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    Image Number: BHA00010_3
    Title: a1956_T163_40
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: . SAED:SPORTS:BOXING:PERSONALITY:DRUM.MAY.1956 Ð ÒKangarooÓ Maoto has been a fighter all his life! Ð ThereÕs nothing like GodÕs good water! ÒKangaroo gives his kid sister, who looks herself like a baby Kangie, a ducking in the tub. Eating Avocado pears helped him build up weight. He was a thug, tough, reckless, until his mother got the brain-wave to encourage him to take up boxing and sweat off his energy there. ÒI grew up in a rough and tough area in Alexandra township Ðthe Dark city. Tiny in body as I was, I just had to force myself rough and tough too. What could I do? I had to grow up, hadnÕt I? (Photograph by Drum Photographer ©Baileys Archives) Neg T163 Frame 40
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1990 x 3080
    Media Id: 69_688
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: vertical, Africa, black and white image, South Africa, May, 1956, 1950s, black African boy, washing, hair, siblings, brothers, sisters (nuns), tubs, outside, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA00020_13
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:POLITICS:PERSONALITIES:FEB 1954 WhoÕs Who In The 1964 Election Fight United PeopleÕs Party leader Chief Samuel Akintola. The electioneering chances of the united PeopleÕs Party are difficult to gauge. Wedged uncomfortable between the NCNC and the NPC, and not much trusted by both, and being watched carefully by the Action Group that rightly regards it as the hair of the dog that has bitten it, the UPP, despairing of securing an ally that can trust and work with it, may well decided to fight the coming federal election entirely under its own steam. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3975 x 5127
    Media Id: 69_323
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0020_013.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060136:NIGED:POLITICS:PERSONALITIES:FEB 1954 – Who’s Who In The 1964 Election Fight – United People’s Party leader Chief Samuel Akintola. The electioneering chances of the united People’s Party are difficult to gauge. Wedged uncomfortable between the NCNC and the NPC, and not much trusted by both, and being watched carefully by the Action Group that rightly regards it as the hair of the dog that has bitten it, the UPP, despairing of securing an ally that can trust and work with it, may well decided to fight the coming federal election entirely under its own steam. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Orientation: portrait
    Pixel Size: 3975 x 5127
    Media Id: 148_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0041_001.tif
    Title: Call Me Mister Muscles
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080703:GHAED:SPORTS:PERSONALITIES:APR 1967 - Call Me Mister Muscles - He asked ten lads to straighten his arms. They pulled but he remained as muscle-bound as a steel spring. He-man Armstrong (full name:Armstrong Tijani Lawani), left his home at Pig Farm, a suburb of Accra to call on a friend. Suddenly he found himself called upon to use the immense strength hidden under his flowing robes in some hair raising feats... (Phograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 4687 x 3447
    Media Id: 254_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0041_002.tif
    Title: Call Me Mister Muscles
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008080705:GHAED:SPORTS:PERSONALITIES:APR 1967 - Call Me Mister Muscles - He picks up a 50 Kilo bag of cement with his teeth and makes child's play of two daughters. He-man Armstrong (full name:Armstrong Tijani Lawani), left his home at Pig Farm, a suburb of Accra to call on a friend. Suddenly he found himself called upon to use the immense strength hidden under his flowing robes in some hair raising feats... (Phograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: portrait
    Pixel Size: 3376 x 4285
    Media Id: 254_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0042_011.tif
    Title: What a Welcome
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081208:GHAED:POLITICS PERSONALITIES:MAY 1959: What A Welcome - "IT HAS BEEN an honour to have you," the Daily Times wrote. And what impression did Dr Nkrumah and his party leave in Nigeria? Perhaps the answer lies in the editorial written in the leading national newspapers in the Nigerian federation. said the Daily service, the Action Group paper which had previously seen Dr . Nkrumah as the hair of the dog that bit Nigeria:" The Daily Service welcomes the good gesture of the Ghana prime minister when he announced the solution he proposed to the problem of deportation. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 4938 x 3780
    Media Id: 253_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0047_001.tif
    Title: We Thought We'd Found A Mermaid!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082001:GHAED:BEAUTIES:PERSONALTIES:DEC 1958 - We Thought We'd Found A Mermaid! - She Had A Mermaid's Wavy Hair, soft and flowing, as she lolled lazily and alone on the deserted beach after sliding out of the sea. Yep, we thought we'd done it. Done found a mermaid, we thought. That's me, Alfred Attoh, and my colleague Christian Gbagbo. We're both shutterbugs, you know. And could you blame us! We were just taking an early morning jaunt along the beach when, out of the sleeping sea, blossomed a flower of beauty. A mermaid, we gasped to ourselves. We were so excited we just stood and watched. Thoughts galloped through our minds. ( Photograph by Christian Gbagbo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Pixel Size: 4286 x 4352
