. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3787 x 5017
    Media Id: 183_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Drum Magazine, politics, September 1962, Leopold, Leopold Takawira, Takawira, African man, Drum Photographer, portrait, 1960s, 1962, September, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_009.tif
    Title: King Masinga
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102819:SAED:SOCIAL:PERSONALITIES:NO DATE - King Masinga - Lovely pose of Masinga's new wife with her three ''daughters'' at Lamontville. From left to right. Thaba aged 12, Mrs Masinga in beret, Zaki standing in front and foster child of Masinga, Nono, aged 20. King Edward Masinga is known to most South African radio listeners. He rose from herd boy to senior Zulu announcer at the Durban studios of the South African Broadcasting Corporation and takes part in black and white programmes. He has been called the black Noel Coward of Africa. He is a play-wright, a comedian, a composer and a singer in his own right. (Photograph by Duke Ngcobo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 4536 x 3432
    Media Id: 140_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0173_036.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102802:SAED:SOCIAL:PERSONALTIES:GCPOCT13 1963 - Every knock on the door of the Petersen home in Kliptown is agony for their 11-year-old daughter, Martha. It could be the Child Welfare authorities to remove the African child, Moses, whom she found abandoned six months ago. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1844 x 2448
    Media Id: 782_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999071908
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999071908:SAFRICA:HEALTH:GCP21OCT1962 - Facts and Figures Means nothing To the Starving Thousands. This is the human proof of starvation and malnutrition in the midst of plenty. (Photograph by Alf Kumalo Baileys Archives) poverty,Northern province
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3641 x 3543
    Media Id: 70_168
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, child, square, black African child, poverty, malnutrition, starvation, hospital, hospital bed, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999080308
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999080308:SAED:WOMAN:SOCIAL:APARTHEID:JAN1955 - My Life Story - by Regina Brooks. Drum gives you the first full story of one of Africa's most controvesial figures, the white the woman who claims to have 'gone native'. She was born on a farm called Rooiport near the little town of Vrede in the Orange Free State. Her father was an Englishman. She grew up playing with her father's servants rather than with her brothers and sisters. She learned to speak Zulu and Sesotho, and these she spoke more fluently than English. She met Seargent Khumalo in Durban and fell in love with him, she gave birth to her daughter Thandi . She went to stay with him in Dube, Soweto. They were arrested under the immorality act and went to court. They were fined and the people who came to listen to their case collected money and psid their bail. (Photograph by Drum photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4680 x 4702
    Media Id: 69_548
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, square, Regina Brooks, January, African history, Mother and child, interracial marriages, Soweto, Dube, Immorality Act, 1955, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm19999062308
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000062308:SAED:POLITICS:WOMEN:APARTHEID:MAY1960 - Rebel S.A Poet Writes Of Sharpeville, Orlando, Langa, and... The Child That Died At Langa - I saw the dead chidl as my baby. Poet Ingrid Jonker with her five year old daughter, Simmone. Ingrid describes her daughter's birth as 'one of the great experiences in my life.' When I am asked to talk about my poetry I sometimes feel like answering that poetry should really speak for itself. But I know that this is a bit unreal or perhaps asking too much. Poets speak the words, and the ideas, the thoughts and dreams of everyone. The difference is that they use these words and ideas in a way that, when succesful, is heightened, sharper, clearer, more piercing than in ordinary speech. Now let me say something about my poem 'Die Kind' (The Child), about which so much has been said. Go back to the days in March 1960, when blood flowed in this land. For me it was a time of terrible shock and dismay. Then came the awful news of
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1835 x 3543
    Media Id: 69_475
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, May, South African history, black and white image, apartheid, women, vertical, 1960, Ingrid Jonker, Simone Jonker, poet, poetry, Mother and child, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021410
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021410:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coa
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 1960
    Media Id: 43_731
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, personality, square, jazz, music, September, 1960, Kippie Moeketsi, saxophonist, playing, black African man, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021411
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021411:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labelling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coa
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 1980
    Media Id: 42_911
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: personality, jazz, Drum Magazine, South Africa, South African history, black and white image, music, square, September, 1960, Kippie Moeketsi, saxophonist, playing, black African man, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021412
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021412:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labelling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coat
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 1980
    Media Id: 43_1405
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, personality, square, music, jazz, September, 1960, saxophonist, playing, black African man, Kippie Moeketsi, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021413
