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    Image Number: BHA0017_009.tif
    Title: Bobby Benson
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060175:NIGED:MUSIC:PERSONALITIES:OCT 1957 – It’s Showtime For Bobby Benson – The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That’s where it all started – I saw the birth of Bobby’s now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer ©BAHA) `
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4715 x 4742
    Media Id: 147_17
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Nigeria, west Africa, music, personalities, October 1957, 1957, showman, musical instruments, Moleye street, Lagos Nightclub, Lagos, drum photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_010.tif
    Title: Bobby Benson
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060176:NIGED:MUSIC:PERSONALITIES:OCT 1957 – It’s Showtime For Bobby Benson – The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That’s where it all started – I saw the birth of Bobby’s now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer ©BAHA) `
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4051 x 5303
    Media Id: 147_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: West Africa, Nigeria, music, personalities, Drum Magazine, October 1957, Bobby Benson, Showtime, musical instruments, Moleye street, Drum Photographer,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_10
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:MUSIC:ENTERTAINMENT:PERSONALITIES:OCT 1957 It's Showtime For Bobby Benson’I'm a showman, not a musician“ claims band leader Bobby Benson. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That's where it all started I saw the birth of Bobby's now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4051 x 5303
    Media Id: 70_205
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0017_9
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DRUM OCT 1957 IT'S SHOWTIME FOR BOBBY BENSONNIGED:MUSIC:ENTERTAINMENT:PERSONALITIES:OCT 1957 It's Showtime For Bobby Benson The hot showman picked up music as he went along. I relaxed in a not-too-comfortable chair in a plush Lagos Nightclub where Bobby Benson and his Hep Cats dished out music thrice a week and listened to his latest composition. I watched a packed crowd of dancers of all colours sway to the rhythm of the tune and ask for more and my mind raced back to somewhere at Moleye street in the year of the Lord, 1945. Why? That's where it all started I saw the birth of Bobby's now famous Jam Session Orchestra. I can still re-live those evenings of sweating and shouting and of the ear-splitting screeches of imperfectly played musical instruments.(Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4715 x 4742
    Media Id: 69_371
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0032_3.tif
    Title: SHAKE-UP IN UGANDA
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008071808:EAED:POLITICS:PERSONALITIES:FEB 1971 - Shake-Up In Uganda - "Amin, Amin, Amin" - This was the cry of the excited crowd which flocked into the streets of Kampala. The volume of acclaim for the overthrow of Obote was surprising to some observers. But there seemed no doubt about the sincerity of the people in Kampala and in Jinja, Uganda's second largest town, where more demostrations were quickly organised. There were processions through the streets, with crowds of people following army vehicles and shouting their joy. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: UGANDA
    Orientation: landscape
    Pixel Size: 4794 x 3499
    Media Id: 182_31
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0051_006.tif
    Title: Things Are Looking Up In The North
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008091101:EAED:POLITICS"PERSONALITIES:JAN 1963 - Things Are Looking Up In The North - Mrs. Kaunda - Pleased About Improved ANC / UNIP Relations. Mrs. Kaunda told DRUM "We used to have relays of ANC gangs pass our house shouting volleys of abuse at us. But since talk of forming the coalition Government with the ANC started, we have no incidents at all. Let us pray that the talk of the coalition becomes a reality. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: ZAMBIA
    Orientation: portrait
    Pixel Size: 1891 x 2518
    Media Id: 139_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0055_006.tif
    Title: DN Pritt arrives in Kenya
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008082602:EAED:POLITICS:PERSONALITIES:JUL 1958 - The Big Trial In Nairobi - Internationally renowned Senior Counsel, DN Pritt, arrives in Kenya for the big trial. Hundreds of people made the 20-kilometre journey to meet him at Nairobi Airport. At lunch times, during the trial, the crowd outside the court swelled with people cheering, shouting "Uhuru" and displaying posters reading "Welcome, Mr Pritt", To Hell with the Lennox-Boyd Constitution" and Freedom and Justice for Kenya". Mr Pritt was cheered loudly whenever he appeared. The 67-year-old ex-Labour MP has long been regarded as a champion of the African people. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5675 x 4472
    Media Id: 133_20
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Afriaca, Drum Magazine, DN Pritt, arrives, Kenya, July 1958, 1958, big trial, trial, Nairobi, crowd, Uhuru, Lennox-Boyd, Constitution, MP, labour,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0060_019.tif
    Title: Cyprian:Not So Much A King, More A Human Being
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008112417:SAED:POLITICS:PERSONALITIES:OCT 1968 - Cyprian:Not So Much A King, More A Human Being. Unlike his warrior forebears Cyprian didn't love war. He treasured peace, but treasuring peace and failing to be aggressive to seek redress for an ill like curfew didn't endear him to many Zulus, less still to the urbanites who regarded such behaviour as bordering on the obsequious and kow-towing to authorities. To them he didn't cut the authoritative figure of a Moses shouting: "Let my people go." Cyprian, through no fault of his own, did not have a good education like his B.A cousin Chief Gatsha. He had to leave school to take up the throne and was thus robbed of the basic education an administrator of so many people badly needs. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1503 x 4120