    Media Id: 253_4
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0047_004.tif
    Title: The Man Who Found A Mammy -Water
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082005:GHAED:SOCIAL:MUSIC:PERSONALTIES: MAY 1961 - The Man Who Found A Mammy -Water - She Calls Him To Come Down To Water, Bill is afraid, wants to run away, But the mammy-water calls to him, a low seductive moan, and he cannot move. He notoces how lovely she is, how lustrous is her long hair. There he was on the shore, playing his guitar and singing to himself. Suddenly he caught sight of something gleaming in the water. He went closer. It had the tail of fish, but this was no ordinary child if the sea. The hair was lustrous, the face divine - a mammy water! ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: GHANA
    Orientation: landscape
    Pixel Size: 5920 x 4494
    Media Id: 252_25
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

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    Image Number: BHA0047_005.tif
    Title: Man Who Found A Mammy -Water
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082006:GHAED:SOCIAL:MUSIC:PERSONALTIES:MAY 1961 - The Man Who Found A Mammy -Water - He Shows Her How To Play A Guitar Then the wonder of getting to know each other. Bill tells of the night club where he plays the guitar, shows his new love the mysteries of his instrument. Bill makes up his mind: he must take her home. Llfe will not be the complete without her, and it's too bad that the neighbours think. So it's off to Accra. There he was on the shore, playing his guitar and singing to himself. Suddenly he caught sight of something gleaming in the water. He went closer. It had the tail of fish, but this was no ordinary child if the sea. The hair was lustrous, the face divine - a mammy water! ( Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4003 x 5175
    Media Id: 252_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Ghana, music, May 1961, guitar, 1961, mammy, water, play, Bill, mammy water, Drum Photographer, musical instruments, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0060_003.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112401:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Men riding horses - You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: landscape
    Pixel Size: 5687 x 3840
    Media Id: 135_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_009.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112108:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - In pensive mood Chief Kaiser Matanzima contemplates the rocky road ahead in his bid to get the newly independent Transkei international recognition. It's going to be a long, hard tight for the Prime Minister. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 3738 x 5444
    Media Id: 137_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_010.tif
    Title: Transkei Independence - Chief Kaiser Matanzima
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112109:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Chief Kaiser Matanzima, resplendent in dark suit, reads his address to the cheering Transkeiians. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph byChris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5448 x 3758
    Media Id: 137_30
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, December 1976, 1976, December, Transkei independence, Chief Kaiser Matanzima, Matanzima, Transkei, indedepence, dark suit, addressing, Chris Van der Merwe, suit, speaking, ,
    Model Release: No
    Property Release: No

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    Image Number: BHA0070_011.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112110:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - The Prime Minister of the Transkei Kaiser Matanzima and Dr Nico Diedrichs, the President of South Africa, stand to attention for the national anthem. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 4446 x 5741
    Media Id: 137_33
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_012.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112111:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - It's a high kick off for Transkei independence as this young tribal dancer does her thing during the celebrations at Independence Stadium Umtata. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph byChris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: portrait
    Pixel Size: 3744 x 5445
    Media Id: 138_13
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_016.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112115:AED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Transkei: Capitalism is the order of the day. Industry made it clear that it supported the new state. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Transkei
    Orientation: landscape
    Pixel Size: 5581 x 3765
    Media Id: 137_34
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0070_017.tif
    Title: Transkei Independence
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112116:SAED:POLITICS:PERSONALITIES:DEC 1976 - Transkei Independence - Transkei: Despite some fears there were no scenes of violence at Umtata. The only gunfire came from the 101-gun salute by the South African big guns. You would expect people to go wild with excitement, let down their hair when they become free. Strangely this was not the case when Transkei celebrated its independence. Granted there was pomp and pageantry, liveried horsemen, colourfully dress tribewomen and the inevitable chanting of the mbongis, but the whole affair lacked that essential tang. In fact it was less exciting and less eventful than a jazz festival at Orlando Stadium. (Photograph by Chris Van der Merwe BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5589 x 3839
