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Search Term: culture

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    Image Number: BHA00020_19
    Title: The Future Of The Emirs
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:SOCIAL:CULTURE:PERSONALITIES:MAR 1968 Ð The Future Of The Emirs Ð Devout Northerners owe their allegiances to their faith and their emirs. ÒEmirs of Northern Nigeria have always operated within a democratic framework. What many people did not see clearly was that their form of democracy was more by consultation and by consensus. Present day demand is for the democracy of the secret ballot. The people want to have more say about how they are governed. This doesnÕt mean that the emirs no longer have important functions. The emirs should adapt their institution to fit the new order. Even with the power passing on to the masses, the emirs can still symbolize that power, representing the collective power of the people.Ó (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5173 x 4017
    Media Id: 70_75
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, horizontal, March, 1968, 1960s, Muslim, bowing, crowds, March 1968, Emirs, West Africa, culture, religion, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA00021_12
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM JUN 1958 Ð MR DRUM SUMS UP THE EFFECTS OF CHRISTIANITY. NIGED:SOCIAL:CULTURE:RELIGION:JUN 1958 Ð Mr Drum Sums Up The Effects Of Christianity Ð A Sect Derived from Christianity: Members of the Cherubim and Seraphim sect in Lagos find religion a lot of fun. They say they have adapted Christianity to West African Life. It looked as if Christianity had come to stay, and in the ensuing years the church strove to stabilize its position in the social life of the people. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5172 x 4102
    Media Id: 69_809
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, Nigeria, Africa, horizontal, history, Drum Magazine, cultural history, social comments, historical value, Lagos, religion, Christianity, culture, religious ceremony, religious dress, religious ecstacy, religious followers, religious groups, religious leaders, black African people, 1958, 1950s, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA00021_7
    Title: The Strength And Influence Of Islam On West Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 The Strength And Influence Of Islam On West Africa Kneeling In Prayer: All over West Africa devout Muslims turn to Mecca, kneel down and chant their prayers to Allah. It is difficult to be precise about the number of Muslims in West Africa, since in most territories religious statistics are not recorded in the census. The vast majority of the population of Northern Nigeria is Muslim, though some pagan tribes have survived, especially in the Middle Belt. In the predominantly Yoruba Western Region of Nigeria, conversion to Islam is taking place rapidly, and it is estimated that in some of the big towns, like Ibadan, between 50 and 60 per cent of the population is already Muslim. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5112 x 4020
    Media Id: 70_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, religion, culture, Islam, strength, influence, kneeling prayer, Muslim, Mecca, population, people kneeling, people praying, 1958, November 1958, nigeria,
    Model Release: No
    Property Release: No

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    Image Number: BHA0003_20.tif
    Title: Huge Crowds Honour Zulu Paramount Chief
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052416:SAED:SOCIAL:CULTURE:PERSONALITIES:MAY 1952 – Huge Crowds Honour Zulu Paramount Chief – Zulus were full of joy on the recent installation of Cyprian Ka Solomon Dinizulu to the paramount Chief of the Zulus. After the official ceremony, the Zulu Royal Family was entertained by Durban Zulus and the Durban City Council and on this occasion a statement, which has been denied by a Natal weekly paper, was read on behalf of the Paramount Chief, warning Durban Zulus not to take part in the demonstrations organized by the African National Congress on April 6. (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4691 x 4731
    Media Id: 125_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, culture, May 1952, 1952, May, crowd, honour, Zulu Paramount, Chief, Cyprian ka Solomon Dinizulu, paramount, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0003_21.tif
    Title: Huge Crowds Honour Zulu Paramount Chief
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052415:SAED:SOCIAL:CULTURE:PERSONALITIES:MAY 1952 – Huge Crowds Honour Zulu Paramount Chief – Zulus were full of joy on the recent installation of Cyprian Ka Solomon Dinizulu to the paramount Chief of the Zulus. After the official ceremony, the Zulu Royal Family was entertained by Durban Zulus and the Durban City Council and on this occasion a statement, which has been denied by a Natal weekly paper, was read on behalf of the Paramount Chief, warning Durban Zulus not to take part in the demonstrations organized by the African National Congress on April 6. (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4697 x 4725
    Media Id: 126_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, culture, May 1952, 1952, hall, people sitting, crowds, honour, Zulu Paramount Chief, chief, Zulus, Cyprian Ka Solomon Dinizulu, royal family, Durban, ceremony, Durban City Council, African National Congress, ANC, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0013_7.tif
