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Search Term: Union of South African Artists

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    Image Number: dm1999121019
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999121019:SAED:MUSIC:THEATRE:APARTHEID:AUG1956 - Shantytown In City Hall - It all started with the huge, compelling party poster splashed majestically over Johannesburg. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dance of the townships would be presented by the Union of South African Artists. So if this Union claims to champion the cause of us Blacks, why the heck should they go in for segregation and separate audiences and black dates and white dates? At the end of the seventh show, Township Jazz moved to the Taj Mahal Night Club where the artists and friends were treated to a pary to celebrate the success of the run. (Photograph by Bob Gosani © Baileys Archive) Manhattan Brothers, Dennis Godblatt. NEG T497
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1934 x 2431
    Media Id: 23_477
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: dm1999121019
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999121019:SAED:MUSIC:THEATRE:APARTHEID:AUG1956 - Shantytown In City Hall - It all started with the huge, compelling party poster splashed majestically over Johannesburg. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dance of the townships would be presented by the Union of South African Artists. So if this Union claims to champion the cause of us Blacks, why the heck should they go in for segregation and separate audiences and black dates and white dates? At the end of the seventh show, Township Jazz moved to the Taj Mahal Night Club where the artists and friends were treated to a pary to celebrate the success of the run. (Photograph by Bob Gosani Baileys Archive) Manhattan Brothers, Dennis Godblatt. NEG T497
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1934 x 2431
    Media Id: 69_602
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1956, South Africa, Johannesburg, vertical, performances, dancing, musicians, music, dance, artists, black and white image, Johannesburg City Hall, Africa, Gauteng, August, 1950s, singing, Union of South African Artists, anti-apartheid, segregation, Manhattan Brothers, celebrations, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021130
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021130:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - No excitement for Manhattan Brothers 'Dam-Dam' Mdledle, and old hand in showbiz. He quietly reads philosophy backstage. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4624 x 4656
    Media Id: 42_766
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Nathan Dam Dam Mdledle, square, Manhattan Brothers, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, reading, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021131
    Title: Thomo and Miriam Makeba backstage
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021131:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Thoko Thomo and Miriam Makeba backstage before the show. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2196 x 2024
    Media Id: 43_186
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, black African women, square, August, 1956, 1950s, dressing, backstage, Thoko Thomo, Miriam Makeba, Johannesburg, Township Jazz, Selbourne Hall, Johannesburg city hall, Shantytown in City Hall,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021132
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021132:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - 'Lo Six', meaning We Six, with that crack of a little whip Thoko Thomo, in spirituals and in jungle rhythms that rocked the City Hall with unbridled applause. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4489 x 4475
    Media Id: 43_1160
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Lo-Six, square, traditional dress, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, tribal dancers, stage sets, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021133
    Title: Shantytown City Hall
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021133:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Backstage before the show. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4695 x 4670
    Media Id: 44_121
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, black African woman, playing (musical instruments), 1950s, South African history, black and white image, Africa, Bob Gosani, guitars, 1956, backstage, August, square, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021134
    Title: Shantytown City Hall
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021134:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Backstage before the show. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2148 x 2030
    Media Id: 44_180
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, August, 1956, 1950s, black African women, dressing, backstage, Bob Gosani, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021135
    Title: Thoko Thomo - Shantytown In City Hall
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021135:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Thoko Thomo with Rufus Khoza, backstage. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2169 x 2018
    Media Id: 43_1148
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, black African man, square, Bob Gosani, August, 1956, 1950s, black African woman, playing (musical instruments), saxophones, jazz musicians, Rufus Khoza, Thoko Thomo, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021136