    Media Id: 138_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, Transkei, December 1976, 1976, Transkei Independence, Umtata, gunsalute, gunfire, celebration, independence, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0184_001.tif
    Title: Mr Peter Silulami Tsele a 68-year-old ex-school teacher
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011050704:SAED:SOCIAL:PERSONALITIES:GCP MAR29 1964 - Mr Peter Silulami Tsele a 68-year-old ex-school teacher, has just had his first book published. The white-haired author started writing seriously in 1962 - eight years after he retired from teaching. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3885 x 5855
    Media Id: 780_3
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, GCP, March 1964, African man, ex-teacher, book, publishing, grey hair, tie, suit, white haired, author, writing, Peter Silulami Tsele, 68 year old, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0254_009.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2010011305:SAED:SOCIAL:PERSONALTIES:OCT 1962 - Martin helps the bride prepare her hair,They're calling him the Black Norman Hartnell now, since he designed the dresses for the bridesmaid at the Basuto royal wedding. Small, wiry Martin Molefe, with the ballet dancer tread and fluttery hands, has invaded a woman's world and in two years has battled his way to the top. (Photograph by Peter Magubane ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5803 x 3839
    Media Id: 803_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999110202
    Path: african.pictures / Bailey's African History Archive / Drum Stories
    Description: DM1999110201:SAED:STAFF:MAR1955 - Four Years of Drum - From left to right: Henry Nxumalo, smoking his cigarette demurely as he bashes out his latest hair-raising 'Mr Drum' exposure; Fiction editor 'Zik' Mpahlele on the phone; Moses 'Casey' Motsisi and Can Themba who also belong to Drum's naughty sister publication 'Africa' close to violence; Pretty-boy photographer Jerry Ntsipe taking a picture; Tough production and boxing editor Arthur Maimane never takes the cigarette out of his mounth; Dark-room assistant Victor Xashimba and reporter Dan Chocho wants to destroy the latest edition of 'Africa'; Chief photographer Bob Gosani tries to get a picture; Squatting on the floor is circulation manager Benson Dyanti and accountant Ken Mtetwa planning on the expansion of Drum into Africa. (Photograph by Jurgen Schadeberg © Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Stories
    Orientation: landscape
    Pixel Size: 2081 x 1512
    Media Id: 19_846
    Credit: Drum Stories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm1999110202
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM1999110201:SAED:STAFF:MAR1955 - Four Years of Drum - From left to right: Henry Nxumalo, smoking his cigarette demurely as he bashes out his latest hair-raising 'Mr Drum' exposure; Fiction editor 'Zik' Mpahlele on the phone; Moses 'Casey' Motsisi and Can Themba who also belong to Drum's naughty sister publication 'Africa' close to violence; Pretty-boy photographer Jerry Ntsipe taking a picture; Tough production and boxing editor Arthur Maimane never takes the cigarette out of his mounth; Dark-room assistant Victor Xashimba and reporter Dan Chocho wants to destroy the latest edition of 'Africa'; Chief photographer Bob Gosani tries to get a picture; Squatting on the floor is circulation manager Benson Dyanti and accountant Ken Mtetwa planning on the expansion of Drum into Africa. (Photograph by Jurgen Schadeberg Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2081 x 1512
    Media Id: 69_714
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, Bob Gosani (chief photographer), Benson Dyanti (circulation manager), March 1955, articles, staff, Arthur Maimane (production and boxing editor), Can Themba, Dan Chocho (reporter), Henry Nxumalo (journalist), Jerry Ntsipe (photographer), Ken Mtetwa (accountant), Moses Casey Motsisi, Victor Xashimba (dark room assistant), Zik Mpahlele (fiction editor), 1950s, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000060105
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000060105:SAED:BEAUTIES:AUG1958 - A Day In The Life Of A Cover Girl - Hazel Futa, covergirl. Then she makes for the hair dressing saloon for a sophisticated hair trim. " Makes me feel under dressed when my hair is unkept," she says smiling. Her temper flared, her beauty glowed, and in a moment I new the Hazel Futa that takes no sass from nobody not even reporters. She 's a woman of spirit, determined to get some place in this dog's life because she's made up her mind that the likes of her is not going to be holed down. (Photograph by Bob Gosani © Baileys Archives) neg E929, fashion
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: square
    Pixel Size: 2400 x 2396
    Media Id: 43_1486
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, South Africa, South African history, black and white image, square, hairdressing shops, Hazel Futa, August, 1958, 1950s, models, black African woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000071914