    Title: withchdoctor or Herbalist
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011053054:SAED:SOCIAL:WITCHCRAFT:JUL 1959– Folk live in dread in the land of witchcraft – And what do the bones reveal? Blouberg Bapole consulted the bones when a neighbour’s child vanished. The bones “pointed” at someone, but the “suspect” shown by the bones was later acquitted. Man, you can’t even trust the bones nowadays! (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3889 x 5925
    Media Id: 128_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, witchcraft, herbalist, bones, Blouberg Bapole, Peter Magubane, July 1959, 1959, black, african, culture, tradition,
    Model Release: No
    Property Release: No

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    Image Number: BHA0016_010.tif
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4994 x 4313
    Media Id: 149_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, culture, Drum Magazine, September 1959, 1959, Durbar, North, pounding, Pulsating, drums, men, dancer, smiles, colourful ropes, singing, Drum Photographer, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0016_12
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 Ð The NorthÕs Great Durbar ÐThe horsemen Strut their stuff in splendid pomp and glory. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5153 x 4091
    Media Id: 69_660
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, West Africa, Africa, horizontal, history, cultural history, Nigeria, Drum Magazine, social comments, historical value, horsemen, tribal dress, tribal weapon, spears, cultural weapons, tradition, culture, African culture, display, audience, horses, 1959, 1950s, Durbar Festival, Northern Nigeria, celebration, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0023_004.tif
    Title: The Strength And Influence Of Islam On West Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060102:NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 – The Strength And Influence Of Islam On West Africa – Eid-El-Kabir Festival: The federal premier, Alhaji Tafawa Balewa, leads worshippers at the Obalende praying ground in Lagos. Solemn and pensive, on the premier’s left, stands a boy of royal blood. He is prince Oyekan Adele, scion of a formidable father, His Excellency, Oba Adele II of Lagos. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4463 x 4451
    Media Id: 149_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Drum Magazine, religion, culture, November 1958, 1958, Islam, Eid-EL-Kabir, festival, Alhaji Tafawa Balewa, Lagos, Obalende, worshipers, royal blood, Oba Adele, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0035_27.tif
    Title: NOW ITS A CULTURAL CLUB!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060309:EAED:POLITICS:SOCIAL:PERSONALITIES:MAR 1963 Now Its A Cultural Club! Mr Nkomo, in form, addressing a cultural gathering. That was before his arrest at Rusape and resultant drama. Strictly in the interests of culture, Nkomo did address 10,000 people in Gwelo, (Great Nkomo lead us to freedom, they chanted) but all he could tell them was: The African people must adhere to the customs of their forefathers, and urge them to stick to their African names, and not use European ones. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: portrait
    Pixel Size: 3111 x 4672
    Media Id: 183_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_012.tif
    Title: Juju
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080508:GHAED:SOCIAL:PERSONALITIES:AUG 1961- Ju-ju what is the truth - Suddenly the man who has been buried alive emerges from his grave in a flurry of dust as the others look on. He had been under the earth for over four minutes, but seconds later was dancing. When he finished the act, we paid a "thankful fee " and left, having obtained a promise from him that, the next day, he would accompany us to another village to see more wonderful things. "The men who perform juju there," he told us, "are mostly young and unmarried so, unlike me, they can receive all the powers the juju bestows on them." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3884 x 4629
    Media Id: 251_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, Juju, drum photographer, Drum Magazine, August 1961, 1961, hut, culture,
    Model Release: No
    Property Release: No

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    Image Number: BHA0040_004.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080603:GHAED:SOCIALCULTURE:JAN 1962 - Herbal medicine could jolt science world. Culture clash: Western science meets Ghanaian spritualism as a woman confess her witchery to a tape recorder. When the tape is replayed the woman recoils in fear. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5511 x 4340
    Media Id: 253_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0042_009.tif
    Title: What a Welcome
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081206:GHAED:POLITICS:PERSONALITIES:MAY 1959: What A Welcome - NEVER A QUIET MOMENT:Kwame tries to prepare a speech. Dr Nkrumah and his party were too charming, too sunny to be resisted by the Nigerians. And his speeches, Dr Nkrumah proved himself an able statesman to say the least. He was clever enough to constantly remind the Nigerians that they were one with Ghana in culture and in national ambitions. (Photograph by Matthew Faji BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 4872 x 3804
