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Search Term: entertainment

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    Image Number: BHA00019_6
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 Ð This Music Makes Them Crazy Ð ÒBonsueÓ and ÒRopopoÓ session. ItÕs the latest craze. But some elders want it banned. They say itÕs Òtoo suggestive.Ó But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of ÒriotousÓ music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5222 x 4144
    Media Id: 69_669
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, Africa, horizontal, history, cultural history, West Africa, Nigeria, Drum Magazine, social comments, historical value, African music, modern dance, entertainment, jive, african youth, fun, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00019_7
    Title: Man, Highlife Is Getting Crazier Still
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM JAN 1959 MAN, HIGHLIFE IS GETTING CRAZIER STILLNIGED:SOCIAL:ENTERTAINMENT:MUSIC:JAN 1959 Man, Highlife Is Getting Crazier Still Lagos lads and lassies do the no-motions-barred Tcha-Tcha-Tcha.. They call it Highlife, reaching for stars. ’My customers dance anything from blues to the ukulele Hawaiian. But their latest craze is Tcha-Tcha-Tcha,“ a Lagos night club proprietor told us as we were wandering around to find out how the people enjoy themselves. And he wasn't exaggerating when he called the Tcha a craze, for, on the dance floor, were boys and girls some rolling on the ground, some reeling like wounded things, and some falling backwards and forwards all answering the call of the Tcha-Tcha-Tcha. This was crazy Highlife getting crazier, madder, loonier, bursting at the seams with abandon. ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5386 x 4080
    Media Id: 70_154
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, High life, dancing, Drum Magazine, music, entertainment, January 1959, 1959, January, 1950s, African woman, African man dancing, Tcha-Tcha, dance, night club, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0004_15.tif
    Title: Billy Birkenstock and Joe du Prooz are as inseparable off
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052419:SAED:MUSIC:ENTERTAINMENT:PERSONALITY:AUG1952 - Classical Music – Billy Birkenstock and Joe du Prooz are as inseparable off. Stage as on. They have produced the most outstanding team of light duettists for many year (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4677 x 4696
    Media Id: 126_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, entertainment, music, August, August 1952, 1952, Billy Birkenstock, Joe du Prooz inseparable, Classical music, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_5
    Title: k1952_182_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SEPTEMBER 1952 Ð DRUM DEBATES- NEG 182. SAED:SOCIAL:PERSONALITY:DRUM SEPTEMBER 1952 Ð ÒThere is no womanÕs place!Ó Ð Mrs. Madie-Hall Xuma ( She says sheÕs only over 21), wife of Dr. A.B. Xuma, says: IÕm an American, and in my country women and men work on a 50-50 basis. After a hard dayÕs work, it is only fair that they should both have a little entertainment. People have remarked to me in this country: ÔÕYouÕre always with doctor!Óyes, IÕm always with Doctor. ThatÕs done in modern society all over the world. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 182 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 4713 x 4708
    Media Id: 69_571
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, 1952, 1950s, portrait, Black American women, Dr. Xuma, wife, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0006_6
    Title: k1952_182_15
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DRUM SEPTEMBER 1952 Ð ÒItÕs a ticklish subjectÓ Ð Peter Rezant, leader of JohannesburgÕs popular Merry Blackbirds dance band, says: ItÕs a ticklish subject with which I, an entertainment man, do not want to be associated. IÕm not in favour of the idea that men alone make the complete social unit, because they donÕt. (Photograph by Jurgen Schadeberg ©Baileys Archives) NEG 182 FRAME 15
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4719 x 4773
    Media Id: 69_703
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Africa, South Africa, portrait, musicians, Johannesburg, band, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_18.tif
    Title: T641d
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052722:SAED:SOCIAL:CRIME: APR 1956 – Death in the Dark City – The people of Alexandra are appealing for protection, and not “protection’’ of the kind that the gangsters would like to offer them. It’s about time that some tough policeman clean up the mess. It’s likely that the police don’t know what’s going on. Otherwise encouraged by their easy escapes the gangsters will become bolder and more dangerous. They should not be allowed to continue poking out their tongues at the law. Decent citizens have already given up going out to evening entertainment in this dark city of sudden death. They say it is not pleasant to hear the close whistle of a bullet near your ear in the dark. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4821 x 4653
    Media Id: 126_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_19
    Title: a1956_T121_A