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021413:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coate
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4683 x 4637
    Media Id: 43_1004
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: personality, music, Drum Magazine, South Africa, South African history, black and white image, jazz, square, September, 1960, saxophonist, playing, black African man, Kippie Moeketsi, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021711
    Title: 20 Years Of Senor Jazzmo - Antonio Saude, the man from Portuguese East Africa who took South Africa by storm 20 years ago
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021711:SAED:MUSIC:PERSONALITY:APR1955 - 20 Years Of Senor Jazzmo - Antonio Saude, the man from Portuguese East Africa who took South Africa by storm 20 years ago. And is still rocking the ole town! He plays trumpet, violin, trombone, cornet, guitar, mandolin, saxophone, clarinet, banjo, ukelele, euphonium and the bombadin. You wouldn't guess his age, but he's 51: Musician, plumber, carpenter, band conductor, founder of jazz bands and father. (Photograph by Drum photographer Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 1950
    Media Id: 43_145
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1955, Drum Magazine, South Africa, Africa, South African history, black and white image, April, square, 1950s, musician, jazz, guitarist, Antonio Saude, black African man, black African woman, black African child, violins, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030620
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030620:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1830
    Media Id: 42_936
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, September, square, Kippie 'Charlie Parker' Moeketsi, clarinets, musician, playing, 1970, 1970s, black African man, clarinetist, walls, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030621
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030621:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1830
    Media Id: 43_668
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, square, September, Kippie Moeketsi, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030622
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030622:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1830
    Media Id: 43_1028
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, September, Kippie Moeketsi, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030623
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030623:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4667 x 4713
    Media Id: 69_529
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, Drum Magazine, South Africa, Africa, South African history, black and white image, square, Kippie Moeketsi, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030624
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030624:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi, the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4662 x 4692
    Media Id: 43_1364
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, Drum Magazine, South Africa, Africa, South African history, black and white image, Kippie Moeketsi, square, 1960, 1960s, clarinetist, black African man, musician, clarinets, performances, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030811
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030811:GCP:SOCIAL:NOV1955 - Riddle Of The Girl Who Came Back From Dead - A 12 year old girl African girl is the subject of South Afrca's greatest mystery story. She is Mavis Sithebe, of Newcastle, Natal, and everyone in the province is talking about the strange story of how she 'died' and then came back to life. The girl had been placed in the coffin on her back and her grandmohther, Mrs Sithebe, came along with a basin of water and a cloth and stopped, 'petrified', for Mavis had turned to lie on her stomach. (Photograph by Gopal Naramsamy Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1878 x 1716
    Media Id: 43_917
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, Newcastle, KwaZulu-Natal, Mavis Sithebe, strange, inexplicable, black African girl, mystery, November, 1950s, 1955, hut, black African men, black African woman, black African child, rural villages, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000040529
    Title: he Little Girl Who Can't Live Next Door
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000040529:EAED:POLITICS:SOCIAL:MAR1963 -The Little Girl Who Can't Live Next Door - Flats To let Come And Take 'em - but not you, Alphoncine. The Land Apportionment Act restricted black ownership of land. It was the cause of much hardship and bitterness. Drum looked at the plight of a typical family. (Photograph by Drum Photographer BAHA) Zimbabwe, Southern Rhodesia
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2178 x 2388
    Media Id: 44_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, 1960s, 1963, black and white image, black African woman, square, black African man, African history, black African child, March, Zimbabwe, Land Apportionment Act, road, walking, apartheid, March 1963, March, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000040637
    Title: The Face Of Famine
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000040637:EAED:POLITICS:SOCIAL:SEP1980 - The Face Of Famine - While the politicians squable the children are dying. What started as a mere food shortage has now become a natioanl disaster in which an estimated 300,000 people, mostly cattle raising and warlike Karamojong tribemen in north-east Uganda, have died. (Photograph by Mike Wells Visual Aids Department) Uganda
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2310 x 3276
    Media Id: 44_92
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1980s, 1980, September, Uganda, Drum Magazine, Africa, black and white image, vertical, African history, Karamojong, famine, poor, national disasters, black African child, poverty, Mike Wells, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000040716