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021136:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - 'Lo Six', meaning We Six, with that crack of a little whip Thoko Thomo, in spirituals and in jungle rhythms that rocked the City Hall with unbridled applause. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4687 x 4680
    Media Id: 43_255
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Thoko Thomo, square, Lo-Six, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, traditional dress, black African woman, black African men, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021137
    Title: Shantytown City Hall - Mackay Davashe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021137:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - The Union All Star Band with Kippie Moeketsi and MacKay Davashe blowing sounds that surprised many ears continued even at the party after the show. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall f
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 2020
    Media Id: 42_758
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Mackay Davashe, square, Kippie Moeketsi, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, Union All Star Band, Drum Magazine, South Africa, Africa, South African history, black and white image, Mackay Davashe, square, Kippie Moeketsi, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, Union All Star Band, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021401
    Title: Shantytown City Hall
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021401:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Everybody with talent were part of the show. The boys who stand at the street corners playing tin whisles, and nobody knows that these boys are making the tin whistle great. Spokes Mashiane (Mashiyane) with his troup for Township Jazz. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you d
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2217 x 1968
    Media Id: 43_119
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, guitars, penny whistles, black African men, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, Spokes Mashiyane, Bob Gosani, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021402
    Title: Shantytown City Hall
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021402:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - An appreciative full-house. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2220 x 2040
    Media Id: 43_1090
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, audience, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021403
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021403:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - An appreciative full-house. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2220 x 2040
    Media Id: 44_203
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, happy, square, enjoyment, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, audience, black African people, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021404
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021404:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - The show is about to start. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2181 x 2028
    Media Id: 44_221
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, waiting, square, crowds, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, black African people, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021405
    Title: Shantytown In City Hall! - Miriam Makeba in the dressing room.
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021405:SAED:MUSIC:THEATRE:PERSONLITY:AUG1956 - Shantytown In City Hall! - Miriam Makeba in the dressing room. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2178 x 2016
    Media Id: 43_1044
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, dressing, square, Miriam Makeba, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, Bob Gosani, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021406
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021406:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Tommy Ramokgopa, manager of the 'Lo-Six' looks on as one of his boys peels off his clotes to put on a costume for their opening number. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for t
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2220 x 2040
    Media Id: 43_140
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Lo-Six, square, managers, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, dressing, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021407
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021407:SAED:MUSIC:THEATRE:PERSONALITY:AUG1956 - Shantytown In City Hall! - Miriam Makeba with Joe Mogotsie from the Manhattan brothers in the dressing room. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, townshi
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 2179 x 2013
    Media Id: 42_792
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Manhattan Brothers, square, Miriam Makeba, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, smiling, Joe Mogotsie , ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021420
    Title: Bunny (Barney) Rachabane - Pennywhistler Kid