    Media Id: 253_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0042_010.tif
    Title: What a Welcome
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081207:GHAED:POLITICS:PERSONALITIES:MAY 1959: What A Welcome - LUNCH WITH THE OBA: Nkrumah with Oba Adeniji Adele. Dr Nkrumah and his party were too charming, too sunny to be resisted by the Nigerians. And his speeches, Dr Nkrumah proved himself an able statesman to say the least. He was clever enough to constantly remind the Nigerians that they were one with Ghana in culture and in national ambitions. (Photograph by Matthew Faji BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 3821 x 4971
    Media Id: 253_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0042_013.tif
    Title: Kojo Botsio and his wife Ruth
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081211:GHAED:POLITICS:PERSONALITIES:APR 1959:' He Must See It Through' - A MOMENT OF PEACE IN THE LIFE OF ONE OF OUR BUSIEST MEN: Botsio and his wife Ruth see eye to eye on most things besides dresssing materials. Most of the time they are talking and discussing, not just looking pensive. It's a long way from Winneba to Oxford. But it wasn't too far for Kojo Botsio. He'd set his mind on it, and he got there, while in Britain came the meeting with the man who was to give his life a sudden new dramatic impetus - Kwame Nkrumah. Those were exciting, turbulent days, days when an independent Ghana was just a nationalist dream. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3751 x 4220
    Media Id: 253_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ghana, Drum Magazine, Kojo Botsio, wife, Ruth, April 1959, 1959, dress, culture, traditional dress, chairs, couple,
    Model Release: No
    Property Release: No

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    Image Number: BHA0044_006.tif
    Title: Gods Of War
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081410:GHAED:CULTURE:SOCIAL:PERSONALITIES:SEP 1959 - Gods Of War - As in days of old, a warrior leaps high with a length of rope meant for strange tribesmen who cross his path. Krobos pay homage to their Gods Of War. Every year both the Yilo and Manya Krobos of Ghana hold festivals to re-dedicate themselves to their war gods. The ceremony dates back to the days when the Krobos had to defend themselves against tribes which invaded their land. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3113 x 4465
    Media Id: 251_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ghana, West Africa, Culture, September 1959, 1959, God of War, Krobos, Manya Krobos, Festivals, ceremony, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0048_006.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081904:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - The face of downright innocence put up by a "virgin", having just attained age. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3523 x 5443
    Media Id: 254_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_007.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081905:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - A twin-set of braodsmiles beamed by traditional artists in the Kente cloth. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4324 x 5613
    Media Id: 254_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_008.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081906:GHAED:SOCIAL:CULTURE:ARTS:PERSONALITIES:MAY 1968 - National Arts Festival - Beatrice Addo (extreme left) leading a trio in court dance for chiefs, KETE. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5456 x 3768
    Media Id: 254_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0049_013F.tif
    Title: Return Of The Asantehene
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081803:GHAED:CULTURE:POLITICS:PERSONALITIES: SEP 1963 - Return Of The Asantehene - Overjoyed at seeing him again she dances before Nana. In the crowds is Miss Comfort Asamoah, MP. She is garbed in the true fashion of a cultured and wealthy Asante princess - in gold anklets and bracelets and Aggrey beads worth at least 1,000. Like most of the daughters of Asante present, she is in white to show her chief that she is grateful that the great, unfriendly sea has delivered him safe and sound to his people once again. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 5588 x 6601
    Media Id: 252_2
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: The Asantehene, Miss confort Asamoah, sep 1963, 1963, Ghana, culture, Asante, chief, Christian Gbagbo ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0066_020F.tif
    Title: Trouble In The Bantustans
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110507:SAED:SOCIAL:POLITICS:SEP 1960 - Trouble In The Bantustans. Strong Men - Given the right opportunities, these young men of the Transkei could learn to be happy in their homes. But opportunities are lacking. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4692 x 6927
    Media Id: 143_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, September, 1960, 1960s, Politics, African men, young men, Transkei, trouble in the Bantustans, culture, initiation, Peter Magubane, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0071_002.tif
    Title: Circumcision School