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: APRIL 1956 Ð DEATH IN THE DARK CITY Ð NEG T121. SAED:SOCIAL:CRIME:DRUM APRIL 1956 Ð Death in the Dark City Ð The people of Alexandra are appealing for protection, and not ÒprotectionÕÕ of the kind that the gangsters would like to offer them. ItÕs about time that some tough policeman clean up the mess. ItÕs likely that the police donÕt know whatÕs going on. Otherwise encouraged by their easy escapes the gangsters will become bolder and more dangerous. They should not be allowed to continue poking out their tongues at the law. Decent citizens have already given up going out to evening entertainment in this dark city of sudden death. They say it is not pleasant to hear the close whistle of a bullet near your ear in the dark. (Photograph by Peter Magubane ©Baileys Archives) NEG T121 (Same Caption for all 4NEGS)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 4746 x 4744
    Media Id: 69_624
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Drum Magazine, historical value, socials, history, travellers, waiting, commuters, patient (patience), sitting, luggage, suitcases, black African people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_19.tif
    Title: Death in the Dark City
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052720:SAED:SOCIAL:CRIME: APR 1956 – Death in the Dark City – The people of Alexandra are appealing for protection, and not “protection’’ of the kind that the gangsters would like to offer them. It’s about time that some tough policeman clean up the mess. It’s likely that the police don’t know what’s going on. Otherwise encouraged by their easy escapes the gangsters will become bolder and more dangerous. They should not be allowed to continue poking out their tongues at the law. Decent citizens have already given up going out to evening entertainment in this dark city of sudden death. They say it is not pleasant to hear the close whistle of a bullet near your ear in the dark. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 4746 x 4744
    Media Id: 126_22
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, crime, April 1956, 1956, Death, Dark City, Death In the Dark City, Alexandra, gangsters, Peter Magubane, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0009_20.tif
    Title: T121b
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011052721:SAED:SOCIAL:CRIME: APR 1956 – Death in the Dark City – The people of Alexandra are appealing for protection, and not “protection’’ of the kind that the gangsters would like to offer them. It’s about time that some tough policeman clean up the mess. It’s likely that the police don’t know what’s going on. Otherwise encouraged by their easy escapes the gangsters will become bolder and more dangerous. They should not be allowed to continue poking out their tongues at the law. Decent citizens have already given up going out to evening entertainment in this dark city of sudden death. They say it is not pleasant to hear the close whistle of a bullet near your ear in the dark. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4740 x 4719
    Media Id: 126_11
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0019_006.tif
    Title: Ropopo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060131:NIGED:SOCIAL:ENTERTAINMENT:MUSIC:DEC 1959 – This Music Makes Them Crazy – “Bonsue” and “Ropopo” session. It’s the latest craze. But some elders want it banned. They say it’s “too suggestive.” But the boys and girls are just living it up. Nigerian teenagers are screaming to a new type of “riotous” music. It has fired their imagination with its gusto and hot, tear-away beat. (Photograph by Matthew Faji ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5222 x 4144
    Media Id: 146_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Drum magazine, music, entertainment, December 1959, Bonsue, Ropopo, crazy, dancing, teenagers, Matthew Faji,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_3.tif
    Title: NIGERIA TV: THE FIRST FIVE YEARS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072408:NIGED:SOCIAL:PERSONALITIES:JUN 1964 Nigeria TV: The First 5 Years Announcer Julie Coker. The launching of a television station was first mooted in Nigeria as far back as 1956 shortly before Queen Elizabeth IIs visit to Nigeria, by the then Premier of Eastern Nigeria, Dr. the Hon. Nnamdi Azikiwe. For various reasons, this was not possible and so the Western Nigeria Government were first, into action, WNTV began programming on October 1, 1959. Since then, WNTV has improved considerable. For, during the pioneering days, it depended wholly on imported programmes including a large helping of wild west films. For the past two years, WNTV has shown live programmes of light entertainment, Drama, Discussion Groups, Educational Programmes all local programmes with gradually improving standards as the television teams learn to use their new medium. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 2838 x 4759
    Media Id: 180_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_4.tif
    Title: NIGERIA TV: THE FIRST FIVE YEARS
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072407:NIGED:SOCIAL:PERSONALITIES:JUN 1964 Nigeria TV: The First 5 Years When WNTV first started one critic said it was going to be nothing but a nine day wonder. This critic was so wrong. WNTV are pioneers who have kept their lead. They introduced vigorous programmes like Editors Choice. The launching of a television station was first mooted in Nigeria as far back as 1956 shortly before Queen Elizabeth IIs visit to Nigeria, by the then Premier of Eastern Nigeria, Dr. the Hon. Nnamdi Azikiwe. For various reasons, this was not possible and so the Western Nigeria Government were first, into action, WNTV began programming on October 1, 1959. Since then, WNTV has improved considerable. For, during the pioneering days, it depended wholly on imported programmes including a large helping of wild west films. For the past two years, WNTV has shown live programmes of light entertainment, Drama, Discussion Groups, Educational Programmes all local programmes with gradually improvin
