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    Image Number: BHA0002_18
    Title: d1952_071_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: AED:BEAUTY:PERSONALITY:MODEL:DRUM MAY 1952 Ð Bathing Beauty Ð Sitting on African Drum - Pretty Constance Maqanda believes in a brisk rub down with a towel after her bath to improve circulation. (Photograph by Drum Photographer © BAHA) NEG 071 FRAME 6
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4679 x 4730
    Media Id: 69_393
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, May, 1952, 1950s, African drums, posing, Black African woman, fashion models, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_21
    Title: l1953_244_12
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:MUSIC:PERSONALITIES:DRUM MARCH 1953It's time you people got interested in DRUMS. Here's a young fella ”'BOETIE“ who simply demands attention. He's preparing here for a nervous outburst and if that mood ain't good I will swallow my boot (Photograph by Jurgen Schadeberg Baileys Archives) NEG 244 FRAME 12
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4719 x 4690
    Media Id: 69_775
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0016_010.tif
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4994 x 4313
    Media Id: 149_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, culture, Drum Magazine, September 1959, 1959, Durbar, North, pounding, Pulsating, drums, men, dancer, smiles, colourful ropes, singing, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_014.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060119:NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar – The Beating Of War Drums by special mallams during durbar. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5202 x 4013
    Media Id: 149_1
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Pixel Size: 4994 x 4313
    Media Id: 69_380
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, horizontal, black African people, 1950s, 1959, Durbar Festival, traditional dress, traditional drums, traditional music, traditional dancing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_14
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM SEP 1959 THE NORTH'S GREAT DURBARNIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar The Beating Of War Drums by special mallams during durbar. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5202 x 4013
    Media Id: 70_183
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0035_10.tif
    Title: EXPERIMENT IN GHOST VALLEY
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060407:EAED:SOCIAL:PERSONALITIES:NOV 1963 EXPERIMENT IN GHOST VALLEY On a lonely hill, a town is born - Focus on building a nation The threat of disease is great, so kids keep fit by doing physical exercises every day in the dust outside their classrooms. The fight for school began last November. The population was growing fast and the children were running wild. The Government said they had no money. But the people persisted and the Government lent 2,000, then another 2, 000,said Mr. Charumira. With poles and old tar drums flattened out, the parents built the school between January and March. Today the school has 1,300 pupils with hundreds more expected next term. It has 30 teachers, who lodge in shantytown or sleep in the school itself, in the teachers common room and the headmasters office both also tar-drum rooms. Today the Charumiras family still live there, but not alone. For perhaps four miles along the river, a shanty town has grown up with about 5,000 people
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZIMBABWE
    Orientation: portrait
    Pixel Size: 4266 x 5864
    Media Id: 183_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_005.tif
    Title: Juju
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080501:GHAED:SOCIAL:PERSONALITIES:AUG 1961 - Ju-ju What is the Truth - The drums pound and the Ju-ju men fling themselves into a wild dance that acts as the preliminary to their fantastic feats. An attendant stands behind." You want to see juju at work? why Amotive is the place!" "No, Agbomey is better! Go there, man!" "The place is Bioseh!" Yes, suggestion came by the million, when we said we wanted to see juju. No-one told us: I have personally been to so-and so place and seen such and such wonders. i guaranteed that if you go there, you will see and photograph the same wonders." (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3126 x 2632
    Media Id: 251_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, August 1961, 1961, Juju, dance, men, wild, Drum Photographer,
    Model Release: No
    Property Release: No

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    Image Number: BHA0039_010.tif
    Title: Juju
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080506:GHAED:SOCIAL:PERSONALITIES:AUG 1961- Ju-ju What is the Truth - As the fire blazes and drums beat out their rhythm. One of the men leaps into the blaze and dances in the straw. Others followed him..." You want to see juju at work? why Amotive is the place!" "No, Agbomey is better! Go there, man!" "The place is Bioseh!" Yes, suggestion came by the million, when we said we wanted to see juju. No-one told us: I have personally been to so-and so place and seen such and such wonders. i guaranteed that if you go there, you will see and photograph the same wonders.(Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2910 x 3803
    Media Id: 250_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: juju, ju-ju, Ghana, Drum Magazine, East Africa, August 1961, 1961, west africa, hut, tradition, dance, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0044_002.tif
