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    Image Number: BHA0007_17
    Title: n1953_256_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . AUGUST 1953 Ð TALKING TRUMPET Ð NEG 256. SAED:MUSIC:PERSONALITY:DRUM AUGUST 1953 Ð Talking Trumpet Ð When Elijah plays little children follow him in the streets, like the pied piper of Hamelin. Elijah Nkwanyana used to blow on Pumpkin-stalks as a farm-boy. Now heÕs a cabaret star at night clubs! If you met a man wearing red and yellow socks, green and purple boots, a red and black skull cap and carrying a black and white umbrella youÕd say ÒAh! ThereÕs a jazz creature, yes man! HeÕs be talking at his loudest, walking at his peacockest, and talking shop and music. Yes, you wouldnÕt have to learn it. But youÕd meet Elijah, and you wouldnÕt even talk politics to him cause heÕd be so different. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 256 FRAME 9
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4749 x 4724
    Media Id: 69_654
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, trumpets, playing (musical instruments), lying down, offices, blowing, black African man, Elijah Nkwanyana, 1953, 1950s, African musicians, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_14
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . . DRUM NOV 1963 Ð THE SECRET IS KEPT FROM ENAHOROÕS SONS. NIGED:POLITICS:PERSONALITIES:NOV 1963 Ð The Secret Is Kept From EnahoroÕs Sons Ð Kenneth Enahoro (second left), brother Eugene and English friends blow out birthday candles at KennethÕs birthdayÉ makes a wish. As Kenneth romped with his seven-year-old brother, Eugene, and his little pals, everything seemed perfectly normal, even though KennethÕs party was being held in the London Suburb of Chiswick, parents were not there. For their Father, Chief Anthony Enahoro,had just been sentenced to 15 yearsÕ imprisonment. Despite his troubles, Chief Enahoro had not forgotten his sons, nor KennethÕs birthday. Amid the pile of presents, there was a special one which Kenneth opened first. The wrapping came away to reveal a school satchel, and in it Kenneth found a letter. It had been written in Lagos on September 7, the day Chief Enahoro heard the judge sentence him. September 7, too, should have been the day that the world fell in
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5707 x 3705
    Media Id: 69_173
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, black and white image, Drum Magazine, November, 1963, children, birthday parties, blowing, candles, birthday cakes, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0035_12.tif
    Title: Zimbabwes Militant Marches
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060402:EAED:POLITICS:PERSONALITIES:NOV 1963 Zimbabwes Militant Marches Of God The Church on the march, with banner flying and the brass band playing. We march to sweep away sinners. The preacher was Mr. Peter Gobvu, handsomely dressed lorry-driver and secretary-general and top organizer of one of the latest and most streamlined religions to hit the townships. It is the Christian Marching Church a brassy, musical and happy sect that sings and blows its way around towns beating out a lusty Christianity that is defiantly nationalistic. We believe in God, said one member, and we believe Zimbabwe. With luck, and money, enough marching, blowing and prating the church leaders hope to extend this belief to Zambia and beyond. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5235 x 4320
    Media Id: 183_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Zimbabwe, Drum Magazine, November 1963, 1963, militant, march, church, banner, flying, brass band, music, Peter Gobvu, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_008.tif
    Title: Discord In Royal Kraal As Zulu Regent Takes Over
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112406:SAED:POLITICS:PERSONALITIES:JUN 1969 - Discord In Royal Kraal As Zulu Regent Takes Over. A Pyjama-clad Regent sits in the sunshine as chiefs from different parts of the country pay their respects and rands, according to Zulu custom, to an intermediary. Grey skies and a chilly wind blowing across the plains of Zululand greeted the installation of Prince Mcwayizeni Israel kaSolomon as the Acting Paramount Chief of the Zulu nation at Nongoma last month. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 6078 x 4382
    Media Id: 135_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, politics, Drum Magazine, June 1969, 1969, Royal Kraal, Zulu Regent, takes over, Royal, chiefs, sits, sunshine, Prince Mcwayizeni Israel kaSolomon, Acting Paramount Chief of the Zulu Nation, nation, paramount Chief, Nongoma, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: Zakes Nkosi high res cover
    Title: Zakes Nkosi Drum Cover
    Path: african.pictures / Bailey's African History Archive / Drum Covers
    Description: Drum Magazine Cover May 1955: Zakes Nkosi “Zig Zag Zakes” has a horn blower all his life. Since the days of the great Jazz Maniacs, when that might mighty team was founded, since the days when “Zulu Boy” Cele started jazz history in this country, “Zig Zag Zakes” has been blowing strong and mighty jazz. His home town, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Covers
    Orientation: portrait
    Pixel Size: 6104 x 7878
    Media Id: 1920_83
    Keywords: Zakes Nkosi, Drum magazine, 1955, Alexandra township, jazz,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021137
    Title: Shantytown City Hall - Mackay Davashe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021137:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - The Union All Star Band with Kippie Moeketsi and MacKay Davashe blowing sounds that surprised many ears continued even at the party after the show. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall f
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2140 x 2020
    Media Id: 42_758