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000071914:SAED: BEAUTY:FEB1955 - Selina Koloe -a lovely complexion:Selina always likes to look her best, pays great attention to her skin and her hair. Selina Kolae, lovely 20-year-old nurse at the Coronation Hospital, Johannesburg. She comes from Willowdene, Riverdale, and has an ambition, like any other sensible girl, to become a wife to some deservin Mr. Right some day but not until she has completed her training.(Photograph by Jerry Ntsipe © Baileys Archives) neg 440 model
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 1970 x 1850
    Media Id: 43_1529
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South African history, Africa, South Africa, Drum Magazine, black and white image, square, Selina Koloe, February, 1955, 1950s, posing, white African woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000081502
    Title: Abigail Kubheka
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000081502:GCP:MUSIC:PERSONALITY:22OCT1969 - Abigail Kubeka - (Photograph by Len Kumalo Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 1990 x 2880
    Media Id: 43_201
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, 1969, South African history, black and white image, October, Abigail Kubeka, vertical, music, jazz, personality, black African woman, Kubheka, Abigail Kubheka, Len Kumalo, sitting, afro hair, pointing finger, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001022009
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022009:SAED:MUSIC:PERSONALITY:JUN1963 - He Plays Coloured To Play Jazz! - Chris at the piano... as he plays his animated face seems to speak the music. Sometimes he looks gay, sometimes thoughtful and often in agony. The huge crowd at the Moroka-Jabavy Jazz Festval were going wild over the slightly built, bombshell pianist. Most agreed he was the hottest jazzman to hit South African music for a long time. But the curious in the crowd couldn't help wondering why he wore a cap which covered most of the top of his head. The reason was simple. The cap was to disguise a shock of unruly brown hair, hair that would have have shouted out the fact that he was WHITE, and not Coloured as most thought. For the pianist, Chris Mcgregor, has one consuming love, jazz. And to play the jazz he wants to, with the musicians he admires, Chris often has to cross the colour line and play coloured. (Photograph by Drum Photographer Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4241 x 3231
    Media Id: 43_524
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Chris McGregor, 1960s, June, 1963, jazz musicians, white African man, horizontal, South African history, black and white image, Africa, South Africa, Drum Magazine, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001022814
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022814:SAED:BEAUTIES:1970s - Models, Hair Styles. (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2537 x 3144
    Media Id: 43_488
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, vertical, black and white image, South Africa, 1970s, South African history, Drum Magazine, posing, models, black African woman, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001022815
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022815:SAED:BEAUTIES:NODATE - Models, Hair Styles. (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2400 x 3436
    Media Id: 43_44
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South African history, Drum Magazine, Africa, posing, models, black African woman, vertical, black and white image, South Africa, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001022816
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022816:SAED:BEAUTIES:NODATE - Models, Hair Styles. (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2227 x 3383
    Media Id: 43_1622
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, posing, models, black African woman, vertical, black and white image, South African history, Drum Magazine, Africa, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001022817
    Title: Pearl Jansen
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022817:SAED:BEAUTIES:NODATE - Pearl Jansen, Models, Hair Styles. (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2478 x 3564
    Media Id: 43_771
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South African history, Drum Magazine, lying down, vertical, South Africa, Africa, black and white image, boat, models, posing, Pearl Jansen, Drum Photographer, bikini, bra, sitting, barefoot, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001022818
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022818:SAED:BEAUTIES:70s - Nakedi Ribane, Models, Hair Styles. (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2724 x 3454
    Media Id: 43_1511
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Nakedi Ribane, models, black African woman, 1970s, vertical, black and white image, Africa, Drum Magazine, sitting, legs, South African history, South Africa, posing, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001022819
    Title: Elizabeth Julius
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001022819:SAED:BEAUTIES:70s - Elizabeth Julius, Models, Hair Styles. (Photograph by Drum Photographer © Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2472 x 3429
    Media Id: 43_879
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Africa, South Africa, South African history, vertical, black and white image, Drum Magazine, black African woman, models, Elizabeth Julius, pointing, 1970s, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092501