    Title: A Glory Of The Coast
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081406:GHAED:EDUCATION:SOCIAL:PERSONALITIES:JUN 1960 - A Glory Of The Coast - Music is a special study - including the drums. Beating the drums at the Founder's Day Celebrations is Mr. Phillip Ghebo, senior music master, the man who composed Ghana's anthem. About 40 years ago a man had a vision. He wanted West Africa to have a school comparable with the best in Britain. From that ideal has grown Achimota, pride of Ghana, glory of the coast to-day. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4400 x 5371
    Media Id: 251_7
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0051_015F.tif
    Title: I Dreamed We Danced Like Angels'
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008091208:EAED:SOCIAL:CHILDREN:PERSONALITIES:NOV 1964 - 'I Dreamed We Danced Like Angels' For me the sun will be red and green and black. What a day it will be. I shall wear my best clothes, which are waiting for the day, and I shall take my camera.' CHRISTOPHER CHIRWA 12. Wave the flags, beat the drums, listen to the speeches... but don't forget that independence Day is Kid's Day. It's their day because it is they who will fashion the future Zambia. As the great day drew near DRUM asked Matero schoolchildren to write their ideas on Independence. This is what some said... (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Orientation: portrait
    Pixel Size: 4470 x 7428
    Media Id: 139_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0052_011.tif
    Title: Putting Zing Into Zambia
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008091605:EAED:POLITICS:PERSONALITIES:MAY 1964 - Putting Zing Into Zambia - The peace keepers: a cordon of police at the war memorial keep ANC crowds apart. The sacred lawns vanished under people dug into thousands of toes, thumped by assorted drums. UNIP, in thousands, took up their station south of the war memorial, the ANC thousands in vivid red and yellow, tall hats shaped out of old election posters, had the north side, Between, the police gathered in strength. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Orientation: panoramic
    Pixel Size: 5508 x 2615
    Media Id: 135_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072207
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999072207:SAED:MUSIC:BEAUTIES:APARTHEID:THEATRE:MAY1961 - The Reef's Zsa Zsa Gabour - She's a girl who knows what she wants in life and doesn't hesitate to go out and get it - even if it means treading on other people's corns in the process. That's Dottie Tiyo, snake dancer with Alf Herbert's 'Drums of Africa', a peppy musical doing the rounds in Johannesburg. Dottie was jailed under the act of Immorality for being cought with a Johannesburg businesman. (Photoggraph by Peter Magubane Baileys Archive)street, fashion,
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2990 x 1970
    Media Id: 69_712
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Drums of Africa, Africa, black and white image, South Africa, theatre productions, horizontal, 1961, South African history, Zsa Zsa Gabour, May, musical theatre, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072207
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999072207:SAED:MUSIC:BEAUTIES:APARTHEID:THEATRE:MAY1961 - The Reef's Zsa Zsa Gabour - She's a girl who knows what she wants in life and doesn't hesitate to go out and get it - even if it means treading on other people's corns in the process. That's Dottie Tiyo, snake dancer with Alf Herbert's 'Drums of Africa', a peppy musical doing the rounds in Johannesburg. Dottie was jailed under the act of Immorality for being cought with a Johannesburg businesman. (Photoggraph by Peter Magubane © Baileys Archive)street, fashion,
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 2990 x 1970
    Media Id: 19_851
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021415
    Title: Simon Nkabinde, Juliet, Faith, Manxola, Windy Sibeko and Julia Yendel
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021415:SAED:MUSIC:THEATRE:JUN1967 - Simon Nkabinde, Juliet, Faith, Manxola, Windy Sibeko and Julia Yendel. Not a day passes without the Mahotella Sisters being heard on the radio. A Soweto party without the sexy troup's records being played, is unthinkable. But to most people the 'sister's are faceless voices. Drum joined Juliet and her colleagues in their recording studio and on the township platform just to see what being a recording idol means. Any five year old kid in the townships knows, or has heard of Mahlathini, whose proper name is Simon Nkabinde. This rotund, gravel- voiced lad from Orlando East has sent Mbaqanga fans into frenzies with his famous 'Sithunyiwe' and' Uyawuzwa Umoya' - two records that are selling like hot cakes. He is the only man in this group. Backing them are Marks Mankwane, on lead guitar, Wilfred Mosebi, drums, Joseph Makwela, bass guitar, and Vivian Ngubeni, rythm guitar.The first show we went to was a perfomance for scho
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 2902 x 1774
    Media Id: 43_1348
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, South African history, Africa, 1960, June, black and white image, 1967, performers, musicians, 1960s, South Africa, Drum Magazine, black African women, singing, Simon Nkabinde, Juliet, Faith, Manxola, Windy Sibeko, Julia Yendel, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021417
