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    Image Number: BHA00010_28
    Title: r1954_327_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008050515:SAED:MUSIC:PERSONALITIES:DRUM MARCH 1954 – Seven In The Bar! – yeah, man! Its Patrick Matshikiza himself, aged 14, “digging” his first red-host composition, which he calls “Primus Tento” (First Attempt) (Photograph by Drum Photographer ©Baileys Archives) Neg 327 Pix 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 5138 x 5101
    Media Id: 69_685
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, square, history, cultural history, Drum Magazine, social comments, historical value, 1954, Queenstown, Eastern Cape, musician, pianists, piano, young boys, personality, talented, carrying baby, Brothers, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00010_3
    Title: a1956_T163_40
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:SPORTS:BOXING:PERSONALITY:DRUM.MAY.1956 Ð ÒKangarooÓ Maoto has been a fighter all his life! Ð ThereÕs nothing like GodÕs good water! ÒKangaroo gives his kid sister, who looks herself like a baby Kangie, a ducking in the tub. Eating Avocado pears helped him build up weight. He was a thug, tough, reckless, until his mother got the brain-wave to encourage him to take up boxing and sweat off his energy there. ÒI grew up in a rough and tough area in Alexandra township Ðthe Dark city. Tiny in body as I was, I just had to force myself rough and tough too. What could I do? I had to grow up, hadnÕt I? (Photograph by Drum Photographer ©Baileys Archives) Neg T163 Frame 40
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1990 x 3080
    Media Id: 69_688
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, Africa, black and white image, South Africa, May, 1956, 1950s, black African boy, washing, hair, siblings, brothers, sisters (nuns), tubs, outside, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_12
    Title: k1952_183_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: AUGUST 1952 1952's TOP VACALISTS NEG 183SAED:MUSIC:PERSONALITIES:DRUM AUGUST 1952 1952's Top Vocalists Pep and plenty of drive is the motto of Stanley Mtshali, Strike Vilakazi and Joe Collonzi (deputizing for Gija Vukela). The S.S. Brothers can well pride themselves on the brightest and fastest-moving three-man show today. Their best presentation is ’The Honey-dripper“, versions of which have been emulated by lesser groups. (Photograph by Drum Photographer Baileys Archives) Neg 183 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4775 x 4698
    Media Id: 70_200
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_12.tif
    Title: k1952_183_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052601:SAED:MUSIC:PERSONALITIES:AUG 1952 – 1952’s Top Vocalists – Pep and plenty of drive is the motto of Stanley Mtshali, Strike Vilakazi and Joe Collonzi (deputizing for Gija Vukela). The S.S. Brothers can well pride themselves on the brightest and fastest-moving three-man show today. Their best presentation is “The Honey-dripper”, versions of which have been emulated by lesser groups. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4775 x 4698
    Media Id: 132_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0056_010.tif
    Title: Kenya's Wananchi Have Their Say
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090107:EAED:POLITICS:PERSONALITIES:JAN 1970 - Kenya's Wanachi Have Their Say - Samual Gitau (left) - high School student, 15. "I want the new government to give me a scholarship so that I can go to America for further studies. My parents cannot afford to educate me further than secondary school. Father has got a small farm in Nyeri. He has to support my three other brothers and sisters. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: KENYA
    Pixel Size: 3641 x 3632
    Media Id: 137_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0074_012.tif
    Title: My Skin Is Too White
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102703:SAED:POLITICS:APARTHEID:PERSONALITIES:MAY 1963 - 'My Skin Is Too White' - The terrible curse on Ivan Godfrey. Ivan and Aubrey Godfrey sit outside thier home. People can't believe they're brothers. Blue-eyed Ivan Vincent Godfrey faces an ordeal every day of his life - because his skin is too light. For 25-year old Ivan, of Fordsburg, Johannesburg, is Coloured and wants to be accepted as Coloured - But few people will believe he's not White. Wherever he goes, people regard Ivan as White -and this almost wrecked his life. For nine years, since he left school, Ivan has been battling to find - and keep jobs. But every time he gets work, a racial busybody brings up the colour of Ivan's skin. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 7020 x 4888
    Media Id: 134_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, apartheid, May 1963, 1963, White, skin, Ivan Godfrey, Aubrey Godfrey, Fordsburg, Johannesburg, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0098_014.tif
    Title: Pimville United Brothers Team
