Baha Archive
  • Home
  • About
  • Contact
  • Galleries
  • Browse
  • Login
  • Register

Search Term: strange

  • Images (28)
  • Audio
  • Video
  • Documents'
Showing Page 1 of 1 Page/s
Order By: Show Per Page
    X
    Image Number: BHA0016_011.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060117:NIGED:SOCIAL:CULTURE:SEP 1959 – The North’s Great Durbar –Solemn And Eerie: The notes of the pipers wail across the arena, recalling of a strange and glorious past From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: Nigeria
    Pixel Size: 4986 x 4304
    Media Id: 149_6
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0016_11
    Title: The North's Great Durbar
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: NIGED:SOCIAL:CULTURE:SEP 1959 The North's Great Durbar Solemn And Eerie: The notes of the pipers wail across the arena, recalling of a strange and glorious past From all parts of the North they came. The bold cavalry-men on their fiery steeds, their swords and spears glistening in the sun. The women from the Zaria Province, tall and erect in their colourful robes. The men dancer, bursting with smiles and vitality. Such a day had not been before, the day a durbar was held to celebrate self-government in the Northern Region of Nigeria. It was enormous, vast, diverse, majestic. Taking part were over 10 000 men and women, 3000 horses. Dancing and singing crowds came from all thirteen provinces of the Northern Region. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 4986 x 4304
    Media Id: 69_521
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: square, black and white image, Nigeria, Africa, Drum Magazine, September, 1959, 1950s, Durbar Festival, musicians, wind instruments (music), pipers, flutes, West Africa, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_17.tif
    Title: THE STRANGE CASE OF MRS RANSOME-KUTI AND THE ALAKE OF ABEOKUTA
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072211:NIGED:POLITICS:PERSONALITIES:MAR 1959 - The Strange Case Of Mrs Ransome-Kuti And The Alake Of Abeokuta Great organizing ability: Mrs Ransome Kuti and this is the woman who drove him outAt the age of 58, Mrs. Ransome-Kuti is a big problem to the Government of the Nigerian Federation, to the powerful Alake of Abeokuta, and to all those who still think that a womans place is in the kitchen. She was educated at Exeter College, in the United Kingdom, and returned Nigeria with a first-class diploma in Domestic Sciene. She married the late Mr. Ransome-Kuti, and took up a teaching job in the Abeokuta Grammar School. Then, during World War II, she showed that there was plenty of the fighter in her, too. She didnt like the way the food control system was being organized in Abeokuta, and felt that some chiefs were abusing it. So we gave a hell of a time to the chiefs, the Government, to all those who were responsible for the systematic pauperization of the mass of the people,
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 3885 x 4956
    Media Id: 180_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_18.tif
    Title: THE STRANGE CASE OF MRS RANSOME-KUTI AND THE ALAKE OF ABEOKUTA
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072210:NIGED:POLITICS:PERSONALITIES:MAR 1959 - The Strange Case Of Mrs Ransome-Kuti And The Alake Of Abeokuta The Alakes whims, needs and desires are looked after by obedient household, well trained attendants. At first, the Alake didnt take the fiery, crusading Mrs. Ransome-Kuti seriously. When he did, she had a clamouring bunch of women behind her, asking for more rights. So the Alake, rather than hit a woman, decided to abdicate. A year later he was back, and the boisterous battle was on again. (Photograph by Matthew Faji BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 6944 x 5438
    Media Id: 180_26
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_19.tif
    Title: THE STRANGE CASE OF MRS RANSOME-KUTI AND THE ALAKE OF ABEOKUTA
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072209:NIGED:POLITICS:PERSONALITIES:MAR 1959 The Strange Case Of Mrs Ransome-Kuti And The Alake Of Abeokuta It is from this building, palatial and solid, that the Alake rules in uneasy glory over the people of Abeokuta. Sir Ladapo Ademola, the Alake (King) of Abeokuta, is one of the most glorious Yoruba Obas. But his glory doesnt derive from the possession of 89 crowns a fantastic number even for the Queen of England that are stuffed in his sitting-room cupboard. Nor does it derive from the fact that he has not a single black sheep in his family, that all his 31 children were given either good education or the means of going through life without tears. (Photograph by Matthew Faji BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: landscape
    Pixel Size: 6731 x 4736
    Media Id: 180_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0031_21.tif
    Title: THE STRANGE CASE OF MRS RANSOME-KUTI AND THE ALAKE OF ABEOKUTA