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021417:SAED:MUSIC:THEATRE:JUN1967 - Simon Nkabinde, Juliet, Faith, Manxola, Windy Sibeko and Julia Yendel. Not a day passes without the Mahotella Sisters being heard on the radio. A Soweto party without the sexy troup's records being played, is unthinkable. But to most people the 'sister's are faceless voices. Drum joined Juliet and her colleaguesin their recording studio and on the township platform just to see what being a recording idol means. Any five year old kid in the townships knows, or has heard of Mahlathini, whose propper name is Simon Nkabinde. This rotund, gravel-voiced lad from Orlando East has sent Mbaqanga fans into frenzies with his famous 'Sithunyiwe' and' Uyawuzwa Umoya' - two records that are selling like hot cakes. He is the only man in this group. Backing them are Marks Mankwane, on lead guitar, Wilfred Mosebi, drums, Joseph Makwela, bass guitar, and Vivian Ngubeni, rythm guitar.The first show we went to was a perfomance for schoo
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2856 x 1786
    Media Id: 43_667
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: June, 1960, South Africa, 1967, performers, Drum Magazine, South African history, musicians, horizontal, Africa, black and white image, 1960s, black African men, dancing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041803
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041803:EAED:ENTERTAINMENT:MUSIC:MUSIC:NODATE - Blind Drummer - (Photograph Baileys Tanganyika Standard Newspaper Limited)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2591 x 1921
    Media Id: 43_94
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, horizontal, blind people, drumming, African history, drums, black African men, black African woman, drummers, musicians, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050510
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050510:EAED:SOCIAL:ENTERTAINMENT:MUSIC NODATE - Pascal Onema Band At Sinbird Night Club - (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2500 x 1703
    Media Id: 42_955
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Pascal Onema, Drum Magazine, Africa, black and white image, horizontal, African history, Sinbird Night Club, musicians, music band, musical instruments, drums, guitars, black African men, saxophone, singers, Performing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050515
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050515:SOCIAL:ENTERTAINMENT:MUSIC:NODATE- Pascal Onema - Playing a guiter. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1555 x 2714
    Media Id: 43_946
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, black African men, musicians, vertical, African history, Pascal Onema, guitar, drums, beating drums, guitarist, Performing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050516
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050516:EAED:SOCIAL:ENTERTAINMENT:MUSIC:NODATE - Terri Quaye - with friends near Salaga Market - Jamestown, Accra. (Photograph by Drum Photograph BAHA) playing drum
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2512 x 1749
    Media Id: 43_596
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, Jamestown, Salaga Market, African history, Accra, Ghana, Terri Quaye, Coloured woman, black African people, drums, beating drums, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050806
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050806:GHAED:SOCIAL:MUSIC:OCT1958 - When tall bearedand be-goggled Guy Warren - the Ghana drummer who had been drumming in America for about three years - walked into Drum's Acra offices to say 'hello' to his old schoolmate, Henry Ofori, editor of Drum, an idea was born . This idea resulted i the Drum Jazz Festival, held at the Accra Community Centre, (30/10/58) and attended by over 600 people who, if they had known, would be thakful to the chance meeting between the two old schoolmates. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2271 x 1872
    Media Id: 43_90
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, Accra, Ghana, African history, Accra Community Centre, October, 1958, 1950s, Guy Warren, drummer, musician, Drum Jazz Festival, black African man, drumming, beating drums, Performing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050807
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050807:GHAED:SOCIAL:ENTERTAINMENT:MUSIC:NODATE - Young Boy Beating Drum - (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2277 x 1903
    Media Id: 43_451
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, horizontal, drums, black African boy, African history, beating, drumming, beating drums, smiling, musician, Performing, Ghana, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050916
    Title: In The Studio With Ahmed Onibonokuta
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050916:TRUST:MUSIC:PERSONALITY:JUL1975 - In The Studio With Ahmed Onibonokuta - His kind of music comes from part of a metal petrol drum, gourd, drums with carved stands, the kind that should do the Black Festival some honour. These are handled by a member of his band. Onibonokuta is a master at Odu and Oshun music. Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1960 x 2404
    Media Id: 43_685
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, July, Ahmed Onibonokuta, vertical, African history, 1975, 1970s, musician, studio, black African man, traditional instruments, playing, festival, trust, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051540