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 3633 x 4564
    Media Id: 180_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0034_9.tif
    Title: Its The Latest Way To Run A Shebeen Man and woman dancing
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008060524:EAED:SOCIAL:SHEBEEN:JUL 1964 Its The Latest Way To Run A Shebeen Man and woman dancing theyre the latest thing in parties. Held in some of the plushest White homes in Southern Rhodesia, they attract crops of pretty servant girls and are quickly becoming big business. Sometimes the White householder is hoodwinked into thinking the party is for a servants birthday, but more and more are themselves getting in on the racket of making good money as weekend shebeen kings. (Photograph by Patrick Gatsi BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 5032 x 7051
    Media Id: 178_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, shebeen, social, Drum Magazine, man, woman, dancing, parties, Southern Rhodesia, Patric Gatsi, entertainment, July 1964, 1964, July, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0071_003F.tif
    Title: 'Jim' Comes To Jo'burg'
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112420:SAED:THEATRE:JUN 1963 - 'Jim' Comes To Jo'burg' - Three Basuto take their first steps in the city where dreams turn into bitter disillusion. From the hills and kraals all over Africa, young tribemen pour into Johannesburg by their thousands to make their dreams come true. Back in the villages, they dream of working on the mines and saving enough money to buy a wife or some cattle. But they are brought back to reality soon after stepping on to the station. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: panoramic
    Pixel Size: 8591 x 5133
    Media Id: 144_37
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, entertainment, theatre, Jim comes to Joburg, Basuto, Basuto men, suitcases, walking, Johannesburg, Peter Magubane, tribemen, June, 1963, June 1963, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0228_008.tif
    Title: Runga Naidoo and Violet le Tange take the first prize at the Ballroom and Latin American Championships
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011041217:SAED:ENTERTAINMENT:PERSONALITIES:1959 - Runga Naidoo and Violet le Tange take the first prize at the Ballroom and Latin American Championships at the City Hall in Durban. The couple went on to dominate ballroom dancing in South Africa for several years. (Photograph by Ranjith Kally ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4714 x 4745
    Media Id: 786_21
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, entertainment, 1959, Runga Naidoo, Violet le Tange, ballroom, Latin American Championships, City hall, Durban, Ranjith Kally, take, first prize, ballroom dancing, dancing, Indians, men, women, suit, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0262_001.tif
    Title: Youth Club Variety Show in Daveyton
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009110423:SAED:ENTERTAINMENT:MUSIC:GCPDEC2 1962 - The kids and the audience really had kicks at the Youth Club variety show in Daveyton. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5800 x 3847
    Media Id: 793_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Golden City Post, GCP, entertainment, music, December 1962, 1962, December, Daveyton, Youth Club, dancing, Drum photographer, kids, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA_20090429_4248.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009031114:SAED:SPORTS:SOCCER:PERSONALITIES:GCP JAN24 1965 - Who said what? Swallows Samuel Tshabalala (No.2) seems to say. Team-mate Sophonia Merabe (No.5) just took it easy and rested as a Dynamos forward toys with the ball. What a game! What glorious entertainment! And the 500 strong crowd enjoyed it all when Moroka Swallows (The Mbanya Red Bugs) crushed Mofolo Dynamos 4-1 at Orlando Stadium. (Photograph by Alf Kumalo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3520 x 5242
    Media Id: 752_141
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA_20090429_4249.tif
    Title: Dynamos Tops -Then Disaster!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009031112:SAED:SPORTS:SOCCER:PERSONALITIES:GCP JAN24 1965 - The one that went in and Moroka Dynamos goal-keeper, Christian Malakoane, had no further interest. His late dive just did not work! What a game! What glorious entertainment! And the 500 strong crowd enjoyed it all when Moroka Swallows (The Mbanya Red Bugs) crushed Mofolo Dynamos 4-1 at Orlando Stadium. (Photograph by Alf Kumalo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Orlando Stadium
    Orientation: landscape
    Pixel Size: 5178 x 3444
    Media Id: 119_968
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: DM2000050915
    Title: John Akwaboa and Esi
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050915:GHAED:MUSIC:PERSNALITY:JUL1968 - Guitar Man - Drum Profile: John Akwaboa and Esi. John Akwaboa's name is music. In Ghana this guitarist commands tremendous following. Almost every hotel, night club and bar in Ghana's blares out Akwabo's music. His discs are often hits. He is irrepressible. He is irrisistible and he enjoys every minute of it. (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1867 x 2429
    Media Id: 42_974
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, music, July 1968, 1968, guitar man, Guitarist, musical instrument, John Akwaboa, Esi, Drum Photographer, woman, men, entertainment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072002