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008072208:NIGED:POLITICS:PERSONALITIES:MAR 1959 The Strange Case Of Mrs Ransome-Kuti And The Alake Of Abeokuta Sir Ladapo Ademola, Alake of Abeokuta, wearing one of his eighty-nine priceless crowns. I cannot hate her, he says of the woman who drove him out. At first, the Alake didnt take the fiery, crusading Mrs. Ransome-Kuti seriously. When he did, she had a clamouring bunch of women behind her, asking for more rights. So the Alake, rather than hit a woman, decided to abdicate. A year later he was back, and the boisterous battle was on again. (Photograph by Matthew Faji BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: NIGERIA
    Orientation: portrait
    Pixel Size: 2447 x 3831
    Media Id: 180_14
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0033_74.tif
    Title: diplomat Brian Lea
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008061311:EAED:POLITICS:PERSONALITIES:AUG 1970 - Strange Case Of "Kidnapped" Diplomat. By faking his own "kidnapping" - an event which caused worldwide concern because it was the first reported kidnapping of a foreign diplomat in Africa - 49-year-old British diplomat Brian Lea hope to draw attention to the plight of thousands of Asians in East Africa. This verdict, pronounced to the world after a six-week long inquiry by Mr Justice Russell, answered the main speculation aroused by the Lea affair in Uganda, and in many other countries. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3636 x 4761
    Media Id: 179_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: GCP, East Africa, August 1970, 1970, diplomat, politics, kidnapped, Mr Justice Russell, Uganda, suit, tie, fake, British diplomat, Drum Magazine,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0035_14.tif
    Title: The New Beliefs Spring Up “ The Marching Church
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM200806322:EAED:POLITICS:PERSONALITIES:NOV 1963 - The New Beliefs Spring Up “ The Marching Church, one of the new Christian sects, on the march in Salisbury. They stalk the wilderness and the city streets long, thin biblical men with robes and beards and shepherd's crooks, wild-eyed evangelists, humble mystics ceaselessly praying, richly dressed sects who meet in secret, mysterious men whom their followers insist can cure the most dreaded diseases at the touch of their holy hands. ¦There is a fantastically colourful and strange world of bush priests and prophets and black Christs. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3696 x 5501
    Media Id: 182_36
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, Drum magazine, marching church, November 1963, 1963, christian, Salisburg, evangelist, marching, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0035_15.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM200806321EAED:POLITICS:PERSONALITIES:APR 1963 - The Land Of It Can Be Done Dr Banda Mr. Mennen Williams unveil the cornerstone of Blantyres new £375,000 polytechnic. Once upon a time Nyasaland was a land of too many people and too many goats, too much lake and too little land, too many mountains poking into and peeping out of too much mist. It was pretty hopeless, too . The perfect pasture for missionaries. And the few white settlers shook their heads sadly and stirred their tea. Then a little doctor appeared and there was trouble and the white settlers shook their heads more vigorously and had a good, solid drink. Now the little doctor is prime minister, and something strange and wonderful is happening to that land. Nyasaland is on the move. (Photograph by Drum Photographer ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 4089 x 5384
    Media Id: 183_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0044_006.tif
    Title: Gods Of War
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008081410:GHAED:CULTURE:SOCIAL:PERSONALITIES:SEP 1959 - Gods Of War - As in days of old, a warrior leaps high with a length of rope meant for strange tribesmen who cross his path. Krobos pay homage to their Gods Of War. Every year both the Yilo and Manya Krobos of Ghana hold festivals to re-dedicate themselves to their war gods. The ceremony dates back to the days when the Krobos had to defend themselves against tribes which invaded their land. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3113 x 4465
    Media Id: 251_15
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Ghana, West Africa, Culture, September 1959, 1959, God of War, Krobos, Manya Krobos, Festivals, ceremony, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0057_016.tif