    Media Id: 134_40
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0064_020F.tif
    Title: Michael Mokgatle Captains Alexandra
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110103:SAED:SPORTS:SOCCER:PERSONALITIES:AUG 1953 - Michael Mokgatle Captains Alexandra - and can he KICK! - Michael Mokgatle is South African's crack full-back. He plays for Moroka Lions and for Transvaal, and this year he was made captain of Alexandra F.A, Durban and District, and many other associations. When he was at school (like many other talented men, he was at St. Peter's Rosentenville) there was a priest who played football in the same team. That's how he got the nickname - Alleluyah... Amen!: and its stuck ever since. You can hear his fans shouting it on the touchline. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Location: Alexandra, Johannesburg
    Pixel Size: 5136 x 5160
    Media Id: 137_24
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0066_012.tif
    Title: Welcome To Luthuli! - Luthuli talks to White Crowd
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008110419:SAED:POLITICS:PERSONALITIES:JUN 1959 - Welcome To Luthuli! - Luthuli talks to White Crowd. Non-political whites turned up in hundreds to see Luthuli, hear his views at the multi-race meeting. "I think it could only happen in the Cape," said Luthuli. The Whites in the audience looked a little surprised and even startled - at the singing and shouting that began and ended the meeting. But they listened to the Chief's long and closely-thought-out speech with wrapt attention. No one barracked or interrupted, and no one asked any unfriendly questions. At the end one white man got up to congratulate Luthuli on the dignity and sincerity with which he had spoken. (Photograph by Cloete Breytenbach BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5376 x 3527
    Media Id: 143_5
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, politics, June 1959, 1959, Chief Albert Luthuli, welcome, talks, white crowd, non-political whites, see, hear, views, congratulate, dignity, Cloete Bdreytenbach, Luthuli, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000020108
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000020108:GCP:POLITICS:PERSONALITY:WOMEN:1MAY1955 - 21 Women in Court - The charge: taking part in 'Boycott Disturbances' - Nelson Mandela who is representing the women in court is addressing them before the court appearance. The Alberton magistrate court was packed to the windows, when 21 women appeared before Mr Odendaal on charges of public disturbance. It is alleged that the women took part in disturbances that arose as a result of a boycott of the Bantu Education Act at Natalspruit on April 13.It was also alleged that the women took part in disturbing the public peace by roaring, shouting, making noises and quarelling, thereby collecting a crowd, or by other riotous behaviour. The women pleaded not guilty. (Photograph by Drum Photographer Baileys Archives) passes, women's march neg 622
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5480 x 3522
    Media Id: 43_52
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, Africa, South African history, black and white image, horizontal, Alberton Magistrate's Court, Gauteng, May, 1955, 1950s, Nelson Mandela, black African man, black African women, Bantu Education Act, apartheid, public disturbances, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021004
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021004:SAED:SPORT:SOCCER:PERSONALITY:JUL1956 - Jackson Ngidi Says He Was: Born to Be A Bushbuck Boy! - The first time I met Jackson Ngidi, I took him for a Central African. This five-foot, coal-black, bulky and husky voiced man. It was at the Somtseu Road Sports ground in Durban where I saw him demonstrating, cursing and shouting to attract the attention of his Bushbuck side. This is the man behind the Bushbucks story. He conducts classes where his players are lectured in dribbling, passing, ball-control, team-work and so on. Classes are held Tuesday evenings. And there you see Jackson in action, demonstrating what his ace inside-right, Herbert Zuma, reads from a book. (Photograph by Drum photographer Baileys Archive) neg T382
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2190 x 2030
    Media Id: 43_643
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, Jackson Ngidi, soccer, athlete, Bushbucks, July, 1956, 1950s, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000021005
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000021005:SAED:SPORT:SOCCER:PERSONALITY:JUL1956 - Jackson Ngidi Says He Was: Born to Be A Bushbuck Boy! - The first time I met Jackson Nigidi I took him for a Central African. This five-foot, coal-black, bulky and husky voiced man. It was at the Somtseu Road Sports ground in Durban where I saw him demonstrating, cursing and shouting to attract the attention of his Bushbuck side. This is the man behind the Bushbucks story.That's 'em! The famous bushbucks team. Standing: Petros Zulu, Zebert Muthwa, David Kunene, Jackson Ngidi, Thomas Zondi, Blessing Mkhize, Simon Shoba. Sitting; Herbert Zuma, Alfred Luthuli, Sameul Dimba, Wellington Mdlalose, Danford Khumalo. (Photograph by Drum photographer Baileys Archive) neg T382
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2165 x 2022
    Media Id: 42_987
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: David Kunene, Samuel Dimba, Simon Shoba, Thomas Zondi, Herbert Zuma, Petros Zulu, Blessing Mkhize, Alfred Luthuli, Zebert Muthwa, Danford Khumalo, Wellington Mdlalose, Drum Magazine, South Africa, Africa, South African history, black and white image, Jackson Ngidi, square, soccer, athlete, Bushbucks, July, 1956, 1950s, black African men, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030702
    Title: The Pretoria Bare-fist Fights