    Title: Philip Tabane from Malombo at a Jazz Festival in Johannesburg
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999072002:SAFRICA: MUSIC: JAZZ: ENTERTAINMENT: Drum/Post 1970. Philip Tabane from Malombo at a Jazz Festival in Johannesburg. (photo unknown)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2357 x 3543
    Media Id: 69_560
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: jazz, Malombo, 1970, South Africa, Drum Magazine, Africa, black and white image, entertainment, Johannesburg, South African history, horizontal, Philip Tabane, Jazz festival, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999110203
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999072015:SAED:ENTERTAINMENT:MUSIC:WOMEN:DEC1955 - They Are Singing The Year Out - Four of Johannesburgs top vocalists met recently on stage of the Orlando Community Center in an 'end of the year' show. Veteran singers and leading bandsmen were joined by comparitive newcomers to wish the entertainment world a merry festive season. The picture show young Nancy 'Meadowlands' Jacobs (left), who entered the show business this year with a recording hit with Emily 'Piti Piti' Kwenane, Louisa 'Basin Street' Emmanual and Martha 'Bande Lami' Mdenge, the seasoned queens of song, in a song-and-dance demonstration at the end of the show. This is surely one act that could pack any hall if made permanet. If is the word. These songstresses did this act to give the lucky audience their 'Christmass Box'. (Photograph by Bob Gosani © Baileys Archives) fashion, double base, hairstyles
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 2055 x 1593
    Media Id: 23_226
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999110203
    Title: They Are Singing The Year Out - Four of Johannesburgs top vocalists met recently on stage of the Orlando Community Center
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999072015:SAED:ENTERTAINMENT:MUSIC:WOMEN:DEC1955 - They Are Singing The Year Out - Four of Johannesburgs top vocalists met recently on stage of the Orlando Community Center in an 'end of the year' show. Veteran singers and leading bandsmen were joined by comparitive newcomers to wish the entertainment world a merry festive season. The picture show young Nancy 'Meadowlands' Jacobs (left), who entered the show business this year with a recording hit with Emily 'Piti Piti' Kwenane, Louisa 'Basin Street' Emmanual and Martha 'Bande Lami' Mdenge, the seasoned queens of song, in a song-and-dance demonstration at the end of the show. This is surely one act that could pack any hall if made permanet. If is the word. These songstresses did this act to give the lucky audience their 'Christmass Box'. (Photograph by Bob Gosani Baileys Archives) fashion, double base, hairstyles
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2055 x 1593
    Media Id: 70_114
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, December, South African history, black and white image, horizontal, women, music, Johannesburg, Nancy Jacobs, vocalists, Louisa Emmanuel, Emily Kwenane, Martha Mdenge, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999112901
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999112901:SAED:PERSONALITY:ENTERTAINMENT:MUSIC:FEB1955 - King Force - Twenty years a King of Jazz and still not out! Wilson Silgee was leading the famous Jazz Maniacs. "There's too much of this cheap jazz flying about. Crude imitation American stuff. Just noise. There's only one thing to do, break it! That's what I do..." "Jazz is my life. I've learned the hard way, three diplomas at Trinity College of Music, London." Twenty years they begged him to put his music on disc. Twenty years he refused. He wanted to carry that message across personally. He's carried that message through more than 50,000 miles of jazz entertainment in South Africa. And now he's put his music, his great sounds, down on Gallotone discs. 'King Force and his Jazz Forces' (Photograph by Bob Gosani BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2220 x 2030
    Media Id: 42_748
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, February, 1955, 1950s, black African man, Wilson Silgee, bending over, jazz musicians, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021113
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021113:SAED:MUSIC:FEB1955 - King Force - Twenty years a King of Jazz and still not out! Wilson Silgee was leading the famous Jazz Maniacs. "There's too much of this cheap jazz flying about. Crude imitation American stuff. Just noise. There's only one thing to do, break it! That's what I do..." "Jazz is my life. I've learned the hard way, three diplomas at Trinity College of Music, London." Twenty years they begged him to put his music on disc. Twenty years he refused. He wanted to carry that message across personally. He's carried that message through more than 50,000 miles of jazz entertainment in South Africa. And now he's put his music, his great sounds, down on Gallotone discs. 'King Force and his Jazz Forces' (Photograph by Bob Gosani Baileys Archive) neg 486
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2166 x 2001
    Media Id: 42_1056
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1955, square, February, , Bob Gosani, Wilson Silgee, jazz, Jazz Maniacs, Gallotone, King Force and his Jazz Forces, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021116