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112419:SAED:TRADITION:DEC 1968 - Circumcision School for girls is considered mainly a preparation for marriage, and most of the rituals connected with circumcision and initiation are believed to ensure fertility. Here a group of masked girls are seen during circumcision school. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2469 x 3574
    Media Id: 144_32
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, tradition, culture, December 1968, 1968, circumcision, school, marriages, girls, ritual, fertility, masked, blankets, sticks, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000020203
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000020203:SAED:PERSONALITY:POLITICS:1952 - Mandela in his office - Mandela and Tambo Attorneys - Chancellor House Fox Street, Johannesburg. Nelson Mandela, Transvaal President and Deputy National President of the banned ANC, was born in Umtata 46 years ago, the son of a prominent chief. In his early life he was fascinated with his people's history and culture. After matriculating he went to Fort Hare where he was drawn into student politics. When Mandela was told that a marraige had been arranged for him at home, he fled to Johannesburg in 1941. There he met Walter Sisulu, who introduced him to a legal firm to which Mandela became articled. His white employer help Mandela to become an attorney. Mandela believed that Africans in South Africa were one people as far as their interests and destiny were concerned. And in 1941 he joined the African National Congress. With Oliver Tambo and others, he founded the vigorous ANC Youth League. Tambo and Mandela eventually went into legal p
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2539 x 2510
    Media Id: 44_99
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, 1952, South African history, black and white image, politics, square, ANC, 1950s, Nelson Mandela, law, Johannesburg, Mandela and Tambo Attorneys, Gauteng, ,
    Model Release: No
    Property Release: No

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    Image Number: dm2000071902
    Title: Doctor John Maluleke
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000071902:SAED:SOCIAL:RELIGION:MAR1958 - Black Doctor For Whites - Doctor John Maluleke is an African Herbalist who treats more White patients than Black. He lives at Klipgat about 30 miles from Pretoria. Here he shows a picture of himself with General Smuts, who he says, was his patient. He has 14 wives and 36 kids. (Photograph by Peter Magubane Baileys Archives) rural,medicine,Whites, tradition, culture, Shangaan
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1910 x 2940
    Media Id: 69_434
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: March, 1958, 1950s, Drum Magazine, South Africa, Africa, South African history, black and white image, carrying on the head, black African women, vertical, buckets, walking, traditional dress, rural community, rural, culture, tradition, ,
    Model Release: No
    Property Release: No

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    Image Number: dm2000071902
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000071902:SAED:SOCIAL:RELIGION:MAR1958 - Black Doctor For Whites - Doctor John Maluleke is an African Herbalist who treats more White patients than Black. He lives at Klipgat about 30 miles from Pretoria. Here he shows a picture of himself with General Smuts, who he says, was his patient. He has 14 wives and 36 kids. (Photograph by Peter Magubane © Baileys Archives) rural,medicine,Whites, tradition, culture, Shangaan
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1910 x 2940
    Media Id: 23_613
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000071906
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2000071906:SAED:SOCIAL:RELIGION:MAR1958 - Black Doctor For Whites - Doctor John Maluleke is an African Herbalist who treats more White patients than Black. He lives at Klipgat about 30 miles from Pretoria. Here he shows a picture of himself with General Smuts, who he says, was his patient. He has 14 wives and 36 kids. (Photograph by Peter Magubane © Baileys Archives) rural,medicine,Whites, tradition, culture, Shangaan, young boys wearing tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 1870 x 2890
    Media Id: 19_790
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000071906
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000071906:SAED:SOCIAL:RELIGION:MAR1958 - Black Doctor For Whites - Doctor John Maluleke is an African Herbalist who treats more White patients than Black. He lives at Klipgat about 30 miles from Pretoria. Here he shows a picture of himself with General Smuts, who he says, was his patient. He has 14 wives and 36 kids. (Photograph by Peter Magubane Baileys Archives) rural,medicine,Whites, tradition, culture, Shangaan, young boys wearing tradition
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1870 x 2890
    Media Id: 69_790
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, black African children, March, vertical, 1958, 1950s, traditional dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072001