    Title: Modern Miracle?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090404:EAED:RELIGION:PERSONALITIES:MAR 1959 - Modern Miracle? - He Walks Up From The Mission To His Home, Up from the valley and the Catholic Mission of Rushorozoa Parish climbs Lazarus, with a stick tog ive him some support. He made the journey painfully many times before, crawling on hands and knees. He woke again later, felt the pain once more. Yet somehow it wasn't the same. Something strange seemed to have happened to his legs. He became frightened, excited. He streched down his legs had become straight. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3945 x 5888
    Media Id: 145_29
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, religion, Drum Magazine, modern miracle, Catholic Mission, stick, walks, valley, Rushorozoa Parish, Lazarus, March 1959, 1959, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0057_017.tif
    Title: Modern Miracle? - His Hands Have Been Altered
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090405:EAED:RELIGION:PERSONALITIES:MAR 1959 - Modern Miracle? - His Hands Have Been Altered, Too Lazarus's hands used to be calloused and blistered. Now they are a smooth as the schoolteacher's. He woke again later, felt the pain once more. Yet somehow it wasn't the same. Something strange seemed to have happened to his legs. He became frightened, excited. He streched down his legs had become straight. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: landscape
    Pixel Size: 5779 x 4608
    Media Id: 145_12
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: East Africa, religion, Drum magazine, March 1959, 1959, modern miracle, hands, altered, Lazarus's hands, blistered, calloused, Drum Photographer, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0057_018.tif
    Title: Modern Miracle?
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008090406:EAED:RELIGION:PERSONALITIES:MAR 1959 - Modern Miracle? - The Place Where He Came To Pray, Lazarus could often be seen praying at a statue of the Virgin which commemorated Lourdes miracles. Then came a night of pain - and his recovery. He woke again later, felt the pain once more. Yet somehow it wasn't the same. Something strange seemed to have happened to his legs. He became frightened, excited. He streched down his legs had become straight. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: KENYA
    Orientation: landscape
    Pixel Size: 5787 x 3966
    Media Id: 145_28
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0059_006.tif
    Title: Banished!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102115:SAED:POLITICS:PERSONALITIES:DEC 1959 - Banished - Ben Bartman reading newspaper - The Man Who Broke Down - Koppie B. Bartman, tough A.N.C. leader, had tears in his eyes when he said goodbye to his wife and four kids at Worcester (Cape) station. He is exiled in Zululand. Eighty two African men and women are today living in exile in South Africa. They have been sent away from their homes - sometimes with barely time to grab a tooth-brush - to fend for themselves in strange, desolate areas for an indefinite period. No trial, No Explanation. Many are near starvation, as are their wives and children. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 3546 x 4843
    Media Id: 140_23
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0059_007.tif
    Title: Banished!
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102114:SAED:POLITICS:PERSONALITIES:DEC 1959 - Banished - The Man Who Broke Down - Koppie B. Bartman, tough A.N.C. leader, had tears in his eyes when he said goodbye to his wife and four kids at Worcester (Cape) station. He is exiled in Zululand. Eighty two African men and women are today living in exile in South Africa. They have been sent away from their homes - sometimes with barely time to grab a tooth-brush - to fend for themselves in strange, desolate areas for an indefinite period. No trial, No Explanation. Many are near starvation, as are their wives and children. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 1902 x 2428
    Media Id: 140_19
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0072_012.tif
    Title: The Temple That Will Not Die
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2008102302:SAED:RELIGION:DEC 1960 - The Temple That Will Not Die - The Temple As It Is Today. This is the strange story of a temple that refuses to die. The Umbilo Shree Ambalavanar Alayam - more commonly known as the Umbilo Temple - has more fact and fiction wrapped around it than any other place of worship in the country. It recent months thousands of Hindus from Natal have been flocking to the derelict temple in Durban to worship. The temple was deconsecrated almost two decades ago and various attempts at demolishing the structure have been made. (Photograph by G.R Naidoo ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: portrait
    Pixel Size: 3779 x 5694
    Media Id: 141_16
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: South Africa, Drum Magazine, religion, December 1960, 1960, temple, worship, praying, The Umbilo Shree Ambalavanar Alayam, Umbilo Temple, Natal, Durban, G.R Naidoo, Indians, ,
    Model Release: No
    Property Release: No