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000040716:EAED:WOMEN:HEALTH:JUN1976 - Who Wants The New 'Miracle' Jab? - Family Planning. Mothers at a maternity and child care centre. The first news to reaching Nairobifrom family planning clinics in Kenya is not encouraging for the 'miracle' drug, depo provera. Yet injection with chemical makes women sterile for up to six months and the method is claimed to be simlpe, fool proof, and widely popular in Thailand, where it has been in use for 10 years. (Photograph by F. Botts Unknown) Kenya
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2000 x 2672
    Media Id: 43_297
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, Kenya, Nairobi, vertical, African history, clinics, June, 1976, 1970s, black African women, black African children, waiting rooms, family planning clinics, Depo Provera, birth control, medicines, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041016
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041016:SAED:POLITICS:PERSONALITY:AUG1954 - Masterpiece In Bronze - Roseberry Tandwefika Bokwe was born at Luthuli, Tsomo, Transkei, Cape Province on the 7th March 1900. He is the son of the late Rev. John Knox Bokwe, himself a man of enlightment as missionary and pioneer musician and composer among Africans in South Africa. As a ministers child Roseberry was to move from place to place with his parents. He began his education at Ugie and continued at Lovedale Institution from 1911 to 1917. In 1918, he entered Fort Hare College for his matriculation, after which he took a teachers diploma. (Photograph by Drum Photographer Baileys Archives) Teacher, medicine
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2628 x 3543
    Media Id: 70_72
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, portrait, vertical, August, 1954, 1950s, teacher, black African man, Roseberry Tandwefika Bokwe , ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050903
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050903:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1846 x 2498
    Media Id: 43_1065
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African people, crowds, black African child, Ghana, traditional dancing, June, 1960s, traditional ceremony, Nana Otau Acheampong, feasts, 1964, Papaye Festival, African history, vertical, black and white image, Africa, Drum Magazine, Kumawu, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050904
    Title: Oh, We Are Great - Papeye Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050904:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2274 x 1941
    Media Id: 43_1085
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, West Africa, feasts, June, Papaye Festival, black African child, 1960s, Kumawu, black African people, traditional ceremony, 1964, crowds, Ghana, traditional dancing, African history, horizontal, black and white image, Africa, Drum Magazine, Nana Otau Acheampong, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050905
    Title: Missionary
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050905:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2339 x 2042
    Media Id: 44_201
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1964, 1960s, June, Kumawu, Nana Otau Acheampong, feasts, black African people, Ghana, crowds, Papaye Festival, black African child, traditional dancing, African history, horizontal, black and white image, Africa, Drum Magazine, traditional ceremony, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050906
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050906:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1876 x 2437
    Media Id: 42_847
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ghana, Kumawu, traditional dancing, crowds, 1960s, Nana Otau Acheampong, traditional ceremony, African history, vertical, black and white image, Africa, Drum Magazine, 1964, feasts, Papaye Festival, June, black African child, black African people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050907
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050907:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2329 x 1900
    Media Id: 43_115
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Papaye Festival, Nana Otau Acheampong, black and white image, black African child, African history, black African people, Kumawu, horizontal, traditional ceremony, Africa, Drum Magazine, Ghana, 1964, traditional dancing, 1960s, crowds, June, feasts, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050908
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050908:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2404 x 1884
    Media Id: 42_749
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, traditional ceremony, June, feasts, Nana Otau Acheampong, black African people, African history, Papaye Festival, horizontal, Ghana, Africa, traditional dancing, black African child, Drum Magazine, crowds, Kumawu, 1960s, 1964, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000062105
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000062105:SAED:WOMEN:PERSONALITY:MAY 1955 - A Fourteen Year Old At Fort Hare - Patricia Jobodwana (14), who joine Fort Hare University as the youngest student ever this year. Here she is in the science laboratory. This year history has been made at Fort Hare University College in the Cape. A 14 year old Cape Town girl entered to do her Bachelor of Science degree. She is Patricia Jobodwana, who has set a record as the youngest African undergraduate ever. In the past it was always thought among Africans that a child was clever to be doing her first year at at secondary school at Patricia's age. (Photographs by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4639 x 4677
    Media Id: 69_459
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, University of Fort Hare, square, Patricia Jobodwana, Alice, Eastern Cape, black African girl, students, studying, May, 1955, 1950s, scientific scale, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000062106
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000062106:SAED:WOMEN:PERSONALITY:MAY 1955 - A Fourteen Year Old At Fort Hare - Patricia Jobodwana (14), who joined Fort Hare University as the youngest student ever this year. After lectures. Patricia (right), with friends Christine Mangali and Charlotte Champion at Fort Hare women's hostel. She will do medicine after her B.Sc. degree. This year history has been made at Fort Hare University College in the Cape. A 14 year old Cape Town girl entered to do her Bachelor of Science degree. She is Patricia Jobodwana, who has set a record as the youngest African undergraduate ever. In the past it was always thought among Africans that a child was clever to be doing her first year at secondary school at Patricia's age. (Photographs by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4687 x 4647