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009033001:SAED:SPORT:SOCCER:PERSONALITIES:JUL22 1972 - Ben Segale Coach - ''(There is a very bright future for my boys)''. What I really like is the team spirit and I am at the moment contemplating taking then on a overseas tour to better their experience. I do agree that the standard of play is not up to the mark of the SASL days. Multiracial soccer is the only solution and we are all crying for it. There is no future in soccer with segregation. But i have confidence in my boys. It's team work and there is no selfishness during play. Our style is advanced compared to the other clubs. (Photograph by Drum Photograph)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2333 x 3690
    Media Id: 124_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0098_015.tif
    Title: Pimville United Brothers Team
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009033002:SAED:SPORT:SOCCER:PERSONALITIES:JUL22 1972 - Winston Nozonza Manager - ''Talent is abundant but the chances of improving our lads is very slim because of apartheid''. The standard of soccer is very low compared to the days of South African Soccer League when Indians, coloureds and Africans played together. In Pubs we don't have the right material as yet. Our boys lack proper training and guidance from men who are in the know-how. The only solution is for experienced international coaches throughout the country which could be a boon to our soccer. With these facilities at hand- which we hope to get in three years time - our boys could make the grade and stand up to overseas competition. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 2303 x 2736
    Media Id: 121_41
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0098_016.tif
    Title: Pimville United Brothers Team
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009033003:SAED:SPORT:SOCCER:PERSONALITIES:JUL22 1972 - Pimville United Brothers Team. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: panoramic
    Pixel Size: 3486 x 2117
    Media Id: 124_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA_20090429_4267.tif
    Title: Pirates Have An 8-Goal Feast
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009031212:SAED:SPORTS:SOCCER:PERSONALITIES:GCP NOV6 1966 - PUBS' 'keeper, Lucas Thethezo, makes a dramatic save from Pirates' centre-forward Zero Johnson. A 15,000 crowd saw Orlando Pirates treat themselves to a goal feast against Pimville United Brothers at Orlando Stadium, yesterday afternoon, winning 8-0. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Orlando Stadium
    Orientation: landscape
    Pixel Size: 5251 x 3473
    Media Id: 123_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA_20090429_4294.tif
    Title: Peter Squash Dithebe - Secretary of Dalton Brothers
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009040204:SAED:SPORTS:SOCCER:PERSONALITIES:22 DEC 1973 - Peter Squash Dithebe - Secretary of Dalton Brothers and the man who does all the book work. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3509 x 5213
    Media Id: 123_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, soccer, sport, December 1973, 1973, 1970s, December, Peter Squash Dithebe, Secretary, Dalton Brothers, smiling, Drum Photographer, African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA_20090429_4295.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009040205:SAED:SPORTS:SOCCER:PERSONALITIES:22 DEC 1973 - Dalton Brothers Team - three years ago, a film "The Dalton Brothers" took Kimberley by storm. Youngsters who had seen the film talked about it for weeks after it had shown. It was about this time that Stocky Ephraim Tau, decided to form a Professional Football Team. He already had the members but they were a team without a name. At a meeting some youngster hold a brainwave why not call ourselves The Dalton Brothers?. That is how the Diamond City Team was born. It many not be glamour team of the National Professional Soccer League but Dalton Brothers always give the paying customer his money's worth. That is why they are the darlings of Kimberley, win or lose. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5226 x 3490
    Media Id: 123_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA_20090429_4296.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009040203:SAED:SPORTS:SOCCER:PERSONALITIES:22 DEC 1973 - Gerald Werely -Treasurer of Dalton Brothers. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3495 x 5203
    Media Id: 123_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA_20090429_4297.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009040202:SAED:SPORTS:SOCCER:PERSONALITIES:22 DEC 1973 - Founder member and Manager of Dalton Brothers Schoolboy Mongale. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3495 x 5210
    Media Id: 123_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA_20090429_4298.tif
    Title: phraim Tau (Coach Dalton Brothers)
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009040201:SAED:SPORTS:SOCCER:PERSONALITIES:22 DEC 1973 - Ephraim Tau (Coach Dalton Brothers) - "I have just had a good coaching course and I am passing on the know-how I got to the boys and things are sure to start clicking coming season, "he promised." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3482 x 5221
    Media Id: 123_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, sport, soccer, December 1973, December, 1973, Ephraim Tau, Tau, coach, Dalton Brothers, portrait, Drum Photographer, African man, ,
    Model Release: No