    X
    Image Number: BHA0221_008.tif
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2011060704:SAED:SOCIAL:PERSONALITIES:SEP 1960 - The strange story white chief with 47 Black wives - John Dunn. (Photograph by Ranjith Kally ©BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: landscape
    Pixel Size: 5891 x 3876
    Media Id: 778_35
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: DM2000051507
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000051507:GHANAED:SOCIAL:PERSONALITY:JAN1959 - The Strange Lessons Of My Life - Genius Or Crank. Here in his own unique language, is the life story of a man who has been called a crank, a genius , Mr Cojdoe, or Dr Codjoe, as he prefers to call himself. He lays claim to a D.Sc., LL.D., D.Litt.j M.A. (London) Hons., and V.O. which he says means Victorian Order. He is sole owner of the Kushara Press, which pours forth his brain children. (Photograph by Drum Photographer © BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Orientation: square
    Pixel Size: 1962 x 1965
    Media Id: 42_942
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030809
    Title: Riddle Of The Girl Who Came Back From Dead - Mavis Sithebe, of Newcastle
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030809:GCP:SOCIAL:NOV1955 - Riddle Of The Girl Who Came Back From Dead - A 12 year old girl African girl is the subject of South Afrca's greatest mystery story. She is Mavis Sithebe, of Newcastle, Natal, and everyone in the province is talking about the strange story of how she 'died' and then came back to life. (Photograph by Gopal Naramsamy Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1970 x 1910
    Media Id: 43_1076
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, Newcastle, KwaZulu-Natal, Mavis Sithebe, coffin, strange, inexplicable, black African girl, mystery, November, 1955, 1950s, black African woman, Gopal Naransamy, November 1955, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030810
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030810:GCP:SOCIAL:NOV1955 - Riddle Of The Girl Who Came Back From Dead - A 12 year old girl African girl is the subject of South Afrca's greatest mystery story. She is Mavis Sithebe, of Newcastle, Natal, and everyone in the province is talking about the strange story of how she 'died' and then came back to life. The girl had been placed in the coffin on her back and her grandmohther, Mrs Sithebe, came along with a basin of water and a cloth and stopped, 'petrified', for Mavis had turned to lie on her stomach. (Photograph by Gopal Naramsamy Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1890 x 1980
    Media Id: 43_1472
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: grandmother, rural villages, Drum Magazine, South Africa, Africa, South African history, black and white image, traditional huts, square, black African woman, Newcastle, KwaZulu-Natal, Mavis Sithebe, coffin, strange, inexplicable, black African girl, mystery, November, 1955, 1950s, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030811
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030811:GCP:SOCIAL:NOV1955 - Riddle Of The Girl Who Came Back From Dead - A 12 year old girl African girl is the subject of South Afrca's greatest mystery story. She is Mavis Sithebe, of Newcastle, Natal, and everyone in the province is talking about the strange story of how she 'died' and then came back to life. The girl had been placed in the coffin on her back and her grandmohther, Mrs Sithebe, came along with a basin of water and a cloth and stopped, 'petrified', for Mavis had turned to lie on her stomach. (Photograph by Gopal Naramsamy Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1878 x 1716
    Media Id: 43_917
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, square, Newcastle, KwaZulu-Natal, Mavis Sithebe, strange, inexplicable, black African girl, mystery, November, 1950s, 1955, hut, black African men, black African woman, black African child, rural villages, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2000030812
    Title: Riddle Of The Girl Who Came Back From Dead - Mavis Sithebe, of Newcastle
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2000030812:GCP:SOCIAL:NOV1955 - Riddle Of The Girl Who Came Back From Dead - A 12 year old girl African girl is the subject of South Afrca's greatest mystery story. She is Mavis Sithebe, of Newcastle, Natal, and everyone in the province is talking about the strange story of how she 'died' and then came back to life. The girl had been placed in the coffin on her back and her grandmohther, Mrs Sithebe, came along with a basin of water and a cloth and stopped, 'petrified', for Mavis had turned to lie on her stomach. (Photograph by Gopal Naramsamy Baileys Archive)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1980 x 1860
    Media Id: 43_642
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, bed, square, 1950s, November, 1955, black African girl, Gopal Naransamy, Mavis Sithebe, Newcastle, Natal, patients, Gopal Naramsamy, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001030812
    Path: african.pictures / Bailey's African History Archive / Drum Covers
    Description: DM2001030812:SAED:COVER:JAN1957 - DOLLY! Her Strange Life And Loves - Dolly Rathebe. ( BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Covers
    Orientation: portrait
    Pixel Size: 1972 x 2618
    Media Id: 18_208
    Credit: Drum Covers / Baileys African History Archive / Africa Media Online
    Keywords: file covers, Drum Magazine, magazines, Africa, South Africa, vertical, colour image , publications, 1950s, 1957, Dolly Rathebe, January, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001032022
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001032022:NIGED:SOCIAL:SEP1959 - The North's Great Durbar - Solemn and Eerie: the notes of the pipers wil across the arena, recalling tales of a strange and glorious past. From all parts of the North they came. The bold calvarymen on their feiry steeds, their swords and spears glistening in the sun. The women from Zaria Province, tall and erect in their colourful robes. The men dancers, bursting with smiles and vitality. (Photograph by Drum Photographer BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 3183 x 2667
    Media Id: 43_715
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, Africa, black and white image, horizontal, musicians, African history, Zaria, Nigeria, 1959, September, 1950s, traditional dress, traditional dancing, black African people, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001060503
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001060503:SAED:THEATRE:PERSONALITY:APR1958 - Valley Of A Thousand Hills, Africans Act In British Film - Lionel Ngakane. There's been some strange talk going on in Natal's Valley of a Thousand Hills, that lonely land near Dubarn. Busy men sweating under the heavy sun , are striding around shouting 'Action,' 'Shoot,' and what not. But they're peaceful sort shooting is film. Miles of it. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Pixel Size: 3258 x 3243
    Media Id: 42_658
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: 1958, black and white image, South African history, Africa, 1950s, black African man, Drum Magazine, square, actors, April, South Africa, Valley of a Thousand Hills, KwaZulu-Natal, Lionel Ngakane, film-making, smiling, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001060505
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001060505:SAED:THEATRE:PERSONALITY:APR1958 - Valley Of A Thousand Hills, Africans Act In British Film - Lionel Ngakane. There's been some strange talk going on in Natal's Valley of a Thousand Hills, that lonely land near Dubarn. Busy men sweating under the heavy sun , are striding around shouting 'Action,' 'Shoot,' and what not. But they're peaceful sort shooting is film. Miles of it. (Photograph by Ian Berry BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Country: South Africa
    Orientation: portrait
    Pixel Size: 2930 x 3750
    Media Id: 43_283
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1958, April, vertical, 1950s, Lionel Ngakane, Valley of a Thousand Hills, KwaZulu-Natal, portrait, facing camera, head and shoulders, movies, smiling, film-making, actors, black African man, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2001071208
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2001071208:SAED:SOCIAL:RELIGION:PERSONALITY:AUG1964 - The Playboy Priest - The late Rev Keith Nkabinde was as colourful as they come. And they are still arguing about him in the Johannesbug townships. A playboy, was he a twister too? You be the judge. A metallic procession of cars of all types and shapes, trucks and vans, wound its way from Dube down to Croesus. Huge crowds of people from different walks of life trudged along with the slow-moving cars. There were churchmen and women; gwevas and shebeen queens; sportsmen and tsotsis; politicians and ample-figured business magnates, all people who had known and dealt with that strange mixture of good and evil, the Rev Keith Nkabinde. (Photograph by Peter Magubane BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 1980 x 1910
    Media Id: 44_43
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, 1964, square, August, 1960s, Rev Keith Nkabinde, religious leaders, black African men, black African women, ,
    Model Release: No
    Property Release: No

