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Search Term: festival

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    Image Number: BHA00021_5
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 Ð The Strength And Influence Of Islam On West Africa Ð Eid-El-Kabir Festival: The federal premier, Alhaji Tafawa Balewa, leads worshippers at the Obalende praying ground in Lagos. Solemn and pensive, on the premierÕs left, stands a boy of royal blood. He is prince Oyekan Adele, scion of a formidable father, His Excellency, Oba Adele II of Lagos. It is difficult to be precise about the number of Muslims in West Africa, since in most territories religious statistics are not recorded in the census. The vast majority of the population of Northern Nigeria is Muslim, though some pagan tribes have survived, especially in the Middle Belt. In the predominantly Yoruba Western Region of Nigeria, conversion to Islam is taking place rapidly, and it is estimated that in some of the big towns, like Ibadan, between 50 and 60 per cent of the population is already Muslim.( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5027 x 3935
    Media Id: 69_236
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: horizontal, black and white image, Nigeria, Africa, Drum Magazine, November, 1958, 1950s, Islam, Islamic festivals, worshippers, Nigerians, religion, Eid Al-Adha, religious dress, Abubakar Tafewa Balewa, robes, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00023_4
    Title: Alhaji Tafawa Balewa, leads worshipers at the Obalende praying ground in Lagos
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: BHA00023_4.tif
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4463 x 4451
    Media Id: 69_197
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Lagos, Drum Magazine, religion, Islam, festival, premier, Alhaji Tafawa Balewa, leads, worshippers, Obalende, praying ground, Oyekan Adele, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_13
    Title: d1952_053_1
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: March 1952 Babsy Dancing Star - Neg 053SAED:SOCIAL:PERSONALITY:DANCE:DRUM MARCH 1952 Babsy Dancing Star Babsy Palmer , sensational South African dancer. Babsy is a well known professional dancer, prize winner in the South African Bantu National competitions and famous, also, for her dancing demonstration in the Johannesburg Bantu Music Festival. Youth and charming, Babsy Palmer looks equally charming in a sophisticated evening dress, as you can see in our picture on the opposite page. (Photograph by Jurgen Schadeberg BAHA) NEG 053 FRAME 1
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4724 x 4753
    Media Id: 70_244
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0002_16
    Title: d1952-053_2
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: SAED:SOCIAL:PERSONALITY:DANCE:DRUM MARCH 1952 Ð Babsy Dancing Star Ð Babsy Palmer , sensational South African dancer, wears this beautiful white dress to show off her flying footsteps. Babsy is a well known professional dancer, prize winner in the South African Bantu National competitions and famous, also, for her dancing demonstration in the Johannesburg Bantu Music Festival. Youth and charming, Babsy Palmer looks equally charming in a sophisticated evening dress, as you can see in our picture on the opposite page. (Photograph by Jurgen Schadeberg © BAHA) NEG 053 FRAME 2
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 4748 x 4722
    Media Id: 69_450
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, South Africa, historical, square, March, 1952, 1950s, dancers, professional, evening dresses, glamorous, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar The pounding, Pulsating rhythm of the drums is too strong to be denied. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Pixel Size: 4994 x 4313
    Media Id: 69_380
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, black and white image, Africa, Nigeria, historical, horizontal, black African people, 1950s, 1959, Durbar Festival, traditional dress, traditional drums, traditional music, traditional dancing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_11
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar Solemn And Eerie: The notes of the pipers wail across the arena, recalling of a strange and glorious past From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4986 x 4304
    Media Id: 69_521
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Nigeria, Africa, Drum Magazine, September, 1959, 1950s, Durbar Festival, musicians, wind instruments (music), pipers, flutes, West Africa, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_12
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 Ð The NorthÕs Great Durbar ÐThe horsemen Strut their stuff in splendid pomp and glory. From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5153 x 4091
    Media Id: 69_660
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, West Africa, Africa, horizontal, history, cultural history, Nigeria, Drum Magazine, social comments, historical value, horsemen, tribal dress, tribal weapon, spears, cultural weapons, tradition, culture, African culture, display, audience, horses, 1959, 1950s, Durbar Festival, Northern Nigeria, celebration, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0021_005.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060114:NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 – The Strength And Influence Of Islam On West Africa – Eid-El-Kabir Festival: The federal premier, Alhaji Tafawa Balewa, leads worshippers at the Obalende praying ground in Lagos. Solemn and pensive, on the premier’s left, stands a boy of royal blood. He is prince Oyekan Adele, scion of a formidable father, His Excellency, Oba Adele II of Lagos. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: landscape
    Pixel Size: 5027 x 3935
    Media Id: 146_37
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0023_004.tif
    Title: The Strength And Influence Of Islam On West Africa