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Mackay Davashe, square, Kippie Moeketsi, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, Union All Star Band, Drum Magazine, South Africa, Africa, South African history, black and white image, Mackay Davashe, square, Kippie Moeketsi, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, Union All Star Band, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021408
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021408:SAED:MUSIC:MAY1955 - Zig-Zag and His Jazz - Isaac Nkosi - 'Zig Zag Zakes' has been a horn blower all his life. Since the days of the great jazz Maniacs, when that mighty team was founded, since the days when 'Zulu Boy' Cele started jazz history in this country, 'Zig Zag Zakes' has been blowing string and mighty jazz. Zakes retired from big business when the Jazz Maniacs foulded up. He started the smaller bands for recording purposes chiefly. Now and again he sits in with Themba Ellison's African Swingsters. Zakes plays the Alto-sax and the clarinet. His hometown, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. A patieint teacher who combines teaching with sympathy. A jazzman who has great feeling for jazz and creative mind that has composed many tunes heard on record. (Photograph by Drum Photgrapher Baileys Archive) neg 540
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2200 x 2040
    Media Id: 43_182
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, Isaac Nkosi, Zig-Zag Zakes, May, 1955, 1950s, musician, jazz, saxophone, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021409
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021409:SAED:MUSIC:MAY1955 - Zig-Zag and His Jazz - Isaac Nkosi - 'Zig Zag Zakes' has been a horn blower all his life. Since the days of the great Jazz Maniacs, when that mighty team was founded, since the days when 'Zulu Boy' Cele started jazz history in this country, 'Zig Zag Zakes' has been blowing string and mighty jazz. Zakes retired from big business when the Jazz Maniacs foulded up. He started the smaller bands for recording purposes chiefly. Now and again he sits in with Themba Ellison's African Swingsters. Zakes plays the Alto-sax and the clarinet. His hometown, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. A patient teacher who combines teaching with sympathy. A jazzman who has great feeling for jazz and creative mind that has composed many tunes heard on record. (Photograph by Drum Photgrapher Baileys Archive) neg 540
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4681 x 4569
    Media Id: 70_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, Isaac Nkosi, Zig-Zag Zakes, May, 1955, 1950s, musician, jazz, clarinets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021419
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021419:SAED:MUSIC:MAY1955 - Zig-Zag and His Jazz - Isaac Nkosi - 'Zig Zag Zakes' has been a horn blower all his life. Since the days of the great jazz Maniacs, when that mighty team was founded, since the days when 'Zulu Boy' Cele started jazz history in this country, 'Zig Zag Zakes' has been blowing string and mighty jazz. Zakes retired from big business when the Jazz Maniacs foulded up. He started the smaller bands for recording purposes chiefly. Now and again he sits in with Themba Ellison's African Swingsters. Zakes plays the Alto-sax and the clarinet. His hometown, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. A patieint teacher who combines teaching with sympathy. A jazzman who has great feeling for jazz and creative mind that has composed many tunes heard on record. (Photograph by Drum Photgrapher Baileys Archive) neg 540
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2720 x 1940
    Media Id: 43_624
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, Isaac Nkosi, Zig-Zag Zakes, May, 1955, 1950s, musician, jazz, clarinets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041023
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041023:SAED:MUSIC:PERSONALITY:MAY1955 - Zig-Zag and His Jazz - Isaac Nkosi. 'Zig Zag Zakes' has been a horn blower all his life. Since the days of the great jazz Maniacs, when that mighty team was founded, since the days when 'Zulu Boy' Cele started jazz history in this country, 'Zig Zag Zakes' has been blowing string and mighty jazz. Zakes retired from big business when the Jazz Maniacs foulded up. He started the smaller bands for recording purposes chiefly. Now and again he sits in with Themba Ellison's African Swingsters. Zakes plays the Alto-sax and the clarinet. His hometown, Alexandra Township, boasts many young men who have learnt to blow the sax from Zakes. A patieint teacher who combines teaching with sympathy. A jazzman who has great feeling for jazz and creative mind that has composed many tunes heard on record. (Photograph by Drum Photgrapher Baileys Archive) neg 540
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1921 x 2802
    Media Id: 43_661
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, vertical, Isaac Nkosi, Zig-Zag Zakes, May, 1955, 1950s, musician, jazz, clarinets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004071204
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004071204:SAED:MUSIC:PERSONALITY:MAR1955 - Jazzing the Blues -Loisa's 21st birthday. Louisa, one hundred and twenty pounds of vocal dynamite packed in four yards of lace and tafetta. Blowing out her birthday candles in perfect harmony. (Photograph by Bob Gosani BAHA) neg 856
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4552 x 4544
    Media Id: 43_606
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1955, Drum Magazine, South Africa, Africa, South African history, black and white image, March, square, 1950s, singer, Louisa Emmanuel, Isaac Peterson, musician, black African woman, black African men, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

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