    Property Release: No

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    Image Number: SY2001101001
    Title: Miriam Makeba with Joe Mogotsi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SY2001101001:TRUED:SOCIAL:MUSIC:PERSONALITY:NOV1977 - Miriam Part Four, Zenzile Forsakes Her Friends - Miriam with Joe Mogotsi of the Manhattan Brothers who enticed Miriam away from the Cuban Brothers.Taking Miriam improved the group but led to other headaches. Miriam and Joe Mogotsi are at the DOCC, Orlando East, Soweto, on a Saturday night in April, 1954. (Photograph Clifford Ranaka © Clifford Ranaka)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2944 x 4494
    Media Id: 43_847
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: True Love, social, music, Miriam Makeba, Joe Mogotsi, Manhattan Brothers, sitting, DOCC, Clifford Ranaka, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999080308
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999080308:SAED:WOMAN:SOCIAL:APARTHEID:JAN1955 - My Life Story - by Regina Brooks. Drum gives you the first full story of one of Africa's most controvesial figures, the white the woman who claims to have 'gone native'. She was born on a farm called Rooiport near the little town of Vrede in the Orange Free State. Her father was an Englishman. She grew up playing with her father's servants rather than with her brothers and sisters. She learned to speak Zulu and Sesotho, and these she spoke more fluently than English. She met Seargent Khumalo in Durban and fell in love with him, she gave birth to her daughter Thandi . She went to stay with him in Dube, Soweto. They were arrested under the immorality act and went to court. They were fined and the people who came to listen to their case collected money and psid their bail. (Photograph by Drum photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4680 x 4702
    Media Id: 69_548
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, square, Regina Brooks, January, African history, Mother and child, interracial marriages, Soweto, Dube, Immorality Act, 1955, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999080309
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999080309:SAED:SOCIAL:APARTHEID:JAN1955 - My Life Story - by Regina Brooks. Seargent Khumalo on his motorbike in Johannesburg. Drum gives you the first full story of one of Africa's most controvesial figures, the white woman who claims to have 'gone native'. She was born on a farm called Rooiport near the little town of Vrede in the Orange Free State. Her father was a Englishman. She grew up playing with her father's servants rather than with her brothers and sisters. She learned to speak Zulu and Sesotho, and these she spoke more fluently than English. She met Seargent Khumalo in Durban and fell in love with him, she gave birth to her daughter Thandi . She went to stay with him in Dube, Soweto. They were arrested under the immorality act and went to court. They were fined and the people who came to listen to their case collected money and psid their bail. (Photograph by Drum photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4387 x 4327
    Media Id: 69_350
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, 1955, square, January, African history, 1950s, Regina Brooks, motorcycles, Dube, Soweto, Immorality Act, Sergeant Khumalo, interracial marriages, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999081806
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999081806:DM1999081805:SAED:MUSIC:THEATRE:PERSONALITY:1956 - Rehearsals with the Manhattan Brothers - (Left to right: Nathan 'Dambuza' Mdledle, Miriam Makeba, Rufus Khoza, Joe Mogotsi, Ronnie Sehume and pianist Fix Qinta.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. The Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. (Photograph by Jurgen Schadeberg Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4677 x 4650
    Media Id: 69_504
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1956, 1950s, Manhattan Brothers, black African men, Jurgen Schadeberg, Nathan "Dambuza" Mdledle, Rufus Khoza, Joe Mogotsi, Ronnie Sehume, Fix Qinta, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999110401
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999090202:MUSIC:JAZZ:JOHANNESBURG:DRUM FEBRUARY 1952 - Kippie Moeketsi
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1980 x 3020
    Media Id: 70_52
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South African history, Africa, South Africa, Drum Magazine, black and white image, 1952, February, vertical, Johannesburg, music, jazz, Kippie Moeketsi, Manhattan Brothers, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999121019
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999121019:SAED:MUSIC:THEATRE:APARTHEID:AUG1956 - Shantytown In City Hall - It all started with the huge, compelling party poster splashed majestically over Johannesburg. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dance of the townships would be presented by the Union of South African Artists. So if this Union claims to champion the cause of us Blacks, why the heck should they go in for segregation and separate audiences and black dates and white dates? At the end of the seventh show, Township Jazz moved to the Taj Mahal Night Club where the artists and friends were treated to a pary to celebrate the success of the run. (Photograph by Bob Gosani © Baileys Archive) Manhattan Brothers, Dennis Godblatt. NEG T497