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060102:NIGED:SOCIAL:CULTURE:RELIGION:NOV 1958 – The Strength And Influence Of Islam On West Africa – Eid-El-Kabir Festival: The federal premier, Alhaji Tafawa Balewa, leads worshippers at the Obalende praying ground in Lagos. Solemn and pensive, on the premier’s left, stands a boy of royal blood. He is prince Oyekan Adele, scion of a formidable father, His Excellency, Oba Adele II of Lagos. ( Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4463 x 4451
    Media Id: 149_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, Drum Magazine, religion, culture, November 1958, 1958, Islam, Eid-EL-Kabir, festival, Alhaji Tafawa Balewa, Lagos, Obalende, worshipers, royal blood, Oba Adele, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0044_007.tif
    Title: Gods Of War
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081411:GHAED:CULTURE:SOCIAL:PERSONALITIES:SEP 1959 - Gods Of War - The Festival is devoted also to bringing rain. Here the chied priest performs a rite to open up the heavens. Krobos pay homage to their Gods Of War. Every year both the Yilo and Manya Krobos of Ghana hold festivals to re-dedicate themselves to their war gods. The ceremony dates back to the days when the Krobos had to defend themselves against tribes which invaded their land. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3903 x 5470
    Media Id: 251_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_006.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081904:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - The face of downright innocence put up by a "virgin", having just attained age. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3523 x 5443
    Media Id: 254_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_007.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081905:GHAED:SOCIAL:CULTURE:ARTS:MAY 1968 - National Arts Festival - A twin-set of braodsmiles beamed by traditional artists in the Kente cloth. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 4324 x 5613
    Media Id: 254_8
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0048_008.tif
    Title: National Arts Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081906:GHAED:SOCIAL:CULTURE:ARTS:PERSONALITIES:MAY 1968 - National Arts Festival - Beatrice Addo (extreme left) leading a trio in court dance for chiefs, KETE. It certainly was a big hit. The best in Ghanaian art and culture, the exotic colour in somde of our traditional dancing music... all was in beautiful brimson at the historic seventh annual National Art Festival in the city of Kumasi. (Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5456 x 3768
    Media Id: 254_18
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_003.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112401:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Men riding horses - You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: landscape
    Pixel Size: 5687 x 3840
    Media Id: 135_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0061_008.tif
    Title: King Masinga
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102818:GCP:SOCIAL:PERSONALITIES:OCT6 1957 - Mr. K.E Masinga (left) senior announcer of the SABC's Zulu Programme with his assistant, Mr. Hubert Sishi, examining programme for the November annual African Arts Festival. They are both accepted leading Durban African socialites, and respectively chairman and secretary of the Festival this year. (Photograph by Ranjith Kally BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5016 x 3631
    Media Id: 140_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_009.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112108:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - In pensive mood Chief Kaiser Matanzima contemplates the rocky road ahead in his bid to get the newly independent Transkei international recognition. It's going to be a long, hard tight for the Prime Minister. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 3738 x 5444
    Media Id: 137_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_010.tif
    Title: Transkei Independence - Chief Kaiser Matanzima
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112109:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Chief Kaiser Matanzima, resplendent in dark suit, reads his address to the cheering Transkeiians. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph byChris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5448 x 3758
    Media Id: 137_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, December 1976, 1976, December, Transkei independence, Chief Kaiser Matanzima, Matanzima, Transkei, indedepence, dark suit, addressing, Chris Van der Merwe, suit, speaking, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_011.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112110:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - The Prime Minister of the Transkei Kaiser Matanzima and Dr Nico Diedrichs, the President of South Africa, stand to attention for the national anthem. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 4446 x 5741
    Media Id: 137_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_012.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112111:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - It's a high kick off for Transkei independence as this young tribal dancer does her thing during the celebrations at Independence Stadium Umtata. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph byChris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 3744 x 5445
    Media Id: 138_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_016.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112115:AED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Transkei: Capitalism is the order of the day. Industry made it clear that it supported the new state. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: landscape
    Pixel Size: 5581 x 3765