    X
    Image Number: dm2004011310
    Title: Banished - Frenchdale
    Path: african.pictures / Bailey's African History Archive / Drum Social Histories
    Description: DM2004011310:SAED:SOCIAL:WOMEN:POLITICS:DEC1959 - Banished! - Nearly three years ago Drum exposed conditions in the Frenchdale exile area. Today there are other areas, and other exiles eating out their hearts in solitude. Eighty two African men and women are today living in exile in South Africa. They have been sent away from theier homes sometimes with barely time to grab a toothbrush to fend for themselves in strange, disolate areas for an indefinite period. No trial. No explanation. Many are near starvation, as are their wives and children. (Pictures by Peter Magubane and G.R. Naidoo BAHA)
    Collections: Baileys African History Archive
    Subcollections: Drum Social Histories
    Pixel Size: 2480 x 2736
    Media Id: 42_801
    Credit: Drum Social Histories / Baileys African History Archive / Africa Media Online
    Keywords: Drum Magazine, South Africa, Africa, South African history, black and white image, apartheid, square, political exiles, December, 1959, 1960s, Frenchdale, Cape Peninsula, Western Cape, black African man, kneeling, praying, G.R Naidoo, Peter Magubane, ,
    Model Release: No
    Property Release: No

Showing Page 1 of 1 Page/s
Order By: Show Per Page
Main Menu
  • Home
  • About
  • Contact
  • Galleries
Legal
  • Terms & Conditions
  • Help