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1934 x 2431
    Media Id: 23_477
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999121019
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999121019:SAED:MUSIC:THEATRE:APARTHEID:AUG1956 - Shantytown In City Hall - It all started with the huge, compelling party poster splashed majestically over Johannesburg. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dance of the townships would be presented by the Union of South African Artists. So if this Union claims to champion the cause of us Blacks, why the heck should they go in for segregation and separate audiences and black dates and white dates? At the end of the seventh show, Township Jazz moved to the Taj Mahal Night Club where the artists and friends were treated to a pary to celebrate the success of the run. (Photograph by Bob Gosani Baileys Archive) Manhattan Brothers, Dennis Godblatt. NEG T497
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1934 x 2431
    Media Id: 69_602
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1956, South Africa, Johannesburg, vertical, performances, dancing, musicians, music, dance, artists, black and white image, Johannesburg City Hall, Africa, Gauteng, August, 1950s, singing, Union of South African Artists, anti-apartheid, segregation, Manhattan Brothers, celebrations, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000012501
    Title: Thandi (Mpambani) Klaasen
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072501:SAED:MUSIC:PERSONALITY:DEC1954 - What They Say About Tandi! - Thandi (Mpambani) Klaasen with Todd Matshikiza. I said to Tandi "Where you born sister?" She said, 'Turfontein, Mister.' "I said you're cute." She said 'shoot.' This is what i shot out of her. She's the biggest, heppest, and jivest of family of nine. She's had three diaappointments only. When the Gay Gaities Troupe split, when her Quad sisters quit show bizness, and when her eight year old love affair fizzled out. She got famous in 1943, singing 'Cow Cow Boogie.' She was mad about jivingso she got used to jeans. (Photograph by Drum Photographer © Baileys Archives) neg 449 Thandi Mpambani vocalist for the Cuban brothers
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4590 x 4608
    Media Id: 42_1038
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1954, square, December, music, Thandi Klaasen, Todd Matshikiza, personality, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021120
    Title: Jazz on wheels - Thandi Klaasen
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021120:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Hard working singer Tandi Mpambani (Klaasen) dragged two of the Cuban Brothers she sings with, 'Pinny' Ngakane and guitarist John Dhlamini, to a rehearsal on the train. (Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4694 x 4657
    Media Id: 43_607
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: singers, square, Africa, South Africa, Drum Magazine, Thandi Klaasen, black and white image, South African history, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, guitarist, musicians, John Dhlamini, Pinny Ngakane, guitar, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021130
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021130:SAED:MUSIC:THEATRE:AUG1956 - Shantytown In City Hall! - No excitement for Manhattan Brothers 'Dam-Dam' Mdledle, and old hand in showbiz. He quietly reads philosophy backstage. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4624 x 4656
    Media Id: 42_766
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Nathan Dam Dam Mdledle, square, Manhattan Brothers, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, reading, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021407
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021407:SAED:MUSIC:THEATRE:PERSONALITY:AUG1956 - Shantytown In City Hall! - Miriam Makeba with Joe Mogotsie from the Manhattan brothers in the dressing room. It all started with the huge, compelling party poster splashed magnetically over Johannesburg. 'Township Jazz' at the Selbourne Hall. The poster also carried a controversy, sensitive as a winter blister. There would be shows for Euros only and shows for Non-Euros only. All this would take place at the Johannesburg City Hall. There the music, song and dace of the townships would be presented by the Union of South African Artists. This Union fights to get better and wider horizons for the Non-White artists. So if this Union claims to champion the cause of us blacks, why the hack should they go in for segregation and seperate audiences and black dates and white dates. No man, you don't see the point. The Union's got somewhere if they've got the City Hall for this. They're bringing out of the dark, townshi
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 2179 x 2013
    Media Id: 42_792
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Manhattan Brothers, square, Miriam Makeba, 1956, August, 1950s, Johannesburg City Hall, Johannesburg, Gauteng, Township Jazz, segregation, musicians, artists, performances, Union of South African Artists, smiling, Joe Mogotsie , ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021410