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021116:SAED:MUSIC:RELIGION:FEB1956 - Father Huddleston entertained by The Girls Who Said Goodbuy! - That night at Johannesburg Social Centre when a tribute and farewell show was given for this Fr. Huddleston bloke. 'Twas a helluva big show that. Biggest for 1955. Also why they sang with such gusto and pep was because they recognised full well the part he had played in helping a Musicians Union to be born. Helluva tough birth too. Things are so tough for Unions, man. And this Union's been getting monies for musicians whose music were sold profitlessly overseas. See where we are with this Huddleston bloke? (Photograph by Bob Gosani Baileys Archive) neg T74
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2190 x 2010
    Media Id: 43_859
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, Drum Magazine, South Africa, Africa, South African history, black and white image, square, tribute, Musicians Union, Johannesburg Social Centre, February, 1956, 1950s, people, Father Huddleston, dancing, performances, singing, entertainment, farewell, stage sets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021117
    Title: Father Trevor Huddleston
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021117:SAED:MUSIC:RELIGION:FEB1956 - Father Huddleston entertained by The Girls Who Said Goodbuy! - Father Huddleston (third from right) and Father Raynes and everybody Black and White thoroughly enjoyed the show. That night at Johannesburg Social Centre when a tribute and farewell show was given for this Fr. Huddleston bloke. 'Twas a helluva big show that. Biggest for 1955. Also why they sang with such gusto and pep was because they recognised full well the part he had played in helping a Musicians Union to be born. Helluva tough birth too. Things are so tough for Unions, man. And this Union's been getting monies for musicians whose music were sold profitlessly overseas. See where we are with this Huddleston bloke? (Photograph by Bob Gosani Baileys Archive) neg T74
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4501 x 4403
    Media Id: 43_1487
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, tribute, Drum Magazine, South Africa, Africa, South African history, black and white image, square, Musicians Union, Johannesburg Social Centre, February, 1956, 1950s, people, Father Huddleston, Father, Bob Gosani, Raynes, performances, audience, entertainment, farewell, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021118
    Title: Father Huddleston entertained by The Girls Who Said Goodbuy!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021118:SAED:MUSIC:RELIGION:FEB1956 - Father Huddleston entertained by The Girls Who Said Goodbuy! - Dynamo driver with a peppy hep stick, Ursula Bergman, gives it the 'go' in a special tribute number "Do not leave us Huddleston," specially written and performed by the colourful Synco Fans under Wilfred Sentso. That night at Johannesburg Social Centre when a tribute and farewell show was given for this Fr. Huddleston bloke. 'Twas a helluva big show that. Biggest for 1955. Also why they sang with such gusto and pep was because they recognised full well the part he had played in helping a Musicians Union to be born. Helluva tough birth too. Things are so tough for Unions, man. And this Union's been getting monies for musicians whose music were sold profitlessly overseas. See where we are with this Huddleston bloke? (Photograph by Bob Gosani Baileys Archive) neg T74
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2210 x 2010
    Media Id: 43_743
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Johannesburg, tribute, Musicians Union, Drum Magazine, South Africa, Africa, South African history, black and white image, square, Johannesburg Social Centre, February, 1956, 1950s, people, Father Huddleston, dancing, performances, singing, entertainment, farewell, Ursula Bergman, black African woman, children, stage sets, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021119
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021119:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! The clowns of the show, 'King Jeff' mugging with a saxophone and Boney Molantoa amused each other all the way to Durban with tall talk and acrobatics. (Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2182 x 2024
    Media Id: 43_1589
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: laughing, square, saxophones, black and white image, South African history, Africa, South Africa, Drum Magazine, black African men, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, saxophone, Boney Molantoa, King Jeff, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021120
    Title: Jazz on wheels - Thandi Klaasen
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021120:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Hard working singer Tandi Mpambani (Klaasen) dragged two of the Cuban Brothers she sings with, 'Pinny' Ngakane and guitarist John Dhlamini, to a rehearsal on the train. (Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4694 x 4657
    Media Id: 43_607
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: singers, square, Africa, South Africa, Drum Magazine, Thandi Klaasen, black and white image, South African history, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, guitarist, musicians, John Dhlamini, Pinny Ngakane, guitar, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021121
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021121:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! (forth from left)(Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2153 x 2027
    Media Id: 42_951
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Dolly Rathebe, black and white image, South African history, Africa, South Africa, Drum Magazine, troupes, square, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, black African people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021122