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051540:GHANAED:TRADITION:MAY1961 - The Village Of The Crocodile Worshipers - Knives at ready , the drums pound and the jujumen fling themselves into a wild dance a prelude to their fantastic feast. The old man stood by the side of the small lake and called shrilly across the water. Suddenly there was a series of ripples in the calm lake dark shadows moves swiftly inwards just under the surface. Grey scaled snouts emerged by the bank, and massive jaws snapped open and shut, showing rows of jagged, murders teeth. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2050 x 1930
    Media Id: 43_812
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: crocodile worship, May, Drum Magazine, Africa, black and white image, square, 1961, African history, Ghana, 1960s, feasts, traditional dress, traditional dancing, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051542
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051542:GHANAED:SOCIAL:TRADITION:MAY1961 - The Village Of The Crocodile Worshipers - Knives at ready , the drums pound and the jujumen fling themselves into a wild dance a prelude to their fantastic feast. The old man stood by the side of the small lake and called shrilly across the water. Suddenly there was a series of ripples in the calm lake.dark shadows moveds swiftly inwards just under the surface. Grey scaled snouts emerged by the bank, and massive jaws snapped open and shut, showing rows of jagged, murders teeth. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2000 x 2020
    Media Id: 43_95
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: crocodile worship, May, 1961, Drum Magazine, Africa, black and white image, square, Ghana, African history, 1960s, feasts, traditional dress, traditional dancing, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051543
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051543:GHANAED:SOCIAL:TRADITION:MAY1961 - The Village Of The Crocodile Worshipers - Knives at ready, the drums pound and the jujumen fling themselves into a wild dance a prelude to their fantastic feast. The old man stood by the side of the small lake and called shrilly across the water. Suddenly there was a series of ripples in the calm lake dark shadows moveds swiftly inwards just under the surface. Grey scaled snouts emerged by the bank, and massive jaws snapped open and shut, showing rows of jagged, murders teeth. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2052 x 1979
    Media Id: 43_456
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: crocodile worship, Ghana, Drum Magazine, Africa, black and white image, square, May, African history, 1961, 1960s, feasts, traditional dress, traditional dancing, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001022001
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022001:GCP:MUSIC:PERSONALITY:7OCT1962 - South Afica Jazz At Its Greatest - Early Mabuza. The Biggest Package of jazz musicians ever to invade Johannesburg started rollinginto the city this week for the next Saturday's Newport style Jazz at the festival at the Moroka-Jabavu Stadium. (Photograph by Drum Photographer BAHA) drummer, drums
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1930 x 2910
    Media Id: 43_65
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: October, personality, vertical, jazz, black and white image, South African history, Africa, South Africa, Drum Magazine, music, 1962, drums, drummer, Early Mabuza, Jazz festival, drumming, 1960s, ,
    Model Release: No
    Property Release: No

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    Image Number: dm2001022002
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022002:GCP:MUSIC:PERSONALITY:7OCT1962 - South Afica Jazz At Its Test - Early Mabuza. The Biggest Package of jazz musicians ever to invade Johannesburg started rollinginto the city this week for the next Saturday's Newport style Jazz at the festival at the Moroka-Jabavu Stadium. (Photograph by Drum Photographer BAHA) drummer, drums
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    Model Release: No
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    Image Number: dm2001032007
    Title: Festivals- West Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032007:NIGED:SOCIAL:WOMEN:CULTURE:NODATE - Festivals, West-Africa. (Photograph by Drum Photographer BAHA) tradition dress
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
    Property Release: No

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    Image Number: dm2001032008
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032008:NIGED:SOCIAL:WOMEN:CULTURE:NODATE - Festivals, West-Africa. (Photograph by Drum Photographer BAHA) beating of drums
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    Subcollections: Drum Social Histories
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
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    Image Number: dm2001032009
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032009:NIGED:SOCIAL:WOMEN:CULTURE:NODATE - Festivals, West-Africa. (Photograph by Drum Photographer BAHA)
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    Subcollections: Drum Social Histories
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
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    X
    Image Number: dm2001032024
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032024:NIGED:SOCIAL:SEP1959 - The North's Great Durbar - The pounding, pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold calvarymen on their feiry steeds, their swords and spears glistening in the sun. The women from Zaria Province, tall and erect in their colourful robes. The men dancers, bursting with smiles and vitality. (Photograph by Drum Photographer BAHA)