    Media Id: 70_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, May, square, University of Fort Hare, 1955, 1950s, Patricia Jobodwana, Alice, Eastern Cape, Christine Mangali, Charlotte Champion, black African girls, piano, playing, singing, students, scholars, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000062301
    Title: Mrs Elizabeth Mafekeng and her three month old daughter
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000062301:SAED:POLITICS:PERSONALITY:WOMEN:JAN1960 - Mrs Mafekeng Talks To Drum - Mrs Elizabeth Mafekeng and her three month old daughter. We are in Basutoland. The woman is Mrs Mafekeng, victim of a South African banishment order. Our search is over. We are the first newsmen to find her and interview her since her deportation from Paarl in October last year. Mrs Mafekeng, 42 year old mother of 11 children, was the president of the South African Food and Canning Workers Union, until the government ordered her to leave her home and family for the barren part of Vryburg district, without charge, trial or explanation. So a few days after receiving the Union Government's banishment order Elizabeth bade farewell to her husband and 10 chidren and, with two month old Theresa Uhuru clutched to her breast, set off by car with friends for the wilds of ruggedly beautiful Basutoland. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3543 x 2748
    Media Id: 70_276
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, South African history, black and white image, horizontal, black African woman, Elizabeth Mafekeng, Ian Berry, January, 1960, 1960s, black African child, Basutoland, Lesotho, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000062302
    Title: rs Elizabeth Mafekeng and her three month old daughter
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000062302:SAED:POLITICS:WOMEN:APARTHEID:JAN1960 - Mrs Mafekeng Talks To Drum - Mrs Elizabeth Mafekeng and her three month old daughter. We are in Basutoland. The woman is Mrs Mafekeng, victim of a South African banishment order. Our search is over. We are the first newsmen to find her and interview her since her deportation from Paarl in October last year. Mrs Mafekeng, 42 year old mother of 11 children, was the president of the South African Food and Canning Workers Union, until the government ordered her to leave her home and family for the barren part of Vryburg district, without charge, trial or explanation. So a few days after receiving the Union Government's banishment order Elizabeth bade farewell to her husband and 10 chidren and, with two month old Theresa Uhuru clutched to her breast, set off by car with friends for the wilds of ruggedly beautiful Basutoland. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3543 x 2761
    Media Id: 69_214
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Elizabeth Mafekeng, black African woman, Drum Magazine, Africa, South African history, black and white image, horizontal, Ian Berry, January, 1960, 1960s, black African child, Basutoland, Lesotho, Paarl, Vryburg, daughter, Theresa Uhuru, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000062303
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000062303:SAED:POLITICS:WOMEN:APARTHEID:JAN1960 - Mrs Mafekeng Talks To Drum - Mrs Elizabeth Mafekeng and her three month old daughter. We are in Basutoland. The woman is Mrs Mafekeng, victim of a South African banishment order. Our search is over. We are the first newsmen to find her and interview her since her deportation from Paarl in October last year. Mrs Mafekeng, 42 year old mother of 11 children, was the president of the South African Food and Canning Workers Union, until the government ordered her to leave her home and family for the barren part of Vryburg district, without charge, trial or explanation. So a few days after receiving the Union Government's banishment order Elizabeth bade farewell to her husband and 10 chidren and, with two month old Theresa Uhuru clutched to her breast, set off by car with friends for the wilds of ruggedly beautiful Basutoland. She spends many hours listening to radio in nearby store. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1935 x 2582
    Media Id: 44_50
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1960, January, vertical, 1960s, Mrs. Mafekeng, banished, Basutoland, Elizabeth Mafekeng, black African woman, activists, apartheid, black African child, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000062304
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000062304:SAED:POLITICS:WOMEN:APARTHEID:JAN1960 - Mrs Mafekeng Talks To Drum - Mrs Elizabeth Mafekeng and her three month old daughter. We are in Basutoland. The woman is Mrs Mafekeng, victim of a South African banishment order. Our search is over. We are the first newsmen to find her and interview her since her deportation from Paarl in October last year. Mrs Mafekeng, 42 year old mother of 11 children, was the president of the South African Food and Canning Workers Union, until the government ordered her to leave her home and family for the barren part of Vryburg district, without charge, trial or explanation. So a few days after receiving the Union Government's banishment order Elizabeth bade farewell to her husband and 10 chidren and, with two month old Theresa Uhuru clutched to her breast, set off by car with friends for the wilds of ruggedly beautiful Basutoland. She spends many hours listening to radio in nearby store. (Photograph by Ian Berry Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2549 x 1779
    Media Id: 44_102
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, January, 1960, 1960s, Elizabeth Mafekeng, banished, activists, freedom fighters, Basutoland, Lesotho, black African woman, black African child, apartheid, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000062306