    Title: Priscilla Mtimkulu - The girl with the face that broke a thousand hearts!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072001:WAED:BEAUTY:Jan 1955 - Priscilla Mtimkulu - The girl with the face that broke a thousand hearts! our photographers from all parts of Africa have sent us photographs of the prettiest girls in their areas for the past three years. But not till this year have we seen a girl with a face like Priscilla Mtimkulu's . And, to our delight, we didn't only see her picture, but saw her personally! without any doubts we claim that this 20-year-old girl from Orlando, Johannesburg, has the prettiest face that has ever appeared on a magazine cover in Africa - and I'm sure you'll agree that there have been many a pretty face on the covers. Drum's younger sister and new "wowific" magazine, 'Africa' had the privilege of being the first magazine to show the world this face that could start a revolution. (Photograph by Drum Photographer © Baileys Archives) popular culture, primus stove
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2020 x 1940
    Media Id: 43_298
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: models, Drum Magazine, South Africa, Africa, South African history, black and white image, square, black African woman, January, 1955, 1950s, Priscilla Mtimkulu, bending, primus stove, stove, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072003
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072003:WAED:BEAUTY:Jan 1955 - Priscilla Mtimkulu - The girl with the face that broke a thousand hearts! our photographers from all parts of Africa have sent us photographs of the prettiest girls in their areas for the past three years. But not till this year have we seen a girl with a face like Priscilla Mtimkulu's . And, to our delight, we didn't only see her picture, but saw her personally! without any doubts we claim that this 20-year-old girl from Orlando, Johannesburg, has the prettiest face that has ever appeared on a magazine cover in Africa - and I'm sure you'll agree that there have been many a pretty face on the covers. Drum's younger sister and new "wowific" magazine, 'Africa' had the privilege of being the first magazine to show the world this face that could start a revolution(Photograph by Drum Photographer © Baileys Archives) neg 495 popular culture, primus stove
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 2000 x 1970
    Media Id: 44_70
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: models, black African woman, Drum Magazine, South Africa, Africa, South African history, black and white image, square, January, 1955, 1950s, Priscilla Mtimkulu, Bunsen burners, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072004
    Title: Priscilla Mtimkulu - The girl with the face that broke a thousand hearts!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072004:WAED:BEAUTY:Jan 1955 - Priscilla Mtimkulu - The girl with the face that broke a thousand hearts! our photographers from all parts of Africa have sent us photographs of the prettiest girls in their areas for the past three years. But not till this year have we seen a girl with a face like Priscilla Mtimkulu's . And, to our delight, we didn't only see her picture, but saw her personally! without any doubts we claim that this 20-year-old girl from Orlando, Johannesburg, has the prettiest face that has ever appeared on a magazine cover in Africa - and I'm sure you'll agree that there have been many a pretty face on the covers. Drum's younger sister and new "wowific" magazine, 'Africa' had the privilege of being the first magazine to show the world this face that could start a revolution(Photograph by Drum Photographer © Baileys Archives) neg 495 coal stove, popular culture
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2400 x 2388
    Media Id: 44_85
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: models, black African woman, Drum Magazine, South Africa, Africa, South African history, black and white image, square, January, 1955, 1950s, Priscilla Mtimkulu, cooking, coal stove, stove, sitting, beauty, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000072006
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000072006:WAED:BEAUTY:Jan 1955 - Priscilla Mtimkulu - The girl with the face that broke a thousand hearts! our photographers from all parts of Africa have sent us photographs of the prettiest girls in their areas for the past three years. But not till this year have we seen a girl with a face like Priscilla Mtimkulu's . And, to our delight, we didn't only see her picture, but saw her personally! without any doubts we claim that this 20-year-old girl from Orlando, Johannesburg, has the prettiest face that has ever appeared on a magazine cover in Africa - and I'm sure you'll agree that there have been many a pretty face on the covers. Drum's younger sister and new "wowific" magazine, 'Africa' had the privilege of being the first magazine to show the world this face that could start a revolution (Photograph by Drum Photographer © Baileys Archives) neg 420 popular culture, kissing
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 1980 x 1830
    Media Id: 43_317
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, models, black African woman, January, 1955, 1950s, Priscilla Mtimkulu, kissing, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001032015
    Title: In Praise Of Lagos
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032015:NIGED:SOCIAL:DEC1960 - In Praise Of Lagos - The city of Lagos, full of life and energy, kind heartedness and humanity, dances happily down the path of Africa's freedom. Its past, was blackened by the slave trade, disease and slums, but its buildings were often beautiful; its magnificence held the seeds of a future African civilisation. Today old Lagos is being transformed materially, and yet it retains enough of the past to lead the way to new African culture and way of everyday life. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3047 x 2598