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021420:GCP:MUSIC:PERSONALITY:JAN1959 - Bunny (Barney) Rachabane - Pennywhistler Kid - He will Play In London - This is 10 year old Bunny Rachabane of Alexandra Township. Bunny hit the news resently when his group, the Alexandra Junior All Stars, was stranded in Cape Town after appearing in Lofty Adam's 'Africa Sings!' The Union of Southern African Artists came to the rescue and sent the boys money to come home to the Rand. Immediately they were back they were plunged right into the 'Township Jazz.' One of the parts in Leon Gluckman's big musical production, 'King Kong' will be played by tiny, 10 year old Bunny Rachabane, Pennywhistler from Alexandra. Now in rehearsal, Bunny Rachabane and his four partners the Alexandra Bright Boys are sweating it out as hard as the big professionals. Bunny will be playing the part of a small time pennywhistler who has his own piped version of the theme song 'King Kong '. His troup the Alexandra Bright B
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2114 x 1975
    Media Id: 43_1600
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Alexandra Bright Boys, square, 1950s, 1959, January, Pennywhistler Kid, Bunny (Barney) Rachabane, Alexandra Junior All Stars, Johannesburg, Gauteng, Alexandra, music, performers, artists, black African boys, townships, black African men, Drum Photographer, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021421
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021421:GCP:MUSIC:PERSONALITY:JAN1959 - Bunny (Barney) Rachabane - Pennywhistler Kid - He will Play In London - This is 10 year old Bunny Rachabane of Alexandra Township. Bunny hit the news resently when his group, the Alexandra Junior All Stars, was stranded in Cape Town after appearing in Lofty Adam's 'Africa Sings!' The Union of Southern African Artists came to the rescue and sent the boys money to come home to the Rand. Immediately they were back they were plunged right into the 'Township Jazz.' One of the parts in Leon Gluckman's big musical production, 'King Kong' will be played by tiny, 10 year old Bunny Rachabane, Pennywhistler from Alexandra. Now in rehearsal, Bunny Rachabane and his four partners the Alexandra Bright Boys are sweating it out as hard as the big professionals. Bunny will be playing the part of a small time pennywhistler who has his own piped version of the theme song 'King Kong '. His troup the Alexandra Bright
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2100 x 1960
    Media Id: 43_752
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, January, 1959, 1950s, Bunny (Barney) Rachabane, Pennywhistler Kid, Alexandra, Johannesburg, Gauteng, Alexandra Junior All Stars, Alexandra Bright Boys, Union of Southern African Artists, crowds, black African children, Performing, performances, audience, entertainment, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000021422
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021422:GCP:MUSIC:JAN1959 - Bunny (Barney) Rachabane - Pennywhistler Kid - He will Play In London - This group of young boys came into the news a few weeks ago, following their desperate plight in Cape Town. They had been part of a show, 'Africa Sings!', by Lofty Adam's, which flopped and the boys found themselves stranded in the Penninsula. The Union of Southern African Artists came to the rescue and sent the boys money to come home to the Rand. Immediately they were back they were plunged right into the 'Township Jazz.' One of the parts in Leon Gluckman's big musical production, 'King Kong' will be played by tiny, 10 year old Bunny Rachabane, Pennywhistler from Alexandra. Now in rehearsal, Bunny Rachabane and his four partners the Alexandra Bright Boys are sweating it out as hard as the big professionals. Bunny will be playing the part of a small time pennywhistler who has his own piped version of the theme song 'King Kong '. His troup
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2110 x 1975
    Media Id: 43_470
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, January, 1959, 1950s, Johannesburg, Gauteng, Alexandra, Bunny (Barney) Rachabane, Pennywhistler Kid, Alexandra Junior All Stars, Alexandra Bright Boys, Union of Southern African Artists, musicians, performers, artists, black African boys, townships, black African men, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000061317
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000061317:SAED:MUSIC:PERSONALITY:1956 - Union of South African Artists - Township Jazz on tour. Dorothy Masuka (Masuku) Louisa Emannuel and Dolly Rathebe. We do not have the original text, it looks like the national tour of the Union of SA Artist through South Africa, they travelled by train. (Photograph by Drum photographer Baileys Archive) neg T870
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2013 x 1966
    Media Id: 69_334
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: jazz, Union of South African Artists, South African history, 1956, Louisa Emmanuel, musicians, Drum Magazine, singers, Dorothy Masuka, black and white image, 1950s, Dolly Rathebe, square, South Africa, posing, black African women, Africa, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000061317
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000061317:SAED:MUSIC:PERSONALITY:1956 - Union of South African Artists - Township Jazz on tour. Dorothy Masuka (Masuku) Louisa Emannuel and Dolly Rathebe. We do not have the original text, it looks like the national tour of the Union of SA Artist through South Africa, they travelled by train. (Photograph by Drum photographer © Baileys Archive) neg T870
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Country: South Africa
    Pixel Size: 2013 x 1966
    Media Id: 23_299
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000061318