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000062306:GCP:POLITICS:APARTHEID:NOV1959 - 10 Without A Mother - These are the 10 children whose mother, Mrs Elizabeth Mafekeng of Barbarossa Street, Paarl, has been banished to a remote area in the Northern Cape. These 10 eyes might never see their mother again after next monday when Mr Mafekeng's reprieve terminates. Mrs Mafekeng is the president of the African Food and Canning Workers Union in Paarl. In a letter from the Department of Bantu Administration and Development she was told that her ban was because her residence at Paarl is contrary to the interest of peace. The youngest Mafekeng child is Uhuru (Freedom), two months old...the rest are Princess (6 months), Martha, Nomsa, Rhoda, Mehlo, Nyathi, Stanley, Gertude and Sophia, Sophia is 19. (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 3543 x 2485
    Media Id: 19_958
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000062306
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000062306:GCP:POLITICS:APARTHEID:NOV1959 - 10 Without A Mother - These are the 10 children whose mother, Mrs Elizabeth Mafekeng of Barbarossa Street, Paarl, has been banished to a remote area in the Northern Cape. These 10 eyes might never see their mother again after next monday when Mr Mafekeng's reprieve terminates. Mrs Mafekeng is the president of the African Food and Canning Workers Union in Paarl. In a letter from the Department of Bantu Administration and Development she was told that her ban was because her residence at Paarl is contrary to the interest of peace. The youngest Mafekeng child is Uhuru (Freedom), two months old...the rest are Princess (6 months), Martha, Nomsa, Rhoda, Mehlo, Nyathi, Stanley, Gertude and Sophia, Sophia is 19. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3543 x 2485
    Media Id: 70_246
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, 1959, November, 1950s, Paarl, Western Cape, children, Elizabeth Mafekeng, black African boys, black African girls, apartheid, ANC Women's League, African Food and Canning Workers Union, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000081604
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000081604:SAED:MUSIC:PERSONALITY:SEP1969 - Abegail Talks About Sensational Marraige Break-Up - Abegail Kubeka. High-kicking Abigail in days when she knew real happiness. Now she's having a sad time going through divorce prceedings in the courts. (Photograph by Len Khumalo Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1940 x 2900
    Media Id: 43_646
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, music, South African history, black and white image, jazz, Abigail Kubeka, vertical, black African woman, personality, September, 1969, Mother and child, black African child, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000091518
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000091518:SAED:MUSIC:PERSONALITY:DEC1961 - Kippie-Sad Man of Jazz - The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35-year-old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most times he's heading for the nearest shebeen. It has been said of Kippie that the ghost of Charlie 'The Bird' Parker lives in him. He has been called the problem child of music, the naughty Puck with a profound weakness for a shapely leg irrespective of age. But, whatever widely varying opinions people have about Kippie, they're unanimous on one point-that he is a great and devoted musician. Ian Bernhardt of Union Artists summed up; He is still the most talented musician to be produced by this country, and we think very highly of him. (Photograph by Drum photographer Baileys Archive) clarinet, jazz
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1950 x 2970
    Media Id: 43_1047
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, African Jazz, vertical, jazz, music, personality, December, 1961, saxophonist, Kippie Moeketsi, Performing, black African man, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000091519
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000091519:SAED:MUSIC:PERSONALITY:1999090202:SAED:MUSIC:DEC1961 - Kippie-Sad Man of Jazz - The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35-year-old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most times he's heading for the nearest shebeen. It has been said of Kippie that the ghost of Charlie 'The Bird' Parker lives in him. He has been called the problem child of music, the naughty Puck with a profound weakness for a shapely leg irrespective of age. But, whatever widely varying opinions people have about Kippie, they're unanimous on one point-that he is a great and devoted musician. Ian Bernhardt of Union Artists summed up; He is still the most talented musician to be produced by this country, and we think very highly of him. (Photograph by Drum photographer Baileys Archive) clarinet, jazz
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1970 x 3000
    Media Id: 44_226
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: African Jazz, jazz, Drum Magazine, South Africa, South African history, black and white image, music, vertical, personality, December, 1961, saxophonist, Kippie Moeketsi, Performing, black African man, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000101601
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000101601:SAED:STORY:SOCIAL:JUL1960 - Should Kids Work Like This. (Photograph by Peter Magubane Baileys Archives) children, labour
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 3339 x 4263
    Media Id: 75_165
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South African history, Africa, South Africa, vertical, child labour, articles, black and white image, farm labour, July, 1960, 1960s, children, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000101601
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000101601:SAED:STORY:SOCIAL:JUL1960 - Should Kids Work Like This. (Photograph by Peter Magubane Baileys Archives) children, labour
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 3339 x 4263
    Media Id: 23_274
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South African history, Africa, South Africa, vertical, child labour, articles, black and white image, farm labour, July, 1960, 1960s, children, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

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