    Title: Jazz on wheels
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021122:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2180 x 2020
    Media Id: 43_1447
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: troupes, square, black African men, black and white image, South African history, Africa, South Africa, Drum Magazine, city hall, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, Jazz On wheels, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021123
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021123:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2870 x 1950
    Media Id: 43_890
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, musicians, stagehands, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, stage sets, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021124
    Title: Jazz on wheels
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021124:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2866 x 1938
    Media Id: 43_948
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, musicians, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021125
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021125:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Came Saturday afternoon and the troupe's first performance at a matinee in the City Hall. The hall was now packed with paying ears who came to listen. and what a show it was! The whole troupe put their everything in it; so much so that the second performance that evening was packed out. Four hundred people were turned away. (Photograph by Drum photographer Baileys Archives) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3002 x 1940
    Media Id: 43_1432
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, passengers, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021129
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021129:SAED:MUSIC:THEATRE:JUL1955 - Jazz on Wheels! - The morning train from Johannesburg to Durban was turned into a hep train by the Jazz Parade troupe as it swung its way to the coast to jazz up the fans in Durban with singing, dancing, and extra hot cheese-cake by Dolly Rathebe! Not all the songs sung by the troupe on the train were jazzy. Guitarist Billy Roach, his singing wife Mavis and the male star, Gene Williams, settled down to one of those nostalgic numbers sung on train journeys- like 'Sentimental Journey'. (Photograph by Bob Gosani Baileys Archive) neg 597
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2141 x 2028
    Media Id: 43_708
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, Mavis Roach, square, Billy Roach, July, 1955, 1950s, trains, Johannesburg, Gauteng, Jazz Parade, Durban, KwaZulu-Natal, singing, dancing, entertainment, Performing, wife, troupes, Gene Williams, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021421
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021421:GCP:MUSIC:PERSONALITY:JAN1959 - Bunny (Barney) Rachabane - Pennywhistler Kid - He will Play In London - This is 10 year old Bunny Rachabane of Alexandra Township. Bunny hit the news resently when his group, the Alexandra Junior All Stars, was stranded in Cape Town after appearing in Lofty Adam's 'Africa Sings!' The Union of Southern African Artists came to the rescue and sent the boys money to come home to the Rand. Immediately they were back they were plunged right into the 'Township Jazz.' One of the parts in Leon Gluckman's big musical production, 'King Kong' will be played by tiny, 10 year old Bunny Rachabane, Pennywhistler from Alexandra. Now in rehearsal, Bunny Rachabane and his four partners the Alexandra Bright Boys are sweating it out as hard as the big professionals. Bunny will be playing the part of a small time pennywhistler who has his own piped version of the theme song 'King Kong '. His troup the Alexandra Bright
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2100 x 1960
    Media Id: 43_752
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, January, 1959, 1950s, Bunny (Barney) Rachabane, Pennywhistler Kid, Alexandra, Johannesburg, Gauteng, Alexandra Junior All Stars, Alexandra Bright Boys, Union of Southern African Artists, crowds, black African children, Performing, performances, audience, entertainment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021708
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021708:SAED:MUSIC:MAR1954 - King Force - Wilson Silgee - Twenty years a King of Jazz and still not out! Wilson Silgee was leading the famous Jazz Maniacs. "There's too much of this cheap jazz flying about. Crude imitation American stuff. Just noise. There's only one thing to do, break it! That's what I do..." "Jazz is my life. I've learned the hard way, three diplomas at Trinity College of Music, London." Twenty years they begged him to put his music on disc. Twenty years he refused. He wanted to carry that message across personally. He's carried that message through more than 50,000 miles of jazz entertainment in South Africa. And now he's put his music, his great sounds, down on Gallotone discs. 'King Force and his Jazz Forces' (Photograph by Bob Gosani Baileys Archive) neg 486
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2110 x 1970
    Media Id: 42_1023
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, 1954, March, 1950s, Wilson Silgee, King Force and his Jazz Forces, musician, jazz, piano, saxophone, black African man, Jazz Maniacs, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021709