    Media Id: 43_1574
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, Nigeria, Lagos, African history, December, 1960, 1960s, nightclubs, dancing, white African people, black African people, laughing, celebrating, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001032027
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032027:NIGED:SOCIAL:CHILDREN:DEC1960 - In Praise Of Lagos - There's never a dull moment and plenty of energy: A passer by tries to stop a street fight between kids. The city of Lagos, full of life and energy, kind heartedness and humanity, dances happily down the path of Africa's freedom. Its past, was blackened by the slave trade, disease and slums, but its buildings were often beautiful; its magnificence held the seeds of a future African civilisation. Today old Lagos is being transformed materially, and yet it retains enough of the past to lead the way to new African culture and way of everyday life. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 3343 x 2733
    Media Id: 43_1328
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, Nigeria, Lagos, African history, December, 1960, 1960s, black African children, playing, streets, poor, buckets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062703
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062703:GCPED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Welcome Msomi and Daphne Hlomuka. In any language there were congratulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2970 x 2000
    Media Id: 43_521
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African people, traditional dress, Welcome Msomi, culture, Daphne Hlomuka, Shakespeare, Macbeth, Natal Theatre Workshop Company, Umabatha , 1970s, South African history, black and white image, Drum Magazine, horizontal, Africa, 1972, performers, May, South Africa, artists, performances, traditional African dancing, black African woman, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062704
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062704:GCPED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Daphne Hlomuka. In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2000 x 2930
    Media Id: 43_532
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: culture, vertical, traditional dress, Daphne Hlomuka, Shakespeare, Macbeth, Umabatha , Natal Theatre Workshop Company, South African history, black African woman, 1970s, black and white image, Africa, performers, South Africa, Drum Magazine, May, 1972, performances, artists, traditional African dancing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062705
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062705:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Welcome Msomi. In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2000 x 2930
    Media Id: 42_1035
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: culture, Welcome Msomi, traditional dress, Daphne Hlomuka, Shakespeare, Macbeth, Umabatha , Natal Theatre Workshop Company, performers, 1970s, May, 1972, black and white image, vertical, South African history, Africa, South Africa, Drum Magazine, performances, artists, traditional African dancing, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001062706
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001062706:SAED:THEATRE:PERSONALITY:22MAY1972 - Wenze Kahle Umabatha - Izangoma (witchdoctors). In any language there were congrtulation all around for the cast of Umabatha in London. And from Princess Margaret came a special greeting for Beauty Ntsubela. The group is from the Natal Theare Workshop Company. (Photograph by Drum Ranjith Kally BAHA) driefoot pot
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3000 x 1970
    Media Id: 43_1521
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African people, culture, traditional dress, Shakespeare, Macbeth, Umabatha , Natal Theatre Workshop Company, May, shamans, 1970s, horizontal, black and white image, South African history, Africa, South Africa, Drum Magazine, 1972, black African women, performances, performers, artists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002033001
    Title: Ndebele People wearing traditional attire
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002033001:SAED:SOCIAL:TRADITION:CULTURE:1960S - Ndebele People - (Photograph by Peter Magubane BAHA) neg T922
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1934 x 1968
    Media Id: 43_976
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African people, Drum Magazine, South Africa, Africa, South African history, black and white image, square, people associated with culture, Peter Magubane, 1960s, Ndebele, traditional attire, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002033002
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002033002:SAED:SOCIAL:TRADITION:CULTURE:1960S - Ndebele People - (Photograph by Peter Magubane BAHA) neg T922
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1940 x 1950
    Media Id: 43_696
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African people, people associated with culture, Drum Magazine, South Africa, Africa, South African history, black and white image, Peter Magubane, square, 1960s, Ndebele, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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