    Media Id: 137_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_017.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112116:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Transkei: Despite some fears there were no scenes of violence at Umtata. The only gunfire came from the 101-gun salute by the South African big guns. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5589 x 3839
    Media Id: 138_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, Transkei, December 1976, 1976, Transkei Independence, Umtata, gunsalute, gunfire, celebration, independence, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_010.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102821:SAED:MUSIC:PERSONALITIES:GCPSEP24 1967 - Promoter Raymond Nkwe, who is organising Jazz Festival RSA. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3993 x 5655
    Media Id: 792_10
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_011.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102819:SAED:MUSIC:PERSONALITIES:GCPSEP24 1967 - Promoter Raymond Nkwe, who is organising Jazz Festival RSA. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 4006 x 5623
    Media Id: 792_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_012.tif
    Title: Raymond Nkwe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102820:SAED:MUSIC:PERSONALITIES:GCPSEP24 1967 - Promoter Raymond Nkwe, who is organising Jazz Festival RSA. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4072 x 5745
    Media Id: 791_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Raymond Nkwe, GCP, 1967, September 1967, Jazz, festival, RSA, promoter, music, Drum photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_013.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102818:SAED:MUSIC:PERSONALITIES:GCPSEP24 1967 - Promoter Raymond Nkwe, who is organising Jazz Festival RSA. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3833 x 5656
    Media Id: 792_26
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0172_014.tif
    Title: Promoter Raymond Nkwe
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2009102817:SAED:MUSIC:PERSONALITIES:GCPSEP24 1967 - Promoter Raymond Nkwe, who is organising Jazz Festival RSA. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5647 x 3831
    Media Id: 792_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, September, 1967, Promoter, Raymond Nkwe, Jazz Festival, Drum Photographer, music, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0273_012.tif
    Title: Todd Matshikiza
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011041402:SAED:STAFF:1953 - Todd Matshikiza. (Photograph by Drum Photographer ©BAHA
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4749 x 4762
    Media Id: 789_24
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Todd Matshikiza, Drum staff, dancing, 1953, Drum Photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072002
    Title: Philip Tabane from Malombo at a Jazz Festival in Johannesburg
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999072002:SAFRICA: MUSIC: JAZZ: ENTERTAINMENT: Drum/Post 1970. Philip Tabane from Malombo at a Jazz Festival in Johannesburg. (photo unknown)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2357 x 3543
    Media Id: 69_560
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: jazz, Malombo, 1970, South Africa, Drum Magazine, Africa, black and white image, entertainment, Johannesburg, South African history, horizontal, Philip Tabane, Jazz festival, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999072002
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999072002:SAFRICA: MUSIC: JAZZ: ENTERTAINMENT:Drum/Post 1970. Philip Tabane from Malombo at a Jazz Festival in Johannesburg. (photo unknown)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: portrait
    Pixel Size: 2357 x 3543
    Media Id: 23_506
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050806
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050806:GHAED:SOCIAL:MUSIC:OCT1958 - When tall bearedand be-goggled Guy Warren - the Ghana drummer who had been drumming in America for about three years - walked into Drum's Acra offices to say 'hello' to his old schoolmate, Henry Ofori, editor of Drum, an idea was born . This idea resulted i the Drum Jazz Festival, held at the Accra Community Centre, (30/10/58) and attended by over 600 people who, if they had known, would be thakful to the chance meeting between the two old schoolmates. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2271 x 1872
    Media Id: 43_90
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, Accra, Ghana, African history, Accra Community Centre, October, 1958, 1950s, Guy Warren, drummer, musician, Drum Jazz Festival, black African man, drumming, beating drums, Performing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050810
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050810:GHAED:SOCIAL:MUSIC:OCT1958 - When tall bearedand be-goggled Guy Warren - the Ghana drummer who had been drumming in America for about three years - walked into Drum's Acra offices to say 'hello' to his old schoolmate, Henry Ofori, editor of Drum, an idea was born . This idea resulted i the Drum Jazz Festival, held at the Accra Community Centre, (30/10/58) and attended by over 600 people who, if they had known, would be thakful to the chance meeting between the two old schoolmates. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1903 x 2277
    Media Id: 42_620
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, vertical, African history, October, 1958, 1950s, Accra, Ghana, Guy Warren, Drum Jazz Festival, Accra Community Centre, black African man, musician, drummer, drumming, smiling, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050821
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050821:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - The Queen Mother. Queen mother of Tafo is another authority ready to correct Tafonehe on local history. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1938 x 2278
    Media Id: 44_204
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, 1964, October, vertical, African history, 1960s, Tafohene (ruler), Old Tafo, Abuakwa people, Queen Mother, OHUM Festival, black African men, tribal dress, traditional ceremony, Ghana, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050822