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021709:SAED:MUSIC:MAR1954 - King Force - Wilson Silgee - Twenty years a King of Jazz and still not out! Wilson Silgee was leading the famous Jazz Maniacs. "There's too much of this cheap jazz flying about. Crude imitation American stuff. Just noise. There's only one thing to do, break it! That's what I do..." "Jazz is my life. I've learned the hard way, three diplomas at Trinity College of Music, London." Twenty years they begged him to put his music on disc. Twenty years he refused. He wanted to carry that message across personally. He's carried that message through more than 50,000 miles of jazz entertainment in South Africa. And now he's put his music, his great sounds, down on Gallotone discs. 'King Force and his Jazz Forces' (Photograph by Bob Gosani Baileys Archive) neg 486
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4672 x 4624
    Media Id: 70_140
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1954, Drum Magazine, South Africa, Africa, South African history, black and white image, March, square, 1950s, Wilson Silgee, King Force and his Jazz Forces, musician, jazz, piano, saxophone, black African man, Jazz Maniacs, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050817
    Title: Ghana Gets Stage Struck - 'Obadzeng,'
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050817:GHANED:SOCIAL:ENTERTAINMENT:THEATRE:SEP1961 - Ghana Gets Stage Struck - The footlights have begun to cast heir spell over the peolple of Ghana. It all began with 'Obadzeng,' Ghana's first musical drama and the most exciting thing we've seen for a long time. Now folk are signing up more and more for drama classes, learning the tricks of the trade and hoping for a part in our next big stage show. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2345 x 2009
    Media Id: 42_601
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, performances, black and white image, horizontal, dancing, black African men, September, 1961, 1960s, Ghana, Obadzeng, theatre, Drum photographer, entertainment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051009
    Title: The Incomparable Top Two
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051009:GHAED:ENTERTAINMENT:PERSONALITY:1972 - The Incomparable Top Two: Ajax Bukana And Bob Cole Contest The No Weight Title In Boxing-Dom No Holds Were Barred - At the height of his power, Nkwame Nkrumah received a certain twice weekly visitor to his securely guarded presidential office. The caller was a toothy Nigerian called Ajax Bukana, clown extraordinary. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1361 x 3741
    Media Id: 42_1030
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: distorted image, Drum Magazine, Africa, black and white image, vertical, African history, Ajax Bukana, 1972, 1970s, clowns, black African men, entertainment, Ghana,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051010
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051010:GHAED:ENTERTAINMENT:PERSONALITY:1972 - The Incomparable Top Two: Ajax Bukana And Bob Cole Contest The No Weight Title In Boxing-Dom No Holds Were Barred - At the height of his power, Nkwame Nkrumah received a certain twice weekly visitor to his securely guardedpresidential office. The caller was a toothy Nigerian called Ajax Bukana, clown extraordinary. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2566 x 1858
    Media Id: 43_369
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, Ajax Bukana, 1972, 1970s, clowns, black African men, entertainment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051011
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051011:GHAED:ENTERTAINMENT:PERSONALITY:1972 - The Incomparable Top Two: Ajax Bukana And Bob Cole Contest The No Weight Title In Boxing-Dom No Holds Were Barred. At the height of his power, Nkwame Nkrumah received a certain twice weekly visitor to his securely guarded presidential office. The caller was a toothy Nigerian called Ajax Bukana, clown extraordinary. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2120 x 2328
    Media Id: 42_650
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: boxers, Drum Magazine, Africa, black and white image, square, African history, Bob Cole, Ajax Bukana, 1972, 1970s, clowns, black African men, entertainment, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000080813
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000080813:SAED:SOCIAL:MAR1959 - Teenage Gangsters Goes To War - They ought to be busy with their reading, writing and 'rithmetic. But that isn't their line of study. They're too busy getting clued up on dicing, smoking. And in some cased they're taking to real gang warfare. Youngsters with time heavy on their hands. The streets their main source of entertainment. What they seek is amusement. But there ay be others on the prowl for real trouble. And thus does a clash begin, often over a girl claimed by a gang. (Photograph by Peter Magubane Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2880 x 2010
    Media Id: 43_751
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: March, South Africa, Drum Magazine, South African history, black and white image, horizontal, teenagers, 1959, youth gangs, gangsters, gangs, anti social behaviour, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000080814
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000080814:SAED:SOCIAL:MAR1959 - Teenage Gangsters Goes To War - They ought to be busy with their reading, writing and 'rithmetic. But that isn't their line of study. They're too busy getting clued up on dicing, smoking. And in some cased they're taking to real gang warfare. Youngsters with time heavy on their hands. The streets their main source of entertainment. What they seek is amusement. But there ay be others on the prowl for real trouble. And thus does a clash begin, often over a girl claimed by a gang. (Photograph by Peter Magubane Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2972 x 1996