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000061318:SAED:MUSIC:PERSONALITY:1956 - Union of South African Artists - Township Jazz on tour. Dorothy Masuka (Masuku) Louisa Emannuel and Dolly Rathebe and some onthers from the troupe. We do not have the original text, it looks like the national tour of the Union of SA Artist through South Africa, they travelled by train. (Photograph by Drum photographer Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4566 x 4536
    Media Id: 43_1384
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South African history, waving, South Africa, smiling, Africa, trains, 1956, Dolly Rathebe, Dorothy Masuka, black and white image, Union of South African Artists, 1950s, musicians, square, Drum Magazine, railway station, black African men, black African women, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000091518
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000091518:SAED:MUSIC:PERSONALITY:DEC1961 - Kippie-Sad Man of Jazz - The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35-year-old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most times he's heading for the nearest shebeen. It has been said of Kippie that the ghost of Charlie 'The Bird' Parker lives in him. He has been called the problem child of music, the naughty Puck with a profound weakness for a shapely leg irrespective of age. But, whatever widely varying opinions people have about Kippie, they're unanimous on one point-that he is a great and devoted musician. Ian Bernhardt of Union Artists summed up; He is still the most talented musician to be produced by this country, and we think very highly of him. (Photograph by Drum photographer Baileys Archive) clarinet, jazz
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1950 x 2970
    Media Id: 43_1047
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, African Jazz, vertical, jazz, music, personality, December, 1961, saxophonist, Kippie Moeketsi, Performing, black African man, 1960s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2000091519
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000091519:SAED:MUSIC:PERSONALITY:1999090202:SAED:MUSIC:DEC1961 - Kippie-Sad Man of Jazz - The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35-year-old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most times he's heading for the nearest shebeen. It has been said of Kippie that the ghost of Charlie 'The Bird' Parker lives in him. He has been called the problem child of music, the naughty Puck with a profound weakness for a shapely leg irrespective of age. But, whatever widely varying opinions people have about Kippie, they're unanimous on one point-that he is a great and devoted musician. Ian Bernhardt of Union Artists summed up; He is still the most talented musician to be produced by this country, and we think very highly of him. (Photograph by Drum photographer Baileys Archive) clarinet, jazz
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1970 x 3000
    Media Id: 44_226
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: African Jazz, jazz, Drum Magazine, South Africa, South African history, black and white image, music, vertical, personality, December, 1961, saxophonist, Kippie Moeketsi, Performing, black African man, 1960s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2001092605
    Title: Shantytown City Hall
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092605:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Backstage before the show. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1979 x 1940
    Media Id: 43_1276
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, square, musical theatre, jazz, August, 1956, Johannesburg, Union of South African Artists, segregation, Township Jazz, Performing, 1950s, Bob Gosani, Shantytown City Hall, dancing, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2001092606
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092606:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Backstage before the show. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 1950 x 1950
    Media Id: 43_403
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, square, musical theatre, jazz, August, 1956, Johannesburg, Union of South African Artists, segregation, Township Jazz, Performing, 1950s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2001092607
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092607:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - Backstage before the show. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1990 x 1971
    Media Id: 42_613
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, square, musical theatre, jazz, August, 1956, Johannesburg, Union of South African Artists, segregation, Township Jazz, Performing, 1950s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2001092701
    Title: Manhattan Brothers
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092701:SAED:MUSIC:PERSONALITY:OCT1959 - What Our Players Learned From The Jazz Prof. - The Manhattan Brothers with Sol Klaaste (piano) with Artists' Union's Ian Bernardt. American pianist John Mehegan came to South Africa on invitation from the Jazz Foundation to play a short season in the plush white clubs. Mr Mehegan came to us all the way from New York where he is Professor of jazz piano at the Juliard School of Music. He heard some of our fellows blow, and decided he would like to record with them. "You guys ready?" The session is on. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2989 x 1950
    Media Id: 43_679