Baileys African History Archive

2007/002089/23

PRIVACY POLICY

THIS PRIVACY POLICY (“POLICY”) GOVERNS THE PROCESSING OF PERSONAL INFORMATION BY Baileys African History Archive IN CONNECTION WITH Baileys African History Archive’S ARCHIVE WEBSITE (“WEBSITE”) LOCATED AT http://baha.africamediaonline.com/. YOUR USE OF THE WEBSITE IS SUBJECT TO THIS POLICY. BY USING THIS WEBSITE, YOU SIGNIFY YOUR CONSENT TO PROCESSING OF YOUR PERSONAL INFORMATION IN ACCORDANCE WITH THIS PRIVACY POLICY.

Baileys African History Archive MAY AMEND THIS POLICY AT ANY TIME. AMENDED TERMS SHALL BE EFFECTIVE IMMEDIATELY UPON THE POSTING OF THE REVISED POLICY AND ANY SUBSEQUENT ACTIVITY IN RELATION TO THE WEBSITE SHALL BE GOVERNED BY SUCH AMENDED TERMS. IF YOU DO NOT AGREE WITH ANY TERM IN THIS POLICY, PLEASE DO NOT USE THIS WEBSITE.

This Agreement was last revised on [Revised date].
Enquiries: Bongi Maswanganyi

Revised date: 31-03-2020

  1. PERSONAL INFORMATION COLLECTION AND USE
    1. Subject to consent, Baileys African History Archive collects, stores and uses information from Archive Content Subjects (persons whose personal information is determined from the digitisation or digital processing of records belonging to Baileys African History Archive) for the following purposes:
      1. to compile and maintain an archive for Baileys African History Archive,
      2. to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise,
      3. to provide the Archive Content Subjects with direct marketing communications regarding Baileys African History Archive’s activities and news.
    2. We collect Personal Information from the following persons:
      1. natural persons over 18,
      2. natural persons under 18 with the consent of a competent person,
      3. juristic persons such as companies duly represented by a representative,
      4. people who send enquiries or requests to our contact email address.
    3. Categories of persons listed in clause 1.4 may include Website Users and Archive Content Subjects and in certain instances, persons may be categorised as both.
    4. Baileys African History Archive may also automatically collect and store non-personally identifiable information from Your use of the Website.
    5. Baileys African History Archive may collect the following personal information from Website Users:
      1. name,
      2. surname,
      3. username and password,
      4. job description,
      5. organisation name,
      6. organisation type,
      7. organisation URL,
      8. email address,
      9. telephone number,
      10. mobile telephone number,
      11. facsimile number,
      12. address,
      13. city and province,
      14. postal code,
      15. country,
      16. type of organisation,
      17. the market the organisation serves,
      18. non-personal browsing habits and click patterns,
      19. IP address,
      20. purchasing information and buying patterns,
      21. any additional information necessary to deliver our services,
      22. details of responses to Your enquiries and any online communications between us and You, and
      23. any information provided to us by You.
    6. Baileys African History Archive may collect the following personal information from Archive Content Subjects: 1.8.1 name,
      1. name,
      2. surname,
      3. date of birth,
      4. age,
      5. gender,
      6. race,
      7. language,
      8. culture,
      9. physical health,
      10. ethnic origin,
      11. education information,
      12. religion,
      13. disability,
      14. marital status,
      15. pregnancy,
      16. mental health,
      17. biometric information,
      18. location information,
      19. employment history,
      20. personal opinions, views or preferences,
      21. The views or opinions of another individual about the person;
      22. videos recordings,
      23. audio recordings,
      24. manuscripts,
      25. photographs, and
      26. any additional information that can form part of the archive of Baileys African History Archive.
    7. We may use cookies or other tracking technologies to collect information such as the pages You visit or the information You request. The Website hosting agents and/or service providers may automatically log Your “IP address” which is a unique identifier for Your computer and/or other access devices. Such information collected is for aggregate purposes only.
  2. CONSENT TO PROCESS YOUR PERSONAL INFORMATION
    1. If You are a Website User, You consent to the processing of Your Personal Information specifically including (i) to greet the User when he/she accesses the Website, (ii) to inform the Website User of facts relating to his/her access and use of the Website as well as to assist with problems, (iii) to provide the Website User with access to the Website and the associated Website services, (iv) to provide the Website User with direct marketing communications regarding Baileys African History Archive’s activities and news, and/or (v) to compile non-personal statistical information about browsing habits, click patterns and access to the Website.
    2. If You are an Archive Content Subject, You consent to the processing of Your Personal Information specifically including (i) to compile and maintain an archive for Baileys African History Archive, (ii) to be published in marketing and communications materials, including but not limited to, school magazines, brochures, newsletters and published photographs on the Website or otherwise, and/or (iii) to provide the You with direct marketing communications regarding Baileys African History Archive’s activities and news.