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021410:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coa
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, personality, square, jazz, music, September, 1960, Kippie Moeketsi, saxophonist, playing, black African man, 1960s, ,
    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021411:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labelling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coa
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: personality, jazz, Drum Magazine, South Africa, South African history, black and white image, music, square, September, 1960, Kippie Moeketsi, saxophonist, playing, black African man, 1960s, ,
    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021412:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labelling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coat
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021413
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021413:SAED:MUSIC:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsi, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted, milk-coate
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030620:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030621:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
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    Subcollections: Drum Social Histories
    Pixel Size: 1880 x 1830
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030622:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030623:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi - the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assort
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    Model Release: No
    Property Release: No

    X
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    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030624:SAED:MUSIC:PERSONALITY:SEP1960 - What's Happened to Jazz - Kippie Moeketsi, the ghost of Charlie Parker lives in him. The sad man with the sax. That's Kippie 'Charlie Parker' Moeketsie, the 35 year old son of a carpenter from George Goch. Kippie has had, and still has bouquets thrown at him from all angles. Most of the time he doesn't care or know about them. Most time he is heading for the shebeen. Kippie, the fifth child in a family of six - five brothers and one sister who is now married - was introduced to music by one of his late brothers, Eziah. "He sort of encouraged me to play the clarinet. Before he died he was loony for four years." " But" Kippie continued , " I don't like people labeling me a hopeless drunk or an irresponsible musician. See what I mean?" At present he and Dollar are playing great music in all sorts of odd places. In Parktown North Masonic Hall they nocked cold an audience of oddly assorted
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    Pixel Size: 4662 x 4692
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041021
    Title: Robert Mangaliso Sobukwe - PAC leader
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041021:SAED:POLITICS:PERSONALITY:NODATE - Robert Mangaliso Sobukwe, P.A.C. Leader. He was born into a humble methodist family in 1924, in the small town of Graaff Reinet in the Cape Province. He was the youngest of six brothers. His eldest brother Ernest, who entered the Methodist clergy and later became a Bishop, financed Robert's schooling and university education. (Photograph by Drum Photographer Baileys Archives)
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072503
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072503:SAED:MUSIC:PERSONALITY:DEC1954 - What They Say About Tandi! - Thandi (Mpambani) Klaasen with Doris Tainton, I said to Tandi "Where you born sister?" She said, 'Turfontein, Mister.' "I said you're cute." She said 'shoot.' This is what I shot out of her. She's the biggest, heppest, and jivest of a family of nine. She's had three diaappointments only. When the Gay Gaities Troupe split, when her Quad sisters quit show bizness, and when her eight year old love affair fizzled out. She got famous in 1943, singing 'Cow Cow Boogie.' She was mad about jiving so she got used to jeans. (Photograph by Drum Photographer © Baileys Archives) neg 449 Mpambani vocalist for the Cuban brothers
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    Subcollections: Drum Social Histories
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072619
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072619:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Hard working singer Tandi Mpambani dragged two of the Cuban Brothers she sings with, 'Pinny' Ngakane and guitarist John Dhamini, to a rehearsal on the train. (Photograph by Bob Gosani Baileys Archive) neg 597
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072621b
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072621:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! (Photograph by Bob Gosani Baileys Archive) neg 597 Cuban brothers, Pinny Ngakane and guitarist John Dhamini, Gene Williams
    Collections: Baileys African History Archive