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050822:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Ghana
    Orientation: landscape
    Pixel Size: 2559 x 1775
    Media Id: 42_853
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, African history, October, 1964, 1960s, Ghana, Old Tafo, Tafohene (ruler), Abuakwa people, OHUM Festival, traditional ceremony, black African men, river, carrying, tribal dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050825
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050825:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1754 x 2549
    Media Id: 42_791
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, Ghana, Old Tafo, vertical, African history, Akyem Abuakwa, OHUM Festival, Abuakwa people, Tafohene (ruler), black African people, tribal dress, traditional dancing, traditional ceremony, October, 1964, 1960s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050835
    Title: Great Day For Tafo - The Queen Mother
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050835:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - The Queen Mother. Queen mother of Tafo is another authority ready to correct Tafonehe on local history. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians. (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2534 x 1716
    Media Id: 43_665
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African man, black African people, Ghana, African history, traditional ceremony, Akyem Abuakwa, horizontal, crowds, Africa, Queen Mother, OHUM Festival, celebrations, Drum Magazine, black African woman, Old Tafo, 1960s, 1964, October, black and white image, Christian Gbagbo, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050836
    Title: Great Day For Tafo
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050836:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - Tafonehe has prime responsibility for the celebrations. He tells Drum of festival origins. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1826 x 2521
    Media Id: 43_1023
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, West Africa, Ghana, Tafonehe, celebrations, African history, black African woman, Akyem Abuakwa, October, black African man, black African people, vertical, traditional ceremony, Africa, black and white image, 1960s, 1964, OHUM Festival, Christian Gbagbo,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050837
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050837:GHANA:SOCIAL:TRADITION:CULTURE:OCT1964 - Great Day For Tafo - The Queen Mother. Queen mother of Tafo is another authority ready to correct Tafonehe on local history. Drum editor Cameroon Duodo travelled to Old Tafo, in Akeyem Abuakwa to watch the Tafohene and his people celebrate their OHUM Festival and find out the meaning of it all. The OHUM is celebrated by all the Abuakwa people but the Tafo people ate its custodians (Photographs by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1815 x 2559
    Media Id: 43_1345
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: facing camera, African history, head and shoulders, October, OHUM Festival, Akyem Abuakwa, vertical, celebrations, Queen Mother, Drum Magazine, portrait, Africa, black African people, traditional ceremony, black African woman, Old Tafo, Ghana, 1960s, 1964, black and white image, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050838
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050838:GHANA:SOCIAL:TRADITION:CULTURE:OCT1960 - Festivals - Elmina Festivals. (Photograph by Drum Photographer BAHA) no reference
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1856 x 2488
    Media Id: 43_902
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, vertical, African history, Ghana, Elmina, October, 1960, 1960s, festival, black African woman, traditional dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050842
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050842:GHANA:SOCIAL:TRADITION:CULTURE:OCT1960 - Festivals - Elmina Festivals. (Photograph by Drum Photographer BAHA) no reference
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Ghana
    Orientation: portrait
    Pixel Size: 1836 x 2396
    Media Id: 43_1422
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: festival, Ghana, Drum Magazine, Africa, black and white image, vertical, African history, Elmina, October, 1960, 1960s, black African women, traditional dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050843
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050843:GHANA:SOCIAL:TRADITION:CULTURE:OCT1960 - Festivals - Elmina Festivals. (Photograph by Drum Photographer BAHA) no reference
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1788 x 2521
    Media Id: 43_943
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: traditional huts, Ghana, Elmina, Drum Magazine, Africa, black and white image, vertical, African history, October, 1960, 1960s, festival, black African men, traditional dress, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050903
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050903:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1846 x 2498
    Media Id: 43_1065
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black African people, crowds, black African child, Ghana, traditional dancing, June, 1960s, traditional ceremony, Nana Otau Acheampong, feasts, 1964, Papaye Festival, African history, vertical, black and white image, Africa, Drum Magazine, Kumawu, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050904
    Title: Oh, We Are Great - Papeye Festival
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050904:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2274 x 1941
    Media Id: 43_1085
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, West Africa, feasts, June, Papaye Festival, black African child, 1960s, Kumawu, black African people, traditional ceremony, 1964, crowds, Ghana, traditional dancing, African history, horizontal, black and white image, Africa, Drum Magazine, Nana Otau Acheampong, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050905