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    Subcollections: Drum Social Histories
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
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    X
    Image Number: dm2001032025
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032025:NIGED:SOCIAL:CULTURE:SEP1959 - The North's Great Durbar - The beating of war drums by special mallams during the durbar. From all parts of the North they came. The bold calvarymen on their feiry steeds, their swords and spears glistening in the sun. The women from Zaria Province, tall and erect in their colourful robes. The men dancers, bursting with smiles and vitality. (Photograph by Drum Photographer BAHA)
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    Subcollections: Drum Social Histories
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2001042404
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001042404:GCP:SOCIAL:MUSIC:27AUG1967 - Who Will Be Our Miss P.E - The Beat Beaters Group will be among several bands that will take part in the first-ever beat music contest at New Brighton's Cemetenary Great Hall on Saturday. (Photograph by Drum Photographer Baileys Archives)
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    Subcollections: Drum Social Histories
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092614
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001092614:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - (Left to right: Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan 'Dambuza' Mdledle with Miriam Makeba.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (te
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1984 x 1960
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: January, 1956, 1950s, Manhattan Brothers, Drum Magazine, South Africa, Africa, South African history, black and white image, square, Gopal Naransamy, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002061217
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002061218:EAED:SOCIAL:SHEBEENS:1950s - Illicit Brewing in Kenya - (Photograph by Drum Photographer BAHA)
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    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1787 x 2554
    Media Id: 43_1101
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, Illicit brewing, vertical, African history, 1950s, Kenya, alcohol, shebeens, rural, black African man, drums, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004050501
    Title: Beverly Jazz Room Is Swinging - Bervely's jazz 'heart': Richard Schidle
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004050501:GCPCE:SOCIAL:MUSIC:PERSONALITY:15SEP1968 - Beverly Jazz Room Is Swinging - Bervely's jazz 'heart': Richard Schidler, with brother Jackie on drums, one of Cape Town's top alto saxophonists, Jimmy Adams, as a visiting bassist. Since the Berverly Launge in Athlone has been extended it has become enormous popular with both locals and folks further afield. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
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    Pixel Size: 1975 x 2874
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    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
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    Model Release: No
    Property Release: No

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    Image Number: dm2004050502
    Title: Bervely's jazz 'heart': Richard Schidler
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004050502:GCPCE:SOCIAL:MUSIC:PERSONALITY:15SEP1968 - Beverly Jazz Room Is Swinging - Bervely's jazz 'heart': Richard Schidler, with brother Jackie on drums, one of Cape Town's top alto saxophonists, Jimmy Adams, as a visiting bassist. Since the Berverly Launge in Athlone has been extended it has become enormous popular with both locals and folks further afield. (Photograph by Drum Photographer BAHA)
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    Subcollections: Drum Social Histories
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    Model Release: No
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    Image Number: dm2004050503
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004050503:GCPCE:SOCIAL:MUSIC:PERSONALITY:15SEP1968 - Beverly Jazz Room Is Swinging - Bervely's jazz 'heart': Richard Schidler, with brother Jackie on drums, one of Cape Town's top alto saxophonists, Jimmy Adams, as a visiting bassist. Since the Berverly Launge in Athlone has been extended it has become enormous popular with both locals and folks further afield. (Photograph by Drum Photographer BAHA)
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    Subcollections: Drum Social Histories
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    Model Release: No
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    X
    Image Number: dm2004090105
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090105:SAED:SOCIAL:MUSIC:PERSONALITY:JAN1956 - Manhattan Brother - A year ago (1955) the Manhattan Brothers discovered a great voice in Miriam Makeba. Then she was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year! Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (tenor sax). (Photograph by Gopal Naransamy BAHA) jazz
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    Subcollections: Drum Social Histories
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    Model Release: No