    Media Id: 43_810
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, teenagers, South African history, black and white image, horizontal, 1959, March, youth gangs, gangsters, gangs, anti social behaviour, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000080815
    Title: Teenage Gangsters Goes To War
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000080815:SAED:SOCIAL:MAR1959 - Teenage Gangsters Goes To WarD - They ought to be busy with their reading, writing and 'rithmetic. But that isn't their line of study. They're too busy getting clued up on dicing, smoking. And in some cased they're taking to real gang warfare. Youngsters with time heavy on their hands. The streets their main source of entertainment. What they seek is amusement. But there ay be others on the prowl for real trouble. And thus does a clash begin, often over a girl claimed by a gang. (Photograph by Peter Magubane Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3041 x 2020
    Media Id: 43_1578
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: teenagers, Drum Magazine, South Africa, South African history, black and white image, horizontal, 1959, March, youth gangs, gangsters, gangs, anti social behaviour, 1950s, Peter Magubane, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001030703
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001030703:SAED:ENTERTAINMENT:PERSONALITY:SEP1964 - The Big Film Boom - Ken Gampu, Rising Star. When the film Dingaka is released, Ken Gampu's name will go up in a thousand lights over the cinemas of Bitain and the United States. (Photograph by Paul Michelson Unknown) drama
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3356 x 2706
    Media Id: 42_975
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, South African history, black and white image, horizontal, September, entertainment, Ken Gampu, 1964, Dingaka, drama, cinema, acting, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001030705
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001030705:SAED:ENTERTAINMENT:PERSONALITY:SEP1964 - The Big Film Boom - Ken Gampu, Rising Star. When the film Dingaka is released, Ken Gampu's name will go up in a thousand lights over the cinemas of Bitain and the United States. (Photograph by Paul Michelson Unknown) drama
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3770 x 2521
    Media Id: 43_573
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, Drum Magazine, South Africa, South African history, black and white image, horizontal, entertainment, Ken Gampu, 1964, Dingaka, drama, cinema, acting, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001030706
    Title: The Big Film Boom - Ken Gampu, Rising Star
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001030706:SAED:ENTERTAINMENT:PERSONALITY:SEP1964 - The Big Film Boom - Ken Gampu, Rising Star. When the film Dingaka is released, Ken Gampu's name will go up in a thousand lights over the cinemas of Bitain and the United States. Masaba has fled to Johannesburg. Ntukufollows him . In the city, Ntuku is waylaid by a bogus priest, who takes his money. (Photograph by Paul Michelson Unknown) drama, tsotsies, traditional,
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 3320 x 2592
    Media Id: 43_928
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: September, entertainment, Drum Magazine, South Africa, Ken Gampu, South African history, black and white image, horizontal, 1964, Dingaka, drama, cinema, acting, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001050411
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM2001050411:GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, porpulary known as Sonny Pillay, saw on stage Miriam Makeba. "I first met her after I had heard her sing in a combined show, African Jazz, specially arranged for the violinist Yehudi Menuhi in Johannesburg," said Sonny. Later in 1957, Miriam joined African Jazz, and we were able to see more of each other. Our friendship and love is great. (Photograph by Drum Photograph © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Pixel Size: 1920 x 1903
    Media Id: 19_932
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001050411
    Title: Sonny Pillay Tells How He Wooed And Won His Miriam
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001050411:GCP:MUSIC:PERSONALITY:19JUL1959 - Sonny Pillay Tells How He Wooed And Won His Miriam - Relaxed in Sonny's parent home. They're both jazz lovers, and record choosing a job. The most contraversial courtship in South Africa's entertainment world began when Shunmuga Athappa Pillay, porpulary known as Sonny Pillay, saw on stage Miriam Makeba. "I first met her after I had heard her sing in a combined show, African Jazz, specially arranged for the violinist Yehudi Menuhi in Johannesburg," said Sonny. Later in 1957, Miriam joined African Jazz, and we were able to see more of each other. Our friendship and love is great. (Photograph by Drum Photograph Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1920 x 1903
    Media Id: 70_280
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: portrait, July, head and shoulders, Drum Magazine, South Africa, Africa, South African history, black and white image, Miriam Makeba, square, Shunmunga Athappa Pillay (aka Sonny Pillay), 1959, 1950s, African Jazz, love, Indian man, Drum Photographer, GCP, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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