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030702:SAED:SOCIAL:NOV1955 - Drum Secret Camera At The Pretoria Bare-fist Fights - Every Sunday afternoon at about 4.30 a horde of rowdy 'Amalaitas' (bare fist fighters) advance slowly to the little township of Bantule, Pretoria, from various directions to the accompaniment of mouth - . The Police urge the fighters on. The fights continue in great secrecy. No holds are barred in these fights which often end in brutal assaults. About 30 Amalaitas fight at once and the barbbrous battle becomes an orgy of shouting and blood-spilling as lips are torn, noses cracked. (Photograph by Bob Gosani Baileys Archives)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1904 x 2209
    Media Id: 43_729
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, gathering, vertical, November, 1955, 1950s, Pretoria, Gauteng, Bantule Township, Amalaitas (bare fist fighters), crowds, brutal, secrecy, Bob Gosani, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041419
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041419:GHAED:SOCIAL:MUSIC:PERSONALITY:JUN1957 - The E.T. Mensah Story - Four years ago E.T. Mensah chucked up his pharmacy career for full-time music making. Is it normal for a salaried phamicist with three years' training to quit his job in preference to making dance music? No, sir. But E.T had to do it, to make up a great challenge. And the great fame that he's been able achieve has been through sweat and sometimes tears. When he puts his horn to his lips, the frenzied girls give him encouragement by shouting , "Blow, blow, E.T., blow!" (Photograph by Drum Photographer BAHA) Ghana
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 2042 x 2727
    Media Id: 43_1313
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: June, 1957, 1950s, E.T. Mensah, Drum Magazine, Africa, black and white image, musician, Ghana, vertical, African history, black African man, dancing, pharmacists, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000041421
    Title: The E.T. Mensah Story
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000041421:GHAED:MUSIC:PERSONALITY:JUN1957 - The E.T. Mensah Story - Four years ago E.T. Mensah chucked up his pharmacy career for full-time music making. Is it normal for a salaried phamicist with three years' training to quit his job in preference to making dance music? No, sir. But E.T had to do it, to make up a great challenge. And the great fame that he's been able achieve has been through sweat and sometimes tears. When he puts his horn to his lips, the frenzied girls give him encouragement by shouting , "Blow, blow, E.T., blow!" (Photograph by Drum Photographer BAHA) Ghana
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2929 x 2114
    Media Id: 43_203
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Ghana, Africa, African history, black and white image, horizontal, black African man, musician, June, 1957, 1950s, E.T. Mensah, trumpets, trumpeters, bed, television, playing, sitting, west africa, musical instrument, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000051523
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051523:GHANAED:TRADITION:CULTURE:ENTERTAINMENT - Aruna Yamuri - Mallam (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2040 x 1920
    Media Id: 43_1218
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Aruna Yamuri - Mallam, black African man, tribal dress, traditional weapons, shouting, rural villages, aggression, Drum Magazine, Africa, black and white image, square, Ghana, African history, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001060503
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001060503:SAED:THEATRE:PERSONALITY:APR1958 - Valley Of A Thousand Hills, Africans Act In British Film - Lionel Ngakane. There's been some strange talk going on in Natal's Valley of a Thousand Hills, that lonely land near Dubarn. Busy men sweating under the heavy sun , are striding around shouting 'Action,' 'Shoot,' and what not. But they're peaceful sort shooting is film. Miles of it. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 3258 x 3243
    Media Id: 42_658
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1958, black and white image, South African history, Africa, 1950s, black African man, Drum Magazine, square, actors, April, South Africa, Valley of a Thousand Hills, KwaZulu-Natal, Lionel Ngakane, film-making, smiling, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001060505
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001060505:SAED:THEATRE:PERSONALITY:APR1958 - Valley Of A Thousand Hills, Africans Act In British Film - Lionel Ngakane. There's been some strange talk going on in Natal's Valley of a Thousand Hills, that lonely land near Dubarn. Busy men sweating under the heavy sun , are striding around shouting 'Action,' 'Shoot,' and what not. But they're peaceful sort shooting is film. Miles of it. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2930 x 3750
    Media Id: 43_283
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1958, April, vertical, 1950s, Lionel Ngakane, Valley of a Thousand Hills, KwaZulu-Natal, portrait, facing camera, head and shoulders, movies, smiling, film-making, actors, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2003111319
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2003111319:SAED:SOCIAL:SPORT:SOCCER:STORIES - I'm Gonna Whup That Nigger - Mohammed Ali and Larry Holmes. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 2760 x 1920
    Media Id: 43_692
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, shouting, file covers, horizontal, Larry Holmes, Muhammad Ali, colour image , magazines, black African man, publications, boxers, ,
    Model Release: No
    Property Release: No

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2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

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This Agreement was last revised on [Revised date].
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Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
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    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

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