    3. The processing of Your Personal Information shall include the collection, receipt, recording, organisation, collation, storage, updating or modification, retrieval, alteration, consultation, use; dissemination by means of transmission, distribution or making available in any other form; or merging, linking, as well as blocking, degradation, erasure or destruction of information.
    4. By using our Website, You represent that You are of the age of 18 or older or that you have the necessary authorisation from a competent person and that you consent to Your Personal Information to be processed by Baileys African History Archive.
    5. You expressly consent to Baileys African History Archive retaining Your Personal Information once Your relationship with Baileys African History Archive has been terminated for: aggregate, statistical, reporting and historical purposes.
    6. In the event that You wish to revoke all consent pertaining to Your Personal Information and/or You would like Baileys African History Archive to remove and/or delete Your Personal Information entirely, You may contact Baileys African History Archive via email to bahapix@iafrica.com
  3. HANDLING OF PERSONAL INFORMATION
    1. Baileys African History Archive endeavours to comply with all laws and regulations applicable to Baileys African History Archive pertaining to information and communications privacy including, but not limited to, the 1996 South African Constitution and the Protection of Personal Information Act 4 of 2013 (“the Act”). Baileys African History Archive applies the principles of protection of Personal Information under such Act and further legislation referred to in the Act.
    2. Baileys African History Archive seeks to ensure the quality, accuracy and confidentiality of Personal Information in its possession. You warrant that all personal information supplied by You is both true and correct at the time of provision. In the event of any aspect of Your personal information changing post submission, it is Your responsibility to immediately notify Baileys African History Archive of the said changes by email to Bongi Maswanganyi. You agree to indemnify and hold Baileys African History Archive, its officers, directors, employees, agents, and suppliers harmless from and against any claims, damages, actions and liabilities including without limitation, indirect, incidental, special, consequential or punitive damages arising out of Baileys African History Archive’s reliance on Your personal information should Your personal information contain any errors or inaccuracies.
    3. You warrant that You have the authority, permissions and consents to provide Baileys African History Archive with any third party information submitted to Baileys African History Archive.
    4. Baileys African History Archive will take all reasonable measures in order to ensure Your Personal Information is appropriately safeguarded, these precautions include but are not limited to: access control mechanisms via username and password and software protection for information for security.
    5. Should an unauthorised person/s gain access to Your Personal Information Baileys African History Archive will contact You within a reasonable time to inform You of such access.
    6. Baileys African History Archive may share Your personal Information with authorised third parties such as service providers to Baileys African History Archive. These include, but are not limited to digital archiving service providers. Baileys African History Archive does not permit these parties to use such information for any other purpose than to perform the services that Baileys African History Archive has instructed them to provide. All processing is compatible with such purpose.
    7. Baileys African History Archive may appoint certain agents, third parties and/or service providers which operate outside the borders of the Republic of South Africa. In these circumstances Baileys African History Archive will be required to transmit Your Personal Information outside South Africa. The purpose of the trans-border transfer of Your Personal Information may include, but is not limited to: data hosting and storage. You expressly consent to the trans-border flow of Your Personal Information.
    8. The Website may contain links to other websites. Baileys African History Archive is not responsible for the privacy practices of such third party websites.
  4. RECORDS OF PERSONAL INFORMATION
    1. Records relating to the provision of Baileys African History Archive products and/or services by Baileys African History Archive to You and the Personal Information submitted by You is retained for publication on the Website and/or to provide you with the Website services.
    2. Such records may be required to be retained in terms of legislated records retention requirements, Baileys African History Archive’ operational purposes and/or for production as evidence by Baileys African History Archive in legal proceedings.
    3. In terms of Section 14(2) of the Act records of personal information may be retained for periods in excess of those contemplated in 4.1 for historical purposes. Baileys African History Archive warrants that appropriate safeguards are in place to prevent the records being used for any other purpose.
    4. Baileys African History Archive may disclose Your Personal Information under the following circumstances: 4.4.1 To comply with the law or with legal process;
      1. To protect and defend Baileys African History Archive’s rights, equipment, facilities and other property;
      2. To protect Baileys African History Archive against misuse or unauthorised use of the Website and/or products and/or services; and/or
      3. To protect other Website Users or third parties affected negatively by Your actions in use of the products/services and/or the Website.
  5. ACCEPTABLE USE
    In connection with the Digital Archive Material (as made available through the Website) You agree that:

    1. No Item containing the image of or reference to a person is to be used for a purpose other than for which rights are granted by Baileys African History Archive, without prior express written permission of Baileys African History Archive.
    2. Only a single digital copy of an Item may be stored on a single computer, hard drive, or any other storage device, and that that copy may not be duplicated in any way whatsoever, except for a single backup copy which may only be used in the event of the original being deleted, lost, or irreparably damaged.
    3. Once the Item has been used for the purpose for which use rights were granted, all copies of the Item must be deleted, apart from where it forms part of the archive of what was published.
  6. OBJECTIONS, COMPLAINTS AND QUERIES
    1. Should You have any questions about this Privacy Policy, require a correction to be made to Your Personal Information that Baileys African History Archive keeps on record, request a copy of the record itself, lodge an objection to the collection, Use or processing of Your Personal Information by Baileys African History Archive, or delete Your personally identifiable information, you may send an e-mail to bahapix@iafrica.com
    2. There may be instances where we cannot grant You access to the Personal Information we hold. We may need to refuse access if granting access would interfere with the privacy of others or if it would result in a breach of confidentiality. Should this be the case, we will give You written reasons for any refusal.

Confirm Order

Please confirm that you would like to order a high quality version of this item. Once your order is placed, a request for approval will be sent to the relevant archivist who may respond to you with questions. If your order is approved, you will be notified and the file will be made available for download.

Loading...

Login

Please enter login details below.



Forgot your password?
Register Now

Register

Note: Your password will be generated automatically and sent to your email address.