    Path: african.pictures / Bailey's African History Archive / Drum Staff
    Description: DM2001092501:SAED:STAFF:MAR1955 - Four Years of Drum - From left to right: Henry Nxumalo, smoking his cigarette demurely as he bashes out his latest hair-raising 'Mr Drum' exposure; Fiction editor 'Zik' Mpahlele on the phone; Moses 'Casey' Motsisi and Can Themba who also belong to Drum's naughty sister publication 'Africa' close to violence; Pretty-boy photographer Jerry Ntsipe taking a picture; Tough production and boxing editor Arthur Maimane never takes the cigarette out of his mounth; Dark-room assistant Victor Xashimba and reporter Dan Chocho wants to destroy the latest edition of 'Africa'; Chief photographer Bob Gosani tries to get a picture; Squatting on the floor is circulation manager Benson Dyanti and accountant Ken Mtetwa planning on the expansion of Drum into Africa. (Photograph by Jurgen Schadeberg Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Staff
    Pixel Size: 2005 x 1998
    Media Id: 20_159
    Credit: Drum Staff / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, Drum Magazine, vertical, staff, Henry Nxumalo, 1955, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092501
    Path: african.pictures / Bailey's African History Archive / Drum Staff
    Description: DM2001092501:SAED:STAFF:MAR1955 - Four Years of Drum - From left to right: Henry Nxumalo, smoking his cigarette demurely as he bashes out his latest hair-raising 'Mr Drum' exposure; Fiction editor 'Zik' Mpahlele on the phone; Moses 'Casey' Motsisi and Can Themba who also belong to Drum's naughty sister publication 'Africa' close to violence; Pretty-boy photographer Jerry Ntsipe taking a picture; Tough production and boxing editor Arthur Maimane never takes the cigarette out of his mounth; Dark-room assistant Victor Xashimba and reporter Dan Chocho wants to destroy the latest edition of 'Africa'; Chief photographer Bob Gosani tries to get a picture; Squatting on the floor is circulation manager Benson Dyanti and accountant Ken Mtetwa planning on the expansion of Drum into Africa. (Photograph by Jurgen Schadeberg Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Staff
    Pixel Size: 2005 x 1998
    Media Id: 69_13
    Credit: Drum Staff / Baileys African History Archive / Africa Media Online
    Keywords: black and white image, South Africa, Africa, Drum Magazine, vertical, staff, Henry Nxumalo, 1955, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092502
    Path: african.pictures / Bailey's African History Archive / Drum Staff
    Description: DM2001092502:SAED:STAFF:MAR1955 - Four Years of Drum - From left to right: Henry Nxumalo, smoking his cigarette demurely as he bashes out his latest hair-raising 'Mr Drum' exposure; Fiction editor 'Zik' Mpahlele on the phone; Moses 'Casey' Motsisi and Can Themba who also belong to Drum's naughty sister publication 'Africa' close to violence; Pretty-boy photographer Jerry Ntsipe taking a picture; Tough production and boxing editor Arthur Maimane never takes the cigarette out of his mounth; Dark-room assistant Victor Xashimba and reporter Dan Chocho wants to destroy the latest edition of 'Africa'; Chief photographer Bob Gosani tries to get a picture; Squatting on the floor is circulation manager Benson Dyanti and accountant Ken Mtetwa planning on the expansion of Drum into Africa. (Photograph by Jurgen Schadeberg Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Staff
    Pixel Size: 2008 x 1989
    Media Id: 69_107
    Credit: Drum Staff / Baileys African History Archive / Africa Media Online
    Keywords: square, Drum Magazine, Africa, South Africa, black and white image, staff, Henry Nxumalo, 1955, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001092502
    Path: african.pictures / Bailey's African History Archive / Drum Staff
    Description: DM2001092502:SAED:STAFF:MAR1955 - Four Years of Drum - From left to right: Henry Nxumalo, smoking his cigarette demurely as he bashes out his latest hair-raising 'Mr Drum' exposure; Fiction editor 'Zik' Mpahlele on the phone; Moses 'Casey' Motsisi and Can Themba who also belong to Drum's naughty sister publication 'Africa' close to violence; Pretty-boy photographer Jerry Ntsipe taking a picture; Tough production and boxing editor Arthur Maimane never takes the cigarette out of his mounth; Dark-room assistant Victor Xashimba and reporter Dan Chocho wants to destroy the latest edition of 'Africa'; Chief photographer Bob Gosani tries to get a picture; Squatting on the floor is circulation manager Benson Dyanti and accountant Ken Mtetwa planning on the expansion of Drum into Africa. (Photograph by Jurgen Schadeberg Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Staff
    Pixel Size: 2008 x 1989
    Media Id: 20_264
    Credit: Drum Staff / Baileys African History Archive / Africa Media Online
    Keywords: square, Drum Magazine, Africa, South Africa, black and white image, staff, Henry Nxumalo, 1955, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2002061207
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2002061207:SAED:SOCIAL:1950s - Street Scenes - A row of people getting their hair cut. (Photograph by Drum Photographer BAHA) fifties drawer
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 4247 x 2792
    Media Id: 43_1387
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, horizontal, 1950s, streets, black African men, cutting hair, ,
    Model Release: No
    Property Release: No

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Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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