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    Image Number: dm2004090130
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090130:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - (Left to right: Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan 'Dambuza' Mdledle with Miriam Makeba.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (te
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
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    Model Release: No
    Property Release: No

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    Image Number: dm2004090131
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090131:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - (Left to right: Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan 'Dambuza' Mdledle with Miriam Makeba.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (te
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    Subcollections: Drum Social Histories
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    Model Release: No
    Property Release: No

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    Image Number: dm2004090132
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090132:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - (Left to right: Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan 'Dambuza' Mdledle with Miriam Makeba.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (te
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    Model Release: No
    Property Release: No

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    Image Number: dm2004090804
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090804:GCP:MUSIC:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (tenor sax). (Photograph by Drum Photographer BAHA)
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    Subcollections: Drum Social Histories
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    Model Release: No
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    Image Number: dm2004090806
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090806:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (tenor sax). (Photograph by Gopal Naransamy BAHA)
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    Model Release: No
    Property Release: No

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    Image Number: dm2004090807
    Title: Mackay Davashe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004090807:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (tenor sax). (Photograph by Gopal Naransamy BAHA)
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    Model Release: No
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    Image Number: dm2004101112
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004101112:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - (Left to right: Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan 'Dambuza' Mdledle with Miriam Makeba.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (te
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    Subcollections: Drum Social Histories
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    Model Release: No
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    X
    Image Number: dm2004101113
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004101113:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - (Left to right: Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan 'Dambuza' Mdledle with Miriam Makeba.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (te
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    Model Release: No
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    Image Number: dm2004101114
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004101114:DM2004101115:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - (Left to right: Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan 'Dambuza' Mdledle with Miriam Makeba.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKa
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    Model Release: No
    Property Release: No

    X
    Image Number: dm2004101115
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004101115:SAED:MUSIC:THEATRE:PERSONALITY:JAN1956 - Manhattan Brothers Mellow - (Left to right: Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan 'Dambuza' Mdledle with Miriam Makeba.) For 21 years now they have been South Africa's Kings of Song. In November, 1955, at the Bantu Men's Social Centre, Johannesburg the Manhattan Brothers celebrated 21 years in Show Business. In the gala opening of the anniversary celebrations the Brothers crashed through a paper screen into their current hit-parade song...'The `Urge'. In the words of the song, they told of their love and devotion to the stage...A year ago the Manhattan Brothers discovered a great voice in Miriam Makeba. She was just a small-town girl with a voice, which was about all she had. They saw possibilities in her and signed her for a year. The backing group was: Norman Martins (drums) Jacob 'Mzala' Lepere (bass) Fix Qinta (piano) Randolph Chose (trumpet) Kippie Moeketsi (clarinet) MacKay Davashe (te
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    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, African Jazz, jazz, music, personality, touring, on tour, Manhattan Brothers, Rufus Khoza, Ronnie Sehume, Joe Mogotsi, Nathan Dambuza Mdledle, musical theatre, January, 1956, 1950s, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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