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, October, Artists' Union, Ian Bernardt, 1959, 1950s, musicians, jazz, Sol Klaaste, Jazz Foundation, Manhattan Brothers, black African men, white African man, Ian Berry,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2001101801
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001101801:GCP:MUSIC:PERSONALITY:JAN1959 - Bunny (Barney) Rachabane - Pennywhistler Kid - He will Play In London - This is 10 year old Bunny Rachabane of Alexandra Township. Bunny hit the news resently when his group, the Alexandra Junior All Stars, was stranded in Cape Town after appearing in Lofty Adam's 'Africa Sings!' The Union of Southern African Artists came to the rescue and sent the boys money to come home to the Rand. Immediately they were back they were plunged right into the 'Township Jazz.' One of the parts in Leon Gluckman's big musical production, 'King Kong' will be played by tiny, 10 year old Bunny Rachabane, Pennywhistler from Alexandra. Now in rehearsal, Bunny Rachabane and his four partners the Alexandra Bright Boys are sweating it out as hard as the big professionals. Bunny will be playing the part of a small time pennywhistler who has his own piped version of the theme song 'King Kong '. His troup the Alexandra Bright Bo
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3373 x 4476
    Media Id: 43_1613
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, vertical, January, 1959, 1950s, Barney Rachabane, black African boy, penny whistles, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2003073005
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2003073005:SAED:MUSIC:PERSONALITY:DEC1961 - Kippie-Sad Man of Jazz - The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35-year-old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most times he's heading for the nearest shebeen. It has been said of Kippie that the ghost of Charlie 'The Bird' Parker lives in him. He has been called the problem child of music, the naughty Puck with a profound weakness for a shapely leg irrespective of age. But, whatever widely varying opinions people have about Kippie, they're unanimous on one point-that he is a great and devoted musician. Ian Bernhardt of Union Artists summed up; He is still the most talented musician to be produced by this country, and we think very highly of him. (Photograph by Drum photographer Baileys Archive) clarinet, jazz neg E693
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1835 x 1932
    Media Id: 43_590
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Jazz musician, square, Kippie 'Charlie Parker' Moeketsi, December, 1961, 1960s, black African man, saxophone, saxophonist, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2004090812
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090812:GCP:MUSIC:PERSONALITY:6MAY1956 - Shantytown In City Hall! - Thoko Thomo with LoSix. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see th
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1900 x 3000
    Media Id: 43_1041
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: jazz, Thoko Thomo, Drum Magazine, South Africa, South African history, black and white image, vertical, LoSix, music, Performing, personality, May, 1956, Johannesburg, 1950s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2004090813
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090813:GCP:MUSIC:PERSONALITY:6MAY1956 - Shantytown In City Hall! - Thoko Thomo with LoSix. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see th
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1900 x 3000
    Media Id: 43_1363
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: jazz, Thoko Thomo, LoSix, Drum Magazine, South Africa, South African history, black and white image, vertical, music, Performing, personality, May, 1956, Johannesburg, 1950s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2004090814
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090814:GCP:MUSIC:PERSONALITY:6MAY1956 - Shantytown In City Hall! - Thoko Thomo with LoSix. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see th
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1850 x 3000
    Media Id: 43_1381
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, South African history, black and white image, personality, vertical, vocalists, jazz, May, 1956, Thoko Thomo, LoSix, singing, Performing, 1950s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2004090815
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090815:GCP:MUSIC:PERSONALITY:6MAY1956 - Shantytown In City Hall! - Thoko Thomo with LoSix. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see th
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1900 x 2950
    Media Id: 43_982
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: personality, vocalists, Drum Magazine, South Africa, South African history, black and white image, jazz, vertical, May, 1956, Thoko Thomo, LoSix, singing, Performing, 1950s, ,
    Model Release: No
    Property Release: No
    X
    Image Number: dm2004090816
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090816:DM2004090814:GCP:MUSIC:PERSONALITY:6MAY1956 - Shantytown In City Hall! - It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, township halls some of the artists who'd otherwise never ever see the light of
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1860 x 2770
    Media Id: 43_704
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, 1956, May, vertical, 1950s, Johannesburg, Gauteng, Johannesburg City Hall, black African woman, Township Jazz, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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