    Title: Missionary
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050905:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2339 x 2042
    Media Id: 44_201
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1964, 1960s, June, Kumawu, Nana Otau Acheampong, feasts, black African people, Ghana, crowds, Papaye Festival, black African child, traditional dancing, African history, horizontal, black and white image, Africa, Drum Magazine, traditional ceremony, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050906
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050906:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1876 x 2437
    Media Id: 42_847
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ghana, Kumawu, traditional dancing, crowds, 1960s, Nana Otau Acheampong, traditional ceremony, African history, vertical, black and white image, Africa, Drum Magazine, 1964, feasts, Papaye Festival, June, black African child, black African people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050907
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050907:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2329 x 1900
    Media Id: 43_115
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Papaye Festival, Nana Otau Acheampong, black and white image, black African child, African history, black African people, Kumawu, horizontal, traditional ceremony, Africa, Drum Magazine, Ghana, 1964, traditional dancing, 1960s, crowds, June, feasts, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050908
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050908:GHAED:SOCIAL:TRADITION:JUN1964 - Oh, We Are Great - Through the work of the missionary the most modern Africans do not have the sort of spiritual foundation which our fathers had. So it is important occasionaly to explore the things which made our forefathers such a strong, stable people. One way of finding out these things is just to watch our people doing the things that mean a lot to them. Drum went to Kumawu to see Nana Otau Acheampong celebrating his Papaye Festival. (Photographer by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2404 x 1884
    Media Id: 42_749
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, traditional ceremony, June, feasts, Nana Otau Acheampong, black African people, African history, Papaye Festival, horizontal, Ghana, Africa, traditional dancing, black African child, Drum Magazine, crowds, Kumawu, 1960s, 1964, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000050916
    Title: In The Studio With Ahmed Onibonokuta
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000050916:TRUST:MUSIC:PERSONALITY:JUL1975 - In The Studio With Ahmed Onibonokuta - His kind of music comes from part of a metal petrol drum, gourd, drums with carved stands, the kind that should do the Black Festival some honour. These are handled by a member of his band. Onibonokuta is a master at Odu and Oshun music. Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1960 x 2404
    Media Id: 43_685
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, Drum Magazine, black and white image, July, Ahmed Onibonokuta, vertical, African history, 1975, 1970s, musician, studio, black African man, traditional instruments, playing, festival, trust, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051526
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051526:GHAED:SOCIAL:MUSIC:OCT1958 - When tall bearedand be-goggled Guy Warren - the Ghana drummer who had been drumming in America for about three years - walked into Drum's Acra offices to say 'hello' to his old schoolmate, Henry Ofori, editor of Drum, an idea was born . This idea resulted i the Drum Jazz Festival, held at the Accra Community Centre, (30/10/58) and attended by over 600 people who, if they had known, would be thakful to the chance meeting between the two old schoolmates. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1950 x 1900
    Media Id: 42_675
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, black and white image, square, drummer, Africa, jazz, music, Drum Jazz Festival, Accra, October, 1958, Guy Warren, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051527
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051527:GHAED:SOCIAL:MUSIC:OCT1958 - When tall bearedand be-goggled Guy Warren - the Ghana drummer who had been drumming in America for about three years - walked into Drum's Acra offices to say 'hello' to his old schoolmate, Henry Ofori, editor of Drum, an idea was born . This idea resulted i the Drum Jazz Festival, held at the Accra Community Centre, (30/10/58) and attended by over 600 people who, if they had known, would be thakful to the chance meeting between the two old schoolmates. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2030 x 1930
    Media Id: 43_320
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: drummer, Drum Magazine, South Africa, black and white image, square, Africa, jazz, music, Drum Jazz Festival, Accra, October, 1958, Guy Warren, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051528
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051528:GHAED:SOCIAL:MUSIC:OCT1958 - When tall bearedand be-goggled Guy Warren - the Ghana drummer who had been drumming in America for about three years - walked into Drum's Acra offices to say 'hello' to his old schoolmate, Henry Ofori, editor of Drum, an idea was born . This idea resulted i the Drum Jazz Festival, held at the Accra Community Centre, (30/10/58) and attended by over 600 people who, if they had known, would be thakful to the chance meeting between the two old schoolmates. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2030 x 1930
    Media Id: 42_639
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: drummer, jazz, Africa, Drum Magazine, South Africa, black and white image, square, music, Drum Jazz Festival, Accra, October, 1958, Guy Warren, 1950s, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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