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1955, July, Drum Magazine, South Africa, South African history, black and white image, square, musical theatre, Jazz Parade, jazz, posing, Performing, Durban, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072623
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072623:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! (Photograph by Bob Gosani Baileys Archive) neg 597 Cuban brothers, Pinny Ngakane and guiterist John Dhamini, Gene Williams
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    Keywords: 1955, Drum Magazine, South Africa, Africa, South African history, black and white image, July, square, 1950s, Jazz Parade, Pinny Ngakane, John Dhlamini, guitarist, guitar, musicians, black African men, Gene Williams, trains, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072626
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072626:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! The show is on: Tandi Mpambani Klaasen and the Cuban Brothers (Photograph by Bob Gosani Baileys Archive) neg 597
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    Subcollections: Drum Social Histories
    Pixel Size: 4483 x 4453
    Media Id: 70_315
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: musical theatre, music, Drum Magazine, South Africa, South African history, black and white image, square, jazz, July, 1955, Durban, Jazz Parade, Dolly Rathebe, Performing, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013003
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013003:SAED:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar chrches. ( Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1851 x 2440
    Media Id: 23_585
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, black and white image, Drum Magazine, South Africa, Africa, magazines, articles, politics, personality, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013003
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013003:SAED:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar chrches. ( Baileys Archives)
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    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1851 x 2440
    Media Id: 75_176
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, South Africa, historical, articles, news, vertical, text, March, 1956, social problems, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013004
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013004:SAED:STORY:SOCIAL:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar churches. ( Baileys Archives) apartheid, staff, Can Temba
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013004
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013004:SAED:STORY:SOCIAL:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar churches. ( Baileys Archives) apartheid, staff, Can Temba
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    Orientation: portrait
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    Keywords: Drum Magazine, Africa, South Africa, historical, articles, news, vertical, text, apartheid, March, 1956, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013005
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013005:SAED:STORY:SOCIAL:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar churches. English church uses force. ( BAHA) apartheid, staff, Can Temba
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    Orientation: portrait
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    Media Id: 23_406
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013005
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013005:SAED:STORY:SOCIAL:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar churches. English church uses force. ( BAHA) apartheid, staff, Can Temba
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    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1838 x 2433
    Media Id: 75_150
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013006
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013006:SAED:STORY:SOCIAL:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar churches. English church uses force. ( BAHA) apartheid, staff
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    Orientation: portrait
    Pixel Size: 1797 x 2421
    Media Id: 75_123
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013006
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013006:SAED:STORY:SOCIAL:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar churches. English church uses force. ( BAHA) apartheid, staff
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    Keywords: vertical, text, Africa, 1950s, Drum Magazine, magazines, South Africa, "Mr Drum" , racism, apartheid, church, arrested, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001013007
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001013007:SAED:STORY:SOCIAL:MAR1956 - Brothers In Christ - Mr Drum walks into colour-bar churches, English church uses force. ( BAHA) apartheid, staff
    Collections: Baileys African History Archive
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    Orientation: portrait
    Pixel Size: 1811 x 2433
    Media Id: 75_61
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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